Sharmistha Ray Artist / Writer / Educator
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NAVJOT ALTAF Selected Biography
1260 Carillion Point nyb@nybgallery Kirkland, WA 98033, USA +1 425 466 1776 NAVJOT ALTAF Selected biography From Meerut, India. Education Fine and Applied Arts, Sir J.J. School of Arts, Mumbai, India Graphics, Garhi Studios, New Delhi, India Solo Exhibitions 2018 Lost Text, The Guild Gallery, Alibaug, India. Lost Text, Special Project, Art Fair, New Delhi, The Guild Gallery, India. 2016 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, Chemould Prescott Road Art Gallery, Mumbai, India. Catalogue. 2015 How Perfect Perfection Can Be Installation with drawings, sculptures, soil, rice grain, and video, The Guild Gallery Alibaug, India. 2013 Horn in the Head, Sculpture Installation with audio and video, Talwar Gallery, New Delhi, India. 2010 TOUCH IV22 monitors video installation, Talwar Gallery, New Delhi, The Guild, Bombay, India. A place in NY, Photomontage, The Guild Gallery, Bombay and NY, USA. Catalogue. 2009 Lacuna in Testimony - Patricia and Phillip Frost Art Museum, Florida, USA. 2008 Touch 4 projection video installation and interactive sculptures, Sakshi Gallery, Bombay, India. Bombay Shots- Photomontage, The Guild Gallery, Bombay, India. Catalogue. 2006 Jagar Multimedia Installation, and Water Weaving, video Installation, Sakshi Gallery, Bombay, India. Junctions 1 – 2 – 3 Photo installation with sound, The Guild Gallery, Bombay, India. Catalogue. 2005 Water Weaving, Video Installation, Talwar Gallery, NY, USA. Catalogue. 2004 Bombay Meri Jaan and 'Lacuna in Testimony', video Installation, Sakshi Gallery, Bombay, India. Catalogue. 2003 In Response To, sculpture installation with photographs by Ravi Agarwal, Talwar Gallery, NY, USA. Catalogue. Displaced Self, Interactive project with artists from Israel and Ireland, Sakshi gallery, Bombay, India. -
Sea Change Hajra Waheed
INSTALLATION WHO ARE YOU DEFENDERS SEA CHANGE HAJRA WAHEED January 18 – March 2, 2013 Sea Change: A Short Film (1-14) / 2012, Polaroid Back, Collage and ink on paper, 4.5 x 7 in each, Suite of 14 works (detail) 60 61 INSTALLATION SEA CHANGE 62 63 INSTALLATION SEA CHANGE 64 65 ESSAY SEA CHANGE selves at this moment. You remark on the child’s smile that still resembles your friend’s today. Re- Sea Change member the old cars? The shoreline was so beautiful before they built the hotels. Why exactly then does it feel so unfamiliar, and challenging, to look at a series such as Hajra’s Sea Change, A Short Film (2012)? These cut fragments of sepia-tinted photographs, mounted on the I. backing of old Polaroid film, with little square tabs on the top right, mounted on twice-punched, perforated notebook paper. They areso utterly unyielding. [ . ] And how the future It begins poetically (with words slightly modified from lyrics by Twin Shadow). The first panel Takes shape in the sequence reads: “Some people say you are the golden light, but if I chase after you, [it] doesn’t too quickly. The permanent is ebbing. Is leaving mean that it’s true.” nothing in the way of The photographic components—our locus of information—have largely been cut and cropped trails. [ . ] away, leaving us with blank, black fields, and just mere traces of what we are looking at. Perhaps some sand and rocks, a small body of water, some distant mountains, clouds, arid hills, a fencepost. – Jorie Graham, Sea Change, 2008 The rest has been stripped away. -
Ranjit Hoskote: Signposting the Indian Highway Ranjit Hoskote
HERNING MUSEUM OF CONTEMPORARY ART Ranjit Hoskote: Signposting the Indian Highway Ranjit Hoskote You Can’t Drive Down the Same Highway Twice… …as Ed Ruscha might have said to Heraclitus. But to begin this story properly: two artists, two highways, two time horizons a decade apart in India. Atul Dodiya’s memorable painting, ‘Highway: For Mansur’, was first shown at his 1999Vadehra Art Gallery solo exhibition in New Delhi. The painting is dominated by a pair of vultures, a quotation culled from the folios of the Mughal artist Mansur; the birds look down on a highway that cuts diagonally across a desert. The decisiveness of this symbol of progress is negated by a broken-down car that stands right in the middle of it. The sun beats down on the marooned driver, whose ineffectual attempts at repairing his vehicle are viewed with interest by the predators. In the lower half of the frame, Dodiya inserts an enclosure in which a painter, identifiably the irrepressible satirist and gay artist Bhupen Khakhar, bends over his work. Veined with melancholia as well as quixotic humour, this painting prompts several interpretations. Does the car symbolise the fate of painting as an artistic choice, at a time when new media possibilities were opening up; is the car shorthand for the project of modernism? Or is this an elegy for the beat-up postcolonial nation-state, becalmed in the dunes of globalisation? In an admittedly summary reading, ‘Highway: For Mansur’ could be viewed as an allegory embodying a dilemma that has immobilised the artist, even as he contemplates flamboyant encounters with history in the confines of his studio. -
Syndicate Bank Exam 2018 Current Affairs
A2Z Current Affairs PDF for Syndicate Exam 2018 www.aspirantszone.com A2Z Current Affairs PDF for upcoming exams www.aspirantszone.com υ www.aspirantszone.com|Doload AspiatsZoes Mobile App | Like us on Facebook A2Z Current Affairs PDF for Syndicate Exam 2018 www.aspirantszone.com Contents Topic Page Number MOU/Agreement Countries 3 MOU Industry/States/Others 3-5 Appointments and Resignations 5-8 Awards and Recognitions 8-12 Conference and Summits 13-16 International News 17-20 National News 20-29 State News 30-37 Finance and Banking News 37-42 Business News 42-43 Economy News 43-47 Science & Technology 47 Defence News 47-49 Sports News 49-50 Committees 50-56 Rankings of Countries 57-58 Rankings (Persons and Organisations) 58 Loans from Banks 58-59 Deadlines 59-60 Books and Authors 60 Obituaries 61-63 Nobel Prize Winners 63 Important Days(Jan-March) 63-65 φ www.aspirantszone.com|Doload AspiatsZoes Mobile App | Like us on Facebook A2Z Current Affairs PDF for Syndicate Exam 2018 www.aspirantszone.com MOU/Agreement Countries India Myanmar Agreement on restoration of normalcy and development of the Rakhine State, from where thousands of Rohingya Muslims recently fled following incidents of violence against the community. India Russia Russia will assist India to set up a national crisis management centre in the country to handle disaster and other emergency situations. India Mauritius India will offer technical support and advisory services in implementing DigiLocker service in Mauritius. Myanmar Bangladesh For the return of over six lakh Rohingya Muslims who had fled to Bangladesh to escape a violent crackdown by the Myanmar military. -
Art in the Asia-Pacific
Art in the Asia-Pacifi c As social, locative, and mobile media render the intimate public and the public intimate, this volume interrogates how this phenomenon impacts art practice and politics. Contributors bring together the worlds of art and media culture to rethink their intersections in light of participatory social media. By focusing upon the Asia-Pacifi c region, they seek to examine how regionalism and locality affect global circuits of culture. The book also offers a set of theoretical frameworks and methodological paradigms for thinking about contemporary art practice more generally. Larissa Hjorth is Professor in the Games Programs, School of Media & Communication, RMIT University, Australia. Natalie King is Director of Utopia at Asialink, The University of Melbourne, Australia. Mami Kataoka is Chief Curator at the Mori Art Museum in Tokyo, Japan. Routledge Advances in Art and Visual Studies 1 Ethics and Images of Pain 5 Manga’s Cultural Crossroads Edited by Asbjørn Grønstad & Edited by Jaqueline Berndt Henrik Gustafsson and Bettina Kümmerling- Meibauer 2 Meanings of Abstract Art Between Nature and Theory 6 Mobility and Fantasy in Visual Edited by Paul Crowther and Isabel Culture Wünsche Edited by Lewis Johnson 3 Genealogy and Ontology of the 7 Spiritual Art and Art Western Image and its Digital Education Future Janis Lander John Lechte 8 Art in the Asia-Pacifi c 4 Representations of Pain in Art Intimate Publics and Visual Culture Edited by Larissa Hjorth, Edited by Maria Pia Di Bella and Natalie King, and Mami James Elkins Kataoka -
Jinal Mukesh Sangoi Jinalmsangoi[At]Gmail[Dot]Com
Jinal Mukesh Sangoi jinalmsangoi[at]gmail[dot]com Education: 2018 Master of Fine Arts, California Institute of the Arts, Valencia, California, USA Mentors: Michael Ned Holte, Karen Atkinson, Clara López Menéndez, Robert Dansby 2015 Bachelor of Fine Arts, Rachana Sansad Academy of Fine Arts and Craft, Mumbai, India Mentors: Amrita Gupta Singh, Sudhir Pandey 2011 Master of Commerce, University of Mumbai, India 2010 Certificate of Teachers in Hand Craft and Work Experience, Maharashtra State Board of Vocational Examinations, Mumbai, India 2009 Bachelor of Commerce, R. A. Podar College of Commerce and Economics, Mumbai, India Residencies: 2020 Yaddo, New York, USA (Upcoming - postponed to 2021 due to the coronavirus pandemic) 2019 Skowhegan School of Painting and Sculpture, Maine, USA 2018-19 The REEF Residency, Los Angeles, USA 2014 CRACK International Art Camp, Kushtia, Bangladesh Awards/Scholarships/Grants: 2020 Best Art Installation Award (first prize), Kala Ghoda Arts Festival, for Agastya International Foundation, Mumbai, India 2019 Full Scholarship, Skowhegan School of Painting and Sculpture, Maine, USA 2018 Gender Bender Grant, Goethe-Institut Max Mueller Bhavan, Bangalore, India 2017 Tim Disney Prize for Excellence in Storytelling Arts, CalArts, USA Provost Merit Scholarship, California Institute of the Arts, USA Chiquita Landfill Found Art Scholarship, California Institute of the Arts, USA 2016 Provost Merit Scholarship, California Institute of the Arts, USA 2015 Certificate of Excellence, Rachana Sansad Academy of Fine Arts and Crafts, Mumbai, India 2013 Best Poem on Post Card, India Post and Katha Kosa, Mumbai, India Best Student Award, Rachana Sansad Academy of Fine Arts and Crafts, Mumbai 2010 Best Student Award, Dr. -
Goa & Mumbai 8
©Lonely Planet Publications Pty Ltd Goa & Mumbai North Goa p121 Panaji & Central Goa p82 Mumbai South Goa (Bombay) p162 p44 Goa Paul Harding, Kevin Raub, Iain Stewart PLAN YOUR TRIP ON THE ROAD Welcome to MUMBAI PANAJI & Goa & Mumbai . 4 (BOMBAY) . 44 CENTRAL GOA . 82 Goa & Mumbai Map . 6 Sights . 47 Panaji . 84 Goa & Mumbai’s Top 14 . .. 8 Activities . 55 Around Panaji . 96 Need to Know . 16 Courses . 55 Dona Paula . 96 First Time Goa . 18 Tours . 55 Chorao Island . 98 What’s New . 20 Sleeping . 56 Divar Island . 98 If You Like . 21 Eating . 62 Old Goa . 99 Month by Month . 23 Drinking & Nightlife . 69 Goa Velha . 106 Itineraries . 27 Entertainment . 72 Ponda Region . 107 Beach Planner . 31 Shopping . 73 Molem Region . .. 111 Activities . 34 Information . 76 Beyond Goa . 114 Travel with Children . 39 Getting There & Away . 78 Hampi . 114 Getting Around . 80 Anegundi . 120 Regions at a Glance . .. 41 TUKARAM.KARVE/SHUTTERSTOCK © TUKARAM.KARVE/SHUTTERSTOCK © GOALS/SHUTTERSTOCK TOWERING ATTENDING THE KALA GHODA ARTS FESTIVAL P47, MUMBAI PIKOSO.KZ/SHUTTERSTOCK © PIKOSO.KZ/SHUTTERSTOCK STALL, ANJUNA FLEA MARKET P140 Contents UNDERSTAND NORTH GOA . 121 Mandrem . 155 Goa Today . 198 Along the Mandovi . 123 Arambol (Harmal) . 157 History . 200 Reis Magos & Inland Bardez & The Goan Way of Life . 206 Nerul Beach . 123 Bicholim . .. 160 Delicious India . 210 Candolim & Markets & Shopping . 213 Fort Aguada . 123 SOUTH GOA . 162 Arts & Architecture . 215 Calangute & Baga . 129 Margao . 163 Anjuna . 136 Around Margao . 168 Wildlife & the Environment . .. 218 Assagao . 142 Chandor . 170 Mapusa . 144 Loutolim . 170 Vagator & Chapora . 145 Colva . .. 171 Siolim . 151 North of Colva . -
Annual Report 2016-17
Annual Report 2016-17 i Annual Report 2016 -17 ii Contents • Executive Summary 3 • About MMC 5 Vision 5 Mission 5 History 5 Our Approach 5 • Our Children 8 Children Reached 8 Migration 9 Length of Stay 9 Linguistic Diversity 9 • Education 10 Enrolment of Children in Schools 10 Strengthening and Enhancing Our Education Programme 13 • Health & Nutrition 18 Health 18 Nutrition 22 • Community Outreach 27 Interactions with the Community 27 Facilitation of the Resources for the Community 29 Interactions with Youth 30 • Training 31 Bal Palika Training 31 Bal Vikas Sahyog Training 33 Puppet Workshops 33 • Our Partners 34 Government 34 Non-profit Organisations 34 Hospitals 35 Builders & Contractors 35 1 • Organisational Development 36 Institutional Strengthening Initiatives 36 Building Capacities of Staff 37 • Travel 38 National 38 International 39 • Governance 40 Our Board 40 Details of Board Meetings 40 • Financials 41 Income & Expenditure Account 41 Abridged Balance Sheet 42 Receipts & Payments 43 Auditors, Legal Advisor & Bankers 44 Registrations 44 Salaries & Benefits 45 • Volunteers 46 Friends of MMC 46 Social Media 46 • Supporters 47 Donations: Individuals 49 Donations & Earmarked Grants: Organisations, Trusts & Foundations 49 Donations & Earmarked Grants: Corporates 50 Donations in Kind 50 • Centres Operated 51 Photographs: Front Cover - Mumbai Mobile Creches & Back Cover - Ms. Shweta Agarwal, Mr. Navin Umaid Chaudhary and Ms. Cornelia Rummel 2 Executive Summary Dear Friends, to parents and the community, benefitting over 9000 people on a wide range of socio- With the close of the financial year 2016-17, economic issues. We further strengthened Mumbai Mobile Creches has completed 44 the quality of our Bal Palika Training years of successfully providing comprehensive programme by creating visual media for care for the children of migrant workers instruction. -
General-STATIC-BOLT.Pdf
oliveboard Static General Static Facts CLICK HERE TO PREPARE FOR IBPS, SSC, SBI, RAILWAYS & RBI EXAMS IN ONE PLACE Bolt is a series of GK Summary ebooks by Oliveboard for quick revision oliveboard.in www.oliveboard.in Table of Contents International Organizations and their Headquarters ................................................................................................. 3 Organizations and Reports .......................................................................................................................................... 5 Heritage Sites in India .................................................................................................................................................. 7 Important Dams in India ............................................................................................................................................... 8 Rivers and Cities On their Banks In India .................................................................................................................. 10 Important Awards and their Fields ............................................................................................................................ 12 List of Important Ports in India .................................................................................................................................. 12 List of Important Airports in India ............................................................................................................................. 13 List of Important -
CHILDREN Saturday
Saturday - 4th Feb: Kala Ghoda Schedule CHILDREN Title Location Time Description Methodical Max Mueller 11.00 am - Workshop in Origami with CSA By Bhavan Gate 01.00 pm Nilesh Shaharkar Special Workshop For Special Max Mueller 11.00 am - Ami Kothari in a creative session with Children Bhavan Gate 12.00 pm Little Angel Foundation. (children with mental disabilities) Post Office Adventures Entrance Gate 2.30 pm - Mumbai GPO is the biggest Post of GPO, Fort 3.30 pm Office in the country and one of the biggest in the world! Join Kruti as she takes you on a tour through this magnicificent structure. (ages 8 - 13) Speak with Paper Max Mueller 3.30 pm - Paper bag decoration with recycled Bhavan Gate 5.30 pm paper by Amruta Pathre (ages 9 - 15) Wonderful Wire Craft Max Mueller 4.00 pm - Watch and learn with Colaba's street Bhavan Gate 5.00 pm artist Harish. (9 yrs & above) Hanging Gardens Max Mueller 5.30 pm - Creating fresh flower hanging Bhavan Gate 7.00 pm arrangements with roots ribbons and crystals with Vibha Gupta (ages 10 - 15) [NOTE: Kids section can get crowded on the Weekends] www.wonderfulmumbai.com FOOD Title Location Time Description Asian Chef of the year 5 All Day, Hotel 4.00 pm - Embark on a 'food-art' journey with Milind Milind Sovani and Apollo, Colaba 6.00 pm and Asha as they give you priceless tips on Asha Khatau Causeway eyecatching presentations of Indian cuisine. www.wonderfulmumbai.com FILM Title Location Time Description REGIONAL GEMS Adaminte Makan Abu Max Mueller 2.30 pm - India’s Entry for the Oscars is about an Malayalam (101 min) Bhavan 4.30 pm elderly couple yearning to go on Haj. -
Gita-Chadha.Pdf
Name: Gita Chadha Address: 202, Meghnad, TIFR Housing Complex, Homi Bhabha Road, Mumbai 400 005. Tel: 2280 4897 E-mail: [email protected] Date of Birth: 20th March, 1963 Current job profile: Assistant Professor, Department of Sociology, University of Mumbai. Academic Qualifications: Degree University Year Subjects Grade B.A. University of 1983 Sociology First Class Mumbai M.A. University of 1985 Sociology Higher Second Mumbai Class Ph.D. University of 2005 Sociology Mumbai Title of Ph.D. Thesis: Gender, Scientific Intuition and Genius : A Feminist Perspective. Fellowships: 1) ICSSR Centrally Administered Fellowship from the year 1996 for doctoral research. 2) The U.G.C. NET in 1988. 3) The Indal Fellowship of the Asiatic Society Mumbai for the year 2001-02. Teaching Experience: 1. Teaching: • Assistant Professor, Department of Sociology, University of Mumbai (2013 onwards). • Adjunct Professor in Sociology, University of London International Programme, Russell Square International College, Juhu, Mumbai (2011-2012). 1 • Consulting Associate, Dr. Avabai Wadia Women‟s Archives, Research Centre for Women‟s Studies, SNDT University, Juhu, Mumbai (2011-2012). • Associate Director, Dr. Avabai Wadia Women‟s Archives, Research Centre for Women‟s Studies, SNDT University, Juhu, Mumbai (2009-2011). • Faculty member in Sociology at the Russell Square International College, Mumbai (2004-2009). Teaching Sociology at the undergraduate level on the International Programme, University of London. • Visiting Faculty for the M.A. in Women‟s Studies at the Tata Institute of Social Sciences, Mumbai (2009-2010). • Lecturer in Sociology at the Wilson College, University of Mumbai in 2003. • Visiting Lecturer at the Post-Graduate Department of Sociology, SNDT University, Mumbai (1999-2000). -
Mumbai-Shanghai Sister Cities Agreement: Challenges
Published by Gateway House: Indian Council on Global Relations 3rd floor, Cecil Court, M.K.Bhushan Marg, Next to Regal Cinema, Colaba, Mumbai 400 005 T: +91 22 22023371 E: [email protected] W: www.gatewayhouse.in Gateway House: Indian Council on Global Relations is a foreign policy think tank in Mumbai, India, established to engage India’s leading corporations and individuals in debate and scholarship on India’s foreign policy and the nation’s role in global affairs. Gateway House is independent, non-partisan and membership-based. Editor: Nandini Bhaskaran Cover design: Debarpan Das Layout: Virpratap Vikram Singh All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the written permission of the publisher. © Copyright 2017, Gateway House: Indian Council on Global Relations. EXECUTIVE SUMMARY 3 MUMBAI-SHANGHAI SISTER CITIES AGREEMENT: 5 CHALLENGES & OPPORTUNITIES 2.1. Introduction 5 2.2. Objectives of report 5 2.3. Meaning of Sister Cities 5 2.4. Shared history: Mumbai and the making of Shanghai 5 2.5. Challenges in furthering the Sister Cities relationship 6 2.6. Successful templates followed by other countries in Mumbai and Shanghai 8 GATEWAY HOUSE RECOMMENDS 9 3.1. Launch a Mumbai-Shanghai Forum 9 3.2. Collaboration between the two city governments through JWGs 10 3.3. Bring ongoing projects under the Agreement 10 3.4. Initiate cultural exchanges 10 3.5. Think tank to think tank (T2T) 11 3.6.