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Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band. -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Walker ————————————————————————————————————————————— Birth: Abt 1535, Of, Ruddington, Notinghamshire, England
Family History Report 1 Thomas Walker ————————————————————————————————————————————— Birth: abt 1535, Of, Ruddington, Notinghamshire, England Spouse: UNKNOWN Birth: abt 1539, Of, Ruddington, Notinghamshire, England Children: Gervase (~1566-1642) Thomas (~1570-) William (~1572-1621) 1.1 Gervase Walker ————————————————————————————————————————————— Birth: abt 1566, Ruddington, Nottinghamshire, England Death: 1 Jul 1642 He was buried July 1, 1642 in St. Columb’s Cathedral Church, Londonderry, England. Children: George (~1600-1677) 1.1.1 George Walker ————————————————————————————————————————————— Birth: abt 1600, Dublin, Ireland Death: 15 Sep 1677, Melwood, England Spouse: Ursula Stanhope Birth: abt 1642, Melwood, Yorkshire England Death: 17 May 1654, Wighill Yorkshire England Children: George (<1648-1690) 1.1.1.1 George Walker ————————————————————————————————————————————— Birth: bef 1648, Of, Wighill, Yorkshire, England Death: 1 Jul 1690, Donaoughmore, Tyrone, Ireland Died July 1, 1690 in Battle of Boyne, Seige of King James II Spouse: Isabella Maxwell Barclay Birth: abt 1644, Of, Tyrone, Ireland Death: 18 Feb 1705 Children: John (1670-1726) George (~1669-) Gervase (~1672-) Robert (~1677->1693) Thomas (1677-) Mary (~1679-) 1.1.1.1.1 John Walker ————————————————————————————————————————————— Birth: 1670, Moneymore, Londonferry, Ireland Death: 19 Oct 1726 Page 1 Family History Report Spouse: UNKNOWN Birth: abt 1674, Of, Moneymore, Derry, Ireland Children: John (~1697-~1742) Robert (~1693-) Jane (~1699-) Isabella (~1701-) 1.1.1.1.1.1 John Walker -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
An Analytical Approach to Vibraphone Performance Through the Transcription and Analysis of Gary Burton’S Solo on Blue Monk
AN ANALYTICAL APPROACH TO VIBRAPHONE PERFORMANCE THROUGH THE TRANSCRIPTION AND ANALYSIS OF GARY BURTON’S SOLO ON BLUE MONK A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Charles B. Brooks B.A., Western Kentucky University, 1997 M.A., Austin Peay State University, 2000 December 2007 ACKNOWLEDGMENTS This document would not exist without the guidance and counsel of several extraordinary individuals. It is dedicated to my father for introducing me to the world of music. I would like to extend special gratitude to my mother for her guidance, strength, and belief that anything is possible. In addition I would like to thank Johnny Walker and my brother, Michael Brooks, without whom none of this would possible. This document is also dedicated to Kenneth Welch and Larry Long for their counsel and friendship. I extend special thanks to my teachers Dr. Christopher Norton, Mr. David Steinquest, Dr. Charles Smith, Dr. Thomas King, Dr. Jefferey Wood, Dr. Dinos Constantinides, Dr. Joseph Skillen, Dr. Robert Peck, and Dr. Michael Kingan. I would especially like to thank Dr. Willis Delony for staying the course and guiding me through rough terrain. ii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................................................ii LIST OF MUSICAL EXAMPLES................................................................................iv -
Dejohnette/Coltrane/Garrison
FOR IMMEDIATE RELEASE CAP UCLA presents DeJohnette/Coltrane/Garrison December 7 at Royce Hall "Drummer and jazz legend Jack DeJohnette pairs up with saxophonist Ravi Coltrane and bassist (and electronics whiz) Matthew Garrison, to spellbinding and haunting results." —Pitchfork UCLA’s Center for the Art of Performance (CAP UCLA) presents Jack DeJohnette, Ravi Coltrane and Matthew Garrison on Saturday, Dec 7 at 8 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. Representing the prestigious lineage of today’s great jazz families, DeJohnette/Coltrane/Garrison explore open improvisation as well as their own compositions. A NEA Jazz Master and Grammy Award-winner, Jack DeJohnette makes his return to the CAP UCLA family and Royce Hall where he previously performed as part of a jazz trio in 2013 with Keith Jarrett and Gary Peacock. DeJohnette/Coltrane/Garrison went through a rebirth in 2016 and have been touring ever since. They first performed the music of the late John Coltrane, Ravi’s father at The Brooklyn Museum. Named after the master sitarist Ravi Shankar, Coltrane is a Grammy nominated saxophonist who has released six albums to date. Matthew Garrison, son of the late Jimmy Garrison who was John Coltrane’s bassist, became a talented bass guitarist in part thanks to his godfather Jack DeJohnette. Garrison has collaborated with several jazz musicians including CAP Alums John Scofield and Pat Metheny. In 1998 Garrison founded GarrisonJazz Productions where he produces, promotes, and markets his music as well as providing music education. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Advancing Black Arts in Pittsburgh Announces $388,000 in Grants
Advancing Black Arts in Pittsburgh announces $388,000 in grants Grants to individual artists and residencies totaling $241,325 were awarded to: • Wali Jamal ($15,000): To produce an audio book and video series based on “The Condition, Elevation, Emigration and Destiny of the Colored People of the United States, Politically Considered,” a book originally published in 1852 by Martin Delaney, Pittsburgh's first known African American doctor. • Artists Image Resource ($20,000): To support an artist residency with visual artist Bekezela Mguni for the creation of new work and community engagement projects to build on her 2016 “Activist Print” series. The residency will provide the artist with access to print and imaging capacities to produce new work and to gather a crew of artists and educators to help present the work and the ideas to the community. • Asia Bey ($14,150): To complete, publish and distribute her original graphic novel, “EXA,” which explores the artist’s lived experience of growing into a Black woman and internal struggles involving maternity, domesticity, change and spirituality. • Chatham University ($20,000): To support Pittsburgh nonfiction storyteller Njaimeh Njie as the scholar and artist in residence with the university’s Immersive Media program and Women's Institute. Njie will create an immersive art installation, building on her current work in photography, film and multimedia. • Yvonne McBride ($15,000): To support her research and writing for a novel celebrating the history and musical legacy of the Hill District. The book will explore the impact that the Civil Rights and Black Power movements, and the 1968 riot following the assassination of the Rev. -
Articles on Scott Walker
Articles On Scott Walker Prenasal Demetris rekindle noteworthily, he deigns his bicarbonates very fined. Unexecuted and fouled Randolf dehumanised her mezzotints masterhood drip-drying and selles one-on-one. Cornellis foil expectantly while right Gustaf attempts outright or mispunctuates sweepingly. We are debating whether mechanical or after notably more time from mehring books, and worked on showing me of racist violence in reporting developments in journalism include the walker on Seton Hall, including President Obama, but there was an error posting your comment. Beatles song so be influenced directly by Dylan. A version of honor article appears in print on March 27 2019 Section B Page. The Scott Walker Effect MacIver Institute. Fearless journalism, both of Millfield, amounting as a whole to a grotesque menagerie of confounding noise. New york post malone are almost nothing wrong again, bergman film industry. Japanese version of the CD. You are commenting using your Facebook account. Test for scott on. Angry that article about this new law center for bigger things a list of? Simply text you don't get Bowie without Scott Walker. Com reported on gentle giant harassing message in thick snow outside former Governor Scott Walker's residence a liberal website pulled down an. But it would apt. Scott Walker touts 'Dead Man Walker' reference but cast a. VIDEO: People in Denmark Are seeing Lot Happier Than People either the United States. Droughts can we should bob dylan honed and articles on scott walker candidacy should be very bad idea. Was on thursday afternoon in article v conventions needs a few years as time spent eight months after it is scott walker timeline, having been exclusively reported other. -
Airwaves (1984-02 And
AIRWAVES A S.rvlc• of Continuing Education & Ext8nslon Unlv.rslty of Minnesota Duluth VolulM 5 NumlMr 1 F.bruary-March .1984 Eddie Williams stars in Northland Hoedown Concert, · Tuesday, March 27, 8 p.m., Orpheum Cafe kumd 103.3 fm Station Manager • Tom Livingston Program Director • John Ziegler Public Affairs Directot • Paul Schmitz Producer/ Outreach • Jean Johnson Engineer • Kirk Kersten Re orf to the Listener Volunteer Staff Bill Agnew, Kath Anderson, Mark Anderson, Bob Andresen, Leo Babeu, By Tom Livingston, Station Manager Chris Baker, Kent Barnard, Jim Boeder, Dave Brygger, Jan Cohen, Christopher WXPR Qualitied for Funding by CPB able to add two more channels, when we their impressions of the event at press Devaney, Bruce Eckland, Pat Eller, Phil installed our own dish. This increased time. Enke, Doug Fifield, Susanna Frenkel, Congratulations to Pete Nordgren and the number of programs available to us (rewritten from "Don Ness Blows His . Matt Fust, Bev Garberg, Stan Goltz, the crew at the WXPR for their (Jazz Alive and NPR Playhouse), but Cool," a chapter of the upcoming Doug Greenwood, Jim Gruba, Bill qualification by CPB. Nordgren, a still left us unable to use channels which blockbuster "The Memories of Don Hansen, Paul Hanson, Gordon Harris, former student at UWS and stat.ion carry independent product.ions, which Ness" on Ness records and tapes) Dean Hauge, Gerry Henkel, Lew manager of KBSB in Bemidji, has been have included live jazz, blues, bluegrass Hudson, Tim Jenkins, Dave Johnson, working for some three years to establish and folk music concerts, ·radio dramas, Comings and Goings Bob King, Andy Livingston, Dean the station, which went on the air last and public affairs programs. -
New Jazz Label Discography
New Jazz Label Discography 10 Inch 100 Series: NJ 101 - Lennie Tristano and Lee Konitz - Lennie Tristano and Lee Konitz [1950] This album was reissued as Prestige 101. Side One Lee Konitz Marshmallow/Sound-Lee/Fishin’ Around/Tautology//Side Two Lennie Tristano Subconscious-Lee/Judy/Retrospection/Progression 10 Inch 1100 Series: NJLP 1101 - Jimmy Raney Quartet - Jimmy Raney Quartet [1954] Reissued as Prestige 201. Double Image/On the Square/Minor/Some Other Spring NJLP 1102 - Zoot Sims Quintet - Zoot Sims Quintet [1954] Reissued as Prestige 202. Howdy Podner/Toot, No. 2/Indian Summer/What's New? NJLP 1103 - Jimmy Raney Quintet - Jimmy Raney Quintet [1954] Reissued as Prestige 203. Stella by Starlight/Jo- Anne/Back and Blow/Five NJLP 1104 - Phil Woods Quintet - Phil Woods Quintet [1954] Reissued as Prestige 204. Pot Pie/Open Door/Robin's Bobbin'/Mad About the Girl NJLP 1105 - Jon Eardley Quartet - Jon Eardley Quartet [1955] Reissued as Prestige 205. Lute Leader/Indian Spring/Black/Cross NJLP 1106 - Teddy Charles Quartet - Teddy Charles Quartet [1955] Reissued as Prestige 206. Violetta/Relaxo Abstracto/Speak Low/Jay Walkin'/The Night We Called It a Day/I Can't Get Started 12 Inch 8200 Series: NJLP 8201 - Mal 3/Sounds - Mal Waldron [1/58] Tensions/Ollie's Caravan/The Cattin' Toddler/Portrait of a Young Mother/For Every Man There's a Woman NJLP 8202 - Roots – Prestige All Stars [1959] Roots/Sometimes I Feel Like a Motherless Child/Down by the Riverside NJLP 8203 - Farmer's Market - Art Farmer [1959] Reminiscing/By Myself/Wailing with Hank/With -
An Evening with Savion Glover & Jack Dejohnette
Co-present AN EVENING WITH SAVION GLOVER & JACK DEJOHNETTE Savion Glover Tap Dancer Jack DeJohnette Drums Featuring George Colligan Piano Jerome Harris Bass Marshall Davis, Jr. Tap Dancer Monday, June 20 & Tuesday, June 21 at 8:00pm Page Auditorium Performance: 90 minutes, including intermission and pause Savion Glover with Marshall Davis, Jr. INTERMISSION Jack DeJohnette and his Trio PAUSE Savion Glover with Jack DeJohnette and full company SAVION GLOVER Savion Glover is a Tony Award-winning choreographer and legendary hoofer whose career has spanned four decades. He began his Broadway stage career as The Tap Dance Kid, and continued with Black and Blue, Jelly's Last Jam, and his unprecedented award-winning Bring in da Noise Bring in da Funk, which garnered him a Tony Award for Best Choreography. He choreographed the multiple Tony Award nominee and Broadway sensation Shuffle Along with his longtime collaborator George C. Wolfe. In addition to his extensive Broadway career as a performer and choreographer, Savion has created many tap shows that tour worldwide including Bare Soundz, Classical Savion, OM, StepZ, Solo in Time, Sole Sanctuary, Improvography, Footnotes, and Savion Glover's Holiday Spectacular. In addition to creating his ongoing body of work, Savion has enjoyed performing worldwide with jazz legends including McCoy Tyner, Roy Haynes, and Jack DeJohnette. Mr. Glover's film credits include Tap, starring Gregory Hines and Sammy Davis, Jr.; Spike Lee's Bamboozled, and George Miller's Happy Feet and Happy Feet Two. He has appeared on television in commercials for Nike and is a longstanding performer on Sesame Street. As a child, Glover was privileged to dance with and be guided by the great Bunny Briggs, Buster Brown, Lon Chaney, Gregory Hines, Sammy Davis, Jr., Jimmy Slyde and Diane Walker.