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The Elusive Paradise: a Study of W.H.Hudson
David Lindsay Sean Miller THE ELUSIVE PARADISE: A STUDY OF W.H. HUDSON A thesis submitted for the degree of Ph.D, at Royal Holloway College, University of London, 1985 ProQuest Number: 10097573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10097573 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CONTENTS Pa%e Abstract 2 Abbreviations Used in Text 3 Introduction 4 Notes to the Introduction 28 PART ONE 33 Chapter One 33 Chapter Two 44 Chapter Three 52 Chapter Four 58 Chapter Five 62 Chapter Six 67 Chapter Seven 77 Chapter Eight 82 Notes to Part One 91 PART TJO 102 Chapter One 102 Chapter Two 111 Chapter Three 118 Chapter Four 127 Chapter Five 137 Chapter Six 151 Chapter Seven 182 Notes to Part Two 191 Conclusion 207 Notes to the Conclusion 211 Select Bibliography 212 ABSTRACT I will argue in this thesis that W.H. Hudson's fiction and non-fiction share the same symbolic substructure: that of the elusive Paradise. Through attention to the concrete details of the world, in certain moments at least, Hudson apprehends an invisible or supernatural dimension. -
WH Hudson: American Original
WH Hudson: American Original RICHARD F. HARDIN I. Hudson and Shakespeare's American Romance £ Is A YOUNG man W. H. Hudson found himself one night on "a very curious boat, reported ancient and much damaged; long and narrow in shape, like a Viking's ship, with the passengers' cabins ranged like a row of small wooden cottages on the deck" (IdleDays i ). The captain lay sick, near death, in his cabin when the ship shuddered violently, awaking everyone with its grind• ing noises. Hudson heard sailors crying out, "We are lost! " "Ay, lost forever!"(2). The ship escaped the rocks, however, to be mired in sand not far from the beach. At first light the young naturalist waded ashore to Patagonia: There it lay full in sight before me — the unmarred desert that wakes strange feelings in us; the ancient habitation of giants, whose footprints seen on the sea-shore amazed Magellan and his men, and won for it the name of Patagonia. There, too, far away in the interior, was the place called Traplanda, and the spirit guarded lake, on whose margins rose the battlements of that mysterious city which many have sought and none have found. (4) It is typical of Hudson that at once, here, he checks his lyric prose with a prosaic reminder: "It was not, however, the fascina• tion of old legend ... but the passion of the ornithologist [that] took me" (4). The "curious boat" and "strange feelings," the Vikings, giants, spirit-guarded lake, and mysterious city raise in us questions that can hardly be answered by ornithology, how• ever impassioned. -
Three Paths to Religious Integration in Ernest Hemingway's
THREE PATHS TO RELIGIOUS INTEGRATION IN ERNEST HEMINGWAY’S WAR FICTION A DISSERTATION IN English and Humanities Consortium Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by TIMOTHY JAMES PINGELTON B.A., University of Missouri-Kansas City, 1994 M.F.A., San Diego State University, 1997 Kansas City, Missouri 2018 © 2018 TIMOTHY JAMES PINGELTON ALL RIGHTS RESERVED THREE PATHS TO RELIGIOUS INTEGRATION IN ERNEST HEMINGWAY’S WAR FICTION Timothy James Pingelton, Doctor of Philosophy Degree University of Missouri-Kansas City, 2018 ABSTRACT My dissertation studies religiosity in Ernest Hemingway’s war fiction in terms of how his soldier characters connect to the divine. The means to understanding this connection is in refining how the characters express the utility of this connection and how these features fit into larger structural ideals. I argue that the wartime characters integrate with the divine through various methods: by contact with nature, by enacting a ritual, or by embodying Christian manliness. I base my dissertation on relevant phenomenological theories but also considers broader structural-functional theories, and I form the approach on structuralism in that I look at both single works and at the war fiction as a whole as well as looking for connections between literature and culture. Furthermore, I look to the theories of Northrop Frye in analyzing this literature because Frye’s structuralism allows for genre-bending oeuvres such as Hemingway’s. I argue that, contrary to much literary criticism, the Hemingway wartime protagonists are theists who seek the divine in times ii of conflict, but, unlike the notion of “no atheists in the foxholes,” these characters harbor their religiosity not situationally but throughout their lives. -
New Verse Anthologies, 1913-53 Warren Scott Hec Ney Loyola University Chicago, [email protected]
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2014 Anthologizing Modernism: New Verse Anthologies, 1913-53 Warren Scott heC ney Loyola University Chicago, [email protected] Recommended Citation Cheney, Warren Scott, "Anthologizing Modernism: New Verse Anthologies, 1913-53" (2014). Dissertations. Paper 891. http://ecommons.luc.edu/luc_diss/891 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2014 Warren Scott heC ney LOYOLA UNIVERSITY CHICAGO ANTHOLOGIZING MODERNISM: NEW VERSE ANTHOLOGIES, 1913-53 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY W. SCOTT CHENEY CHICAGO, IL MAY 2014 Copyright by W. Scott Cheney, 2014 All rights reserved. ACKNOWLEDGMENTS I must begin by thanking my mentors at Loyola University Chicago. Dr. Victoria Anderson mentored and challenged me in the ways I thought about composition pedagogy. Dr. Badia Ahad presented African-American literature like no other teacher and patiently answered my many questions. Dr. Paul Jay provided helpful advice and opened up the field of cultural studies for me in his Networked Public Culture seminar. Dr. Pamela Caughie pushed me to seek excellence as a graduate student, and her untiring work as an advocate for every graduate student in English is extraordinary. Dr. Steven Jones first helped me to critically interpret technology and games. -
University Microfilms, Inc., Ann Arbor, Michigan
i This dissertation has been microfilmed exactly as received 70-6903 WALKER, Emma Clement, 1909- A STUDY OF THE FICTION OF HEMINGWAY AND FAULKNER IN A COLLEGE SOPHOMORE ENGLISH CLASS. The Ohio State University, Ph.D., 1969 Education, adult University Microfilms, Inc., Ann Arbor, Michigan © Copyright by Emma Clement Walker 1970 A STUDY OF THE FICTION OF HEMINGWAY AND FAULKNER IN A COLLEGE SOPHOMORE ENGLISH CLASS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Bnrna Clement Walker, A. B., M. A. The Ohio State University, 1969 Approved By Aflvisor College of Education Acknowledgments I wish to express sincere thanks to those persons who have assisted me in compiling the data for this study. To Dr. Everett Kircher and Dr. Francis Utley, I express my gratitude for their many suggestions. To the students and faculty at Tuskegee Institute and at The Fort Valley State College who shared these experiences, I am grateful. To Mrs. Shirley Pearson and to Mrs. Anne Corley, who spent long hours typing and proofreading, I am indebted. To my husband, whose patience and understanding were constant, and without whose encouragement this study would not have been completed, I am most appreciative. To Dr. Wilfred Eberhart, whose supervision, patience, and meticulousness were of inestimable value, I give special thanks. Vita I, b a Clement Walker, was b o m in Charlotte, North Carolina, May 19, 1909, the seventh child of a minister, George Clinton Clement, who became a Bishop in the African Methodist Episcopal Zion Church, and Emma Clarissa Clement, who was named "American Mother" for 19U6« After graduating from the public schools of Louisville, Kentucky, I matriculated at Livingstone College, Salisbury, North Carolina, receiving the degree of Bachelor of Arts (1930) and attending the Atlanta University, Atlanta, Georgia, receiving the degree of Master of Arts (19Ul). -
THE FLURRIED YEARS H
Digitized by the Internet Archive in 2008 with funding from Microsoft Corporation http://www.archive.org/details/flurriedyearsOOhuntuoft /, THE FLURRIED YEARS h [Frontispitcs 7fffgrr 131 The Flurried Years :: :: By Violet Hunt :: :: WITH ifl ILLUSTRATIONS HURST & BLACKETT, LTD. PATERNOSTER HOUSE, E.C. 5 PR GO 1 U55Z52 Made and Printed in Great Britain by The Cameloi Press Limited, Southampton LIST OF ILLUSTRATIONS Facing Pagt FRONTISPIECE JOSEPH CONRAD AND HIS PROOF-SHEET • 32 MARY MARTINDALE • 50 JOSEPH LEOPOLD . 62 MY NIECE . 66 HENRY JAMES . 88 MY MOTHER . 112 AUNT EMMA'S HOUSE AT BOPPARD . 126 DAVID GARNETT AND JOSEPH LEOPOLD AT ASSMANS- HAUSEN • 132 GONERIL IN BED . 152 MY SISTER . 208 MISS REBECCA WEST AT HOME . 214 OUR COTTAGE AT SELSEY .... 218 THE GOOD SOLDIER . 260 WILLIAM HENRY HUDSON .... 268 PART I — — THE FLURRIED YEARS 1908 The Great Affair of All—"One word is too often profaned " Oliver Madox Brown and Joseph Conrad on Passion—Oscar before America— " " Hie sunt leones —/ go there—The New Argonauts—W. L. George on Genius—W. B. Yeats on the stoking of it—Mr. Chandler an important person—Mrs. Chandler ditto—Hermosa—The Impropriety of Thomas Hardy—Editors and Backers—The Pinker of Agents—With the Monds at Joyous Gard—Mr. Carlyon Bellairs and the British Navy—The German Professor—The Soul's Wireless—Conrad on Prestidiginous People—Perceval Gibbon—Arthur Marwood—Payment of Contribu- tors—Arnold Bennett—Cunninghame Graham—W. H. Hudson and the Cuckoo—His ideal Woman—The Association of Conrad and the Editor— Damon and Pythias—Agonies of Composition—The Pent Farm— S.