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Auf Der Suche Nac Chris Riddell EINLADUNG ZUR AUSSTELLUNGSERÖFFNUNG AUF DER SUCHE NACH VOLLKOMMENER VERSCHROBENHEIT DIE SKURRILEN CHARAKTERE AUF DER SUCHE NACH VOLLKOMMENER VERSCHROBENHEIT UND FANTASTISCHEN WELTEN CHRIS RIDDELL: VON CHRIS RIDDELL VONell 18. FEBRUAR Ridd Chris Illu ted by strat llustra ion © kins & I 2004 artin Jen r.co.uk BIS 27. JULI 2016 Chris Ridd LLIVER by M w.walke ell From JONATHAN SWIFT’S GU J ▯ ww Reprod n SE11 5H uced by permission of Walker Books Ltd, Londo MO-FR 10-16 UHR SA/SO 14-17 UHR WEHRGANG-GALERIE UND VON 18. FEBRUAR VITRINEN IM LESESAAL BIS 27. JULI 2016 MO-FR 10-16 UHR SA/SO 14-17 UHR WEHRGANG-GALERIE UND Internationale Jugendbibliothek VITRINEN IM LESESAAL Die internationale Jugendbibliothek wird gefördert von: Bayerisches Staatsministerium für Bildung und Kultus, Wissenschaft und Kunst CHRIS RIDDELL: Illus. © Chris Riddell aus: CHRIS RIDDELL: AUF DER SUCHE NACH VOLLKOMMENER VERSCHROBENHEIT The Emperor of Absurdia AUF DER SUCHE NACH VOLLKOMMENER VERSCHROBENHEIT und Raymond Briggs zu seinen Dozenten gehörten. Preisen ausge­ Raymond Briggs war es auch, der den talentierten zeichnet worden, Studenten seinem Verleger vorstellte und damit u. a. mit dem den ersten Illustrationsauftrag in die Wege leitete. UNESCO Prize, Daneben nennt Chris Riddell einige weitere ange­ dem Nestlé sehene Kinderbuchillustratoren, die ihn maßgeblich Smarties Prize, beeinflusst und geprägt haben, vor allem Zeichner dem Costa Book aus dem 19. und frühen 20. Jahrhundert wie John Award und der Kate Tenniel, Ernest Shepard und William Heath Robinson. Greenaway Medal. In den vergangenen 30 Jahren hat Chris Riddell Im Juni 2015 wurde weit mehr als 150 Bücher illustriert, die in zahlreiche er darüber hinaus, Sprachen übersetzt sind. Die Bandbreite reicht in Anerkennung von Bilderbüchern, z. B. Kathryn Caves Bilderbuch seines Engagements © Martin Godwin Irgendwie Anders (1994), über phantasievolle für die Kinderliteratur, Kinder bücher, Klassiker wie Gullivers Reisen, nach­ zum neuen UK Children’s Chris Riddell ist einer der bekanntesten Kinderbuch­ erzählt von Martin Jenkins (2004), und Neil Gaimans Laureate gekürt. Seitdem ist er illustratoren Großbritanniens. Seine humorvollen Farb­ düsteres Schneewittchen­Dornröschen­Märchen Der unermüdlich unterwegs, um in Kindern den und Schwarz­Weiß­Zeichnungen kennen Leser jeden Fluch der Spindel (2015) bis hin zu spannenden Spaß am Zeichnen und kreativen Kritzeln Alters, denn der vielseitige Künstler hat nicht nur un­ Jugendbüchern. Mit dem erfolgreichen Autor Paul („Doodling“) zu wecken. ­­zäh lige Bilder­, Kinder­ und Jugendbücher illustriert, Stewart verbindet ihn seit Jahren eine enge Freund­ Chris Riddells zugleich moderner und klassischer Stil sondern ist auch seit gut 20 Jahren der „political schaft und intensive Zusammenarbeit. Gemeinsam ist unverwechselbar. Mit sicherem, schnellem Strich cartoonist“ der renommierten britischen Sonntags­ haben die beiden u. a. die international erfolgreiche erschafft er fantasievolle und komplexe Welten, die zeitung Observer. 13­bändige Serie Die Klippenland-Chroniken von schrägen Kreaturen, hinterhältigen Bösewichten 1962 als Sohn eines anglikanischen Pfarrers in (1998ff) verfasst, die mit einer gezeichneten und liebenswert­eigensinnigen Helden bevölkert sind. Kapstadt/Südafrika geboren, wuchs Chris Riddell Landkarte ihren Anfang nahm. Dabei gilt seine Leidenschaft vor allem der Schwarz­ nach der Rückkehr der Familie nach England in Auch eigene Bücher schreibt und illustriert Weiß­Illustration, denn er sieht sich nicht als Maler: unterschiedlichen Gemeinden auf. Die Liebe zum Chris Riddell zuweilen, zuletzt die beiden „I’m a dyed­in­the­wool traditional illustrator, and I Zeichnen stellte sich schon früh ein. Dieses Interesse Kinderbuch­Reihen Ottoline (2007ff) begin with black and white. If I need colour, I add it 1 nutzte seine Mutter; sie gab ihm regelmäßig Stifte und Ada von Goth (2014ff), die mit over the top.“ Zur Kunst der Schwarz­Weiß­Illustra­ und Papier, um ihn in der Kirchenbank während der unzähligen inner­ und außerlitera­ tion sagt er: „There’s a calligraphic element to it … 2 Predigten des Vaters zu beschäftigen. rischen Bezügen auch erwachse­ it’s about the texture of lines on the page.“ Nach einem Vorbereitungsjahr an der Epsom School nen Lesern höchst unterhaltsame In der Regel skizziert er seine Figuren und of Art and Design, studierte er von 1981 bis 1984 Lektüre bieten. Landschaften mit Bleistift und zeichnet die Illustration am Brighton Polytechnic, wo unter anderem Für seine Werke ist Chris Skizze dann mit dünnem Pinsel und was­ die beiden bekannten Illustratoren John Vernon Lord Riddell mit zahlreichen serfester Tusche nach. Bei ganz feinen Illus. © Chris Riddell aus: Ottoline Goes to School Linien kommt gelegentlich ein Stift zum Einsatz, doch Fabelwesen bis zu Aliens haben alle ihre unverwech­ Chris Riddell & Paul Stewart (Text/Illus.) das „Fließende“ des Pinselstrichs ist ihm sympathi­ selbaren Eigenschaften, die durch die Abbildung The Edge Chronicles: scher. Für seine farbigen Arbeiten verwendet Chris sorgfältig herausgearbeitet werden. Seine Protago­ The winter knights Riddell konzentrierte Aquarellfarbe, die er verdünnt nisten bleiben nicht zweidimensional, sondern haben (The Quint Saga, Book 2) auf die Tuschezeichnung aufträgt und zwischen den viele Nuancen und Facetten. Gefällige, hübsche London: Doubleday, 2005. einzelnen Arbeitsgängen mit einem Föhn trocknet, Personen findet man so gut wie nie, ihre „perfected Dt. Ausgabe: Die Klippenland- 3 um zu verhindern, dass sich das Papier wellt. Mit eccentricity“ macht die Protagonisten erst interessant Chroniken, Bd. 8: Gouache­ Farben setzt er am Schluss einzelne Akzente. und die Bücher zu einem besonderen Lesevergnügen. Quint und die Eisritter Chris Riddells Bilder stecken voller Hintergründigkeit In der ersten Einzelausstellung des Künstlers in Deutsch­ Übers.: Wolfram Ströle und Witz sowie visueller und narrativer Anspielungen, land präsentiert die Internationale Jugendbibliothek Düsseldorf: Sauer­ auch auf seine eigenen Werke. Die Illustrationen einen breiten Querschnitt durch Chris Riddells vielsei­ länder, 2006. gehen je nach Text eher ins Düstere und Makabere tiges Werk für Kinder und Jugendliche. Über 100 oder wirken heiter, satirisch und karikaturhaft. Zwei schwarz­weiße und farbige Originalillustrationen und Chris Riddell & Paul Stewart besondere Schwerpunkte werden sichtbar, wenn man einige ausgewählte Skizzenbücher laden ein, seine (Text/Illus.) sein Schaffen der letzten Jahre etwas eingehender schrägen Protagonisten näher kennenzulernen und The Edge Chronicles: betrachtet: die Begeisterung für (Land­)Karten und die mal mehr, mal weniger fantastischen, komplexen Clash of the sky galleons seine Vorliebe für skurrile Porträts. Universen genauer zu erkunden. (The Quint Saga, Book 3) Illus. © Chris Riddell 1 London: Doubleday, 2006. Bei den Karten macht es kaum einen Unterschied, Ich bin ein durch und durch traditioneller Illustrator, und ich fange schwarz­weiß an. Falls ich Farbe brauche, füge ich sie als letzte Dt. Ausgabe: Die Klippenland-Chroniken, Bd. 9: ob es sich um die Übersichtskarte eines Gebäudes Schicht oben auf. Aus: Susanna Rustin: “Chris Riddell: ‘It’s about wie „Schloss Gormengraus“ mit all seinen Flügeln the texture of lines on the page’” in The Guardian (Online­Ausgabe) Quint und der Kampf der Himmels galeonen und Gärten handelt oder um die Landkarten der ein­ 19. Dezember 2014 Übers.: Ulrich Brandt 2 Das Ganze hat etwas Kalligraphisches … das Wichtige ist die Struktur Düsseldorf: Sauerländer, 2007. zelnen Regionen im fantastischen Reich des Klippen­- der Linien auf dem Papier. Aus: ebd. landes zu verschiedenen Zeitaltern; gemeinsam sind 3 vollkommene Verschrobenheit ihnen eine enorme Detailfülle und ein großer Ein­ Chris Riddell (Text/Illus.) fallsreichtum. Jede Landschaft, The Emperor of Absurdia jede Siedlung ist so sorgfältig London: Macmillan Children’s Books, 2006. gezeichnet und Dt. Ausgabe: Der Prinz von Anderswo bildhaft be­ Übers.: Paul Stewart nannt, dass Auswahlbibliografie zur Ausstellung Düsseldorf: Sauerländer, 2007. die Leser Martin Jenkins (Nacherzählung) ohne Mühe Miguel de Cervantes Saavedra (Originaltext) Chris Riddell & Paul Stewart (Text/Illus.) in die fremden Chris Riddell (Illus.) Far-flung adventures: Fergus Crane Welten ein­ Don Quixote London [u.a.]: Doubleday, 2004. tauchen können. London [u. a.]: Walker, 2009. Dt. Ausgabe: Aberwitzige Abenteuer [1]: Die Porträts Dt. Ausgabe: Don Quijote Fergus Crane auf der Feuerinsel bestechen durch die Unter­- Übers.: Günter Jürgensmeier Übers.: Thomas A. Merk & Claudia Gliemann schiedlichkeit und Außergewöhn­ Düsseldorf: Sauerländer, 2009. Düsseldorf: Sauerländer, 2006. lichkeit der porträtierten Charaktere. Illus. © Chris Riddell aus: Something ElseVon Menschen über Haustiere, Gnome, Trolle, Monster, Drachen und andere Illus. © Chris Riddell Chris Riddell & Paul Stewart (Text/Illus.) Chris Riddell (Text/Illus.) Impressum Far-flung adventures: Hugo Pepper Ottoline and the yellow cat London: Doubleday, 2006. London [u. a.]: Macmillan Children‘s Books, 2007. Auf der Suche nach vollkommener Verschrobenheit. Die skurrilen Charaktere und fantastischen Welten Dt. Ausgabe: Aberwitzige Abenteuer [3]: Dt. Ausgabe: Ottoline und die gelbe Katze von Chris Riddell Hugo Pepper und der fliegende Schlitten Übers.: Thomas A. Merk & Claudia Gliemann © 2016 Internationale Jugendbibliothek Übers.: Thomas A. Merk & Claudia Gliemann Düsseldorf: Sauerländer, 2008. Illustrationen © Chris Riddell Düsseldorf: Sauerländer,
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