Boston Symphony Orchestra Concert Programs, Season
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DECEMBER 2005 Center for New York City Law VOLUME 2, NUMBER 11
CITYLAND DECEMBER 2005 center for new york city law VOLUME 2, NUMBER 11 M1-2 R 6A A R 6 R 6B 8 R A 6 RR6A R 6B A -3 Highlights R6B 4 R 7B C * A 8 R CITY COUNCIL R 6B R6B A 1 3 5t - h S t Council overrides Mayor’s veto .163 4 r A e ee 6 u C t R n A e R6B 7 DOB criticized by Council . .164 v R M1-2D A th R 6B 4 A RR6A6A Olinville, Bronx downzoned . .165 8 R6B R8AR R5B Two down-zonings in SI . .166 A 6 R Prospect Park R 6B R6B R 8B CITY PLANNING COMMISSION 24 th S t High Line garage OK’ed . .166 M1-1D re R5B R et 6 k r A a P t New Brooklyn BID app’d . .167 c 2 e 3 p r s d o t S M r s tr P e e 1 W et - BOARD OF STANDARDS & APPEALS 1 R5B Green-Wood NoHo bldg. OK’ed at 120 ft. .167 Cemetery R5 Nursing home for W.Village . .168 South Park Slope Rezoning used with permission of the New York City Department of City Planning. Bldg. exceeds Bklyn. rezoning . .168 All rights reserved. College Pt. owner withdraws . .169 CITY COUNCIL meeting before the Council’s Sub- LANDMARKS committee on Zoning and Fran- 1867 Chelsea stable to stay . .169 Rezoning chises, Planning Commission SI villa calendared . .170 South Park Slope, Brooklyn Chair Amanda M. Burden referred to the proposal as “emergency zon- Firefighter Memorial gets paths . -
Firlngllne Copyright University
rights other a All infringement. makes resale. for user a copyright not If for are liable material. be Copies may 94305-6010 user copyrighted prohibited. CA of is that use, New FIRlnGLlne This Transcripts 29205 HOST GUESTS FIRING Stanford, SUBJECT fair distribution of is reproductions York 8031799-3449 : a and further transcript LINE excess University, : other videocassettes : City in or and is , March "IS WILLIAM Stanford produced material. ROSALYN of reprints purposes a re GOOD this FIRING available for photocopies of 31, of Archives, and 1999, additional MUSIC through copies) re-use and Copyright F. LINE TURECK making directed BUCKLEY, any and Producers the Library program purposes; GOING telecast 1999 before handwritten by Inc and governs o FIRING WARREN rporated Institution owner SCHUYLER #2833/1200, UNDER?" JR. later educational Code) (including fo LINE and Hoover r on Television, U.S. copyright public University. 17, STEIBEL. the Jr. Director, taped CHAPIN reproduction 2700 (Title from television or Cypress Stanford contact at non-commercial, States HBO Street, permission photocopy Leland stations United private, a Columbia, Studios the for the obtain information, of is uses of to . SC later laws further in or material Trustees advised For of for, this are of copyright ©Board reserved. Users Use The request © Board of Trustees of the Leland Stanford Jr. University. MR. BUCKLEY: Every few years Firing Line touches down on the question, Is classical music dying? We are lucky enough this time around to have got in to discuss the question two persons who have spoken to us before on the subject. One is perhaps the most distinguished pianist alive, the second, the senior man of music in New York City. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 10 #223 LETTERS & ANNOUNCEMENTS FEATURE PERFORMANCE REVIEWS KARINNE KEITHLEY & SARA JANE STONER REVIEW LEAR JAMES COPELAND REVIEWS A THOUGHT ABOUT RAYA BRENDA COULTAS REVIEWS RED NOIR KEN L. WALKER INTERVIEWS CECILIA VICUÑA POEMS DEANNA FERGUSON CALENDAR BRANDON BROWN REVIEWS AARON KUNIN, LAUREN RUSSELL, JOSEPH MASSEY & LAUREN LEVIN TIM PETERSON REVIEWS JENNIFER MOXLEY DAVID PERRY REVIEWS STEVE CAREY JULIAN BROLASKI REVIEWS NATHANAËL (NATHALIE) STEPHENS BILL MOHR REVIEWS ALAN BERNHEIMER DOUGLAS PICCINNINI REVIEWS GRAHAM FOUST ERICA KAUFMAN REVIEWS MAGDALENA ZURAWSKI MAXWELL HELLER REVIEWS THE KENNING ANTHOLOGY OF POETS THEATER ROBERT DEWHURST REVIEWS BRUCE BOONE $5? 02 APR/MAY 10 #223 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Corrine Fitzpatrick PROGRAM ASSISTANT: Arlo Quint MONDAY NIGHT COORDINATOR: Dustin Williamson MONDAY NIGHT TALK SERIES COORDINATOR: Arlo Quint WEDNESDAY NIGHT COORDINATOR: Stacy Szymaszek FRIDAY NIGHT COORDINATORS: Nicole Wallace & Edward Hopely SOUND TECHNICIAN: David Vogen BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Nicole Wallace INTERNS: Sara Akant, Jason Jiang, Nina Freeman VOLUNTEERS: Jim Behrle, Elizabeth Block, Paco Cathcart, Vanessa Garver, Erica Kaufman, Christine Kelly, Derek Kroessler, Ace McNamara, Nicholas Morrow, Christa Quint, Lauren Russell, Thomas Seeley, Logan Strenchock, Erica Wessmann, Alice Whitwham The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. Checks should be made payable to The Poetry Project, St. -
Connecticut College Alumnae News, Spring 1971
Connecticut College Digital Commons @ Connecticut College Linda Lear Center for Special Collections & Alumni News Archives Spring 1971 Connecticut College Alumnae News, Spring 1971 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/alumnews Recommended Citation Connecticut College, "Connecticut College Alumnae News, Spring 1971" (1971). Alumni News. 179. https://digitalcommons.conncoll.edu/alumnews/179 This Magazine is brought to you for free and open access by the Linda Lear Center for Special Collections & Archives at Digital Commons @ Connecticut College. It has been accepted for inclusion in Alumni News by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Connecticut College Alumnae News OFFICIAL PUBLICATION OF THE CONNECTICUT COLLEGE ALUMNAE ASSOCIATION VOLUME XLIX: NUMBER 2: SPRING 1971 Contents Changing Images of Man in the Work of William Ashby McCloy 2 An Alumnae Portfolio B The Artist as Photographer by Peter R Leibert 13 What's Hot On the Art Market? by EdIth Glossenberg Ctpsrern. M.A. '59 17 Common Sense in Environmental Action by Betty Ann Schneider Ollinger '53 19 . , On Collecting By Three Discerning Alumnae Helen Hemmgway Benton 23, Muriel Harrison Castle '39, Joanne Toor Cummings '50 20 Challenges and Prospects: The Library in the '70's by Mary Mudd McKimzie 22 Meanwhile, Educators Are Saying, . 25 Campus Day 26 Letters 28 Class Notes 29 COVER: Wood block by Y. Funasaba, 196B. From the collection of James R. Baird Pages 1, 8, 9, 10, 11, 12 designed by Sarah Hargrove Sullivan '57 PHOTOGRAPHS by Philip Biscuti except: pp. -
25Th Anniversary
25th Anniversary Montblanc de la Culture 25th Anniversary Montblanc de la Culture Arts Patronage Award Arts Patronage Montblanc de la Culture 25th Anniversary Arts Patronage Award 1992 25th Anniversary Montblanc de la Culture Arts Patronage Award 2016 Anniversary 2016 CONTENT MONTBLANC DE LA CULTURE ARTS PATRONAGE AWARD 25th Anniversary — Preface 04 / 05 The Montblanc de la Culture Arts Patronage Award 06 / 09 Red Carpet Moments 10 / 11 25 YEARS OF PATRONAGE Patron of Arts — 2016 Peggy Guggenheim 12 / 23 2015 Luciano Pavarotti 24 / 33 2014 Henry E. Steinway 34 / 43 2013 Ludovico Sforza – Duke of Milan 44 / 53 2012 Joseph II 54 / 63 2011 Gaius Maecenas 64 / 73 2010 Elizabeth I 74 / 83 2009 Max von Oppenheim 84 / 93 2 2008 François I 94 / 103 3 2007 Alexander von Humboldt 104 / 113 2006 Sir Henry Tate 114 / 123 2005 Pope Julius II 124 / 133 2004 J. Pierpont Morgan 134 / 143 2003 Nicolaus Copernicus 144 / 153 2002 Andrew Carnegie 154 / 163 2001 Marquise de Pompadour 164 / 173 2000 Karl der Grosse, Hommage à Charlemagne 174 / 183 1999 Friedrich II the Great 184 / 193 1998 Alexander the Great 194 / 203 1997 Peter I the Great and Catherine II the Great 204 / 217 1996 Semiramis 218 / 227 1995 The Prince Regent 228 / 235 1994 Louis XIV 236 / 243 1993 Octavian 244 / 251 1992 Lorenzo de Medici 252 / 259 IMPRINT — Imprint 260 / 264 Content Anniversary Preface 2016 This year marks the 25th anniversary of the Montblanc Cultural Foundation: an occasion to acknowledge considerable achievements, while recognising the challenges that lie ahead. Since its inception in 1992, through its various yet interrelated programmes, the Foundation continues to appreciate the significant role that art can play in instigating key shifts, and at times, ruptures, in our perception of and engagement with the cultural, social and political conditions of our times. -
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 23 JUNE 2 7–29, 2013 Two Works by Stravinsky Thursday, June 27, 2013, 7:30 p.m. 15, 579th Concert Friday, June 28, 2013, 8 :00 p.m. 15,580th Concert Saturday, June 29, 2013, 8:00 p.m. 15,58 1st Concert Alan Gilbert , Conductor/Magician Global Sponsor Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director These concerts are sponsored by Yoko Nagae Ceschina. A production created by Giants Are Small Generous support from The Andrew W. Mellon Foundation, Clifton Taylor, Lighting Designer The Susan and Elihu Rose Foun - Irina Kruzhilina, Costume Designer dation, Donna and Marvin Matt Acheson, Master Puppeteer Schwartz, the Mary and James G. Margie Durand, Make-Up Artist Wallach Family Foundation, and an anonymous donor. Featuring Sara Mearns, Principal Dancer* Filming and Digital Media distribution of this Amar Ramasar , Principal Dancer/Puppeteer* production are made possible by the generos ity of The Mary and James G. Wallach Family This concert will last approximately one and Foundation and The Rita E. and Gustave M. three-quarter hours, which includes one intermission. Hauser Recording Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic June 2013 23 06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 24 New York Philharmonic Two Works by Stravinsky Alan Gilbert, Conductor/Magician Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director A production created by Giants Are Small Clifton Taylor, Lighting Designer Irina Kruzhilina, Costume Designer Matt Acheson, Master Puppeteer Margie Durand, Make-Up Artist Featuring Sara Mearns, Principal Dancer* Amar Ramasar, Principal Dancer/Puppeteer* STRAVINSKY Le Baiser de la fée (The Fairy’s Kiss ) (1882–1971) (1928, rev. -
The Foreign Service Journal, September 1980
When you’re going overseas, you have enough to worry about without worrying about your insurance,too. Moving overseas can be a very traumatic time if you Moving overseas is simplified by the AFSA-sponsored don’t have the proper insurance. The fact is, the government insurance program for AFSA members. Our insurance will be responsible for only $15,000 worth of your belongings. program will take care of most of your worries. If any of your personal valuables such as cameras, jewelry, With our program, you can purchase as much property furs and fine arts are destroyed, damaged or stolen, you insurance as you feel you need at only 75tf per $100, and it would receive not the replacement cost of the goods, but only covers you for the replacement cost of household furniture a portion of what you’d have to pay to replace them. and personal effects that are destroyed, damaged or stolen, Claims processes are another headache you shouldn’t with no depreciation. You can also insure your valuable have to worry about. The government claims process is articles on an agreed amount basis, without any limitation. usually lengthy and requires investigation and AFSA coverage is worldwide, whether on business or documentation. pleasure. Should you have a problem, we provide simple, If you limit yourself to the protection provided under the fast, efficient claims service that begins with a simple phone Claims Act, you will not have worldwide comprehensive call or letter, and ends with payment in either U.S. dollars personal liability insurance, complete theft coverage or or local currency. -
January 1977
FAMOUS DRUMMERS QUIZ WIN A FREE ONE YEAR'S SUBSCRIPTION! Name this famous drummer who played with the Count Basie Orchestra of 1940. One year's free subscription to Modern Drummer magazine to the first 10 winning entries postmarked before February 1, 1977. Send your answer with return address to: MODERN DRUMMER MAGAZINE C/O FAMOUS DRUMMERS QUIZ 47 HARRISON STREET NUTLEY, NEW JERSEY 07110 MD JANUARY 1977 Editor's Overview If you're a drum student, an aspiring pro, a teacher, professional player, or just a plain old drum enthusiast from eight to eighty, Modern Drummer is meant for you. Welcome to our inaug- ural issue. Drummers have long needed a voice in the form of an intelligent publica- tion encompassing all phases of the art, and we hope to establish ourselves in this and future issues, as a significant force in the field of drum education, and as a platform for the exchange of ideas. We're basically for the drummer IN THIS ISSUE who's interested in growing as a music- ian and in search of a source from which FEATURES: he might draw some intelligent conclu- View From The Top: sions. We hope to be that source by Exclusive Buddy Rich Interview 4 staying abreast of the latest in styles, artists, and equipment; by keeping the MD Shoppers Guide looks at pages of Modern Drummer as relevant Ludwig, Sonor and Pearl 6 to the needs of todays drummer as possible; and by keeping our fingers One-Thousand Year Old Duffy Jackson 9 firmly placed on the pulse of our fast growing, ever changing industry. -
The Preservation and Adaptation of a Financial Architectural Heritage
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1998 The Preservation and Adaptation of a Financial Architectural Heritage William Brenner University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Brenner, William, "The Preservation and Adaptation of a Financial Architectural Heritage" (1998). Theses (Historic Preservation). 488. https://repository.upenn.edu/hp_theses/488 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Brenner, William (1998). The Preservation and Adaptation of a Financial Architectural Heritage. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/488 For more information, please contact [email protected]. The Preservation and Adaptation of a Financial Architectural Heritage Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Brenner, William (1998). The Preservation and Adaptation of a Financial Architectural Heritage. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/488 UNIVERSITY^ PENN5YLV^NIA. UBKARIE5 The Preservation and Adaptation of a Financial Architectural Heritage William Brenner A THESIS in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1998 George E. 'Thomas, Advisor Eric Wm. Allison, Reader Lecturer in Historic Preservation President, Historic District ouncil University of Pennsylvania New York City iuatg) Group Chair Frank G. -
Architecture & Finance
bulletin Architecture & Finance 2019/20 eabh (The European Association for Banking and Financial History e.V.) Image: Bank of Canada and Museum entrance. 29 Sept 2017. Photo: doublespace bulletin Architecture & Finance 2019/20 www.bankinghistory.org ISSN 2219-0643 bulletin | 2019/20 3 CONTENTS contents Athens to New York 6 The barriers of banking 24 Societe Generale’s architecture in Africa 32 Caixa Geral Depósitos in Brazil: Agência Financial in Rio de Janeiro 35 Bank of Canada: An architectural heritage 39 The Masonry of capitalism 45 L’Hôtel de la Monnaie de Paris: A royal architecture to the service of the monetary process 48 The house of Commerzbank at Pariser Platz in Berlin 56 Deutsche Bundesbank: Regional office in Hesse 60 KfW Group Westarkade: An energy efficient office building 65 Athenian neoclassical residence in the 19th century: A photography collection 68 Dutch functionalism in the tropics: The factory of the Netherlands Trading Society 73 BNP Paribas Asia Pacific campus 79 Headquarters of Banco Santander: The buildings of Buenos Aires, Santiago de Chile and São Paulo 87 Martins Bank head office: Liverpool 1927-32 92 Intended for magnificent business: The enduring legacy of New Court 102 Locations of the Royal Mint 107 Schroders plc 112 The New York Stock Exchange’s 11 Wall Street building 115 KEY TITLE EDITORS SUBMISSIONS bulletin (eabh - The European Carmen Hofmann, eabh All submissions by email Association for Banking and Gabriella Massaglia, eabh EMAIL Financial History) Hanauer Landstrasse 126-128, D-60314 [email protected] Frankfurt am Main, Germany DESIGN TEL Richard McBurney, Grand Creative, LANGUAGE EDITOR +49(0)69 36 50 84 650 www.grand-creative.com Jonathan Ercanbrack, SOAS University Chloe Colchester, Oxford University WEBSITE www.bankinghistory.org bulletin | 2019/20 5 ATHENS TO NEW YORK Athens to New York Carmen Hofmann his article provides the long view of financial architecture reaching from T antiquity to the present day, and focussing on the most important neo-classi- cal financial buildings in New York.