CS-0112-1 Introduction to Programming in Python

Total Page:16

File Type:pdf, Size:1020Kb

CS-0112-1 Introduction to Programming in Python CS-0112-1 Introduction to Programming in Python Professor: Jaime (Jaime) Davila This course is designed to give students a strong introduction to computer programming, with an emphasis on their developing their own projects by the end of the semester. As a course that can provide a strong foundation for further computer science courses, this class will expose students to input/output operations, if-else structures, loops, functions, objects, and classes. The course will also introduce students to the use of Python libraries developed by the Open Source community in order to incorporate advanced features into their own programs. Some of these libraries include Pygame, pyEvolve, and Pylab. No prior programming experience is necessary. Instructor Permission: No Satisfies Distribution: ADM, MBI This course has a Prerequisite: No Time: MW 09:00AM-10:20AM Location: ASH 126 CS-0123-1 Introduction to Psychological Science Professor: Rebecca Rosenberg This course offers students a broad introduction to the scientific study of mental processes and behavior. We will explore a sampling of the ways Psychologists study these from different theoretical perspectives and methodological approaches. For example, we will examine the interplay between the biological, psychological, and social aspects of human behavior. Content areas covered will include the brain, sensation and perception, memory, development, language, social psychology, and psychological disorders, among others. In-class exercises and laboratory activities will give you first hand experience with different types of scientific methods used by Psychological Scientists. These activities will provide you with practice in basic data analysis and interpretation, critical reasoning, an introduction to scientific reading and writing, and the application of psychological findings to "real-life." Each Instructor Permission: No Satisfies Distribution: MBI This course has a Prerequisite: No Time: TTH 12:30PM-01:50PM Location: ASH 112 CS-0133-1 Introduction to Social Psychology Professor: Rachel Steele This introductory social psychology course will explore foundational theories and empirical research. Social psychology is the scientific study of how people think, feel, and behave in social contexts. Thus, class readings will draw heavily from original research articles, research reviews, and some text book excerpts. Many readings will require some basic knowledge of scientific methods. The course will address classic research on topics such as conformity and persuasion but also include recent research on the role of emotion regulation, implicit attitudes, and other topics. Student evaluations will be based on class participation, written critical responses to selected readings, verbal summaries and presentations of selected readings, and a research proposal that will consist of a project proposal, a draft, and a final paper. Instructor Permission: No Satisfies Distribution: MBI This course has a Prerequisite: No Time: MW 02:30PM-03:50PM Location: ASH 221 CS-0143-1 Stop Motion from Scratch - Fundamental Skills for Animating, Absolutely Anything Professor: Dillon Markey This course uses the framework of stop motion animation to build a fundamental skill set for creating any type of animation. Students begin by creating wire-armatured puppets using a technique called "foam buildup," which is a common technique most famously utilized by Ray Harryhausen in King Kong. The puppets the students create in the first weeks of class will provide them with both a canvas and a brush to explore their personal style by animating specific movements and analyzing each other's work. Students will be introduced to materials such as latex rubber, epoxy resins, animation clays, and silicone gel mediums. Class lectures will cover animation history and techniques as well as when, where, and why to choose them. Course work will progress from simple bouncing ball animation to fully realized character animation with lip sync. Instructor Permission: No Satisfies Distribution: ADM This course has a Prerequisite: No Time: T 06:00PM-09:00PM Location: LIB B3 CS-0149-1 Introduction to Statistics Through Baseball Professor: Ethan Meyers The field of Statistics aims to interpret large data sets that contain random variation. Baseball is a simple game that contains a high degree of randomness, and because professional baseball has been played since the 19th century, a large amount of data has been collected about players' performance. In this class we examine key concepts in Statistics and Data Science using baseball as a motivating example, and students will learn how to use the R programming language to analyze data. Assignments will consist of weekly problem sets, two class presentations, and a short final project. By taking this class students will develop an understanding of key statistical concepts that will be useful for interpreting data from many fields. Instructor Permission: No Satisfies Distribution: MBI This course has a Prerequisite: No Time: TTH 02:00PM-03:20PM Location: ASH 126 CS-0202-1 Philosophy of Mind Professor: Laura Sizer This course focuses on the relationship between minds and bodies, and the nature of mental phenomena such as thoughts, desires, and qualia (qualitative states such as the experience of seeing red or tasting a peach). If we assume that minds are physical or material entities - an assumption prevalent today - then we must ask how typically mental features such as thoughts, sensations, emotions and consciousness can emerge out of the seemingly unthinking, unfeeling grey matter of the brain. We will consider some historical responses to these issues, but will focus on insights provided by contemporary philosophy and sciences of the mind. We will discuss the approaches of behaviorism, functionalism, mind-brain identity theory, and embodied cognition to these issues. Students will be required to write a series of short and one longer paper. At least one prior college level course in philosophy is strongly recommended; one prior college level course in philosophy or psychology is required. Prerequisite detail: At least one prior college level course in philosophy is strongly recommended; one prior college level course in philosophy or psychology is required. Instructor Permission: No Satisfies Distribution: MBI This course has a Prerequisite: Yes Time: TTH 10:30AM-11:50AM Location: ASH 222 CS-0204-1 The Social Psychology of Stereotyping, Prejudice, and, Discrimination Professor: Rachel Steele This social psychology course will provide a broad perspective on stereotyping (thoughts), prejudice (feelings), and discrimination (actions) against others based on group identity. Groups can be defined broadly but we will focus on race, ethnicity, biological sex, sexual orientation, and ability. Social psychologists who studies these topics relied on empirical research, thus class readings will draw heavily from original research articles, research reviews, and some text book excerpts. The class will address: 1) the roots of bias, 2) the role of categorization and social identity, 3) implicit and explicit methods for studies bias, 4) its effects on the targeted groups, and 5) prevention and reduction of intergroup bias. Student evaluations will be based on class participation, written critical responses to selected readings, verbal summaries and presentations of selected readings, and a research proposal that will consist of a project proposal, a draft, and a final paper. Prerequisite detail: One prior Cognitive Science course Instructor Permission: No Satisfies Distribution: MBI This course has a Prerequisite: Yes Time: MW 01:00PM-02:20PM Location: ASH 222 CS-0214-1 Semantics Professor: Daniel Altshuler The goal is to develop the nuts and bolts for a theory of meaning. The techniques to be learned are ones that are in wide use today within the tradition of generative grammar; the goal is to acquire a basic level of competence in applying these techniques. Active group work and class presentations will be key forms of evaluation. Instructor Permission: No Satisfies Distribution: MBI This course has a Prerequisite: No Time: MW 10:30AM-11:50AM Location: FPH 108 CS-0218-1 Music, Mind, & Brain Professor: Neil Stillings This course is an introduction to the psychology and neuroscience of music. We will study the psychological and brain processes that underlie the perception and production of music, current theories about why and how music evokes emotion, and the evolutionary and developmental roots of the variation and commonalities of music across cultures and traditions. Readings are drawn from textbooks and the research literature. Students are required to complete a series of essay assignments during the term. Formal musical training is not a prerequisite for the course. Instructor Permission: No Satisfies Distribution: MBI This course has a Prerequisite: No Time: TTH 10:30AM-11:50AM Location: FPH ELH CS-0220-1 ANIMAL BEHAVIOR II: Evolution, development, and neural, bases of behavior - theory and field work Professor: Laela Sayigh, Mark Feinstein This is the second of a two-course sequence exploring the main theoretical ideas and methods of ethology, the scientific study of animal behavior. In this second semester we continue to explore the functional and evolutionary bases of animal behavior and cognition, including mating systems, parental care, development of behavior, and the influence of neural systems on behavior . Students will also continue to put into practice some of the ways that ethologists
Recommended publications
  • A Book Lover's Journey: Literary Archaeology and Bibliophilia in Tim
    Verbeia Número 1 ISSN 2444-1333 Leonor María Martínez Serrano A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library Leonor María Martínez Serrano Universidad de Córdoba [email protected] Resumen Nativo de la costa occidental de Canadá, Tim Bowling es uno de los autores canadienses más aclamados. Su obra In the Suicide’s Library. A Book Lover’s Journey (2010) explora cómo un solo objeto —un ejemplar gastado ya por el tiempo de Ideas of Order de Wallace Stevens que se encuentra en una biblioteca universitaria— es capaz de hacer el pasado visible y tangible en su pura materialidad. En la solapa delantera del libro de Stevens, Bowling descubre la elegante firma de su anterior dueño, Weldon Kees, un oscuro poeta norteamericano que puso fin a su vida saltando al vacío desde el Golden Gate Bridge. El hallazgo de este ejemplar autografiado de la obra maestra de Stevens marca el comienzo de una meditación lírica por parte de Bowling sobre los libros como objetos de arte, sobre el suicidio, la relación entre padres e hijas, la historia de la imprenta y la bibliofilia, a la par que lleva a cabo una suerte de arqueología del pasado literario de los Estados Unidos con una gran pericia literaria y poética vehemencia. Palabras clave: Tim Bowling, bibliofilia, narrativa, arqueología del saber, vestigio. Abstract A native of the Canadian West Coast, Tim Bowling is widely acclaimed as one of the best living Canadian authors. His creative work entitled In the Suicide’s Library. A Book Lover’s Journey (2010) explores how a single object —a tattered copy of Wallace Stevens’s Ideas of Order that he finds in a university library— can render the past visible and tangible in its pure materiality.
    [Show full text]
  • “Copies Without Originals”: Manipulation, Mediation, and Mediatization in Performance and Recording Practices
    \Copies Without Originals": Manipulation, Mediation, and Mediatization in Performance and Recording Practices by Alyssa Michaud Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements for the M.A. degree in Musicology School of Music Faculty of Arts University of Ottawa c Alyssa Michaud, Ottawa, Canada, 2012 Abstract This thesis examines case studies and historical accounts taken from different periods of the history of recording technology, and addresses questions concerning the impact of mediatization, manipulation, and mediation on listeners' and performers' approaches to music. The project considers the development of the idea of \copies without orig- inals," and of the ideological frameworks that have been used to describe and classify recorded sound. The first case study covers the early days of the phonograph and its de- velopment in Victorian society, then contrasts the values and motivations of those early years with modern-day rock performance and its own value systems. Moving into the mid-twentieth-century, a chapter of this thesis is devoted to the work of Glenn Gould, and the possibilities for tape manipulation that the Canadian pianist explored during the period of his career that was focused on the recording studio. Lastly, this project examines the innovative, user-driven methods of music-making that are gaining momen- tum today, including Bj¨ork's Biophilia app album, and the emergence of a new genre of popular music in Asia that uses vocal synthesizers in place of live performers. By exploring these case studies alongside the works of scholars in musicology, media studies, sound theory, film and television, and popular music studies, this thesis demonstrates how cultural need, individual innovation, and social involvement interact to direct the development and application of emerging media technologies.
    [Show full text]
  • (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age
    The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Bogna Kazur aus Lodz, Polen Göttingen 2018 Contents 1 Introduction ......................................................................................................................... 3 2 The Question of Medium Specificity in the Digital Age .................................................. 29 3 House of Leaves (2000) and the Uncanny Dawn of the Digital........................................ 39 3.1 Digital Paranoia: Arriving on Ash Tree Lane ........................................................... 39 3.2 Writing about House of Leaves ................................................................................. 43 3.3 Intermedial Overabundance: Taming House of Leaves ............................................. 49 3.4 An “Explicit” Approach to the Digital Age ............................................................... 54 3.5 What Kind of Movie is THE NAVIDSON RECORD? ..................................................... 68 4 In the Midst of the Post-Cinematic Age: Marisha Pessl’s Night Film (2013) .................. 88 4.1 Meant for Adaptation: Night Film and the Fallacy of First Impressions ................... 88 4.2 The Post-Cinematic Reception of Film ..................................................................... 96 4.3 The Last Enigma: Cordova’s Underworld ..............................................................
    [Show full text]
  • The Wayward Spectator
    The Wayward Spectator by Carlo Comanducci A thesis submitted to the University of Birmingham for the degree of doctor of philosophy Department of English Literature School of English, Drama and American & Canadian Studies College of Arts and Law University of Birmingham, May 2015 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract Through a heterogeneous set of contributions from film studies, psychoanaly- sis and critical theory, including Leo Bersani and Laura Marks, Jacques Rancière and Jean-Bertrand Pontalis, the dissertation confronts spectatorship, film theory, and their relation, on the issue of emancipation and of its discursive regulation. Against the pedagogical forms of film theory and the authoritarian framing of the spectator’s position that can be seen to be integral to the functioning of the cine- matographic apparatus, this work suggests that we consider theory as an internal aspect of film experience, rather than as its external explanation. Arguing for the fundamental emancipation of the spectator together with the heteronomy of the subject and the discursivity of film experience, the dissertation addresses what, in film experience, resists being reduced within intellectual mastery, metapsycho- logical structures, and the logic of interpretation, and rather remains radically incommensurable with the principles of its intelligibility.
    [Show full text]
  • A Companion to the Anthropology of Japan.Pdf
    A Companion to the Anthropology of Japan Edited by Jennifer Robertson A Companion to the Anthropology of Japan Blackwell Companions to Anthropology Blackwell Companions to Anthropology offers a series of comprehensive syntheses of the traditional subdisciplines, primary subjects, and geographic areas of inquiry for the field. Taken together, the titles in the series represent both a contemporary survey of anthropology and a cutting-edge guide to the emerging research and intellectual trends in the field as a whole. 1 A Companion to Linguistic Anthropology edited by Alessandro Duranti 2 A Companion to the Anthropology of Politics edited by David Nugent and Joan Vincent 3 A Companion to the Anthropology of American Indians edited by Thomas Biolsi 4 A Companion to Psychological Anthropology edited by Conerly Casey and Robert B. Edgerton 5 A Companion to the Anthropology of Japan edited by Jennifer Robertson Forthcoming A Companion to Latin American Anthropology edited by Deborah Poole ß 2005 by Blackwell Publishing Ltd BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia The right of Jennifer Robertson to be identified as the Author of the Editorial Material in this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher.
    [Show full text]
  • JDM Bibliophile 9
    OOOOOOOOOOOOOOOOOOOOOOOO O OOOOOOOOOOOOO0OOQOO ® THE JDM BIBLIOPHILE No. 9, March 1968. Edited and published by Len & June Moffatt, • • 9826 Paramount Blvd., Downey, California 90240. Associate Editors: Ed Cox and Bill, ° • Clark. This is a non-profit publication devoted to the works of John D. MacDonald. 0 0 U. ..... ... « You may remain on our mailing list by responding in any of thefollowing wayè: 0 o (1) Writing a letter or card after each issue. 0 à : • (2) Sending news or information re JDM, his stories, etc., • 0 o (J) Writing reviews, critiques, articles, etc. re JDM for JDMB, o o (4) Donating stamps or postage money.* ° See back page for your JDMB "status"... ° 00000000000 o' 00 o o 000 o 6 o o o’*"o "000000000.000000000 In This Issue: .. • Page No. Editorial ...••• ............. .... ......... ........... 1 The Seek & Swap Department ............. ....................... .. .. •/ 2 News & Previews • . • ♦ ........................ .....»> > 4 " Please Write For Details • • ... ... • • • ...... ..... 5 Special Reprint Section: : (.'■ Early JD-- by Ed Cox (from JDMB No. 2) • • . • . • • • • < • » 19 Editorial (from JDMB No. 3)- ... • • • • • i i . 22 The Spiralled Myth - by John D. MacDonald (from JDMB No. 3) • • • • • 24 .. Paint The Coffin Fuchsia - by Bob Leman (from THE VINEGAR;WORM II, 10i 26 About The Past: "Early in 1965 Len Moffatt, a sales correspondent for a paper box manufacturer and his wife June, a secretary, obtained a list of the novels of John D. MacDonald from a friend. The Moffatts ran off xerox copies of the list and gave them to others who were interested in the author. Someone suggested Moffatt publish copies for wider distribution, and THE JDM BIBLIOPHILE No.
    [Show full text]
  • Artists on the Rise and Move; Ohio Program Helps Starving Or Not, Artists Are Hooked on Their Careers
    museumVIEWS A quarterly newsletter for small and mid-sized art museums Fall 2013 Elie Nadelman, Woman at the Piano. 1920–24. Wood, stained and painted. In “American Modern: Hopper to O’Keeffe,” Museum of Modern Art, NY 1 museumVIEWS Features Fall 2013 ARTICLES: • Old Soldiers Never Die, They Just Fade Away Page 3 • The Complaint Department Located Here Page 4 • FROM THE AAM Page 5 In Search of Magnetic Museums Page 5 What to Do When Your Museum Job is Terminated Page 5 Playing and Learning Page 5 What Is Intellectual Property? Page 6 • Artists on the Rise Page 7 • Woodblock Prints Tell Ancient Tale Page 7 • Briefly Page 8 • autumnVIEWS Page 10 Top: Frohawk Two Feathers, They Already Got Yo Kids (“Tricked my wisdom with the system that imprisoned my son”), 2013. Acrylic, ink, coffee, and tea on paper. In “Frohawk Two Feathers,” Wellin Museum of Art, NY museumVIEWS Center: Adolph Gottlieb, Untitled (Three Discs), 1968. Maquette: acrylic on cardboard. In “Adoph Gottlieb Sculptor,” Editor: Lila Sherman University of Michigan Museum of Art, MI Publisher: Museum Views, Ltd. Left: Chuck Close, Lucas/Woodcut, 1993 2 Peter Cooper Road, New York, NY 10010 Woodcut with pochoir. In “Closer: The Graphic Phone: 212.677.3415 FAX: 212.533.5227 Art of Chuck Close,” Bruce Museum, CT Email: [email protected] On the web: www.museumviews.org MuseumVIEWS is supported by grants from the Horace W. Goldsmith Foundation and Bloomberg. MuseumVIEWS is published 4 times a year: Winter (Jan. 1), Spring (April 1), Summer (July1), and Fall (October 1). deadlines for listings and artwork are Nov.
    [Show full text]
  • Michael Stevens' the Road to Interzone
    “The scholarship surrounding the life and work of William Burroughs is in the midst of a renaissance. Students of Burroughs are turning away from myths, legends, and sensationalistic biographical detail in order to delve deeply into textual analysis, archival research, and explorations of literary and artistic history. Michael Stevens’ The Road to Interzone is an important part of this changing landscape. In a manner similar to Ralph Maud’s Charles Olson’s Reading, The Road to Interzone places the life and literature of “el Hombre Invisible” into sharper focus by listing and commenting on, in obsessive detail, the breadth of literary material Burroughs read, referred to, researched, and reviewed. Stevens reveals Burroughs to be a man of letters and of great learning, while simultaneously shedding light on the personal obsessions, pet theories, childhood favorites, and guilty pleasures, which make Burroughs such a unique and fascinating figure. Stevens’ book provides a wealth of new and important information for those deeply interested in Burroughs and will no doubt prove essential to future scholarship. Like Oliver Harris’ The Secret of Fascination and Robert Sobieszek’s Ports of Entry before it, The Road to Interzone is an indispensable addition to the canon of Burroughs Studies.” -Jed Birmingham “Michael Stevens has created a new kind of biography out of love for William S. Burroughs and love of books. Author worship and bibliophilia become one at the point of obsession, which of course is the point where they become interesting. Burroughs’ reading was intense and far flung, and Stevens has sleuthed out a portrait of that reading--the books Burroughs lent his name to in the form of introductions and blurbs, the books in his various libraries, the books he refers to, the books that found their way into his writing, and much more! Along with lively notes from Stevens, we have Burroughs throughout--his opinions, perceptions, the ‘grain of his voice.’ That in itself makes Stevens’ book a notable achievement.
    [Show full text]
  • Not Quite How I Remember It
    N ot Q uite H ow Diane borsato i Gerard byrne R emembe Not Quite Nancy Davenport Felix Gmelin How i Sharon Hayes R mary Kelly it Nestor Krüger RemembeR it michael maranda olivia Plender walid Raad Dario Robleto michael Stevenson Kelley walker Lee walton t he Power Plant Power he NOT QUITE HOW I REMEMBER IT NOT QUITE HOW I REMEMBER IT __The Power Plant 7 DIRECTOR’s FOREWORD Gregory Burke 9 NOT QUITE HOW I REMEMBER IT Helena Reckitt 21 ONE PERSON PROTESTS: NOTES ABOUT GOING (BACK) THERE Johanna Burton ARTISTS 28 Diane Borsato 30 Gerard Byrne 32 Nancy Davenport 34 Felix Gmelin 36 Sharon Hayes 38 Mary Kelly 40 Nestor Krüger 42 Michael Maranda 44 Olivia Plender 46 Walid Raad 48 Dario Robleto 50 Michael Stevenson 52 Kelley Walker 54 Lee Walton 56 BIOGRAPHIES 61 EXHIBITION CHECKLIST 63 ACKNOWLEDGEMENTS An interest in exploring the latent possibilities of the recent past unites the work of the fourteen Canadian and international artists featured in ‘Not Quite How I Remember It,’ the first major group exhibition curated for the gallery by The Power Plant’s Senior Curator of Programs, Helena Reckitt. Using laborious and time- consuming gestures, these artists create reconstructions that implicate themselves in the making and telling of history. The resulting works manipulate the potential embedded in the past to create new narratives that inform the present. Rather than treating the past as fixed or entropic, the artists in ‘Not Quite How I Remember It’ turn to historical events and archives as dynamic, unstable and fruitful resources. Following recent exhibitions at The Power Plant by Steven Shearer, Andrea Bowers and Simon Starling that culled source material from public and private archives, ‘Not Quite How I Remember It’ investigates processes of appropriation and remaking in the work of contemporary artists.
    [Show full text]
  • Cumulative Bibliography of Library History 2000-2018 | Round Tables
    Cumulative Bibliography of Library History 2000-2018 | Round Tables http://www.ala.org/rt/lhrt/popularresources/libhistorybib/lhrtbibearly2000s Cumulative Bibliography of Library History 2000-2018 BIBLIOGRAPHY OF THE HISTORY OF BOOKS, READING, AND BOOK CULTURE PUBLISHED IN THE LIBRARY HISTORY ROUND TABLE NEWSLETTER (2000-2018) Joel Fishman* and Edward A. Goedeken** Professor Edward Goedeken, Humanities Bibliographer at the Iowa State Library, has since 1990 compiled a semi-annual listing of library history that is published in the Library History Round Table Newsletter. As in previous bibliographies, we have updated the cumulative bibliography backwards to include all references from 2000 down to 2018. Similar to the previous bibliographies, the compilers have cumulated the bibliographies by geographic location. In compiling the bibliography, there have been a few typos corrected, deletion of duplicate entries, and some added entries. TABLE OF CONTENTS A. UNITED STATES…1; B. NON-UNITED STATES/NON-WESTERN HEMISPHERE…111; C. EUROPE…119; D. ASIA/ASIA, AFRICA, THE MIDDLE EAST, AND OTHER …168; E. HISTORY OF BOOKS, READING, INFORMATION, AND BOOK CULTURE …186; F. GENERAL HISTORIOGRAPHY, PHILOSOPHY, AND LIBRARY AND INFORMATION SCIENCE EDUCATION…239 A. UNITED STATES Abbott, Andrew. “Googles of the Past: Concordances and Scholarship,” Social Science History 37 (Winter 2013): 427-55. Abel, Richard. “Papa Abel Remembers–The Tale of a Band of Booksellers, Fascicle 8: The Birth of the Approval Plan,” Against the Grain 21 (February 2009): 82-84. Accardo, Peter X. "The Library of the Hollis Professor of Divinity to 1778: A Checklist," Harvard Library Bulletin New Series. v. 13 (Summer 2002): 45-67. Adams, Stephanie.
    [Show full text]
  • DAVID R. GODINE, PUBLISHER Spring 2017 Rights List
    DAVID R. GODINE, PUBLISHER spring 2017 rights list Contact: Sue Berger Ramin Associate Publisher [email protected] 617-451-9600, ex 25 London Book Fair 2017, IRC, Table 29R David R. Godine, Publisher 15 Court Square, Suite 320 Boston, MA 02108 www.godine.com Contents Nonfiction Speaking of Dogs 1 The Natural History of Edward Lear 1 Giambattista Bodoni 2 The Bartlett Book of Garden Elements 2 Hamlet’s Mill 3 Why We Make Things and Why It Matters 3 Farnsworth’s Classical English Metaphor 4 Farnsworth’s Classical English Rhetoric 4 The Boston Raphael 5 An Artist in Venice 5 Rosemary Verey 6 Karsh Beyond the Camera 6 With Love and Prayers 7 Study is Hard Work 7 The Decline and Fall of Practically Everybody 8 How To Tell Your Friends from the Apes 8 How To Become Extinct/How To Attract the Wombat 8 The Philosopher’s Diet & The Philosopher’s Demise 9 Herbs and the Earth 9 Fiction Correspondence 10 Bibliophilia 10 Finding a Girl in America/Separate Flights 11 The Times Are Never So Bad/Adultery & Other Choices/ 11 The Last Worthless Evening 11 Fair Sun 12 The Unfastening 12 Fortuny 13 Sleet: Selected Stories 13 The African 14 I Remember 14 Poil de Carotte 15 The Knack of Doing 15 And Then 16 The Fifth Wall 16 Testimony/Holocaust 17 By The Waters of Manhattan 18 The Poems of Charles Reznikoff 18 Children’s Rocket Boy 19 Animals Spell Love 19 Little Old Farm Folk 19 The Screaming Chef 20 The Lonely Typewriter/The Lonely Phone Booth 20 Extreme Opposites 20 Trouble in Bugland/Double Trouble in Bugland 21 Pizza in Pienza 22 Catie Copley/Catie Copley’s Great Escape 22 Cat, What is That? 23 Animal Fables from Aesop 23 Crime and Puzzlement 1 & 3 24 The Baffle Book & The Baffle Book Strikes Again 24 Nonfiction m 1 Speaking of Dogs new by James Charlton illustrated by Arnold Roth Who doesn’t love dogs? Answer that question in the negative and find yourself contra- dicted by the countless dog-lauding quotations compiled here by James Charlton and wackily illustrated by Arnold Roth.
    [Show full text]
  • Fantasy & Science Fiction V023n04
    13th Anniversary ALL STAR THE MAGAZINE 0 E Fantasy FANTAiy and Science Fictio SCIENCE The Journey of Joenes fiCTION a new novel by ROBERT SHFCfCtfY A Kind of Artistry BRIAN W. ALDISS 6 There Was an Old Woman Who Lived in a Shoe ROBERT F. YOUNG 28 24 Hours in a Princess’s Life> With 'Fe6gs DON WHITE 34 Inquest in Kansas {verse) ;/ HYACINTHE HILL 38 Measure My Love ' MILDRED CLINGERMAN 39 Science', Slow Burn ISAAC ASIMOV 52 Books AVRAM DAVIDSON 63 The Unfortunate Mr. Morlcy VANCE AANDAHL 68 Ferdinand Feghoot: LV GRENDEL BRIARTON 70 The Journey of Joenes {1st 6j 2 parts ) ROBERT SHECKLEY 71 ^ Editorial > /* 4 / • In this issue . Coming si/on 5 F&SE Marketplace ' 129 Cover by Ed Emsh {illustrating ^'The Journey of Joenes”) The Magasine of Fantasy and Sciffiice Fiction, Vclume 23, No. 4, Whole No. 137, Oct. 1962. P-ttblisked monthly by Mercury Press, Inc., at 40^ a copy. Annual subscription S4 50 in U. S. and Possessions, $5.00 in Canada and the Pan American Union; $5.50 m all other countries. Publicaiion office, IQ Ferry Street, Concord, N. //. Editorial and general mail should be sent to 347 East 53rd St., New York 22, N. Y. Second Class postage paid at Concord, N. H. Printed in U. S. A. © 2^62 by Mercury Press, Inc. Ail rights, including translations into other languages, reserved. Submissions mtist be accom- panied by stamped, self-addressed envelopes; the Publisher assumes no responsibility for return of unsolicited manuscripts. Joseph W. Forman, publisher Avram Davidson, executive editor Robert P.
    [Show full text]