37<? /V/ £ /D V3^5" the AGOLMIRTH CONSPIRACY DISSERTATION

Total Page:16

File Type:pdf, Size:1020Kb

37<? /V/ £ /D V3^5 37<? /v/ £ /d V3^5" THE AGOLMIRTH CONSPIRACY DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By James Cary Elston, B.A., B.B.A., M.A. Denton, Texas December, 1996 37<? /v/ £ /d V3^5" THE AGOLMIRTH CONSPIRACY DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By James Cary Elston, B.A., B.B.A., M.A. Denton, Texas December, 1996 Elston, James C. The Agolmirth Conspiracy. Doctor of Philosophy (English), December, 1996, 506 pages. Written in the tradition of the classic spy novels of Ian Fleming and the detective novels of Raymond Chandler, The Agolmirth Conspiracy represents the return to the thriller of its traditional elements of romanticism, humanism, fast-moving action, and taut suspense, and a move away from its cynicism and dehumanization as currently practiced by authors such as John Le Carre' and Tom Clancy. Stanford Torrance, an ex-cop raised on "old-fashioned" notions of uncompromising good and naked evil and largely ignorant of computer systems and high-tech ordinance, finds himself lost in a "modern" world of shadowy operatives, hidden agendas, and numerous double-crosses. He is nevertheless able to triumph over that world when he puts his own honor, his own dignity, and his very life on the line, proving to himself and to his adversaries that such things can still make things easier to see amid today's swirling moral fog. Copyright by James Cary Elston 1996 111 ACKNOWLEDGEMENTS I wish to acknowledge the herculean efforts of Dr. Thomas Preston as regards this project. Dr. Preston "took me on" when it seemed no one else would or could, and, for that, there can be no suitable recompense. I would also like to thank Clay Reynolds, Kurt Stallings, Grant Sisk, and Sallie Strange, among others, for their criticism, encouragement, and assistance. These, too, acted well above and beyond the call of duty. IV "It is not so easy to catch dogs when it is your business to catch dogs." --John Steinbeck "You know what a miracle is. Not what Bakunin said. But another world's intrusion into this one. Most of the time we coexist peacefully. But when we do touch there s cataclysm. --Thomas Pynchon PLEASE NOTE Page(s) missing in number only; text follows. Filmed as received. UMI PART ONE Chicago June, 1989 My phone rang. "You better get over here," Carlisle said. Usually when the phone rang at quarter to one on a Thursday morning it was Frieda, my ex-wife, calling to harass me. Usually I fell asleep again and let her rant and rave. But Carlisle's voice jarred me awake. "What's up?" "Gorodenko's dead. Drove his car into the Des Plaines River near the 1-55 bridge. Looks like he broke his neck." For a moment I didn't believe him. I'd dropped Gorodenko off at home, drunk but very much alive, barely three hours ago. As always, he'd promised he wouldn't go out and keep the night going by himself. Always before, he'd kept that promise. This time, evidently, he hadn't. "You there, Stan?" "Yeah. When did this happen?" "A little before midnight." "Okay. Should I meet you at the site or the facility?" "The facility," Carlisle said, almost laughing. "Leave the site to the cops." "Sure. See you in half an hour." I hung up, stumbled into the bathroom and autonomically 3 clothes and left. I didn't bother to be quiet; Mrs. Pereskopf downstairs could sleep through a nuclear detonation but she'd awaken screaming if she heard someone tiptoe around after midnight. I'd called Gorodenko "Vlad the Inhaler" because any time you set food or drink--especially alcoholic drink--in front of him it seemed to vanish almost immediately. He seemed capable of only two moods: thick gloom or rapturous joy; and booze turned one into the other pretty fast. But regardless of his emotional state, he was humble, a refreshing change from the other fifteen geneticists at the facility, who acted like their winning the next Nobel Prize was a done deal. I liked to think he was humble because he was a Soviet emigre' and was still so glad simply to be in America that he hadn't yet succumbed to the all-too-American avarice of his colleagues. He was probably the only friend I had out there--outside of Carlisle, who really wasn't a friend though he liked to think he was. I decided I needed a caffeine jolt to keep my head clear--of melancholy as much as anything--so I stopped at the Seven-Eleven down the street. They didn't have coffee ready, so I had to content myself with a Coke. It was too sweet, as most fountain soft drinks are, and I wound up throwing most of it out the window. Then I almost got sideswiped getting on the Stevenson Expressway. I got close enough to the bastard to get his plate number, then made a mental note to call the Berwyn State Police post and embellish the incident enough to make it worth their while. The rest of the drive out to Plainfield was uneventful. I'd been deputy chief of security at the agricultural research facility there since August of '86. Completed in '84 at an official cost of $217 million, the facility contributed upwards of $10 million annually to the Joliet/Plainfield/Aurora economy. Its primary purpose was to create, test, and develop practical applications for various genetic fungicides. In addition to the researchers, who numbered around fifty, the facility employed perhaps sixty administrative, custodial, and security staff. The security staff consisted entirely of former police officers, all with impeccable professional and personal records. Everyone on the staff was a college graduate. Denton Carlisle, my boss, was a professional bureaucrat who'd started out as a gofer in the more shadowy reaches of the Justice Department. This was his third research facility and, according to him, his last. I'd worked homicide for the Chicago Police Department for nine years and headed CPD's anti-terror squad for three prior to the little misunderstanding that had cost me my badge. After that I marked time for nearly a year at a local security firm while I watched my marriage fall apart. I owed my job at the facility to some heavy-duty string-pulling by Jim France, an old pal at the FBI. I did what little work the job required, then died of boredom while Carlisle did nothing and got all the perqs--six figures, company car, and more vacation in a year than I'd ever had in my life. And now I'd just been told one of the few friends I'd made since I'd left CPD was dead. I was beginning to wonder if it was time to change careers. Maybe I'd become a librarian. The worst thing I'd have to worry about then would be overdue books. * * * Jeff Price, the guard at the front gate, waved me through without checking my ID. At any other time I'd've written him up for it; he was a young, friendly, bright guy, but a little lazy. The main parking lot held half a dozen cop cars: Plainfield, Joliet, state highway patrol, Will County sheriff, even one of Uncle Sam's olive green Chryslers. I jogged through the front door of the admin building, fed my cardkey into the necessary slots, and headed for Carlisle's office. It was almost as big as my apartment. It contained a wooden desk as big as a pool table, a couch and coffee table, and several sumptuous chairs. Three of the four soft green walls contained obligatory impressionist and post- modern art; a bookcase covered the fourth. It contained all of half a dozen books, all on gourmet cooking, which was Carlisle's latest hobby. The rest of the bookcase was occupied with various nicknacks, mostly presents from women who, according to him, took a number and waited in line. And why shouldn't they? He was a bigger, darker version of Tom Cruise, and had neither dependents nor significant emotional mileage. I, on the other hand, looked like Richard Nixon after a spell on the rack, I had dependents, and I had more mileage, emotional or otherwise, than a dozen '75 Chevy Impalas, which is what I drove. Two cops stood at the bookcase, talking to a young, red-headed guy in a dark suit who took notes on a small spiral pad. All three glanced at me as I entered, and the suit followed me when I headed in Carlisle's direction. Carlisle was seated behind his desk, trying to look solicitous of the welfare of two older suits examining some papers, probably the preliminary accident report. Gorodenko's personnel file lay on a chair in the corner. It was closed. I knew one of the suits: Arthur Schenk, a dark-haired, box-headed man with a Hitler mustache. He was the regional Department of Agriculture potentate and nominal overseer of what went on at the facility. He'd taken over the job less than two weeks ago, so I hadn't had many dealings with him, but Carlisle had said a lot of dumb blondes were smarter. "Ah, Stan," Carlisle said behind a distracted smile. "Thanks for coming." He gestured towards the second suit and went on, "This is Mr.
Recommended publications
  • L L L G I North Carolina State University's Student Newspaper Since 1920 Technician Volume LXII. Number 18 Friday, October 9
    Technician North Carolina State University’s Student Newspaper Since 1920 Volume LXII. Number 18 Friday, October 9, 131 Raleigh, North Carolina Phone 737-2411.-2412 Mubarak takes over as Sadat’s assassins identified by W.G. Klrelee president. said Wednesday in accep- and commander in chief of the armed ly Egyptian Islamic fundamentalists. Presidential photographer Moham— foot mausoleum today near the spot ting a sweeping parliamentary forces. Abu—Ghasala said one of four men med Rashwan died Wednesday. rais where Sadat was assassinated and United Press International nomination to the presidency. "We The details of Sadat's murder dur- who took part in the attack “was a ing the number killed in addition to Egyptian police made plans to over- CAIRO. Egypt — Egypt's new will never deviate from it." ing a military parade Tuesday remain— Moslem fanatic. And he did it. That‘s Sadat to six. Thirty-eight others. in- come the security nightmare of guar- prime minister Hosni Mubarak vowed The nomination will be put to the ed murky. but Defense Minister Lt. all." cluding three Americans. were wound- ding dignitaries from around the to “never deviate” from the policies of public in a national referendum next Gen. Abdul-Halim Abu-Ghazala said Only one of the attackers was a ser- ed when the killers. all wearing world at Saturday's funeral. slain President Anwsr Sadat and Tuesday — three days after Sadat is there was no evidence of a widespread ving soldier. the defense minister told military uniforms. jumped from an ar- Egypt's overtaxed security forces defense officials identified Ssdat‘s given a state funeral on Saturday — plot involving large sectors of the arm- the newspaper Al Akhbar.
    [Show full text]
  • Fucking Crazy by Marcus Campbell
    Fucking Crazy By Marcus Campbell Can’t I Put On Some Pants First? Sir, we can get your pants for you. What the hell… here I was… THE Marcus Campbell, a successful internet entreprenuer, in my own house and I can’t even get my own pants? Sir are there any guns in the house? Is this some kind of conspiracy… first I can’t get my own damn pants… now you think I’m gonna shoot people… what the hell kind of police are you… you are supposed to be on my side… I pay my taxes… over $168,000 in one year alone… that’s probably more than all you guys make combined! Place your hands behind your back… we are putting these on for your safety. My safety… HA if you let me do what I planned to I wouldn’t even be here. I remember the day as if it happened yesterday… Thoughts racing thru my mind as I effortlessly complied with everything asked of me by the police as I was cuffed and placed in the back of a police car in front of those peering eyes hidden between the openings of my neighbors window shades. These neighbors have all they need to make fun of me and call me whatever they want… great… what else can I do to make this day any worse. This was the day… I would be placed on an involuntary psyche hold… 5150 as they call it. Which basically means the state of California thinks I am too dangerous to myself to be allowed to have any normal human rights for 48 hours.
    [Show full text]
  • A Story About Running
    Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 Contact! A Story about Running Sara Bosworth Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Nonfiction Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bosworth, Sara, "Contact! A Story about Running" (2018). Senior Projects Spring 2018. 305. https://digitalcommons.bard.edu/senproj_s2018/305 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Contact! A Story about Running By Sara Bosworth Contact! A story about running Senior Project submitted to The Division of Languages and Literature of Bard College By Sara Bosworth Annandale-on-Hudson, New York May 2018 For Neno Acknowledgements SUSAN ROGERS, my beloved editor who always encouraged me to push more, go a bit further. Without you, this project never would have found its shape. Who knows, if I had you at the sidelines, maybe I could run a fifty-mile race after all. WYATT MASON, a dear mentor who has made me a better writer and a clearer thinker.
    [Show full text]
  • Papéis Normativos E Práticas Sociais
    Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs.
    [Show full text]
  • The Literature of Kita Morio DISSERTATION Presented In
    Insignificance Given Meaning: The Literature of Kita Morio DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Masako Inamoto Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Dissertation Committee: Professor Richard Edgar Torrance Professor Naomi Fukumori Professor Shelley Fenno Quinn Copyright by Masako Inamoto 2010 Abstract Kita Morio (1927-), also known as his literary persona Dokutoru Manbô, is one of the most popular and prolific postwar writers in Japan. He is also one of the few Japanese writers who have simultaneously and successfully produced humorous, comical fiction and essays as well as serious literary works. He has worked in a variety of genres. For example, The House of Nire (Nireke no hitobito), his most prominent work, is a long family saga informed by history and Dr. Manbô at Sea (Dokutoru Manbô kôkaiki) is a humorous travelogue. He has also produced in other genres such as children‟s stories and science fiction. This study provides an introduction to Kita Morio‟s fiction and essays, in particular, his versatile writing styles. Also, through the examination of Kita‟s representative works in each genre, the study examines some overarching traits in his writing. For this reason, I have approached his large body of works by according a chapter to each genre. Chapter one provides a biographical overview of Kita Morio‟s life up to the present. The chapter also gives a brief biographical sketch of Kita‟s father, Saitô Mokichi (1882-1953), who is one of the most prominent tanka poets in modern times.
    [Show full text]
  • Smr Td Resume 2011
    FILM | TELEVISION MUSIC VIDEOS PRODUCTION DESIGNER PRODUCTION DESIGNER Disney XD • Zero Displacement • Director: Pat Notaro DUFFY • Keeping the Baby • Director: Petro Pappa • DRAW PICTURES Babylon Beach • Infidelis Productions • Director: Eric Bergemann FRANKI LOVE • Shadows • Director: Bryan Robbins • DI POST Red Weather • ABC | Disney • Director : Jordan Downey (Pre - Production) • Super Duper Love • Director: David LaChapelle • HSI JOSS STONE Small Town News (pilot) • STN LLC • Directors : Holt Bailey & Eric Steele PLACEBO • Follow the ... • Director: Daniel Askill • RADICAL MEDIA Lost • SILVERCREST FILM • Director: Darren Lemke • Producer : Ralph Winter THRICE • Come All You... • Director : Zach Merck • RADICAL MEDIA Down South • BEDFORD FILMS • Director : Hank Bedford SWITCHFOOT • Oh! Gravity • Director: P.R. Brown • RADICAL MEDIA Emergency • EMERGENCY LLC • Director : Jordan Downey Way of the Tiger • THE MINE • Director: Chris Salzgeber TRANSPLANTS • What I Can’t... • Director: Estevan Oriol • HSI THE BRAVERY • Fearless • Director: Diane Martel • DNA THE ACADEMY IS • The Phrase...• Director: Marvin Jarrett • TOYSTORE ART DIRECTOR • [2nd Unit / Pick-Ups] SHANE M. RICHARDSON Harold and Kumar... • SENATOR FILMS • Director : Danny leiner VHS OR BETA • You Got Me • Director: Ryan Rickett • REFUSED TV [email protected] LIMBECK • People Don’t Change • Director: Ryan Rickett • REFUSED TV SET DECORATOR | PROPMASTER KARRI KIMMEL • Not Make Believe • Director: Garreth O’Neil • DISNEY www.tandemdesign.biz Jingles (reality gameshow) • MARK
    [Show full text]
  • Chapter One: Postwar Resentment and the Invention of Middle America 10
    MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Jeffrey Christopher Bickerstaff Doctor of Philosophy ________________________________________ Timothy Melley, Director ________________________________________ C. Barry Chabot, Reader ________________________________________ Whitney Womack Smith, Reader ________________________________________ Marguerite S. Shaffer, Graduate School Representative ABSTRACT TALES FROM THE SILENT MAJORITY: CONSERVATIVE POPULISM AND THE INVENTION OF MIDDLE AMERICA by Jeffrey Christopher Bickerstaff In this dissertation I show how the conservative movement lured the white working class out of the Democratic New Deal Coalition and into the Republican Majority. I argue that this political transformation was accomplished in part by what I call the "invention" of Middle America. Using such cultural representations as mainstream print media, literature, and film, conservatives successfully exploited what came to be known as the Social Issue and constructed "Liberalism" as effeminate, impractical, and elitist. Chapter One charts the rise of conservative populism and Middle America against the backdrop of 1960s social upheaval. I stress the importance of backlash and resentment to Richard Nixon's ascendancy to the Presidency, describe strategies employed by the conservative movement to win majority status for the GOP, and explore the conflict between this goal and the will to ideological purity. In Chapter Two I read Rabbit Redux as John Updike's attempt to model the racial education of a conservative Middle American, Harry "Rabbit" Angstrom, in "teach-in" scenes that reflect the conflict between the social conservative and Eastern Liberal within the author's psyche. I conclude that this conflict undermines the project and, despite laudable intentions, Updike perpetuates caricatures of the Left and hastens Middle America's rejection of Liberalism.
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • National Song Binder
    SONG LIST BINDER ——————————————- REVISED MARCH 2014 SONG LIST BINDER TABLE OF CONTENTS Complete Music GS3 Spotlight Song Suggestions Show Enhancer Listing Icebreakers Problem Solving Troubleshooting Signature Show Example Song List by Title Song List by Artist For booking information and franchise locations, visit us online at www.cmusic.com Song List Updated March 2014 © 2014 Complete Music® All Rights Reserved Good Standard Song Suggestions The following is a list of Complete’s Good Standard Songs Suggestions. They are listed from the 2000’s back to the 1950’s, including polkas, waltzes and other styles. See the footer for reference to music speed and type. 2000 POP NINETIES ROCK NINETIES HIP-HOP / RAP FP Lady Marmalade FR Thunderstruck FX Baby Got Back FP Bootylicious FR More Human Than Human FX C'mon Ride It FP Oops! I Did It Again FR Paradise City FX Whoomp There It Is FP Who Let The Dogs Out FR Give It Away Now FX Rump Shaker FP Ride Wit Me FR New Age Girl FX Gettin' Jiggy Wit It MP Miss Independent FR Down FX Ice Ice Baby SP I Knew I Loved You FR Been Caught Stealin' FS Gonna Make You Sweat SP I Could Not Ask For More SR Bed Of Roses FX Fantastic Voyage SP Back At One SR I Don't Want To Miss A Thing FX Tootsie Roll SR November Rain FX U Can't Touch This SP Closing Time MX California Love 2000 ROCK SR Tears In Heaven MX Shoop FR Pretty Fly (For A White Guy) MX Let Me Clear My Throat FR All The Small Things MX Gangsta Paradise FR I'm A Believer NINETIES POP MX Rappers Delight MR Kryptonite FP Grease Mega Mix MX Whatta Man
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Music 6581 Songs, 16.4 Days, 30.64 GB
    Music 6581 songs, 16.4 days, 30.64 GB Name Time Album Artist Rockin' Into the Night 4:00 .38 Special: Anthology .38 Special Caught Up In You 4:37 .38 Special: Anthology .38 Special Hold on Loosely 4:40 Wild-Eyed Southern Boys .38 Special Voices Carry 4:21 I Love Rock & Roll (Hits Of The 80's Vol. 4) 'Til Tuesday Gossip Folks (Fatboy Slimt Radio Mix) 3:32 T686 (03-28-2003) (Elliott, Missy) Pimp 4:13 Urban 15 (Fifty Cent) Life Goes On 4:32 (w/out) 2 PAC Bye Bye Bye 3:20 No Strings Attached *NSYNC You Tell Me Your Dreams 1:54 Golden American Waltzes The 1,000 Strings Do For Love 4:41 2 PAC Changes 4:31 2 PAC How Do You Want It 4:00 2 PAC Still Ballin 2:51 Urban 14 2 Pac California Love (Long Version 6:29 2 Pac California Love 4:03 Pop, Rock & Rap 1 2 Pac & Dr Dre Pac's Life *PO Clean Edit* 3:38 Promo Only Rhythm Radio December 2006 2Pac F. T.I. & Ashanti When I'm Gone 4:20 Away from the Sun 3 Doors Down Here Without You 3:58 Away from the Sun 3 Doors Down Bailen (Reggaeton) 3:41 Tropical Latin September 2002 3-2 Get Funky No More 3:48 Top 40 v. 24 3LW Feelin' You 3:35 Promo Only Rhythm Radio July 2006 3LW f./Jermaine Dupri El Baile Melao (Fast Cumbia) 3:23 Promo Only - Tropical Latin - December … 4 En 1 Until You Loved Me (Valentin Remix) 3:56 Promo Only: Rhythm Radio - 2005/06 4 Strings Until You Love Me 3:08 Rhythm Radio 2005-01 4 Strings Ain't Too Proud to Beg 2:36 M2 4 Tops Disco Inferno (Clean Version) 3:38 Disco Inferno - Single 50 Cent Window Shopper (PO Clean Edit) 3:11 Promo Only Rhythm Radio December 2005 50 Cent Window Shopper
    [Show full text]
  • Daughter Blind
    1 DAUGHTER ____________________ A Play in Two Acts 2 CAST OF CHARACTERS DAD: The Caregiver. Mid 40’s. DAUGHTER: The Wolf. 13. WOMAN: The Healer. Mid 40’s-50’s. SETTING A lone homestead. TIME 1978. NOTE A // in dialogue indicates an interruption mid-line A / in dialogue indicates an interruption at the end of a line A -- indicates a struggled thought OR a cut/jump in thought 3 ACT ONE SCENE ONE LIGHTS UP ON: A rotting Homestead. There are piles of shredded Styrofoam scattered about the floors of the homestead which represent “snow.” Behind the home, we see three Cross gravestones. They remain in sight for the entirety of the play. A young girl, DAUGHTER, and her father, DAD stand center. He adjusts a pair of jeans on her body. DAUGHTER They don’t fit. DAD Sure they do. DAUGHTER They don’t fit. DAD You’ll gain weight. DAUGHTER How? We don’t have enough food. 4 DAD We will get more food. DAUGHTER How? DAD There’s always a way. DAUGHTER (shrugging him off) I can make my old one’s last. DAD You’ll gain weight. DAUGHTER It hurts my teeth. DAD That doesn’t make sense. DAUGHTER Salt and blood. That’s all I taste. DAD You’ll need shirts too. DAUGHTER Dad? DAD Yes, daughter? DAUGHTER I’m hungry. DAD … 5 DAUGHTER You’ll let me get fat like you someday right? And you’ll let me hang my belly loose? Like a proud fat duck// DAD Daughter// DAUGHTER //And eat loads and loads and loads and stare out windows while my belly hangs loose? DAD Not now, Daughter.
    [Show full text]