NBTT: Transitions, Chris Bronstein
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Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Florida’S Best Community Newspaper Serving Florida’S Best Community 50¢ VOL
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Rays: Snell sharp as Tampa Bay wins playoff opener/B1 WEDNESDAY TODAY CITRUSCOUNTY & next morning HIGH 79 Mostly sunny, LOW breezy, cooler. 58 PAGE A4 www.chronicleonline.com SEPTEMBER 30, 2020 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 125 ISSUE 358 INSIDE SPECIAL SECTION: Distinctive of the Nature City frowns on tobacco Homes Coast Crystal River council moves to further discourage smoking, vaping at facilities BUSTER olution establishing “It’s a wonderful, won- Copeland and Jim Legrone “Cigarette smoke contains THOMPSON tobacco-free zones for city derful thing that we’re going Memorial parks. more than 7,000 chemicals, Coldwell Banker Next Generation Realty – Edward Johnston – See Page 7 000Z31O Staff writer parks and recreational to do this,” Councilman Pat Inverness City Council 69 of which have been facilities. Fitzpatrick told attending passed a similar measure known to cause cancer.” Distinctive A little less cigarette Officials with the Citrus partnership members be- in June 2020. She went on to say cur- smoke and butts could be County Tobacco Free Part- fore calling the resolution “There’s no safe level rent research on Homes rising and falling at Crys- nership, a part of the Flor- to a vote. “Thank you for for secondhand smoke,” electronic-cigarette also Get a glimpse of tal River’s public venues. ida Health Department in this and I support it 100%.” Citrus County Tobacco shows aerosols emitted fabulous residences. City Council members Citrus County, proposed Signage will be posted Free Partnership Presi- from those devices contain voted 5-0 at their meeting the action to help discour- by the partnership at Yeo- dent Lorrie Van Voorthui- lead, nickel and tin. -
Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro -
Gerard K. Marino
GERARD K. MARINO AWARDS & NOMINATIONS INTERACTIVE: HOLLYWOOD MUSIC IN MEDIA WINNER SPIDERMAN: EDGE OF TIME (2011) Best Original Score for Video Game GAME AUDIO NETWORK GUILD GOD OF WAR III NOMINATION (2011) Audio of the Year Best Interactive Score Best Cinematic/Cut-Scene Audio Best Original Vocal - Choral “Overture” GAME AUDIO NETWORK GUILD GOD OF WAR: GHOST OF SRARTA NOMINATION (2011) Best Handheld Audio SPIKE TV VIDEO GAME AWARD GOD OF WAR III NOMINATION (2010) Best Original Score BRITISH ACADEMY OF FILM AND GOD OF WAR II TELEVISION ARTS (BAFTA) NOMINATION (2007) Best Original Score * ACADEMY OF INTERACTIVE ARTS GOD OF WAR II AND SCIENCES NOMINATION (2007) Outstanding Achievement in Music Composi- tion * GAME AUDIO NETWORK GUILD GOD OF WAR II AWARD (2007) Best Original Vocal/Choral GAME AUDIO NETWORK GUILD GOD OF WAR II NOMINATION (2007) Music of the Year * SPIKE TV VIDEO GAME AWARD GOD OF WAR II NOMINATION (2007) Best Original Soundtrack G-PHORIA NOMINATION (2007) GOD OF WAR II Best Original Soundtrack * The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 GERARD K. MARINO ACADEMY OF INTERACTIVE ARTS GOD OF WAR AND SCIENCES (2005) Outstanding Achievement in Music Composition * GAME AUDIO NETWORK GUILD (2005) GOD OF WAR Music of the Year * GAMESPOT AWARD (2005) GOD OF WAR Best Music * IGN PS2 AWARD (2005) GOD OF WAR Best Original Score * GAMEZONE AWARD (2005) GOD OF WAR Best Original Score of the Year * G-PHORIA NOMINATION (2005) GOD OF WAR Best Original Soundtrack * SPIKE TV NOMINATION (2005) GOD OF WAR Best Original Soundtrack * * shared award / nomination MOTION PICTURES NINJA II Boaz Davidson, Frank DeMartini, Tom Waller, prods. -
Scribendi 2016
SCRIBENDI 2016 SCRIBENDI USU Creative Writing Contest 2016 This magazine has been printed by Publication Design and Production on the Utah State University campus and is pub- lished under a Creative Commons license in association with the Department of English. Acknowledgments Scribendi is the publication of the winning entries of the Utah State University Creative Writing Contest, which is open to all USU undergraduate and graduate students from all departments and disciplines. We received entries from all over campus this year, demonstrating that the passion for great literature runs deep at USU. We want to thank and congratulate not only the students whose work emerged at the top, but all the entrants for raising the level of the competition. We urge all the writers in our USU community to continue to cultivate their sense of craft, their appreciation for good language, and their spirit of artistic camaraderie. Electronic versions of Scribendi are available on campus at the website of the USU English Department, and at www.scribendi.usu.edu. SPONSORS Thanks to the following sponsors of the USU Creative Writing Contest: USU Honors Program USU English Department USU College of Humanities and Social Sciences JUDGES Many thanks for the generosity and discriminating taste of our contest judges: Joseph Anderson, Brock Dethier, Matthew DiOrio, Patricia Gantt, Mary Ellen Greenberg, Phebe Jensen, Robb Kunz, Jacoba Mendlekow Poppleton, Chadd Van Zanten, and Russ Winn. STAFF Thanks also go to Kuniko Poole, Lori Hyde, and Annie Nielsen from the -
PDF File for Duplex Printing
Sexual Power for Women by Georgeann Cross Copyright © 1997 by Georgeann Cross Contents Chapter 1, In which Patrick is enslaved ........................................................................ 1 Chapter 2, In which the author gives an account of herself and this work ................... 7 Chapter 3, In which we examine the Loop .................................................................. 13 Chapter 4, In which we examine the anatomy, the physiology, and some of the psychology of male sexual response, from a practical point of view......... 19 Chapter 5, In which the reader is invited to take an inventory of herself for the purpose of gauging how well female domination might suit her ............... 27 Trustworthiness ..................................................................................... 29 Empathy ................................................................................................ 30 The ability to communicate effectively ................................................ 30 The ability to act strategically ............................................................... 31 A talent for teasing ................................................................................ 32 Attractiveness ....................................................................................... 32 Confidence ............................................................................................ 33 Chapter 6, In which we explore the advantages a man may find in being a woman’s sex slave ..................................................................................... -
Part A– Standard Prize Draw Terms – Spiral: from the Book of Saw Entrants Who Find All Four (4) Letters with Each Letter Hi
Part A– Standard Prize Draw Terms – Spiral: From The Book of Saw Entrants who find all four (4) letters with each letter hidden within the four (4) Spiral: From The Book of Saw images on the Lionsgate UK Instagram main feed and comment the correct word these four (4) letters spell out on the competition post with the caption: ‘We want to play a game. The rules are simple: we’ve hidden 4 letters across our #Spiral Instagram feed posts. Find them all and comment below the word they create to be in with the chance of winning a Saw Blu-ray boxset and Saw 4K on Blu-ray. Win or lose, make your choice. T&Cs at link in bio, 18+ UK only’ could win (A) one (1) Saw: Legacy Collection 2021 edition, a Blu-ray boxset that contains eight (8) discs (Saw, Saw II, Saw III, Saw IV, Saw V, Saw VI, Saw: The Final Chapter and Jigsaw), and (B) one (1) Saw 4K on Blu-ray (the “Prize”). There are five (5) Prizes to be won by five (5) Entrants who follow the Entry Mechanics and are selected at random per clause 13 (the “Winners”). Each Winner will receive one (1) Prize. 1. Promoter: The Promoter is Lions Gate International (UK) Limited of registered office address 5th Floor 45 Mortimer Street, London, W1W 8HJ 2. Eligibility (a) To enter this Prize Draw you must be aged 18 years old or over with a registered Instagram account during the Opening and Closing Date; (b) By entering the Prize Draw, you confirm that you are 18 years old or over. -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
Exhibition Catalogue
PIECE & PLANE Eric Bohr, Heather Jones, Kerith Lisi + Silvia Poloto October 15 - December 30, 2020 PIECE & PLANE SLATE Contemporary's upcoming exhibition, Piece & Plane features artworks by Eric Bohr, Heather Jones, Kerith Lisi, and Silvia Poloto. The thematic concept that underlies this exhibition is the collective focus on abstract compositions made by piecing together flat shapes. In each case, these shapes live in some material form before the work is begun, pre-existing the final composition, and providing a personal palette for each artist. Clearly, however, the outcome of each work is never pre-determined. Instead, a process of decision- making ensues, with the artists re-arranging parts or pieces until the perfect balance is achieved. The resulting artworks rest on the relationships between their internal components, not only across the surface, but also within the shallow depth of field where layers literally or merely seem to overlap, hinting at other unseen forms that may or may not exist beyond the visible plane. Assemblage and collage are integral to the process of all four artists. Heather Jones, for example, cuts, assembles, and joins pieces of fabric together to create compositions that speak of 20th century abstraction yet evoke elements traditional quilt making. Kerith Lisi similarly draws some inspiration from quilt patterns but works with hardback book covers, book cloth, and book spines, which she cuts and reassembles using adhesive and/or embroidery thread. Silvia Poloto uses paper as her primary medium, glueing it to wood panel and then selectively pulling parts of it back, adding and subtracting to create a layered composition. -
The Official High Times Cannabis Cookbook: More Than 50 Irresistible Recipes That Will Get You High
CONTENTS ACKNOWLEDGMENTS INTRODUCTION TO CANNABIS COOKERY CHAPTER 1: Active Ingredients Basic Recipes THC Oil (Cannabis-Infused Oil) Cannacoconut Oil Cannabis-Infused Mayonnaise Simple Cannabutter Long-Simmering Cannabutter Wamm Marijuana Flour Tinctures Quick Cannabis Glycerite Long-Simmering Ganja Glycerin Green Avenger Cannabis Tincture CHAPTER 2: Irie Appetizers Roasted Ganja Garlic Cannellini Dip Hookah Lounge Hummus Green Leafy Kale Salad in Brown Cannabutter Vinaigrette Obama’S Sativa Samosas Stuffed Stoned JalapeñO Poppers Sativa Shrimp Spring Rolls with Mango Sauce Ganja Guacamole Mini Kind Veggie Burritos Pico de Ganja and Nachos Kind Bud Bruschetta with Pot Pesto Stoner Celebrity Favorite: Lil’ Snoop Hot Doggy Doggs CHAPTER 3: Munchie Meals Reggae Rice and Bean Soup Cream of Sinsemilla Soup Tom Yum Ganja Stoner Celebrity Favorite: Texas Cannabis Chili Shroomin’ Broccoli Casserole Om Circle Stuffed Butternut Squash Chicken and Andouille Ganja Gumbo Time-Warp Tamales Red, Green, and Gold Rasta Pasta Potato Gnocchi with Wild Mushroom Ragu Big Easy Eggplant Alfredo Ganja Granny’s Smoked Mac ‘n’ Cheese Psychedelic Spanakopita Sour Diesel Pot Pie Cheeto Fried Chicken Bacon-Wrapped Pork Tenderloin with Mango Chipotle Glaze Pot-and-Pancetta-Stuffed Beef Tenderloin with Port Mushrooms CHAPTER 4: High Holidays Valentine’s Day, February 14: Sexy Ganja–Dipped Strawberries St. Patrick’s Day, March 17: Green Ganja Garlic Smashed Potatoes 4/20, Cannabis Day, April 20: 420 Farmers’ Market Risotto Independence Day, July 4: Sweet and Tangy Bar–B–Cannabis -
THE ART of FLOCKING CURRICULUM the Art of Flocking Curriculum
THE ART OF FLOCKING CURRICULUM The Art of Flocking Curriculum “There is an art to flocking: staying close enough not to crowd each other, aligned enough to maintain a shared direction, and cohesive enough to always move towards each other.” - adrienne maree brown The Art of Flocking: Cultural Stewardship in the Parks is a celebration of Chicago’s community-based art practices co-facilitated by the Chicago Park District and the Terra Foundation for American Art. A proud member of Art Design Chicago, this initiative aims to uplift Chicago artists with deep commitments to social justice, cultural preservation, community solidarity, and structural transformation. Throughout the summer of 2018, The Art of Flocking engaged 2,500 youth and families through 215 public programs and community exhibitions exploring the histories and legacies of Mexican-American public artist Hector Duarte and Sapphire and Crystals, Chicago's first and longest-standing Black women's artist collective.The Art of Flocking featured two beloved Chicago Park District programs: ArtSeed, designed to engage children ages 3 and up as well as their families and caretakers in 18 parks and playgrounds; and Young Cultural Stewards a multimedia youth fellowship centering young people ages 12–14 with regional hubs across the North, West, and South sides of Chicago. ArtSeed: Mobile Creative Play ArtSeed engages over 2,000 youth (ages 3-12) across 18 parks through storytelling, music, movement, and nature play rooted in neighborhood stories. Children explore the histories and legacies of Chicago's community-based artists and imagine creative solutions to challenges in their own neighborhoods. Teaching artists engage practice of social emotional learning, foundations in social justice, and trauma-informed pedagogy to cultivate children and families invested in fostering the cultural practices and creative capital of their parks and communities. -
Women As Law School Students Beth L
Kentucky Law Journal Volume 84 | Issue 4 Article 10 1996 Little rB own Spots on the Notebook Paper: Women as Law School Students Beth L. Goldstein University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/klj Part of the Legal Education Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Goldstein, Beth L. (1996) "Little rB own Spots on the Notebook Paper: Women as Law School Students," Kentucky Law Journal: Vol. 84 : Iss. 4 , Article 10. Available at: https://uknowledge.uky.edu/klj/vol84/iss4/10 This Article is brought to you for free and open access by the Law Journals at UKnowledge. It has been accepted for inclusion in Kentucky Law Journal by an authorized editor of UKnowledge. For more information, please contact [email protected]. Little Brown Spots on the Notebook Paper: Women as Law School Students BY BETH L. GOLDSTEIN* INTRODUCTION S ince the 1980s, law schools have acknowledged their responsi- bility to provide underrepresented groups access to legal education and the legal profession by increasing recruitment and academic support programs for students not traditionally enrolled in law school. Who constitute these underrepresented people varies across the country, often including racial and ethnic minorities, women, working class people. With their entry to law school, new challenges have emerged centered on these students' inclusion in the academic structures and social environments of law programs. The academic backgrounds and learning styles, personal and family responsibilities, economic constraints, values, and goals of these students frequently contrast with those assumed as normative in the traditional law school.