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The St Kilda Boat Cough Under the Microscope
J R Coll Physicians Edinb 2008; 38:272–9 Paper © 2008 Royal College of Physicians of Edinburgh The St Kilda boat cough under the microscope P Stride Physician, Redcliffe Hospital, Redcliffe, Queensland, Australia ABSTRACT The inhabitants of St Kilda, a remote archipelago in the Outer Hebrides, Published online August 2008 suffered from outbreaks of a respiratory tract infection known as the boat cough every time strangers visited their isolated community between the seventeenth Correspondence to P Stride, and nineteenth centuries. This condition has always been labelled influenza, but a Redcliffe Hospital, Locked Bag 1, review of contemporary records and modern microbiological evidence strongly Redcliffe, Queensland, suggests the illness was due to rhinovirus. Australia 4020 tel. +617 3256 7980 KEYWORDS Boat cough, Hebrides, Hirta, influenza, rhinovirus, St Kilda fax. +617 3883 7530 e-mail DECLARATION OF INTERESTS No conflict of interests declared. [email protected] INTRODUCTION ORIGINAL REPORTS OF THE BOAT COUGH ‘There are few questions connected with the science The St Kildans complained of the inevitable onset of an of medicine involved in greater obscurity than the acute respiratory illness with a severe predominating origin of contagious diseases.’ – John Morgan1 cough, which developed shortly after the first arrival of the year and often recurred with subsequent visits of travellers. ‘Yet the Scots purchased all these (the Hebrides) The native Gaelic speakers of St Kilda called it cnatan-na- with their ready money of the Norwegians as if they gall, or the strangers’ cough; visitors to the archipelago had beene the very buttresses or pillars of the called it the boat cough. -
1 Song Title
Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol. -
The BG News July 22, 1992
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 7-22-1992 The BG News July 22, 1992 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News July 22, 1992" (1992). BG News (Student Newspaper). 5392. https://scholarworks.bgsu.edu/bg-news/5392 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. ^? The BG News Wednesday, July 22, 1992 Bowling Green, Ohio Volume 74, Issue 155 Camp soccer! Clinton, Gore a possible win in November complements himself. In doing Political Reaction: that, he came up with Al Gore, the best person for the job," Per- by Heather McQulller kins said. staff writer Dennis Anderson, a University The week political science professor, be- lieves that Clinton and Gore have in weather For whatever reason Bill Clin- a chance. "They both have ton chose Al Gore as his running different specialties because mate for the Presidential elec- they've dealt with several Extended Forecast: tion, one generalization seems to different issues," he said. Wednesday, partly sunny. hold true: Most people agree that Anderson added that Gore is a High in the mid-70s. Al Gore was the right choice for credible vice presidential candi- Wednesday night, becoming Clinton. date who will "eat Quayle for cloudy. -
THE EVOLUTION of a POEM the Shark
Phoenix Phoenix The University of Sydney Writers Journal The University of Sydney Writers Journal 2006 2006 Guest Editors Guest Editors Judith Beveridge Judith Beveridge David Brooks David Brooks Edited By Edited By Adrienne Jerram Adrienne Jerram Roberta Lowing Roberta Lowing Julianne Wargren Julianne Wargren The University of Sydney Creative Writing Program The University of Sydney Creative Writing Program Department of English Department of English University of Sydney University of Sydney in association with in association with SYDNEY UNIVERSITY PRESS SYDNEY UNIVERSITY PRESS ; ($%&+;!;+ +;$&(;$& ; $!$ ; ($%&+;!;+ +;$&(;$& ; $!$ "$& &;!; % "$& &;!; % ($%&+;!;+ + ($%&+;!;+ + ;%%!&! ;)& ;%%!&! ;)& ; ; ; ; ($%&+;!;+ + ($%&+;!;+ + )))5%'"5'%+5'5' )))5%'"5'%+5'5' 9;.,,1; (';'&!$% 9;.,,1; (';'&!$% 9;.,,1;+ +; ($%&+; $%% 9;.,,1;+ +; ($%&+; $%% ;&!$% ;&!$% !$&; !) !$&; !) ' ;$$ ' ;$$ % ; ;+!'& % ; ;+!'& ' ;$$ ' ;$$ ! *;$";"$!(;+ ! *;$";"$!(;+ %;;$ %;;$ "$!'&! ; ; !' &! ; !$; !&$; "'$"!%% "$!'&! ; ; !' &! ; !$; !&$; "'$"!%% *"&;%;"$&&;' $;&;&6; !;"$&;!;&%;&! ;+;;$"$!'6;%&!$ *"&;%;"$&&;' $;&;&6; !;"$&;!;&%;&! ;+;;$"$!'6;%&!$ ;;$&$(;%+%&6;!$;!' &; ; +;!$;!$;+; +; %;)&!'&;"$!$ ;;$&$(;%+%&6;!$;!' &; ; +;!$;!$;+; +; %;)&!'&;"$!$ )$&& ;"$%%! 5;;$#'%&%;!$;$"$!'&! ;!$;!' &! ;%!';; )$&& ;"$%%! 5;;$#'%&%;!$;$"$!'&! ;!$;!' &! ;%!';; &!;+ +; ($%&+; $%%;&;&;$%%;!)7 &!;+ +; ($%&+; $%%;&;&;$%%;!)7 + +; ($%&+; $%% + +; ($%&+; $%% %$; $$+;,/ %$; $$+;,/ ($%&+;!;+ + ($%&+;!;+ + ;.,,1; ;.,,1; 7;;;; !8%'"5'%+5'5' 7;;;; !8%'"5'%+5'5' -3/0:-3,. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
{PDF} the Goddess Legacy Ebook Free Download
THE GODDESS LEGACY PDF, EPUB, EBOOK Aimee Carter | 395 pages | 31 Jul 2012 | Harlequin Teen | 9780373210756 | English | Ontario, Canada Goddess Test / Goddess Interrupted / The Goddess Legacy / The Goddess Inheritance by Aimee Carter They were our gods. But after ten years of rebellion and war in an effort to protect humanity from our father's twisted games, we were the gods now. Still in our infancy compared to our creators, my siblings and I now ruled over the world and all her inhabitants. And as I stared out across the great expanse that was our domain only minutes after our battle had ended, I felt something I thought would end with the war: I felt fear. It was unnatural. What did we, the captors of Titans, the new generation of gods, have to be afraid of? But the more I tried to picture the future, the clearer it became to me. We hadn't inherited just the Titans' thrones. We'd inherited their responsibilities, as well. And whether or not we were ready for it, the world was waiting for us. Humanity was depending on us to get it right. Lightning lit up the sky, followed by a symphony of thunder, and I snapped out of my reverie. My youngest brother let out a giant whoop that echoed for miles. Poseidon scoffed. Watch this. Rushing forward, the waves crashed against the cliff we stood on, shaking the very earth. If humanity was depending on us to get it right, they were in for several eons of disappointment. She stood beside me, a smile playing on her lips as she watched our brothers wrestle. -
Y'all Call It Technical and Professional Communication, We Call It
Y’ALL CALL IT TECHNICAL AND PROFESSIONAL COMMUNICATION, WE CALL IT #FORTHECULTURE: THE USE OF AMPLIFICATION RHETORICS IN BLACK COMMUNITIES AND THEIR IMPLICATIONS FOR TECHNICAL AND PROFESSIONAL COMMUNICATION STUDIES by Temptaous T. Mckoy July 2019 Director of Dissertation: Michelle F. Eble Major Department: Department of English This project seeks to define and identify the use of Amplification Rhetorics (AR) in the social movement organization TRAP Karaoke and at three Historically Black Colleges and Universities (HBCUs). In highlighting the AR practices in Black communities. This project will provide insight into what these practices and spaces have to offer to the field of Technical and Professional Communication (TPC). AR is a theoretical framework that details the discursive and communicative practices, both written/textual and embodied/performative performed/used by individuals that self-identify as Black and centers the lived experiences and epistemologies of Black people and other historically marginalized groups. AR are #ForTheCulture practices that provoke change within the academy, regardless the field, however for this project I focus on the field of TPC. The phrase “For the Culture,” is used to describe or allude to an action that can benefit those individually or within a community much like TPC artifacts. This project identifies rhetorical practices located in Black spaces and communities that can be identified as TPC through the reclamation of agency, the sharing of narratives, and the inclusion of Black epistemologies. It illustrates just what it means to pass the mic and remind folks that we not ‘bout to act like there aren’t people of color at the TPC table. -
Getting Unstuck: Common Problems in Meetings and Some Solutions
Getting Unstuck: Common Problems in Meetings and Some Solutions Sometimes meetings bog down or don’t go very well. Below are listed some of the most common problems in meetings and some techniques you might use to address them. These solutions may not work in your situation — use your own judgment. Note that many of these solutions suggest appointing a facilitator to clarify, summarize, sort, and focus discussions; a note- taker to record the minutes of the meeting; a vibes-watcher to notice poor meeting process and interrupt it; and a timekeeper to ensure that items are discussed and decided in a timely fashion. Many also suggest having a pre-prepared agenda or estab- lishing one at the outset, reviewing the agenda with everyone at the beginning, and setting aside a time at the end to evaluate the meeting process. Common Problems Examples Possible Solutions Poor Listening Mary: I think the evening program • Leave a silence between speakers so everyone can listen People don’t hear each should have more female speakers. carefully to what was last said and ponder it. other clearly. We could replace Ed with Laura. • Summarize, paraphrase, or clarify the ideas of the last few Judith: I don’t think anyone could speakers. ever replace Ed — he is such a • Point out that people are not hearing each other clearly. dear man and has done so much for us. • Have a check-in time at the beginning of meetings for everyone to say in turn what is on their minds, so they Richard: Well, I agree with Mary won’t be distracted by it later during the meeting. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
For Immediate Release
FOR IMMEDIATE RELEASE MAY 18, 2012 MATCHBOX TWENTY HEAD “NORTH” WITH NEW ALBUM; MULTI-PLATINUM POP-ROCK SUPERSTARS RETURN ON FIRST ALL-NEW COLLECTION IN TEN YEARS; ALBUM TO BE HERALDED BY THRILLING NEW SINGLE; “SHE’S SO MEAN” SET TO IMPACT IN MID-JUNE; “NORTH” ARRIVES EVERYWHERE ON SEPTEMBER 4TH Atlantic recording group Matchbox Twenty has announced the release of their hugely-anticipated new album scheduled to arrive everywhere on September 4th. “NORTH” marks Matchbox Twenty’s fourth full-length studio recording and first all-new album in a decade. “The title refers to us finding our way,” says Matchbox Twenty’s Paul Doucette. “We went into this record with a lot of material. Many different songs that could have taken us in many different directions. It sort of overwhelmed us for a bit. But, at a certain point, we figured it out. We figured out where North was.” The album’s electrifying first single, “She’s So Mean,” is slated to be unveiled in June. “NORTH” sees Matchbox Twenty driving their pop-rock sound further forward; magnifying the indelible melodies, crafty lyricism, and glorious hooks that have always defined their multi-platinum body of work. The band—Rob Thomas, Paul Doucette, Kyle Cook and Brian Yale,– lived together last Summer in a house in Nashville where they all collaborated on the new material before once again joining forces with the Grammy Award-winning producer Matt Serletic at his Emblem Studios in Calabasas, California. The result of their labors stands among Matchbox Twenty’s finest, with songs like “Overjoyed” and “Put Your Hands Up” marked by the band’s instantly identifiable sonic approach and unadulterated high spirits. -
It Must Be Karma: the Story of Vicki Joy and Johnnymoon
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-14-2010 It Must be Karma: The Story of Vicki Joy and Johnnymoon Richard Bolner University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Bolner, Richard, "It Must be Karma: The Story of Vicki Joy and Johnnymoon" (2010). University of New Orleans Theses and Dissertations. 1121. https://scholarworks.uno.edu/td/1121 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. It Must be Karma: The Story of Vicki Joy and Johnnymoon A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree Master of Fine Arts in Film, Theatre and Communication Arts Creative Writing by Rick Bolner B.S. University of New Orleans, 1982 May, 2010 Table of Contents Prologue ...............................................................................................................................1 -
How to Prevent Jet Lag After Sleeping Through the First Week of Afternoons on a Europe Trip
By Jay Olson | January 1, 2013 Jet lag: the main killer of productivity and enjoyment when travelling across time zones. Common folk remedies include pressure points, aromatherapy, and light exposure behind the knee. But is there evidence any of these actually work? Probably not. Fortunately, recent research on circadian rhythms has suggested a reliable method to reduce or even completely prevent jet lag. Circadian rhythms are the roughly 24-hour biological rhythms that drive changes within humans and most other organisms. iStock / Gene Chutka For example, humans have circadian rhythms of alertness and body temperature. Usually these rhythms align with the environment’s natural light and dark cycle: peak drowsiness occurs around 5:00 AM, when it is often dark out. Jet lag occurs when our rhythms no longer align with the environment. Flying from Vancouver to Moscow — 12 hours ahead — means that peak drowsiness occurs at 5:00 PM, when one would usually want to be alert. Although scientists have known about circadian rhythms for centuries, evidence has recently accumulated that we can apply this knowledge to minimise the negative effects of shift work and jet lag. Whether circadian rhythms align with the environment is determined by factors such as exercise, melatonin, and light. Bright light exposure is the most powerful way to cause a phase shift — an advance or delay in circadian rhythms. Light in the early morning makes you wake up earlier (“phase advance”); light around bed time makes you wake up later (“phase delay”). This simple insight can be used to minimise jet lag. For example, Helen Burgess and colleagues from the Rush University Medical Center in Chicago studied whether jet lag could be prevented by phase shifting before departing.