DOCSLIB.ORG

December 4, 2020 WARNER BROS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 4, 2020 WARNER BROS FREE Reporting on the Planet Daily FREE Volume 7 | Issue 10 dailyplanetdc.com December 4, 2020 WARNER BROS. STUDIO TO RELEASE ENTIRE 2021 FILM SLATE ON HBO MAX By Daily Planet Staff Warner Bros. Pictures Group announced that it has committed to releas- ing its 2021 film slate on their HBO Max streaming platform in the US con- current with the film’s domestic release This news follows the a n n o u n c e m e n t t h a t “Wonder Woman: 1984” will be released to HBO Max and select theaters on Christmas Day. The Wonder Woman sequel will be available to sub- scribers of the streaming platform for at least a month. The goal audience ac- c o u n t t o c a l c u l a t e WW84’s success is four million or more viewers streaming the film on opening day. “A little over four million fans in the U.S. enjoyed the first Wonder Woman movie on its opening day in 2017,” WarnerMedia CEO Jason Kilar said. “Is it possible for that to hap- pen again this Christmas Gal Gadot pictured as Wonder Woman. “Wonder Woman: 1984’s” release date has been reschedule multiple times throughout 2020. Photo courtesy Warner Bros. with Wonder Woman today by Ann Sarnoff, Max comes in short. Net- call for creative solutions, p r o j e c t e d s t a t e o f “This hybrid exhibition 1984 between theaters Chair and CEO, Warner- flix has 200 million sub- including this new initia- moviegoing throughout model enables us to best and HBO Max?” Media Studios and Net- scribers globally, with 73 tive for the Warner Bros. 2021, we came to the con- support our films, creative HBO Max currently has works Group (of which million subscribers in the Pictures Group,” said clusion that this was the partners and moviegoing 30 million subscribers in Warner Bros. is part) and US at $14/mo. Amazon Sarnoff. “No one wants best way for WarnerMe- in general throughout the United States. Jason Kilar, CEO of Warn- Prime Video has over 150 films back on the big dia’s motion picture busi- 202 1 ,” s a i d To by E m- The hybrid model was erMedia. million subscribers and is screen more than we do. ness to navigate the next merich, Chairman, Warner created as a strategic re- Warner Bros. Pictures $9/mo while Disney+ has We know new content is 12 months,” said Kilar. Bros. Pictures Group. “We sponse to the impact of Group’s 2021 expected re- 75 million subscribers the lifeblood of theatrical “More importantly, we are have a fantastic, wide the ongoing global pan- lease slate currently in- globally, 26 million of exhibition, but we have to planning to bring con- ranging slate of titles from demic, particularly in the cludes The Little Things, which are in the US at $7/ balance this with the reali- sumers 17 remarkable talented and visionary U.S. Following the one Judas and the Black Mes- mo. ty that most theaters in movies throughout the filmmakers next year, and month HBO Max access siah, Tom & Jerry, Godzilla Disney also owns Hulu the U.S. will likely operate year, giving them the we’re excited to be able period domestically, each vs. Kong, Mortal Kombat, which has 37 million sub- a t r e d u c e d c a p a c i t y choice and the power to get these movies in front film will leave the plat- T h o s e W h o Wi s h M e scribers ($6/mo for basic throughout 2021. decide how they want to of audiences around the form and continue the- Dead, The Conjuring: The and $12/mo for premium) Warner Media sees this enjoy these films. Our world. And, as always, we’ll atrically in select US the- Devil Made Me Do It, In and ESPN which has 10 move as a “win-win for content is extremely valu- support all of our releases aters and international The Heights, Space Jam: A million subscribers. HBO film lovers and exhibitors, able, unless it’s sitting on with innovative and ro- territories, with all cus- New Legacy, The Suicide Max has 30 million sub- a n d we ’ re ex t re m e l y a shelf not being seen by bust marketing cam- tomary distribution win- Squad, Reminiscence, Ma- scribers (available in USA grateful to our filmmak- anyone. We believe this paigns for their theatrical dows applying to the ti- lignant, Dune, The Many only so far at $15/mo), also ing partners for working approach serves our fans, debuts, while highlighting tles. Saints of Newark, King only half of the HBO Max with us on this innovative supports exhibitors and this unique opportunity to All films will be avail- R i c h a r d , C r y “subscribers” have actual- response to these circum- fi l m m a k e r s , a n d e n- see our films domestically able in 4K Ultra HD and Macho and Matrix 4. ly logged in to the app. stances.” hances the HBO Max ex- via HBO Max as well.” HDR on HBO Max. This In comparison to other “We’re living in un- “After considering all perience, creating value announcement was made streaming platforms, HBO precedented times which available options and the for all.” Why the world needs Wonder Woman By Lois Lane o f f J o h n s a n d D av i d passionate, powerful, benevolence. She teaches Daily Planet Callaham. It will star Gal emotional, graceful, fierce individuals that they can Gadot as Diana Prince/ and so much more. be their own heroes. You Wonder Woman 1984 Wonder Woman along- Her broad range of just have to accept your- has been one of the most side Chris Pine, Kristen depth has captured the self for who you are and highly anticipated movies Wiig, Pedro Pascal, Robin imaginations of countless not what the world wants of 2020. W r i g h t a n d C o n n i e individuals. y o u t o b e . W o n d e r Set in 1984, during Nielsen in supporting In a year where the Woman hones her abili- t h e Co l d Wa r, D i a n a roles. world feels like it’s falling ties and advocates for Prince comes into conflict Wonder Woman has apart, Wonder Woman others to do the same. with two formidable foes been a pop culture icon has brought a glimmer of Diana makes the world — m e d i a since her emergence in normalcy and hope. Yet, a wondrous place, and businessman Maxwell 1 9 4 0 . A s a f o u n d i n g due to the outbreak of that’s why the planet Lord and friend-turned- member of the Justice COVID-19, her second solo needs Wonder Woman. enemy Barbara Ann Min- League, and one third of m o v i e h a s h a d t o “ W o n d e r W o m a n erva (Cheetah), while re- D C C o m i c ’ s h e r o i c reschedule it’s theatrical 1984” is scheduled to be uniting with her love in- “trinity,” it always as- release date numerous r e l e a s e d b y Wa r n e r terest Steve Trevor. tounded me that it took times. Bros. theatrically on Dec. This film is a sequel to over 70 years for this Her existence aspires 25, 2020. The film will also 2 0 1 7 ’ s w e l l r e c e i v e d character to have a movie greatness. People confide stream digitally on HBO “Wonder Woman” movie, franchise. in her character and yearn Max for a month begin- the first female led su- As an inspiration to so to be like her. She literally ning on that same date. It perhero picture in history. many, Wonder Woman emboldens hearts of men, will debut theatrically in The movie is directed has been a shining exam- women and non gender international markets that by Patty Jenkins from a ple of heroism for genera- specific individuals with do not have HBO Max on script she wrote with Ge- tions. She’s strong, com- courage, affection and Dec. 16, 2020. dailyplanetdc.com @DailyPlanetDC | 1 The Dailies December 4, 2020 The Dailies Continued from the previous online edition Continued in our next online edition Superman, World’s Greatest Superheroes Art by: George Tuska and Vince Colletta Lettering by: Gaspar Saladino dailyplanetdc.com Continued in our next online edition The Daily Planet is where heroes are born and the story continues. We are proud to report on the planet, daily. The Planet is a nonprofit news organization inspired by DC Comics. Our organization prides itself on journalistic integrity. We hope to help inform the world in order to make it a better place. All of our writers and content contributors are volunteers from across the globe with a passion for comics, writing, news and entertainment. The Daily Planet has always been a beacon of hope for our publisher, Zack Benz. It is his life’s mission to make it shine in a similar light to so many around the world. We’re a voice for the people by the people.
Load more

Recommended publications
  • Samoan Submission Machines
    Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity.
    [Show full text]
  • Sumo Manga by P.M.B.Q
    YOI-SHO!! What the audience shouts when the wrestlers kick their leg up and stomp the ground. www.sakuraofamerica.com ©Sumo Manga by P.M.B.Q. Studios Table of Contents Table 1 History of Nihon Sumo Kyokai History of 2 Banzuke: The Offi cial Sumo Ranking Record Nihon Sumo Kyokai 3 The Ranking Pyramid 4 Sumo Attire 5 Basho: Offi cial Tournament Competition 6 Dohyo: The Sumo Ring 7 Traditional Ceremonies 9 Gyoji and Judges 10 Sumo Wrestling Begins 11 Tournament Rules 12 Words to Know Sumo is an ancient sport dating patron for sumo wrestling, back some 1500 years. The fi rst and established the fi rst rules sumo matches were a form of ritual and techniques. dedicated to the gods along with prayers for a bountiful harvest. During a long period of warfare, Together with ritual dancing and the military trained soldiers in dramas, sumo was performed in sumo, and jujitsu was formed by religious shrines. the samurai as an off shoot of sumo. When peace was fi nally In the Nara Period in the 8th restored in 1603, a period of Century, sumo wrestling became prosperity grew, and the merchant History of Nihon Sumo Kyokai an annual festival which included classes organized professional wrestling matches and the winning sumo groups for their entertainment, sumo wrestlers participated in music and has further developed into the and dancing celebrations. The sumo wrestling sport enjoyed in Imperial Court was the sponsor or modern times. 1 Banzuke: The Official The Ranking Sumo Ranking Record Pyramid Today there are No weight limits exist in sumo The lower ranks, Sandanme (san- about 800 rikishi wrestling, so a rikishi (wrestler) dan-me), Jonidan (jo-ni-dan), and (wrestlers) in could face an opponent that Jonokuchi (jo-no-kuchi) do not weighs twice as much as his own wrestle each day of a tournament.
    [Show full text]
  • Warner Bros. TV Group CMO Lisa Gregorian to Depart at End of Year
    Warner Bros. TV Group CMO Lisa Gregorian to Depart at End of Year 11.09.2020 Lisa Gregorian, president and CMO, Warner Bros. Television Group and co-chair emeritus of Promax, is departing the company at the end of the year, WarnerMedia said Monday. Karen Miller, currently executive vice president, creative services, will lead marketing operations and creative services for the television group after Gregorian's departure, reporting to incoming chair, Channing Dungey, when she arrives at the company next year. RELATED: Peter Roth to Step Down as Chairman of Warner Bros. TV "Lisa shared that she feels this is the right time for her to leave Warner Bros., her professional home for more than 30 years," said Ann Sarnoff, chair and CEO, WarnerMedia Studios and Networks Group, in a statement. "She's had an incredible career here and has been responsible for some of the industry's most creative, most innovative marketing activations - from Warner Bros.' legendary LA Screenings to the most talked-about Comic-Con events to Friends 25th Anniversary to this summer's DC FanDome, where she co-led the team that created and executed this virtual fan event drawing more than 22 million visitors. I thank her for her dedication and contributions to the company and wish her the very best in what I know will be an exciting next chapter." "My three decades at Warner Bros. working with extraordinarily talented colleagues, storytellers, talent and clients from around the globe and with a kick-ass marketing team have been amazing and a dream come true," said Gregorian, also in a statement.
    [Show full text]
  • Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
    PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product.
    [Show full text]
  • Missouri Active Alcohol License Data
    Missouri Active Alcohol License Data LICENSEE DBANAME STREET NUMBER GERHART, NORRIS G. MR. G'S PACKAGE LIQUOR 306 VETERANS OF FOREIGN WARS POST 2210 TORRE SPECIALTIES INC. WESTPORT SALOON 4112 RORI ENTERPRISES INC. RORI ENTERPRISES 113 B & B ONE STOP INC. B & B ONE STOP 28858 ABEL OIL COMPANY INC. PALMYRA SHELL STORE #2 ROLLA LIONS CLUB INC. ROLLA LIONS CLUB INC. 1061 BIG RIVER HILLS AERIE 4210 AERIE 4210 CLUB 609 INC. CLUB 609 609 LADUE PHARMACY LLC LADUE PHARMACY 9830 WOODEN NICKEL INC. WOODEN NICKEL 114 GIER, ANTHONY R. ELDON EAGLE STOP 100 WAL MART STORES EAST I LP WAL MART SUPERCENTER #96 1700 MIDWEST ENERGY INC. AMERIMART #37 603 PEERY OIL COMPANY PEERY'S MARKET 37905 JAIMES INC. EL MAGUEY 7831 Page 1 of 1630 09/24/2021 Missouri Active Alcohol License Data STREET CITY STATE ZIPCODE PHONE NUMBER W BUCHANAN CALIFORNIA MO 65018 5737963808 MEMORIAL DRIVE STE GENEVIEVE MO 636701039 5738832207 PENNSYLVANIA KANSAS CITY MO 641113292 8169313663 E. BOONESLICK WARRENTON MO 633832003 3142204657 HIGHWAY 19 PERRY MO 63462 5735653441 MAIN & MAIN CROSS PALMYRA MO 63461 5737692220 S BISHOP AVENUE ROLLA MO 654014437 5733644386 HWY 67 OLD BONNE TERRE MO 636281123 3147819860 MAIN STREET JOPLIN MO 64801 4176236090 CLAYTON ROAD LADUE MO 631241695 3149934031 S ELSON STREET KIRKSVILLE MO 63501 6606652760 E. 4TH ST. ELDON MO 65026 5733926150 HWY 291 NORTH HARRISONVILLE MO 64701 5012734368 HIGHWAY OO FREDERICKTOWN MO 63645 5733355906 E 50 HWY LONE JACK MO 640709124 0 N. OAK TRAFFICWAY KANSAS CITY MO 641181426 8164680077 Page 2 of 1630 09/24/2021 Missouri
    [Show full text]
  • The Operational Aesthetic in the Performance of Professional Wrestling William P
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
    Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders.
    [Show full text]
  • Representations of Pleasure and Worship in Sankei Mandara Talia J
    Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively).
    [Show full text]
  • OAESV Survivor Series Empowerment, Hope & Healing
    OAESV Survivor Series Empowerment, Hope & Healing UNDERSTANDING THE TRAUMA OF SEXUAL VIOLENCE Sexual Violence is a Form of Trauma As a survivor of sexual violence, you have endured a trauma, a significant event or series of events that fall outside the range of normal, everyday human experience. All forms of sexual violence are traumatic, including rape, attempted rape, sexual abuse, molestation, voyeurism, and many others. Other familiar types of traumatic events include combat conditions, natural disasters, vehicle accidents, and medical emergencies, or witnessing one or more of these events happening to someone else. What makes a particular experience traumatic is that the survivor’s ability to control what is happening to him or her is stripped away, often violently. The survivor feels that his or her health, safety and even life are directly threatened and he/she is rendered powerless to address that threat in the moment. Such an event overwhelms the brain’s capacity to effectively respond and cope the way you would be able to in other types of situations. The extent to which a particular event is experienced as being traumatic by the survivor depends on many factors, which are unique to each person and each situation. Although you may feel out of sorts, or even that you’re “going crazy,” your reactions are normal responses to an abnormal event. Sexual Violence is Unique While the “brain impact” of sexual violence is similar to that of other types of trauma, sexual violence is unique. Unlike other types of trauma, sexual violence is a deliberate violation of your most personal space by one or more individuals that you likely knew and may have even trusted or loved.
    [Show full text]
  • Murder-Suicide Ruled in Shooting a Homicide-Suicide Label Has Been Pinned on the Deaths Monday Morning of an Estranged St
    -* •* J 112th Year, No: 17 ST. JOHNS, MICHIGAN - THURSDAY, AUGUST 17, 1967 2 SECTIONS - 32 PAGES 15 Cents Murder-suicide ruled in shooting A homicide-suicide label has been pinned on the deaths Monday morning of an estranged St. Johns couple whose divorce Victims had become, final less than an hour before the fatal shooting. The victims of the marital tragedy were: *Mrs Alice Shivley, 25, who was shot through the heart with a 45-caliber pistol bullet. •Russell L. Shivley, 32, who shot himself with the same gun minutes after shooting his wife. He died at Clinton Memorial Hospital about 1 1/2 hqurs after the shooting incident. The scene of the tragedy was Mrsy Shivley's home at 211 E. en name, Alice Hackett. Lincoln Street, at the corner Police reconstructed the of Oakland Street and across events this way. Lincoln from the Federal-Mo­ gul plant. It happened about AFTER LEAVING court in the 11:05 a.m. Monday. divorce hearing Monday morn­ ing, Mrs Shivley —now Alice POLICE OFFICER Lyle Hackett again—was driven home French said Mr Shivley appar­ by her mother, Mrs Ruth Pat­ ently shot himself just as he terson of 1013 1/2 S. Church (French) arrived at the home Street, Police said Mrs Shlv1 in answer to a call about a ley wanted to pick up some shooting phoned in fromtheFed- papers at her Lincoln Street eral-Mogul plant. He found Mr home. Shivley seriously wounded and She got out of the car and lying on the floor of a garage went in the front door* Mrs MRS ALICE SHIVLEY adjacent to -• the i house on the Patterson got out of-'the car east side.
    [Show full text]
  • Seth Rollins OUT, Survivor Series Plans Changed
    Seth Rollins OUT, Survivor Series plans changed. Author : Robert D. Cobb Written by The Dark Knight of Sports LaShawn Encarnacion At a recent live event, WWE World Heavyweight Champion Seth Rollins took a bad landing and tore his ACL. Rollins is expected to be out 6-to-9 months in recovery after surgery. So on the 25th anniversary of the day that The Undertaker made his debut to the WWE, formerly known as the World Wrestling Federation, a tournament format is set to be held at the Survivor Series to crown a NEW WWE World Heavyweight Champion. The WWE is no stranger to tournament-style format of competition. There is the traditional tournament to crown their yearly King of the Ring. When it comes to an actual tournament for the coveted WWE World Heavyweight Championship, only ONE comes to mind ... Wrestlemania IV where the late "Macho Man" Randy Savage competed in four matches in one night to be crowned the NEW WWE World Heavyweight Champion. While the format is just a rumor, it is a best guess as it already has precedence. But the competitors and favorites can be discussed, which will be done as a pre/preview. The obvious favorites are performers such as Roman Reigns, Dean Ambrose, Cesaro, King Barrett, and the 2015 Money in the Bank winner Sheamus. United States Champion Alberto Del Rio and Intercontinental Champion Kevin Owens are also in the mix of consideration as competitors, even though Owens already is planned to defend his championship against Ryback. Then again, Ryback could also be named in the tournament as well.
    [Show full text]