Minnesota Musicians of the Cultured Generation Gales of Music 1) A Singing Family, the Gales of Minneapolis 2) From Glee Clubs to Culture-Music 3) Leipzig on the Mississippi 4) Robert Joins the Crusade 5) Sifting the True from the False 6) Critics-at-Large Robert Tallant Laudon Professor Emeritus of Musicology University of Minnesota 924 - 18th Ave. SE Minneapolis, Minnesota (612) 331-2710
[email protected] 1997 Introduction Harlow Augustus Gale and Samuel Chester Gale, Minneapolis musical brothers of this essay, were born in Royalston, Massachusetts to Issac Gale, the 2nd (Feb. 22, 1787-Jan. 22, 1838) and Tamar Goddard Gale (Feb. 10, 1795-Feb. 22, 1879), man and wife who were devoted to music. Samuel and Harlow inherited from their mother and father what is casually known as the "music gene," the ability to remember musical pitches, tunes, harmonies, and rhythms-to use musical elements as freely as language elements. Tamar in speaking ofher early married life confessed: My husband & myself were all absorbed III singing, not so much to praise God as to gratify our natural love for Musick! She had found schooling difficult but took naturally to her tuition in one of the numerous singing schools of the area. No commonly accepted explanation of these "musical families" is accepted although the existence of such is well known in musical circles. The continuance of an extraordinary talent persisting through several generations might be due to musical training at an early age-such as that provided today by the Suzuki method-or it might be due to a "double dominant gene" (a dominant gene from each parents) as one researcher has claimed.2 The standard work on the singing schools of the type that the husband and wife attended is: Alan Buechner, Yankee singing schools and the golden age of choral music in New England, 1760-1800 (Boston: Boston University for the Dublin Seminar for New England Folklife, c.