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Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan
Table of Contents From the Publications & Outreach Committee ..................................... Lakshmi Radhakrishnan ............ 1 From the President’s Desk ...................................................................... Balaji Raghothaman .................. 2 Connect with SRUTI ............................................................................................................................ 4 SRUTI at 30 – Some reflections…………………………………. ........... Mani, Dinakar, Uma & Balaji .. 5 A Mellifluous Ode to Devi by Sikkil Gurucharan & Anil Srinivasan… .. Kamakshi Mallikarjun ............. 11 Concert – Sanjay Subrahmanyan……………………………Revathi Subramony & Sanjana Narayanan ..... 14 A Grand Violin Trio Concert ................................................................... Sneha Ramesh Mani ................ 16 What is in a raga’s identity – label or the notes?? ................................... P. Swaminathan ...................... 18 Saayujya by T.M.Krishna & Priyadarsini Govind ................................... Toni Shapiro-Phim .................. 20 And the Oscar goes to …… Kaapi – Bombay Jayashree Concert .......... P. Sivakumar ......................... 24 Saarangi – Harsh Narayan ...................................................................... Allyn Miner ........................... 26 Lec-Dem on Bharat Ratna MS Subbulakshmi by RK Shriramkumar .... Prabhakar Chitrapu ................ 28 Bala Bhavam – Bharatanatyam by Rumya Venkateshwaran ................. Roopa Nayak ......................... 33 Dr. M. Balamurali -
National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 Enews NGMA’S Newsletter Editorial Team From
Newsletter JAN 2012 National Gallery of Modern Art New Delhi Government of India Vol 1 Issue 1 Jan 2012 enews NGMA’s Newsletter Editorial Team FroM Ella Datta the DIrector’s Tagore National Fellow for Cultural Research Desk Pranamita Borgohain Deputy Curator (Exhibition) Vintee Sain Update on the year’s activities Assistant Curator (Documentation) The NGMA, New Delhi has been awhirl with activities since the beginning of the year 2011. Kanika Kuthiala We decided to launch a quarterly newsletter to track the events for the friends of NGMA, Assistant Curator New Delhi, our well-wishers and patrons. The first issue however, will give an update of all the major events that took place over the year 2011. The year began with a bang with the th Monika Khanna Gulati, Sky Blue Design huge success of renowned sculptor Anish Kapoor’s exhibition. The 150 Birth Anniversary of Design Rabindranath Tagore, an outstanding creative genius, has acted as a trigger in accelerating our pace. NGMA is coordinating a major exhibition of close to hundred paintings and drawings Our very special thanks to Prof. Rajeev from the collection of NGMA as well as works from Kala Bhavana and Rabindra Bhavana of Lochan, Director NGMA without whose Visva Bharati in Santiniketan, West Bengal. The Exhibition ‘The Last Harvest: Rabindranath generous support this Newsletter would not Tagore’ is the first time that such a major exhibition of Rabindranath’s works is travelling to have been possible. Our Grateful thanks to all so many art centers in Europe and the USA as well as Seoul, Korea. -
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c m y k c m y k Registered with the Registrar of Newspapers of India: Regd. No. 14377/57 CONTRIBUTORS Dr. Karan Singh Gouranga Dash Madhavilatha Ganji Meena Naik Prof. S. A. Krishnaiah Sampa Ghosh Satish C. Mehta Usha Mailk Utpal K Banerjee Indian Council for Cultural Relations Hkkjrh; lkaLdfrd` lEca/k ifj”kn~ Phone: 91-11-23379309, 23379310, 23379314, 23379930 Fax: 91-11-23378639, 23378647, 23370732, 23378783, 23378830 E-mail: [email protected] Web Site: www.iccrindia.net c m y k c m y k c m y k c m y k Indian Council for Cultural Relations The Indian Council for Cultural Relations (ICCR) was founded on 9th April 1950 by Maulana Abul Kalam Azad, the first Education Minister of independent India. The objectives of the Council are to participate in the formulation and implementation of policies and programmes relating to India’s external cultural relations; to foster and strengthen cultural relations and mutual understanding between India and other countries; to promote cultural exchanges with other countries and people; to establish and develop relations with national and international organizations in the field of culture; and to take such measures as may be required to further these objectives. The ICCR is about a communion of cultures, a creative dialogue with other nations. To facilitate this interaction with world cultures, the Council strives to articulate and demonstrate the diversity and richness of the cultures of India, both in and with other countries of the world. The Council prides itself on being a pre-eminent institution engaged in cultural diplomacy and the sponsor of intellectual exchanges between India and partner countries. -
The Journal of the Music Academy Madras Devoted to the Advancement of the Science and Art of Music
The Journal of Music Academy Madras ISSN. 0970-3101 Publication by THE MUSIC ACADEMY MADRAS Sangita Sampradaya Pradarsini of Subbarama Dikshitar (Tamil) Part I, II & III each 150.00 Part – IV 50.00 Part – V 180.00 The Journal Sangita Sampradaya Pradarsini of Subbarama Dikshitar of (English) Volume – I 750.00 Volume – II 900.00 The Music Academy Madras Volume – III 900.00 Devoted to the Advancement of the Science and Art of Music Volume – IV 650.00 Volume – V 750.00 Vol. 89 2018 Appendix (A & B) Veena Seshannavin Uruppadigal (in Tamil) 250.00 ŸÊ„¢U fl‚ÊÁ◊ flÒ∑ȧá∆U Ÿ ÿÊÁªNÔUŒÿ ⁄UflÊÒ– Ragas of Sangita Saramrta – T.V. Subba Rao & ◊jQÊ— ÿòÊ ªÊÿÁãà ÃòÊ ÁÃDÊÁ◊ ŸÊ⁄UŒH Dr. S.R. Janakiraman (in English) 50.00 “I dwell not in Vaikunta, nor in the hearts of Yogins, not in the Sun; Lakshana Gitas – Dr. S.R. Janakiraman 50.00 (but) where my Bhaktas sing, there be I, Narada !” Narada Bhakti Sutra The Chaturdandi Prakasika of Venkatamakhin 50.00 (Sanskrit Text with supplement) E Krishna Iyer Centenary Issue 25.00 Professor Sambamoorthy, the Visionary Musicologist 150.00 By Brahma EDITOR Sriram V. Raga Lakshanangal – Dr. S.R. Janakiraman (in Tamil) Volume – I, II & III each 150.00 VOL. 89 – 2018 VOL. COMPUPRINT • 2811 6768 Published by N. Murali on behalf The Music Academy Madras at New No. 168, TTK Road, Royapettah, Chennai 600 014 and Printed by N. Subramanian at Sudarsan Graphics Offset Press, 14, Neelakanta Metha Street, T. Nagar, Chennai 600 014. Editor : V. Sriram. THE MUSIC ACADEMY MADRAS ISSN. -
Inde Du Nord1
Cité de la musique 1 L’Inde du Nord Traditions hindoustanies programme Jeudi 20, vendredi 21, samedi 22 et dimanche 23 mars 2003 Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours maximum avant chaque concert : www.cite-musique.fr La découverte des Indes « fabuleuses » des XVIe et XVIIe siècles frappa durablement l’imaginaire collectif occidental. Depuis, maintes fois décrite comme une terre de diversité, de contrastes et de paradoxes aux richesses infinies, l’Inde n’a cessé de fasciner. Sa culture musicale, fortement imprégnée d’une ancestrale pensée religieuse, a su préserver un héritage prestigieux tout en s’enrichissant régulièrement d’apports exogènes. La musique jouée au XIIIe siècle à la cour du Sultan de Delhi était alors essentiellement importée d’Asie centrale. Par un lent processus d’intégration et d’assimilation 2 réciproques, des générations de musiciens iraniens, turcs et hindous développèrent une culture musicale syncrétique, issue des mondes persan et indien. C’est ce formidable métissage qui permit aux instruments, aux formes et aux répertoires de s’enrichir mutuellement, en donnant corps à une culture hindoustanie qui allait devenir en Occident, dans le courant du XXe siècle, l’ambassadrice des « musiques du monde ». ’Inde du Nord - Traditions hindoustanies Traditions - ’Inde du Nord L Jeudi 20 mars - 20h Salle des concerts Pandit Hariprasad Chaurasia, flûte bansuri Subhankar Banerjee, tabla Bhawani Shankar, pakhavaj Rupak Kulkarni, flûte bansuri 3 programme jeudi 20 mars - 20h Durée du concert : 2h Avec le soutien de l’Ambassade de France en Inde et de l’Indian Council for Cultural Relations Hariprasad Chaurasia Né en 1939, Hariprasad Chaurasia aurait dû, en bonne logique, reprendre le métier de son père, qui était lutteur. -
The Just Alap Raga Ensemble
The Just Alap Raga Ensemble Pandit Pran Nath 96th Birthday Memorial Tribute Three Evening Concerts of Raga Darbari in the MELA Dream House Saturdays, November 1, 8 and 15, 2014, 9 pm La Monte Young, voice Marian Zazeela, voice Jung Hee Choi, voice Naren Budhkar, tabla The Tamburas of Pandit Pran Nath from the Just Dreams CD MELA Foundation Dream House 275 Church Street, 3rd Floor, between Franklin & White Streets in Tribeca Admission $36. MELA Members, Seniors, Student ID $28. Limited seating. Advance reservations recommended. Info and reservations: [email protected] (or 212-219-3019) Three Evening Concerts of Raga Darbari in the contemporary Kirana gharana (style) of North Indian Classical Music will be performed by La Monte Young and Marian Zazeela with The Just Alap Raga Ensemble in a memorial tribute in honor of Pandit Pran Nath's 96th birthday, Saturday Evenings, November 1, 8 and 15, 2014, at 9 pm in the MELA Foundation Dream House light environment, 275 Church Street, 3rd Floor. PLEASE NOTE: To prepare for the scheduled concerts the Dream House Sound and Light Installation will be closed after October 20; we will reopen Thursday, November 20, 2014. La Monte Young, Marian Zazeela and Jung Hee Choi, voices; with Naren Budhkar, tabla; will be accompanied by The Tamburas of Pandit Pran Nath from the Just Dreams CD. The Just Alap Raga Ensemble will perform Pandit Pran Nath's special arrangement of "Hazrat Turkaman," a traditional vilampit khayal composition set in Raga Darbari. Young considers The Just Alap Raga Ensemble to be one of the most significant creations in the development of his compositional process in that it organically merges the traditions of Western and Hindustani classical musics with the knowledge of acoustical science to embody complementary forms in an encompassing evolutionary statement. -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
SRUTI NOTES a Publication of SRUTI - the India Music & Dance Society
SRUTI NOTES A Publication of SRUTI - The India Music & Dance Society www.sruti.org E-mail: [email protected] Volume 14, Issue 1, February 2011 Board of Directors Celebrating 25 years of excellence in President Uma Prabhakar Indian Classical Music and Dance President-Elect in the Delaware Valley Raji Venkatesan Treasurer Usha Balasubramaniam President’s Note Secretary Ravi Pillutla Greetings! I wish you all a very happy and prosperous New Year! Directors I consider it a unique privilege and honor for me to have this opportunity to lead SRUTI into her Ramaa Nathan 25th year, along with the competent and enthusiastic support of my fellow board members, who Gayathri Rao come with years of experience in planning, managing and executing such events of SRUTI. Six of Ramana Kanumalla them are from the previous board, with Raji Venkatesan as President-Elect, Usha Balasubramanian Raghunandan Parthasarathy as Treasurer, Ravi Pillutla as Secretary, Ramaa Nathan as Director of Resources and, Sunanda Sunanda Gandham Gandham as Director (2). We welcome our newly elected board members (who are not new to SRUTI by any means), Gayathri Rao as Director of Publications and Outreach, Ramana Kanumalla Committees as Director of Marketing & Publicity and, Raghunandan Parthasarathy as Director (1). Together, we Resources & Development look forward to presenting to you all carefully selected classical Indian music and dance programs Ramaa Nathan (Chair) throughout this year and making your 25th year SRUTI experience extra special and fun! Usha Balasubramanian The programming for 2011 season was initiated way back in the May/June time frame last year un- Rajee Padmanabhan Raghunandan Parthasarathy der the leadership of Mr. -
Annual Report 15 0.Pdf
CONTENTS PRESENTATION 4 1. INSTITUTIONAL 7 1.1. BOARD OF TRUSTEES OF THE CASA DE LA INDIA FOUNDATION 8 1.2. COUNCIL OF HONOUR 8 1.3. FRIENDS AND BOARD OF FRIENDS OF CASA DE LA INDIA 8 1.4. INSTITUTIONAL EVENTS 9 1.5. INSTITUTIONAL COLLABORATIONS WITH OTHER ORGANISATIONS 11 1.6. AGREEMENTS 12 1.7. GRANTS 12 1.7.1. GRANTS AND INTERNSHIPS AT CASA DE LA INDIA 12 1.7.2. SCHOLARSHIPS FROM THE INDIAN COUNCIL FOR CULTURAL RELATIONS (ICCR) OF THE GOVERNMENT OF INDIA 13 2. CULTURE 15 2.1. EXHIBITIONS 15 2.2. FILM 17 2.2.1. FILM CYCLES 17 2.2.2. OTHER FILM SCREENINGS AT CASA DE LA INDIA 19 2.2.3. SCREENINGS IN OTHER CITIES 19 2.3. PERFORMING ARTS AND MUSIC 20 2.4. LITERATURE 26 2.4.1. BOOK PRESENTATIONS 26 2.4.2. ROUND TABLE DISCUSSIONS 26 2.4.3. "SPAIN-INDIA WRITERS MEETING" PROJECT 27 2.4.4. WRITING COMPETITIONS 30 2.5. YOGA 30 3. EDUCATION 33 3.1. COURSES 33 3.1.1. KALASANGAM. PERMANENT PERFORMING ARTS AND MUSIC SEMINAR 33 3.2. TALKS, ROUND TABLES AND WORKSHOPS 35 3.2.1. TALKS, ROUND TABLES AND WORKSHOPS AT CASA DE LA INDIA 35 3.2.2. LECTURES AND MASTERCLASSES WITH OTHER INSTITUTIONS 35 3.3. THE ESCUELA DE LA INDIA ProgramS 37 3.3.1. INTERCULTURAL WEEKS AND DAYS 37 3.3.2. ART AND LITERATURE LABORATORY FOR CHILDREN 38 3.3.3. SPECIAL CELEBRATIONS AT CASA DE LA INDIA 38 3.3.4. -
Los Angeles a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree Doctor of Philosophy in Ethnomu
UNIVERSITY OF CALIFORNIA Los Angeles FIND THE TRUE COUNTRY: DEVOTIONAL MUSIC AND THE SELF IN INDIA’S NATIONAL CULTURE A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by VIVEK VIRANI 2016 © Copyright by Vivek Virani 2016 ABSTRACT OF THE DISSERTATION Find the True Country: Devotional Music and the Self in India’s National Culture by Vivek Virani Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2016 Professor Daniel M. Neuman, Chair For centuries, the songs of devotional poet-saints have been an integral part of Indian religious life. Countless regional traditions of bhajans (devotional songs) have been able to maintain their existence by adapting to serve the contemporary social needs of their participants. This dissertation draws on fieldwork conducted over 2014-2015 with contemporary bhajan performers from many different genres and styles throughout India. It highlights a specific tradition in the Central Indian region of Malwa based on poetry by Kabir and other Sants (anti- establishment poet-saints) performed by lower-caste singers. This tradition was largely unheard- of half a century ago, but is now a major part of Malwa’s cultural life that has facilitated the creation of lower-caste spiritual networks and created a space for those networks to engage in discourse about social issues. Malwa’s bhajan singers have also become part of India’s popular ii religious and musical life as certain performers have attained celebrity status and been recognized at the national level as living bearers of the Sant tradition. This dissertation follows performers and songs from Malwa into new contexts and explores the processes by which performers and audiences in diverse styles and contexts use Sant bhajans to construct understandings of the self. -
Ap to Pass Resolution Seeking Npr in Old Format
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. APENG/2018/764698 Established 1864 Published From OPINION 6 MONEY 8 SPORTS 11 VIJAYAWADA DELHI LUCKNOW BHOPAL A SORRY ‘STAND UP INDIA': RS 16,712 CR BENGAL STORM INTO RANJI RAIPUR CHANDIGARH BHUBANESWAR SPECTACLE FINAL AFTER 13 YEARS RANCHI DEHRADUN LOANS SANCTIONED TO WOMEN HYDERABAD ` *Late City Vol. 2 Issue 123 VIJAYAWADA, WEDNESDAY MARCH 4, 2020; PAGES 12 3 *Air Surcharge Extra if Applicable SHARWA, KISHORE TIRUMALA UNITE FOR A FAMILY ENTERTAINER { Page 12 } www.dailypioneer.com DEFEAT CORONAVIRUS DEFEAT CORONAVIRUS DEFEAT CORONAVIRUS If Avoid FEVER No crowds, if not you have any handshake possible, take of these health please precautions conditions call for medical help Namaste COUGH is BREATHING COLD better PROBLEM Twitter asks PLAYING SAFE Two more test positive for staff to work COVID-19 in India from home AP TO PASS RESOLUTION n Air India passenger, Italian tourist among fresh cases PNS SAN FRANCISCO Twitter staff across the world n board the Air India Vienna- were asked to work from PNS NEW DELHI n The Air India on Tuesday SEEKING NPR IN OLD FORMAT Delhi flight on February 25 home starting Monday in an With at least two more persons have been asked to follow gov- confirmed that a passenger effort to stop the spread of the - an Italian tourist and an Air ernment protocols. who flew on a Vienna-Delhi deadly new coronavirus epi- Questions proposed in NPR causing insecurity among minorities: CM India passenger testing positive, The advisory comes after the flight on February 25 had demic. -
Veena Souvenir
düs¡« <˚e eTsT÷ ‘·kÕàB«DÒj·TyéT düs¡« eT+>∑fi≤ Ã| tzƒ ™F| oÀ™Á˚ymzÆ™ Ã| ™lTpÁ |ü⁄Hê‹ $Á|üVü≤‘ê´~ bÕ‘·¬ø’' |ü‹‘êdt »Hêdt úÏåÁuo uƒü“nÆÁut úÁoN{˛: úuooÁà \åÁà Ç+~sê |üÁ‹ø± ÁãVü‰à ‘·TeTT“sêï_Û' düs¡dü«r FÊut∫Á úufiN˛Á §¿—™Á oÏ©§ÏåÁ|uß: Ã∫Àƒoy <√]ø√ yêdüTøÏsY Je' düT<Ûë+X¯ó' kÕ]ø± s¡$' tÁzu∫N˛Áz ƒÁÃÏuN˛∫ \yƒ: ÃÏáÁÊÃÏ: ÃÁu∫N˛Á ∫uƒ: XÊs¡»„ <˚e ` dü+^‘· s¡‘êïø£s¡ ÃÁ∫r tzƒ - ÃÊTyo ∫nåÁN˛∫ Sarva deva mayee tasmaadweeneyam sarva mangala punaati viprahatyaadi patakai patitaas janaas indiraa patrikaa brahmaa tumburnaabhi saraswatee doriko vaasukir jeeva sudhamshu sarikaa ravi Sarajna deva - sangita ratnakara Why are you restless, o manasa? You are a boat this is the sea, all is as it is to be, so why the restlessness, o manasa? Waves roll too high, the shore is too distant. Listen to the ebb and flow of notes, float on shapes of melodies. Through tides and fog, gales and storms, strings will anchor you, sruti will show you north, so why be restless, o manasa! - Satya Gummuluri This Veena Festival is dedicated to the legends of the Veena Universe z Challa Subbaiah z Pappu Someswara Rao z Muluku Sivananda Sastry z Veena Dhanammal z Vasa Krishnamurthy z Dr. S Balachander z Kavirayani Joga Rao z Karaikudi Sambasiva Iyer z Kambhampati Akkaji Rao z Kalpagam Swaminathan z Dr. Emani Sankara Sastry z Dr. S Ramanathan z Dr. Chitti Babu z Rajeswari Padmanabhan z Tirumala Nallan z Veena Seshanna Chakravartula Narayanacharya z Veena Subbanna z Manchala Jagannadha Rao z R K Suryanarayana z Ayyagari Someswara Rao SAPNA endeavors to continue this legacy by embracing …..and many other great Vainikas who inspired the younger Veena traditions and generations to experience the blissful sounds of the Veena.