DOCSLIB.ORG

Original One Acts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Original One Acts Beginners, Returning and Advanced Students welcome! Join Steel River Playhouse for one of the least expensive full day theater educational program in the region and open your child to a fun-filled, exciting day planned with their creative expression in mind. ORIGINAL ONE ACTS MUSIC, COMEDY, CIRCUS ARTS! SING, DANCE, ACT! WRITE IT, ACT IT! VAUDEVILLE CAMP MUSICAL THEATER CAMP ACTING THEATER CAMP ​ July 11 to 22, 2016 July 25 to August 5, 2016 August 8 to 19, 2016 ​ ​ ​ ​ Performance: July 21 at 6 p.m. Performance: August 4 at 6 pm Performance: August 18 at 6 pm Summer camp at Steel River Playhouse offers the most comprehensive K-12 educational theater program in the region: ​ *Three two-week theater camps share diverse lessons in theatrical skills while culminating in a final performance for parents! *Based on number of hours and price for TWO WEEKS of programming! Camp breaks down to just over $5 per hour for those enrolled in the full two week day program who use the before and after care program. *Each of our exciting themed camps ends in a fully staged theatrical production for parents and the community! *Even better, your child has a fun-filled, exciting day planned for them each day that includes lessons in collaboration, creativity, play-building, and much more! *The arts build confidence and promote out of the box thinking – but are frequently neglected during the school year! These camp intensives give your child a memorable confidence building experience! *Our professional staff is experienced in dealing with all levels of experience and ability! *Our program is created to split into three age groups, Elementary, Middle and High School, to assure that all age ​ ​ ​ levels are served with material that is best for their stage of development! *We offer a choice of AM or full-day activities for elementary school students. *Financial Aid available for families in need of assistance (click for application) ​ ​ *… and a Steel River Summer Camp t-shirt and two tickets to the show included with camp tuition! ​ Enroll Now! SRP summer camp 2016 registration form Camp 2016 Program Guide Three separate sessions to fit your family’s summer schedule: FOR YOUR CONVENIENCE our staff will also provide extra hours of camp, prior to the start of our morning session ​ (8-9am), and at afternoon’s end (4-6pm), to help parents negotiate their busy day. Sign up for the entire 2-week session or a la carte only on the days where early or late care is needed! Lower Camp (entering grades 1-4) M-F 9am-12 noon (half-day) $250 OR 9am-4pm (full-day) $499 Does your child love to play pretend? Sing? Dance? Lower Camp features it all! In the morning, students will focus on skill-building in music, movement, and acting in a creative and playful environment. Enroll for the full day and get the learn-by-doing experience with a performance-based approach as the kids work collaboratively to create a play. Lower Camp runs during each session with presentations on the final Friday afternoon of the session. Upper Camp (entering grades 5-12) M-F 9am-4pm $499 (that’s just $249.50 a week for a 40 hour camp week!) Steel River is proud to continue its summer program of quality instruction, followed by end-of-camp performance opportunities, giving all students their moment to shine! Half of the day will be spent developing skills in various areas of performance which will then be applied during the rehearsal process. Final performances will be drawn from theme related material, to be enjoyed by family, friends and the public on the final Thursday and Friday of each camp session. The first 2 sessions of camp will each focus on the musical theatre experience with instruction in acting, music and dance. The first camp is geared also towards actors who don’t sing, where comedy and circus acts will be explored. Students will employ their skills in scenes, songs and sketches from the great Vaudeville stage specifically chosen for each age group. Break out classes in specific areas will also take place during the day for a more intensive focus on one of the skills associated with the camp. Vaudeville Comedy, Music and Circus Arts Camp – Session 1 July 11 to 22 – Vaudeville! Music, Comedy and Circus Arts are all explored so that both singers and non­singers can follow a ​ path they will enjoy during camp. Creation of an original Vaudeville show will culminate in a comedic and music filled performance on the second Thursday of camp in the evening, and during the lunch hour of the final Friday of camp. A pizza ​ cast party and strike of the set will take place during the final Friday afternoon. Musical Theater Camp – Arabian Nights – Session 2 July 25 to August 5 – Arabian Nights! A musical theater camp (singing, dancing, acting) exploring the theme of Arabian ​ ​ ​ ​ Nights: The Tales of a Hundred and One Nights. A bright, colorful theatrical presentation will be performed on the second ​ Thursday of camp in the evening, and during the lunch hour of the final Friday of camp. A pizza cast party and strike of the set ​ will take place during the final Friday afternoon. Dramatic Theater camp – One Act Festival! – Session 3 August 8 to 19 – Original One Acts! During this drama day camp, students work on writing original one acts which they then ​ ​ ​ produce and perform on the last evening of the last day of camp. The camp focuses on improvisation skills, stage combat, on camera and on stage acting techniques and much more! A one act play festival will be held on Thursday night of the second week of camp, and a second performance may be scheduled during the lunch hour of the final Friday of camp. A pizza cast party and strike of the set will take place during the final Friday afternoon. .
Load more

Recommended publications
  • "WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
    "WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday.
    [Show full text]
  • Laughing Allowed! It’S Funny Because It’S True
    Using Physical Comedy for Building Resilience Laughing Allowed! It’s funny because it’s true A How-to Guide for Making a Physical Comedy Show to Build Will Weigler + Neighbourhood Resilience Rob Wipond + Michelle Colussi Introduction In the fall of 2014, a group of people in Victoria, and can offer new ways of exploring, discussing Canada who shared both an interest in their and resolving shared challenges. Both the neighbourhood and a quirky sense of humour development process and the show itself created were brought together to explore a question: a vibrant space for people to talk freely about Could they turn their experiences of the ups and their common challenges. The post-performance downs of neighbourhood leadership, activism conversation with the audience and project and volunteering into physical comedy sketches? participants had nearly as much shared laughter Project participants were trained in theatre and and applause as the show itself, with people physical comedy techniques over six weeks and eager to talk about what resonated most for them collaboratively developed a show called Laughing personally in the different scenes. Looking at the Allowed! The Slapstick World of Neighbourhood problems in light-hearted ways led to different Activism. The one-night-only performance drew kinds of conversations about how to bring about one hundred and fifty audience members, most changes. A full-length video and shorter clips of of whom stayed for a focused conversation the show were posted for free online, and they afterwards to explore the show’s themes. too have subsequently been used by other groups Laughing Allowed! was such a success that, to prompt reflection and discussion at their own as the facilitators, we’ve developed this guide gatherings.
    [Show full text]
  • Dr. Demento Back As Our Guest of Honor to Help Celebrate 50 Years of the Dr
    2 Welcome to FuMPFest 2021! We are thrilled to welcome Dr. Demento back as our guest of honor to help celebrate 50 years of The Dr. Demento Show! We’ve got a great lineup for you this weekend, including Dr. Demento’s Festival of Dementia, performances by some amazing artists, The Logan Awards, and, of course, Dumb Parody Ideas. Be sure to grab a Bin- go card and follow along with the ridiculousness. And please wear a mask. We plan to have fun, but we need to keep everyone safe. Table of Contents Page Content Guidelines for Parents 8 FuMP Bingo 14 Guests 5 Local Area Map 15 Merchandise Listing 12 Panels 4 Program Schedule 8 Special Thanks Dr. Demento, John Cafiero, Luke Ski, Insane Ian, Chris Mezzolesta, Bill Rockwell, Bad Beth and Beyond, Bill Larkin, Carla Ulbrich, Carrie Dahlby, Ian Lockwood, Nuclear Bubble Wrap, Ross Childs, Steve Goodie, The Gothsicles, Worm Quartet, Captain Ambivalent, Susan “Sulu” Dubow, Jungle Judy, Beefalo Bill, Artie Barnes, Jeff Morris, Eclectic Lee, Sara Trice, Dr. Don, MadMike, all of our spon- sors, HTB Press, Jacob Dawson and the Dorsai Irregulars, Dina Chi- appetta, Aaron Bastable, Aron Kamm, Don Bundy and Bundy Audio, Brett Ferlin, Jon “Bermuda” Schwartz, Mr. Tuesday, Ellen Macas, Kristina Winslow, Brett Krause, Doornail, James Russell, Ken Sher- lock, and of course everyone who actually showed up to this thing! FuMPFest Staff Tom Rockwell - Con Chair... aka Devo Spice, the guy who does things Luke Sienkowski - Co-chair, aka the great Luke Ski, who tells Devo to do things Chris Mezzolesta - Sound Guy, Tile Guy, Power Salad performer Ian Bonds - aka Insane Ian, hosting, so Devo doesn’t have to 3 Panel Descriptions Friday Opening Ceremonies - Welcome The Sidekicks - Join Sulu, to the con! Join us for an over- Jungle Judy (via Zoom), and view of what we have in store more to discuss being a sidekick this weekend and see this year’s on The Dr.
    [Show full text]
  • One Man, Two Guvnors by Richard Bean Based on the Servant of Two Masters by Carlo Goldoni, with Songs by Grant Olding Background Pack
    One Man, Two Guvnors by Richard Bean based on The Servant of Two Masters by Carlo Goldoni, with songs by Grant Olding Background pack The National's production 2 Carlo Goldoni 3 Commedia dell'arte 4 One Man, Two Guvnors – a background 5 Lazzi – comic set pieces 7 Characters 9 Rehearsal overview 10 In production: from the Lyttelton to the Adelphi 13 In production: Theatre Royal Haymarket 14 Richard Bean interview 15 Grant Olding Interview 17 Further production detailsls: This background pack is Director Learning Workpack writer www.onemantwoguvnors.com published by and copyright Nicholas Hytner National Theatre Adam Penford The Royal National Theatre South Bank Board London SE1 9PX Editor Reg. No. 1247285 T 020 7452 3388 Ben Clare Registered Charity No. F 020 7452 3380 224223 E discover@ Views expressed in this nationaltheatre.org.uk Rehearsal and production workpack are not necessarily photographs those of the National Theatre Johan Persson National Theatre Learning Background Pack 1 The National’s production The production of One Man, Two Guvnors opened in the National’s Lyttelton Theatre on 24 May 2011, transferring to the Adelphi from 8 November 2011; and to the Theatre Royal Haymarket with a new cast from 2 March 2012. The production toured the UK in autumn 2011 and will tour again in autumn 2012. The original cast opened a Broadway production in May 2012. Original Cast (National Theatre and Adelphi) Current Cast (Theatre Royal Haymarket) Dolly SuzIE TOASE Dolly JODIE PRENGER Lloyd Boateng TREvOR LAIRD Lloyd Boateng DEREk ELROy Charlie
    [Show full text]
  • Falling in Love Again : Romantic Comedy in Contemporary Cinema Pdf, Epub, Ebook
    FALLING IN LOVE AGAIN : ROMANTIC COMEDY IN CONTEMPORARY CINEMA PDF, EPUB, EBOOK Stacey Abbott | 272 pages | 15 Feb 2009 | Bloomsbury Publishing PLC | 9781845117719 | English | New York, United Kingdom Falling in Love Again : Romantic Comedy in Contemporary Cinema PDF Book Advertisement - Continue Reading Below. Nothing beats settling into your coziest loungewear, ordering that burrito you've been craving, and sinking into your couch, ready to have your heart broken in half and then put together again by a romantic movie. Published February 15th by I. Remember, it's the s, when "morality clauses" for homosexuality were acceptable grounds for such arguments. Tauris first published January 1st Facebook Twitter Instagram LinkedIn. Golden Globe. Boy meets girl in awkward circumstances, and boy - eventually - gets together with girl. Librarian view Catkey: The story of lovelorn posh boy Charles and his group of friends made an overnight star of lead Hugh Grant and propelled writer Richard Curtis into the big league. Other editions. Michelle Pfeiffer. That's the core concept of Eternal Sunshine of the Spotless Mind. Soon enough, Therese meets and falls smitten with Carol Cate Blanchett , and the two start a romance. A New Direction in Comedian Comedy? Your name. Well, Harper Zoey Deutch and Charlie Glen Powell , two assistants to high-powered people in New York City, may have learned a thing or two from those iconic clever twins. Due to recent events concerning the coronavirus, some of the movies release dates have been pushed to , but we'll keep them on here since they were originally slated for this year. Falling in love again : romantic comedy in contemporary cinema.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved.
    [Show full text]
  • Sound Ideas Classic Comedy Music CD CCM-01 Complete Track and Index Listing
    Sound Ideas Classic Comedy Music CD CCM-01 Complete Track and Index Listing CD # Tr / In Title / Description Time Composer CCM01 01 Round & Round Perky, Playful, Energetic 0:42 Albert Marlowe (SOCAN) CCM01 02 Round & Round Perky, Playful, Energetic 0:47 Albert Marlowe (SOCAN) CCM01 03 Round & Round Opening to a Slow Deliberate March 0:28 Albert Marlowe (SOCAN) CCM01 04 Round & Round Opening to a Slow Deliberate March 0:33 Albert Marlowe (SOCAN) CCM01 05 Round & Round Sprightly March with Snare Drum 0:29 Albert Marlowe (SOCAN) CCM01 06 Round & Round Trilling March with Snare Drum 0:42 Albert Marlowe (SOCAN) CCM01 07 Round & Round Skipping March 0:35 Albert Marlowe (SOCAN) CCM01 08 Round & Round Lumbering Comic March 0:39 Albert Marlowe (SOCAN) CCM01 09 Round & Round Stealthy and Tiptoed Pursuit 1:09 Albert Marlowe (SOCAN) CCM01 10 Round & Round Antic Clown Chase 0:34 Albert Marlowe (SOCAN) CCM01 11 Round & Round Antic Clown Chase 0:35 Albert Marlowe (SOCAN) CCM01 12 Round & Round Bashful Fanfare 0:08 Albert Marlowe (SOCAN) CCM01 13 Round & Round Wah Wah Fanfare 0:08 Albert Marlowe (SOCAN) CCM01 14 Round & Round Muffled Woodwind Fanfare 0:08 Albert Marlowe (SOCAN) CCM01 15 Round & Round Proud Fanfare Prelude 0:08 Albert Marlowe (SOCAN) CCM01 16 Round & Round Triumphant Fanfare Processional 0:09 Albert Marlowe (SOCAN) CCM01 17 One Clown Band Strolling Tipsy Waltz 0:58 Albert Marlowe (SOCAN) CCM01 18 One Clown Band Tender Swirling Waltz 0:38 Albert Marlowe (SOCAN) CCM01 19 Capri Twist Casual, Hip, Mellow 1:11 Albert Marlowe (SOCAN) CCM01 20 Raz Ma Taz Scrambled Comic Entrance 0:14 Worldwide Public Domain, Arr.
    [Show full text]
  • A Survey of the Professional and Major Amateur Theatre
    A SURVEY OF THE PROFESSIONAL AND MAJOR AMATEUR THEATRE P.RESENTATIONS IN SASKATOON FrlOM 1912 TO 1930 A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of ]i[aster of Arts in the Department of Drama University of Saskatchewan -. by Albert Ronald. Williams Saskatoon, Saskatchewan Nay, 1967 @ Copyright 1967. A. R. Williams 351.91.0 The author has agreed that the Library, University of Saskatche­ wan may make this thesis freely available for inspection. ].loreover, the author has agreed that permission for extensive copying of this thesis for scholarly purposes may be granted by the professor or professors who supervised the thesis work recorded herein or, in their absence, by the Head of the Department or the Dean of the College in which the thesis work was done. It is understood that due recognition will be given to the author of t,his thesis and to the University of Saskatchewan in any use of material in this thesis. Copying or pub­ lication or any other use of the thesis for financial gain without approval by the University of Saskatchewan and the author's written permission is prohibited. Requests for permission to copy or to make other use of material in this thesis in whole or in part should be addressed to: Head of the Department of Drama University of Saskatchewan SASKATOON, Canada SYNOPSIS This thesis is a survey of theatrical presentations in Saskatoon from 1912 to 1930. No attempt is made to propound theories based upon these facts. About three-quarters of this thesis presents a day-by-day compilation of professional stage productions and locally produced shows that appeared in the major Saskatoon Theatres from 1912 through 1921.
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • The Potential of Informative Comedy Music As Supplementary Teaching Material
    http://dx.doi.org/10.7592/EJHR2018.6.3.mckeague European Journal of Humour Research 6 (3) 30–49 www.europeanjournalofhumour.org Lyrical lessons: The potential of informative comedy music as supplementary teaching material Dr. Matthew McKeague Kutztown University of Pennsylvania [email protected] Abstract The comedic arts have provided opportunities for humourists to spread information to audiences, sometimes intentionally and other times as a side effect while trying to create laughter. Educators have also found success incorporating comedy into the classroom with humorous activities. While research regarding comedy as a tool to spread information or educate audiences has focused primarily on literature, broadcast media, and film, the area of informative comedy implemented through music remains relatively unexplored. In this paper, the researcher defines ‘informative comedy’ and takes a critical literacy approach analysing song samples of comedy musician “Weird Al” Yankovic—one of the notable comedic music artists in the 20th and 21st centuries—and discusses how his music could be used in a classroom setting. While comedy such as Yankovic’s is not designed to be an educational tool, the researcher suggests that his songs could be used as supplementary materials in the classroom to reinforce concepts specifically regarding cultural issues through commentary as well as lessons in science and grammar. A central aspect of this exploratory paper involves Yankovic’s mix of comedy and informative content focused on culture in the United States, using the popular music genre to convey ideas in ways that may be more palatable for wider audiences and that could be used to assist classroom instruction.
    [Show full text]
  • Music and Identity in Comedic Performance
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 Laughing at Ourselves: Music and Identity in Comedic Performance Peter Trigg University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the African American Studies Commons, American Popular Culture Commons, Musicology Commons, and the Performance Studies Commons Recommended Citation Trigg, Peter, "Laughing at Ourselves: Music and Identity in Comedic Performance. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4786 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Peter Trigg entitled "Laughing at Ourselves: Music and Identity in Comedic Performance." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Music, with a major in Music. Rachel Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie Gay, Jacqueline Avila Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Laughing at Ourselves: Music and Identity in Comedic Performance A Thesis Presented for the Master of Music Degree The University of Tennessee, Knoxville Peter Trigg May 2017 ii Dedication This thesis dedicated to my family for their unending support during my growth as a researcher, musician, and person.
    [Show full text]
  • One Man, Two Guvnors by Richard Bean Based on the Servant of Two Masters by Carlo Goldoni with Songs by Grant Olding Background Pack
    One Man, Two Guvnors by Richard Bean based on The Servant of Two Masters by Carlo Goldoni with songs by Grant Olding Background pack The National's production 2 Carlo Goldoni 3 Commedia dell'arte 4 One Man, Two Guvnors - a background 5 Lazzi - comic set pieces 7 Characters 9 Rehearsal overview 10 Richard Bean interview 13 Photo (James Corden) by Phil Fisk Grant Olding Interview 15 Further production detailsls: This background pack is Director Discover Workpack writer nationaltheatre.org.uk published by and copyright Nicholas Hytner National Theatre Adam Penford The Royal National Theatre South Bank Board London SE1 9PX Editor Reg. No. 1247285 T 020 7452 3388 Ben Clare Registered Charity No. F 020 7452 3380 224223 E discover@ Views expressed in this nationaltheatre.org.uk Rehearsal and production workpack are not necessarily photographs those of the National Theatre Johan Persson discover: National Theatre Background Pack 1 This production of One Man, Two Guvnors opened The National’s production in the National’s Lyttelton Theatre on 24 May 2011 Dolly SUZIE TOASE Lloyd Boateng TREVOR LAIRD Charlie “the Duck” Clench FRED RIDGEWAY Pauline Clench CLAIRE LAMS Harry Dangle MARTYN ELLIS Alan Dangle DANIEL RIGBY Francis Henshall JAMES CORDEN Rachel Crabbe JEMIMA ROOPER Stanley Stubbers OLIVER CHRIS Gareth DAVID BENSON Alfie TOM EDDEN Ensemble POLLY CONWAY JOLYON DIXON DEREK ELROY PAUL LANCASTER FERGUS MARCH GARETH MASON CLARE THOMSON Director NICHOLAS HYTNER Associate Director CAL McCRYSTAL Designer MARK THOMPSON Lighting Designer MARK HENDERSON Music GRANT OLDING Sound Designer PAUL ARDITTI Fight Director KATE WATERS Choreographer & Staff Director ADAM PENFORD Company Voice Work KATE GODFREY discover: National Theatre Background Pack 2 Carlo Goldoni Carlo Goldoni was born in 1707 into a a series of plays, experimenting with form middle-class family in Venice.
    [Show full text]