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Priyadarshini Ohol Resume 2019 India (+91) 9967303965; Berlin: +4917628133269 ; E-Mail: [email protected] ​ ​ ​

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Priyadarshini Ohol Resume 2019 India (+91) 9967303965; Berlin: +4917628133269 ; E-Mail: Ohol.Priya@Gmail.Com ​ ​ ​ Priyadarshini Ohol Resume 2019 India (+91) 9967303965; Berlin: +4917628133269 www.ohol.art ; e-mail: [email protected] ​ ​ ​ Click HERE to download the latest version ​ ​ One Woman Shows: “Ohol Open Studio”, Ohol Art Studio, Dharamshala, November 2018 ​ Open studio exhibition introducing the local community to my Dharamshala studio practice with finished and unfinished works. “Dehumanized Body: India 2018 | Kolkata”, Academy of Fine Arts, Kolkata, October 2018 ​ 2018 Kolkata unveiling of “Dehumanized Body,” an ongoing work of artivism presented as a long duration interdisciplinary multimedia long duration performance installation. 5 channel large scale video, found footage, performance recordings, video art, live performance, installation, sound, voice, text, objects, performance prints on canvas, audience, open space in-performance improvisations. "Priyadarshini Ohol: In the Flow State", All India Fine Arts & Crafts Society, Delhi, April 2018 ​ Abstract expressionist paintings. “In the Stream of Consciousness with Priyadarshini Ohol”, Birla Academy of Art & Culture, Kolkata, November 2017 ​ Abstract expressionist paintings. Group Shows: “Colours of Rebellion”, Eine Welt Haus, Magdeburg, Germany, Group Exhibition, April - September 2018 ​ “Colours of Rebellion”, VuB Campus Etterbeek, Brussel, Belgium, Group Exhibition, April 2018 ​ “Colours of Rebellion”, Pangaea, KU Leuven, Belgium, Group Exhibition, April 2018 ​ "Beyond Colours", Visual Arts Gallery, Indian Habitat Centre (IHC), Delhi, Group Exhibition, May 2017 ​ "International Art Exhibition", Lalit Kala Akademi, Chennai, Group Exhibition, May 2017 ​ "Explorations", AIFACS, Delhi, Group Exhibition, March 2017 ​ "Ode to Her", Russian Centre of Science and Culture, Gorky Sadan, Kolkata, Group Exhibition, March 2017 ​ "Colour Spectra", Artizen Art Gallery, Delhi, Group Exhibition, February 2017 ​ Video Art: “The Rape of Badaun”, Found footage from social media, Performance recordings. ​ “The Attack on Bhima Koregoan”, Found footage from social media, Performance recordings. ​ “Pink Girl”, Illusionary multi-layered edited video of iterative Pink Girl performances in front of prior Pink Girl ​ projections. Residencies: “Bodytaster Residency”, Molières Sur Cèze, France, March - April 2019 ​ “The Subconscious Body”, Dharamshala, India, December - February 2019 ​ Performance Art: “Wallflower”, April 2019, Acker Stadt Palast, Berlin ​ Wallflower is the journey of a human body across real and constructed walls of caste, class, gender, race, ability, health, poverty, language, nationality, geographies, and its inner world towards flowering into the best of mankind. “Everybody is an Artist”, February 2019, Dharamshala ​ ​ At the end of The Subconscious Body residency, I integrate my movement research and the research of creation from altered states of consciousness to make a final performative painting performance. In the end, the audience becomes the performer, performance and artist. As the performer watches, everyone leaves their own marks and art in the artwork I’ve created as moments of proof suspended in time. “Painting the Snow”, February 2019, Dharamshala ​ ​ I perform a site-specific body resonating with the winter and paint the snow. “Death on the Fountain”, January 2019, Dharamshala ​ ​ I die a thousand deaths on a toilet. The audience experiences intimacy of space and movement. “A Cold Bed”, January 2019, Dharamshala ​ Audio as original artist made background music and song - “the coldest bed ever”, a bed, fireplace, 2 chairs, a table with kettle, tea for 2, table lamp, an ukulele. A couple. The audience is ushered into this intimate space right beside the bed. They become unwitting participants in the performance as they share the same space. The passive male body contrasts with the active female body of sexual desire, rejection and longing. What is rejection? What is female sexuality? Is a Dalit woman from the Indian subcontinent allowed a sexuality? How does this female political body move and process sexual rejection? “Letting Go of the Child I Raised”, January 2019, Dharamshala ​ ​ I rise from an unlit pyre and shoot an imaginary arrow with a wooden stick - metaphor for the one-way direction of life flow. I use various hurdles to process the different paths. I use a resistance band to unfurl from but get more entangled instead. The band comes up to my neck and the resistance starts to take the life out of me as I suddenly fall with peak resistance force. “This is a Necessity”, December 2018, Dharamshala ​ Performing only what is necessary at that moment with only movement of the body without rules. “Between the Seen and the Unseen”, December 2018, Dharamshala ​ With a long sturdy tie and bell around my waist to keep me anchored, I traverse the conscious, subconscious and unconscious, and perceive multiple physical and non-physical realms. At various times, I use a drawing sheet, a pen, notepad, sound. “The Black Bride's World”, December 2018, Dharamshala ​ I lead fellow performers into the witch bride’s world. “Poltergeist”, December 2018, Dharamshala ​ ​ I effect and resonate with the various chaotic energies while others create the world behind me. “The Black Bride Welcomes You”, November 2018, Dharamshala ​ ​ The witch bride invites the audience into her lair and draws them into her world through sensory rituals. 2 channel video, sound, smell, objects, taste, audience, multisensory performance. “Halloween 2018”, November 2018, Dharamshala ​ ​ Halloween Flash Mob Butoh Performance. “Dehumanized Body: India 2018 | Kolkata “, October 2018, Kolkata ​ ​ 7-day long duration performance which channels the caste-based violence of the times into a socio-political commentary. 5 channel video, multichannel sound, voice, text, digital prints on canvas, objects, installation, live performance, audience, in-performance improvisations. “A Pink Girl with a Knife”, September 2018, Dharamshala ​ ​ ​ ​ Single Video of mixed previous Pink Girl performances, audience, objects, sound, live performance. “A Pink Girl is Dehumanized”, September 2018, Dharamshala ​ ​ Single channel video projection of previous Pink Girl Performance, sound, objects, audience, live performance. “A Pink Girl Flowers in the Rain”, August 2018, Dharamshala ​ I dance this dystopian world which is no longer a fantasy. A candy floss girl flowers amidst it. Our reality Is more farfetched. “Stretched Thin”, August 2018, Dharamshala ​ I treat my body and being without consideration, inhumanely and get stretched thin, increasingly becoming frayed on ​ the edges. “Does She Need Your Permission”, August 2018, Dharamshala ​ What is sexual objectification? Why is a female body offensive? Does using the body as a tool mean completely giving up sexuality? Does she need your permission to use her body? “A Painter's World”, July 2018, Dharamshala ​ ​ I perform the torment of being haunted by the lynched, murdered, hanging dehumanized bodies of the girls of Badaun as I worked through the current environment in this country. “Dehumanized Possessed Body”, July 2018, Dharamshala ​ I let my body become transparent. I allow it to become possessed. We see the audience react. “Dehumanized Animal”, July 2018, Dharamshala ​ How do you progressively shed your human conditioning to become a dehumanized creature and how does the audience interact with such a dehumanized body? “Revelation”, June 2018, Dharamshala ​ I reveal my dehumanization. I am dancing my scars of abuse, of violence, of casteism, of violations, of deprivation, of ​ neglect, of struggle, of conditioning, of control, of injustice, of discrimination, of verbal abuse, of physical abuse, of emotional abuse, of hurt, of betrayal, of survival, of use, of loss, of pain , of trauma, of bullying, of demons, of ghosts, of my body of people, of myself, of my people, under my skin that I carry around with me, of all of who I am. “The Torment Before Death”, June 2018, Dharamshala ​ Do they have to fight? How much can a human being survive? What would make them live? Could they? Sometimes people just give up. “Dehumanized Women”, June 2018, Dharamshala ​ I explore the violence that dehumanizes women in my body. Sound: “Lovers without the possibility of Love”, January 2019 ​ Ukelele and voice recording used as sound in “A Cold Bed” “Various Soundbites”, October 2018 ​ Bites used to present the dystopia in Dehumanized Body Workshop: “How to co-create with strangers”, 17th International Himalaya SubBody Butoh Festival, Dharamshala, Nov 2018 ​ An experimental research workshop that develops conditioning that facilitates same day improvisational performances. Digital: Dehumanized Body: India 2018 - Poster, invite. Art Festivals: 17th International Himalaya SubBody Butoh Festival, Dharamshala, 2018 Kala Spandan Art Fair, Bombay, 2018 India Art Festival, Delhi, 2017 In the Collections of: Birla Academy of Art & Culture, Kolkata Chitrakoot Art Gallery, Kolkata Education: Bachelor of Mechanical Engineering Languages: English - Native Competence French - Beginner’s understanding from two years in high school Marathi - Native Competence Hindi - Native Competence Story: ​ th ● Born on 19 ​ November 1982 in Solapur, Maharashtra. Raised in Bombay & Thane. ​ ● Studied Mechanical Engineering at V.J.T.I. Mumbai. ● Supported education through odd jobs like modeling, joined the corporate world, ran businesses in writing and e-commerce. ● Effective activism in Government, Transparency and Human Rights led to a mild brush with politics and the U.S. State Department IVLP program. ● Moved to Delhi.
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