DOCSLIB.ORG

Bob Moses Visit with the Great Spirit Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bob Moses Visit with the Great Spirit Mp3, Flac, Wma Bob Moses Visit With The Great Spirit mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Visit With The Great Spirit Country: France Released: 1984 Style: Contemporary Jazz MP3 version RAR size: 1163 mb FLAC version RAR size: 1272 mb WMA version RAR size: 1210 mb Rating: 4.7 Votes: 189 Other Formats: AUD WMA RA DMF MP1 AHX XM Tracklist A1 Fan Man 5:16 A2 Deepest Blue 8:00 A3 Machupicchu 6:23 A4 Visit The Great Spirit 3:20 B1 Monktional 6:15 B2 Carinho 7:57 B3 Suite Bahia 10:45 Companies, etc. Distributed By – Disques Adès – ADE 370 Printed By – St-Michel Impressions Recorded At – Vanguard Studios Recorded At – Gramavision Studios Mixed At – Gramavision Studios Credits Alto Saxophone – David Sanborn (tracks: B1) Arranged By – Bob Moses, Mike Gibbs* (tracks: B2) Artwork By [Drawing] – T.C. Cannon Baritone Saxophone, Tuba, Double Bass [Electric], Clarinet – Howard Johnson Bass Guitar – Jerome Harris (tracks: A1 to A4, B1, B3), Lincoln Goines (tracks: A1, A3, B3), Steve Swallow (tracks: A3) Composed By, Producer, Artwork By [Back Cover] – Bob Moses Design – Neal Pozner Double Bass – Eddie Gomez (tracks: A4) Drums, Percussion – Bill Martin* (tracks: A3, B1 to B3) Drums, Repinique, Timbales, Talking Drum, Cuica, Vocals, Flute [Wood Flute], Synthesizer – Rahboat Moses* Engineer – David Baker Gong – Danny Gottlieb (tracks: A4) Guitar – Bill Frisell (tracks: A1, A2, A4, B3), John Scofield (tracks: B2) Mastered By – Bob Ludwig Pandeiro, Surdo, Percussion [Go Go Bell], Vocals – Claudio Silva (tracks: A3, B2, B3) Percussion – Jahnet Levatin (tracks: B1), Ron De Francesco (tracks: B1) Percussion, Berimbau, Surdo, Repinique – Manoel Monteiro (tracks: A3, B1 to B3) Piano – Steve Kuhn (tracks: A2, B1) Soprano Saxophone – David Liebman (tracks: A2, A4, B1, B3) Soprano Saxophone, Tenor Saxophone – David Gross (tracks: A1, A3, B2, B3) Synthesizer – Cliff Korman (tracks: A3), Delmar Brown (tracks: B1) Tenor Saxophone – Tony Coe (tracks: A1 to A4, B1, B2) Tenor Saxophone, Bass Guitar, Clarinet – Bob Mintzer Trombone – Michael Gibbs (tracks: A3, B2) Trumpet [Electric] – John D'earth (tracks: A4, B1) Trumpet, Flugelhorn – Tiger Okoshi Vocals – Hiroshi Hieda (tracks: A3), Kyoko Baker (tracks: A3), Rayko Shiota (tracks: A3) Notes Recorded at Vanguard studio and Gramavision studio, New-York City, 1983. Mixed at Gramavision studio, 1984. Barcode and Other Identifiers Rights Society: SACEM SACD SDRM SGDL Other versions Category Artist Title (Format) Label Category Country Year Visit With The Great Spirit (LP, GR 8307 Bob Moses Gramavision GR 8307 US 1984 Album) Visit With The Great Spirit (CD, GRD 79507 Bob Moses Gramavision GRD 79507 US 1984 Album) Visit With The Great Spirit (LP, C28Y0084 Bob Moses Gramavision C28Y0084 Japan 1984 Album) Visit With The Great Spirit (LP, GR 8307 Bob Moses Gramavision GR 8307 US 1984 Album, Promo) Visit With The Great Spirit (LP, GR 8307 Bob Moses Gramavision GR 8307 Germany 1984 Album) Related Music albums to Visit With The Great Spirit by Bob Moses Mike Gibbs - Nonsequence Taj Mahal - Taj Mike Gibbs & Gary Burton - "In The Public Interest" Riccardo Garzoni - Blue Carpet Lincoln Dance Orchestra / University Sextette - I Want To Be Happy / Tea For Two Aardvark Jazz Orchestra - Impressions Peter Kowald & Vinny Golia - Mythology David Sanborn - Taking Off Charles Mingus - Charles Mingus And Friends In Concert Pete Levin - Party In The Basement.
Load more

Recommended publications
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • An Analytical Approach to Vibraphone Performance Through the Transcription and Analysis of Gary Burton’S Solo on Blue Monk
    AN ANALYTICAL APPROACH TO VIBRAPHONE PERFORMANCE THROUGH THE TRANSCRIPTION AND ANALYSIS OF GARY BURTON’S SOLO ON BLUE MONK A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Charles B. Brooks B.A., Western Kentucky University, 1997 M.A., Austin Peay State University, 2000 December 2007 ACKNOWLEDGMENTS This document would not exist without the guidance and counsel of several extraordinary individuals. It is dedicated to my father for introducing me to the world of music. I would like to extend special gratitude to my mother for her guidance, strength, and belief that anything is possible. In addition I would like to thank Johnny Walker and my brother, Michael Brooks, without whom none of this would possible. This document is also dedicated to Kenneth Welch and Larry Long for their counsel and friendship. I extend special thanks to my teachers Dr. Christopher Norton, Mr. David Steinquest, Dr. Charles Smith, Dr. Thomas King, Dr. Jefferey Wood, Dr. Dinos Constantinides, Dr. Joseph Skillen, Dr. Robert Peck, and Dr. Michael Kingan. I would especially like to thank Dr. Willis Delony for staying the course and guiding me through rough terrain. ii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................................................ii LIST OF MUSICAL EXAMPLES................................................................................iv
    [Show full text]
  • Dejohnette/Coltrane/Garrison
    FOR IMMEDIATE RELEASE CAP UCLA presents DeJohnette/Coltrane/Garrison December 7 at Royce Hall "Drummer and jazz legend Jack DeJohnette pairs up with saxophonist Ravi Coltrane and bassist (and electronics whiz) Matthew Garrison, to spellbinding and haunting results." —Pitchfork UCLA’s Center for the Art of Performance (CAP UCLA) presents Jack DeJohnette, Ravi Coltrane and Matthew Garrison on Saturday, Dec 7 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. Representing the prestigious lineage of today’s great jazz families, DeJohnette/Coltrane/Garrison explore open improvisation as well as their own compositions. A NEA Jazz Master and Grammy Award-winner, Jack DeJohnette makes his return to the CAP UCLA family and Royce Hall where he previously performed as part of a jazz trio in 2013 with Keith Jarrett and Gary Peacock. DeJohnette/Coltrane/Garrison went through a rebirth in 2016 and have been touring ever since. They first performed the music of the late John Coltrane, Ravi’s father at The Brooklyn Museum. Named after the master sitarist Ravi Shankar, Coltrane is a Grammy nominated saxophonist who has released six albums to date. Matthew Garrison, son of the late Jimmy Garrison who was John Coltrane’s bassist, became a talented bass guitarist in part thanks to his godfather Jack DeJohnette. Garrison has collaborated with several jazz musicians including CAP Alums John Scofield and Pat Metheny. In 1998 Garrison founded GarrisonJazz Productions where he produces, promotes, and markets his music as well as providing music education.
    [Show full text]
  • John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
    192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s.
    [Show full text]
  • Kankawa B-III Mp3, Flac, Wma
    Kankawa B-III mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: B-III Country: Europe Released: 1997 Style: Jazz-Funk, Jazz-Rock MP3 version RAR size: 1809 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1165 mb Rating: 4.3 Votes: 380 Other Formats: WAV DTS TTA FLAC RA MP4 AU Tracklist 1 St. Louis Blues 2 Stone Free 3 Hey Joe 4 Cat Street (CBA Remix) 5 Talkin' Bout Mr. K (N.J. Remix) 6 Impressions 7 Family 8 Tokyo Intro 9 Tokyo 10 Green Onions 11 Plant A tree, Plant Love Credits Acoustic Bass – Charles Fambrough Alto Saxophone – Chris Hunter, David Sanborn Baritone Saxophone – Ronnie Cuba Drums – Dennis Chambers, Lenny White Electric Bass – Anthony Jackson, Tony Levin Guitar – Hiram Bullock, Kevin Kuhn , Nick Moroch Mixed By – Alan Mayerson Organ – Kankawa Producer, Piano, Synthesizer – Pete Levin Recorded By – Alec Head, Bruce Miller, Cynthia Daniels, Will Schillinger Shakuhachi – Ronnie Nyogetsu Seldin Tenor Saxophone – Lou Marini Trombone – Jon Vanhala Trumpet – Jon Faddis, Lew Soloff Tuba – Howard Johnson Vocals – Britt Savage , Corey Glover, Joe Lynn Turner Other versions Category Artist Title (Format) Label Category Country Year VICP-60053 Kankawa B-III (CD, Album) Victor VICP-60053 Japan 1997 Related Music albums to B-III by Kankawa Ray Guntrip And Tina May - Out Of The Blue Paul Butterfield's Better Days - Paul Butterfield's Better Days Barbara Dennerlein - Take Off! Michael Pedicin, Jr. - Michael Pedicin, Jr. Sir Charles Thompson & Coleman Hawkins - For The Ears Nicki Richards - Naked (To The World) Brooks Strause - Dead Animals Gil Evans & The Monday Night Orchestra - Live At Sweet Basil Part 2 Gil Evans & The Monday Night Orchestra - Live At Sweet Basil Gil Evans - Svengali.
    [Show full text]
  • An Evening with Savion Glover & Jack Dejohnette
    Co-present AN EVENING WITH SAVION GLOVER & JACK DEJOHNETTE Savion Glover Tap Dancer Jack DeJohnette Drums Featuring George Colligan Piano Jerome Harris Bass Marshall Davis, Jr. Tap Dancer Monday, June 20 & Tuesday, June 21 at 8:00pm Page Auditorium Performance: 90 minutes, including intermission and pause Savion Glover with Marshall Davis, Jr. INTERMISSION Jack DeJohnette and his Trio PAUSE Savion Glover with Jack DeJohnette and full company SAVION GLOVER Savion Glover is a Tony Award-winning choreographer and legendary hoofer whose career has spanned four decades. He began his Broadway stage career as The Tap Dance Kid, and continued with Black and Blue, Jelly's Last Jam, and his unprecedented award-winning Bring in da Noise Bring in da Funk, which garnered him a Tony Award for Best Choreography. He choreographed the multiple Tony Award nominee and Broadway sensation Shuffle Along with his longtime collaborator George C. Wolfe. In addition to his extensive Broadway career as a performer and choreographer, Savion has created many tap shows that tour worldwide including Bare Soundz, Classical Savion, OM, StepZ, Solo in Time, Sole Sanctuary, Improvography, Footnotes, and Savion Glover's Holiday Spectacular. In addition to creating his ongoing body of work, Savion has enjoyed performing worldwide with jazz legends including McCoy Tyner, Roy Haynes, and Jack DeJohnette. Mr. Glover's film credits include Tap, starring Gregory Hines and Sammy Davis, Jr.; Spike Lee's Bamboozled, and George Miller's Happy Feet and Happy Feet Two. He has appeared on television in commercials for Nike and is a longstanding performer on Sesame Street. As a child, Glover was privileged to dance with and be guided by the great Bunny Briggs, Buster Brown, Lon Chaney, Gregory Hines, Sammy Davis, Jr., Jimmy Slyde and Diane Walker.
    [Show full text]
  • Berklee Oral History Project BCA-011 Finding Aid Prepared by Audrey Abrams, Simmons GSLIS Intern
    Berklee Oral History Project BCA-011 Finding aid prepared by Audrey Abrams, Simmons GSLIS intern This finding aid was produced using the Archivists' Toolkit July 31, 2014 Describing Archives: A Content Standard Berklee College Archives 2014/02/11 1140 Boylston St Boston, MA, 02215 617-747-8001 Berklee Oral History Project BCA-011 Table of Contents Summary Information ................................................................................................................................. 3 Historical note................................................................................................................................................4 Scope and contents........................................................................................................................................ 4 Arrangement...................................................................................................................................................4 Administrative Information .........................................................................................................................4 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 8 - Page 2 - Berklee Oral History Project BCA-011 Summary Information Repository Berklee College Archives Creator Berklee College
    [Show full text]
  • OSPAC2011 Press Release
    Contact: Kate Baker 917-885-0084 [email protected] The 10th Anniversary of the OSPAC Jazz Festival Presents One Day of Quintessential Jazz Saturday, September 22 raindate Sept 23 Sunday OUTDOOR EVENT - bring a chair, blanket and a bottle of wine West Orange New Jersey – sponsored by, Arts Global, Millennium Homes, WBGO-FM 88.3 and PNC Bank The Oskar Schindler Performing Arts Center (OSPAC) announces the 10 Year Anniversary Annual Jazz Festival will take place Saturday, September 22th from 12:30pm to 9pm at the spectacular OSPAC Amphitheater at Crystal Lake, 4 Boland Drive, West Orange. This event is $10 for adults and $5 for seniors. Children are free. Admission is taken at the entrance. Rain date is Sunday September 23. For the 10th consecutive year, the Oskar Schindler Performing Arts Center will present a weekend of world-class jazz entertainment emceed by WBGO’s Gary Walker , in an open-air setting, complete with international food vendors, artisans and crafts, health spa center, and entertainment and activities for children. Saturday will also include “Paint the Music” led by Nitza Horner, teaching artist and freelance educator affiliated with the Metropolitan Museum of Art, where patrons will paint what they hear. This year the West Orange Arts Council joins us with an Art as In and Art Show where vendors can show and sell their work. "The OSPAC Jazz Festival has grown in the past 10 years to be the most talked-about jazz event in the area,” said internationally renowned jazz singer and OSPAC Producer, Kate Baker. “And this year’s event we decided because of the Anniversary to bring back all the world renown musicians that are part of our OSPAC family and whom have made it so special” It will be more spectacular than ever.
    [Show full text]
  • JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
    JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.
    [Show full text]
  • The Latin Side of Hot House
    181183_HH_May_0 4/24/17 10:35 AM Page 1 The only jazz magazine THE LATIN SIDE in NY in print, online and on apps! OF HOT HOUSE P31 May 2017 www.hothousejazz.com Jazz Standard Page 17 Village Vanguard Page 4 Anat Cohen Gerald Clayton Christian Sands T.K. Blue The Side Door Page 4 Dino’s Page 21 Where To Go & Who To See Since 1982 181183_HH_May_0 4/24/17 10:37 AM Page 2 2 181183_HH_May_0 4/24/17 10:35 AM Page 3 3 181183_HH_May_0 4/24/17 10:35 AM Page 4 Sponsored by Dot Time Records WINNING SPINS By George Kanzler MBITIOUS ALBUMS FROM A PAIR depths of his piano's range on his own exot- of talented young pianists, Christian ic, expressionistic "Sign of the Rainbow ASands and Gerald Clayton, comprise this People," and closes the album with a lush month's Winning Spins. Both have had the evocation of romanticism on the Oscar-win- benefit of working in the bands of two of ning song, "Somewhere Out There," from today's best bassists: Christian as a mem- the animated movie An American Tail. ber of Christian McBride's trio, Gerald in Adding percussionist Cristian Rivera, the bands of his father, John Clayton. the quartet dances through an Afro-Cuban Christian, who turns 28 this year, cele- groove on the leader's "Oyeme!" his com- brates his debut with a CD spotlighting mand of scintillating montuno rhythms the full range of his pianistic and compos- reflecting his time in Bobby Sanabria's ing talents, while Gerald, 32, expands his band.
    [Show full text]
  • Drummerissue
    APRIL 2016—ISSUE 168 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM drumMER issue BILLYBILLY COBHAMCOBHAM DRUMDRUM SPECTRUMSPECTRUM DAVE CHAD BERNARD DONALD WECKL TAYLOR PURDIE BAILEY Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2016—ISSUE 168 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Dave Weckl 6 by ken micallef [email protected] Andrey Henkin: [email protected] Artist Feature : Chad Taylor 7 by ken waxman General Inquiries: [email protected] On The Cover : Billy Cobham 8 by john pietaro Advertising: [email protected] Encore : Bernard Purdie by russ musto Editorial: 10 [email protected] Calendar: Lest We Forget : Donald Bailey 10 by donald elfman [email protected] VOXNews: LAbel Spotlight : Amulet by mark keresman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by suzanne lorge US Subscription rates: 12 issues, $40 Canada Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or money order to the address above FESTIVAL REPORT or email [email protected] 13 Staff Writers CD Reviews 14 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Stuart Broomer, Thomas Conrad, Miscellany 36 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Event Calendar Tom Greenland, Anders Griffen, 38 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, As we head into spring, there is a bounce in our step.
    [Show full text]
  • Downbeat.Com July 2015 U.K. £4.00
    JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]