THE STORY of SU NU Chapter 1 Solo Rite Honourable Elder Sister, I

Total Page:16

File Type:pdf, Size:1020Kb

THE STORY of SU NU Chapter 1 Solo Rite Honourable Elder Sister, I www.healing-tao.co.uk 1 THE STORY OF SU NU Chapter 1 Solo Rite Honourable Elder Sister, I have rewarded the bandy-legged oaf who brings you this with more than gold, of which he carries enough to comfort our honourable parents so be sure to get all of it. I will have his manhood if he cheats you. Tell him. Have you missed me? Had you noticed me gone? Such relief you must have felt when I disappeared with Master Lu Yan and his Dancing Bear. No more Su Nu, no more little sister to make sheep’s eyes at your suitors. I hardly knew my power of enchantment then and never set out to steal them. You found others, surely? Have you held any? Or does your sharp tongue wilt their Jade Stalk? And me, what of me, I don’t hear you ask. Well, few find me plain, although that is my nomme d’amour at Court: the Plain Lady, a name I took so I would think of you whenever I heard it called. Which is often: the Golden Lotus is watered well and I have grown used to breakfast in bed, even if not the same every morning. Are you surprised that I, who would not even lift my hem behind a bush on a forest picnic, now have the ear, and more, of the Emperor? But I do not write to brag or belittle: what need? Three summers ago the Master took me to his hermit cave and initiated me into the Solo Rite, the same I saw through your screen, the same, but different. You were noisier and did it lying down. Then he went, leaving me a promise of wetter times ahead and instructions to follow the Tao of my destiny. I have completed my tasks. I wish to find him again and test his promise. Has he visited the village again, to pluck another virgin? If you help me find him I will look after you well, Elder Sister. Send word with Ah Li and I will come home. Meanwhile, see if my story sends you behind the screen to fiddle your lute strings. http://www.healing-tao.co.uk/acatalog/E-books_and_Articles_for_instant_download.html www.healing-tao.co.uk 2 Loins aching and lips atingle from that Night of First Love, mind ablaze with what I discovered later, I set out from the valley of the cave. The previous day he guided me by hills and open meadows, through forest and down valley, along a stream and behind a waterfall. Once through the slippery entrance he felt around for materials to kindle fire, blew red embers to heat my body, opening me to his whispered stories of the Golden Lotus, the Jade Stalk, Bamboo Grove and Strumming Lute. I had heard these stories five summers before, listening with the innocence of a child, after the Fang Shi picked me to honour our ancestor, the goddess Hsuan Nu. Father boasted I was chosen for my lineage and for my birth, when Yin met Yang on the breath of midnight between Earth Monkey and Rooster, in the hour of Rat, on the tenth day of Rain Waters under the sign of Rabbit: making me, he declared, a perfect match for the son of the Son of Heaven, heir to the Dragon Throne. Amid words too big for a child to understand I acquiesced, to honour my family. Mother said I was special anyway, when you taunted me about my strange coppery hair and full lips. Had a gweilo passed by at Harvest Moon in the Year of the Wooden Horse? Ha Ha. The jet-black eyes and little nose reflected in the stillness of our pond were definitely Nu, as were my broad forehead, and slim hips now forming a more girlish shape. His hands moulded to that shape as we lay on sheepskins watching the fire pink our cheeks. I thought him a handsome man with his short black triple-forked beard and wild hair bound in the red band of a trance-healer, a Master of the Formula. Their kind had no lineage and roamed alone, falling in fits and healing the sick. Mediating with Spirit, they called it and everyone was in awe of them, with their shadowed eyes and secret powers. They could make people sleep and walk at the same time, stand on hot stones and feel no pain. Masters of magic and fighting, they would tarry in the forests where villagers brought food and gifts to barter for healing. We never saw more than one in any season but rumours ran of gatherings and dark practices under the black moon, circles of fire and the calling of beasts. My Master told me that after their penultimate initiation they each must find a mate to bring into the Circle for the highest degree, the Double-Master of Yin and Yang. He told me too of the http://www.healing-tao.co.uk/acatalog/E-books_and_Articles_for_instant_download.html www.healing-tao.co.uk 3 days when the Fang Shi flourished, of the teachings of the Lady, then of persecution by those who taught celibacy in defiance of the Goddess. “Now we hide and wear the headband far from the cities. Now we practice without drums, rattles, robes or other articles of our craft. Now you cannot tell a sage by his clothes. We are called the Hidden Masters but our influence has waned. Now the time is come again to penetrate the inner chamber.” His soft voice aroused me, and the warmth of the fire my body. He laid a hand on my belly and my heart hammered. “Our rites are sacred,” he said, “and secret because they give power. You will know the power of Yin. To use it you will learn from many teachers…” I whispered, “I want only you to teach me, Master…” He stopped me. “Give up comfort of the known. To awaken you must seek the hard.” His hand covered my breast and the nipple rose to his palm, hot through the silk. “I will teach you the first step. Find others to for Clouds and Rain, Three Treasures and Sacred Geometry, the Five Flavours and many more. Free yourself, through exhaustion of desire and claim your seat in the Circle.” He went on talking, lightly tapping fingers on my chest to make the points, palm resting on my skin. On the cusp of womanhood, burning with curiosity, I heard the stories unfold anew. Much of what he said I found hard to understand and some hard to believe but did I care? I was lying in his cave, on sheepskins beside a fire, held by the man held in awe by my family and the whole village; and his hand was in my blouse. “Stories hide codes, codes conceal practices. Codes without practice are empty, Su Nu,” he said, flames dancing in his eyes. “What use is knowing the five flavours, without blending them to make the five pleasures? Only the adept sees through the veil.” The Master opened his pouch. My mouth watered at the sight of his fruit packed inside. He fed me in ritual fashion, inserting little by little. I savoured the taste, rolling the fruit around with my tongue. Soon his hands slid from my mouth to my face and then down to my shoulders. My heart pounded as he slipped down my arms to my hands. He guided me to fan my arousal then withdrew, openly watching. I was tentative, embarrassed yet fascinated by his pleasure. http://www.healing-tao.co.uk/acatalog/E-books_and_Articles_for_instant_download.html www.healing-tao.co.uk 4 I already knew the pleasure of watching, of the tingling below when I peeked at you, Elder Sister, sometimes putting my own small hand into my undergarment to copy your movements, rubbing my little bubble of flesh down there but I could not comprehend the violent jerking that overcame you after a few minutes of your frantic finger-blur. Sometimes I was not alone. The first time Second Uncle made his presence felt behind me I almost jumped out of my skin. A sudden big hand clamped my breast and pulled me back against him. I felt him fumbling and then his other hand drew out his sword. That’s what he called it but I only ever saw the hilt gripped in his fist while he jerked in silence to the rhythm beyond the screen. His chest heaved and juddered and his other hand scrabbled to get inside my shirt. I know not what he sought there for I had little to offer in that department but nevertheless with he so excited I deemed it wise not to interfere. When you let out a shriek that sounded like but I knew could not be pain, Second Uncle’s sword hilt squirted Dragonseed, over my silk pantaloons. He would join me at the spy hole in those drowsy afternoons when honourable parents were out of the house and, on reflection, Elder Sister, knowing what I know now, I believe you may have been deliciously aware of our hidden presence. He told me to keep it ‘our little secret’ and I was happy to do so. He was only a few years older, growing up with the games we play but do not show. He knew better than to try to pluck my cherry, knowing it would be not only my blood that spilled as by then I had been dedicated to the Goddess and waited for my first moon to be taken by the Master, he who lay beside me now, breathing secrets in my ear.
Recommended publications
  • An Identity Crisis in Hanrahan's Lost Girls and Love Hotels
    AN IDENTITY CRISIS IN HANRAHAN’S LOST GIRLS AND LOVE HOTELS A Thesis Submitted to Letters and Humanities Faculty in Partial Fulfillment of The Requirements for the Strata One Degree RAHMA LARISSA NO. 104026000933 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SYARIF HIDAYATULLAH JAKARTA 2009 ABSTRACT Rahma Larissa, An Identity in Hanrahan’s Novel Lost Girls and Love hotel. Thesis, Jakarta: College, State Islamic University Syarif Hidayatullah, Faculty of Letters and Humanities, February 2009. The research discusses the identity crisis of main character on novel Lost Girls and Love Hotels. Here, the writer studied the novel and the main character of it as the unit analysis. Character as the intrinsic element and Erikson’s concept of identity crisis are used as the theoretical framework of the research. The method of the research is descriptive qualitative, which tries to explain about the intrinsic and character’s identity. At first, the research focuses on the main character of the novel, and then followed by analyzing the main character’s identity using Erikson’s stages of life. The research is to find and understand the identity crisis toward character. This study has been based on identity analysis and exploration toward the main character on the novel. Erikson’s eight psychosocial stages of development show how individuals can deal with each stage and the impact on their lives. If an individual deals with the stages in a positive way she will experience positive effects towards their self esteem and their social environment. In this research, Margaret deals with these stages in a negative unresolved approach so that she can potentially create feelings of anxiety and discomfort, make resolution of further stages more difficult.
    [Show full text]
  • THE PULL of GRAVITY. by Brett Battles CHAPTER ONE I Couldn't
    THE PULL OF GRAVITY. By Brett Battles CHAPTER ONE I couldn’t help feeling a sense of failure. On the surface, I’d accomplished what I’d come back to the Philippines to do. The sale of my stake in a bar in Angeles City had been finalized three days ago. Sure, the money wasn’t exactly what I’d hoped, but when is it ever? I was just glad to get it over with. With the bar sold, presumably my last tie to the Philippines was gone. But Nicky Valenti, one of my ex-pat friends who still lived there, said something the night before I was supposed to leave Angeles and the islands forever that changed my plans. “I hear Isabel’s on Boracay,” he told me. That was it. One small nugget dropped into a larger conversation about nothing. I didn’t ask who he heard this from, or even if the information was reliable. The truth was, in the few days I’d been back in Angeles, I’d found myself glancing into the faces of the girls as they passed me on the street, wondering if I might spot Isabel Reyes. When I didn’t, I felt a sense of relief. Three years earlier, she’d returned to her home province. Maybe, just maybe, she’d stayed. It would have been the best thing for her. But if Nicky was right, she hadn’t stayed. Instead, she’d come back to the life. It was the money, most likely. Or perhaps life back home had become unbearable.
    [Show full text]
  • Koda Kumi Cherry Girl / 運命 Mp3, Flac, Wma
    Koda Kumi Cherry Girl / 運命 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Cherry Girl / 運命 Country: Japan Released: 2006 Style: Funk, Ballad MP3 version RAR size: 1783 mb FLAC version RAR size: 1967 mb WMA version RAR size: 1980 mb Rating: 4.7 Votes: 418 Other Formats: MOD WAV AU MP1 WMA AHX VQF Tracklist Hide Credits Cherry Girl Arranged By – Andreao "Fanatic" Heard*, The ConglomerateCoordinator [Production] – 1 Justin Kalifowitz, Yuko YasumotoMusic By – Andreao "Fanatic" Heard*, Charlene Gilliam, 3:59 Curtis Richardson, Sherrod BarnesProducer – Andreao "Fanatic" Heard*, Sherrod Barnes, The Conglomerate 運命 2 4:27 Arranged By – Masaki IeharaMusic By – Hirofumi Hibino 3 Cherry Girl (Instrumental) 3:52 4 運命 (Instrumental) 4:25 Companies, etc. Phonographic Copyright (p) – Avex Entertainment Inc. Copyright (c) – Avex Entertainment Inc. Manufactured By – Avex Marketing Communications Inc. Distributed By – Avex Marketing Communications Inc. Credits Art Direction – Toshiyuki Suzuki Design – Jun Hirota Mastered By – Shigeo MT Miyamoto* Photography By – Kazuyuki Ikenaga, Leslie Kee Words By – Kumi Koda Barcode and Other Identifiers Barcode: 4 988064 455041 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Cherry Girl / 運命 (CD, RZCD-45503/B Koda Kumi* Rhythm Zone RZCD-45503/B Japan 2006 Maxi, Fir + DVD-V) Cherry Girl / 運命 (CD, RZCD-45504 Koda Kumi* Rhythm Zone RZCD-45504 Japan 2006 Maxi, Fir) Cherry Girl / 運命 (CD, RZCS-20428 Koda Kumi* Rhythm Zone RZCS-20428 Japan 2006 Maxi, Promo) Related Music albums to Cherry Girl / 運命 by Koda Kumi Koda Kumi - W Face ~Outside~ Koda Kumi - 夢のうた / ふたりで... Koda Kumi - Summer Of Love Koda Kumi - Birthday Eve Koda Kumi - Best ~Third Universe~ & 8th AL "Universe" Koda Kumi - Trust Your Love Koda Kumi - Lies AAA - Let It Beat! 倖田來未 - Freaky Koda Kumi - Can We Go Back.
    [Show full text]
  • Evening Star. (Washington, D.C.). 1937-06-12 [P A-9]
    SratljB. BROOKS. JAMES E. Departed this life on CHICAGO GRAIN Thursday. June 10. 10.37, at Emergency Traffic Convictions Hospital. JAMES E BROOKS of Croome. MS OPPOSED By th« Associated Press. Md.. father of Rosie son of Mrs. W. Brooks, C. T. U. LEADERS Rachel Brooks, brother of Mrs Georgiana Battleship Aground OHICAOO, June 12 —Rain In the Saundeis. Mrs Rosie Canady. George H RECKLESS DRIVING. Zacharlah and David Brooks He also Spring wheat belt and more favorable., leaves two Mrs. Rosie Carroll and James M. Anderson, 622 F street aunts. harvest weather Southwest helped Mrs. Jane Dodson, other relatives and northeast. $10. jfi friends. Remains resting at Stewart’s put the wheat market under selllli^. funeral home. .30 H st. n e.. until Sunday FIGHT MARIJUANA SECOND OFFENSE SPEEDING. pressure most of the evening and thereafter at his late resi- time today. dence. Funeral services Monday. June RUSSIANDJCTATOR Joe M. Struale, 513 Florida avenue Prices declined 2 cents a bushel al 14. at 1 D.m.. at Brooks Chapel. Md. northeast, $5. Interment church cemetery. 1.3 Need for One Man to Put of times with July wheat dropping ae Appointment City Man- Ask Laws to Bar Vinton W. 4434 Grant CHARLESTON. JOHN WESLEY. On Fri- Drug’s Dove, road, low as $l.06\, but there were tran- day. June 11. 10.37. at his residence. $15. on sient fractional rallies. Wheat was IP: 1 1 Pth st. n.w. JOHN WESLEY Country Feet Cited ager Is Suggested Dur- CHARJ^ESTON. son of the lale Wesley Distribution—Attack FIRST OFFENSE SPEEDING.
    [Show full text]
  • Registrar Records - Works No Longer in Collection
    Registrar records - Works no longer in collection Collection ID: RG.02.03.02 Finding Aid prepared by Hoang Tran The Pennsylvania Academy of the Fine Arts 118-128 North Broad Street Philadelphia, PA 19102 [email protected] 215-972-2066 Prepared May 2015 Registrar records - Works no longer in collection (RG.02.03.02) Summary Information Repository The Pennsylvania Academy of the Fine Arts, Dorothy and Kenneth Woodcock Archives Creator PAFA Title Registrar records - Works no longer in collection Date [bulk] Date [inclusive] 1809-1999, undated Extent 18 document boxes Location note Language English Language of Materials note English Abstract These files contain all the information on a work, as maintained by the registrar when the work was in the collection, as well as records of how and when the object was deaccessioned. Access to these files is at the discretion of the registrar and the archivist. A card file in the registrar’s office contains some additional information on deaccessioned objects. Preferred Citation note [identification of item], Title of Collection, Collection ID#, The Pennsylvania Academy of the Fine Art, Dorothy and Kenneth Woodcock Archives, Philadelphia, PA. Page 1 Registrar records - Works no longer in collection (RG.02.03.02) Historical note The first staff member whose duties were primarily the maintenance of records concerning the permanent collection—documentation of provenance, location control, loan activity, and storage facilities—was hired in 1943. This department consists of a department head, an associate registrar, and a rights and reproductions officer, although a number of assistants and temporary staff have been employed as well.
    [Show full text]
  • Sander's List April–June 2018 Supplement
    QUARTERLY SUPPLEMENT TO THE INTERNATIONAL REGISTER AND CHECKLIST OF ORCHID HYBRIDS (SANDER’S LIST) APRIL – JUNE 2018 REGISTRATIONS INCLUDING NEWSLETTER OF THE ORCHID HYBRID REGISTRatION ADVISORY GROUP (OHRAG) NO. 9 Distributed with OrchidThe Review VOLUME 126, NUMBER 1323, SEPTEMBER 2018 NEW ORCHID HYBRIDS APRIL – JUNE 2018 REGISTRATIONS Supplied by the Royal Horticultural Society as International Cultivar Registration Authority for Orchid Hybrids NAME PARENTAGE REGISTERED BY (O/U = Originator unknown) x Aliceara Mariah Brat. [Mtssa.] Natália x Alcra. [Bak.] Samurai D’Andrea Anguloa Tessa Ang. Lorna x Ang. Michael Tibbs R.J.Hartley x Brassavola Hugging Stars B. nodosa x B. Grand Stars Santiago-Leon (O/U) Vinh Long Diamond Star B. venosa x B. cucullata T.A.Truong x Brassidomesa Golden Stars Gom. [Bapt.] echinata x Brsdm. Shooting Star Gold Country x Brassocatanthe A-Pa Sesame Face Ctt. [Slc.] Chaveewan Beauty x Bct. [Blc.] Sun Mei Gold A-Pa Orchids Arcana B. nodosa x Ctt. [Lc.] Secret Love A.Pazo Daniel x Brassocattleya Alison Gaglioti B. cucullata x C. Landate M.Gaglioti (J.Lawson) Edilma’s Golden Pet B. nodosa x C. [Lc.] Golden Caravan J.L.Ariño (O/U) Loc Hoa Red Sunset C. Chialin Doll x B. nodosa T.A.Truong x Bratonia Natália Milt. candida x Brs. verrucosa D’Andrea (O/U) Bulbophyllum AR Autumn Delight Bulb. [Cirr.] cercanthum x Bulb. treschii Rowell (O/U) C Jerry Sellers Bulb. [Cirr.] lepidum x Bulb. [Crphm.] Sunshine Queen Orchids R Us (J.Sellers) Jo Davis Bulb. agastor x Bulb. Manchind B.Thoms Peter Simkins Bulb. Wilbur Chang x Bulb.
    [Show full text]
  • Michael Rawdon Here Is One Way to Tell a Good Story. Tediously, Past
    Michael Rawdon The Dark Backward: Y okohama You're told time and again when you're young tJ write about what you know, and what de you know better than your own secrets? ... A little autobiography and a let of imagination are best. Raymond Carver Here is one way to tell a good story. Tediously, past endless tight-meshed shacks, the pedicab wound through alle:1s and half-streets. Twice it cut across a bazaar bustling, it seemed, with people preparing for the next day's skirmishes. Several times the bright, vertical machines of a pachinko parlour slashed the night. The pedicab threaded unhurriedly through the mazes of light. Caterwauls of reed--pipes pierced the autumn air. Sitting tensely on the edge of the cramped seat, the boy squinted into the flowing ~hapes about him. Hardly aware, he was being overcome by apprehen iion. Every few minutes, as if prompted by the fear that he might suddenly find himself alone, he glanced at the woman beside him, obscure in black kimono. She leaned forward, hissing, towards the old man straining against the pedals. The man was crouching forward, his spread arms holding his body away from the handlebars, the saddle losing itself and then reappearing in the folds of his smock with each jagged push. One of the pedals clinked repetitively against the cycle's frame on its loose upwards swing. Without turning his head, the man threw back a curt hai! It was the single word of Japanese the boy understood. Yes. He hadn't a choice. Jumping from the cab would be even more stupid.
    [Show full text]
  • 11IRIN Duo-Sexual Assault
    Dr Enrique Silva, who is in charge of autopsies in Ciudad Juarez in northern Mexico, examines the clothing of recent rape and murder victims. Mexican police have been baffled by the number of young women found brutally raped and murdered in the outskirts of the industrial town that borders the United States. In some cases, the victims have been mutilated and horribly disfigured: Objects have been inserted into their vaginas or anuses and/or their left breasts have been cut off. Image: Susan Meiselas/Magnum 1 sexual assault and harassment 1 r e A young South African man participating in a recent ethnographic study of perceptions regarding sexual t p violence offered researchers his definition of rape: “What rape is, it is dragging a person forcefully and a force [sic] her to have sex with you without her consent, totally, and she is not your girlfriend.” According h C to another young man from the same study, “If you think about rape, you should notice the place. … You hardly ever hear that a person was raped in her own room … it happens there in the veldt. … Even the cherry [girl] doesn’t think you raped her.” One young female research subject, who told a story of being forced by her boyfriend to have sex and then being beaten by him for responding (in his words) “like a corpse”, claimed that her experience was “different from rape in that I didn’t want sex but I loved him and in the case of rape I don’t love the person at all.”1 Debunking the rape myth woman or girl” are “amazingly absent from most cultural definitions of Common myths and assumptions related to sexual violence are shared violence.”4 Determinations of the moral, legal or social permissibility of the world over.
    [Show full text]
  • Powersource 02 14 Powersource 02 14 1/10/14 12:00 PM Page 1
    PowerSource 02_14_PowerSource 02_14 1/10/14 12:00 PM Page 1 FEBRUARY 2014 • CHOOSING CORRECT CAREER LIVING YOUR TALENT FOLLOWING GOD’S GUIDANCE FINDING Radio Personality SONGWRITING INSPIRATION MUSIC CITY USA | CHARTS | ALBUM REVIEWS Marty Smith FEATURE STORIES | MUSIC NEWS & MORE Spreading The Message JOHN 12:32 Canada $6.00 U.S. $3.50 PowerSource 02_14_PowerSource 02_14 1/10/14 12:00 PM Page 2 PowerSource 02_14_PowerSource 02_14 1/10/14 12:00 PM Page 3 PowerSource 02_14_PowerSource 02_14 1/10/14 12:00 PM Page 4 PowerSource 02_14_PowerSource 02_14 1/10/14 12:00 PM Page 5 PowerSource On The Road Again … To Royalties For Artists And Songwriters God's blessings to all of you! In the July 2013 issue of Contact your PRO (BMI, ASCAP or SESAC) and learn Power Source Magazine, I finished a series of articles on • about the forms you are to fill out. Anytime you do a live publishing, including performance, mechanical and sync performance, get a head count and use your mobile device licenses. I had mentioned a recent story in The to forward in your report. I'm sure they will give you other Tennessean that related to the same issues. After sharing advice, information and education of the process. this information, I felt it would be helpful if I gave an overview of the article to explain its terminology. • To insure royalties to artist, writer and publisher, every In the past, royalties were only paid to the four hun- single that is sent to radio or every song on every album dred largest entertainment venues as well as the largest or EP, needs an International Standard Recording Code touring acts.
    [Show full text]
  • Glimpses of Unfamiliar Japan Vol. 2
    GLIMPSES OF UNFAMILIAR JAPAN BY LAFCADIO HEARN IN TWO VOLUMES VOL. II. BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY (atfie iRifretfibe Cambrige Copyright, 1894, By LAECADIO HEARN. All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. (Electrotyped and Printed by H. O. Houghton and Company. CONTENTS. YOL.IL PAGE XVI. Ik a Japanese Garden 343 XVII. The Household Shrine 385 XYHI. Op Women’s Hair 417 XIX. the of From Diary an English Teacher . 430 XX. Two Strange Festivals 491 XXI. By the Japanese Sea 504 XXII.. Op a Dancing-Girl ....... 525 * XXIII. From Hoki to Oki 553 XXIV. Of Souls 626 XXV. Op Ghosts and Goblins 637 XXVI. The Japanese Smile 656 XXVII. Sayonara! 684 Index 095 GLIMPSES OP UNFAMILIAK JAPAN. XYI IN A JAPANESE GARDEN. I. My little two-story house by the Ohashigawa, although dainty as a bird-cage, proved much too small for comfort at the approach of the hot season, — the rooms being scarcely higher than steamship cabins, and so narrow that an ordinary mosquito-net could not be suspended in them. I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a lookout window, heavily barred, like a big wooden cage.
    [Show full text]
  • Ellimatta Daffodil Nursery, 1980-81
    ELLIMATTAELLINfiATTA bulblrulf, nurserynursery GRASSY FLAT ROAD,HOAD, DIAMONDDIAMOND CREEKCBEEK 30893089 VICTORIAVICTORIA —- AUSTRALIA TelephoneTelePhone 4381622438 1622 LISTLIsr 1980-811ggo.Bl THE AUSTRALIANAUSTRALIAN DAFFODILDAFFODIL SOCIETYSOCIETY The AimsAims of the SocietySociety areare to improveimprove thethe standard of DaffodilsDaffodils inin Australia and toto disseminatedisseminate informationinformation perper medium medium of ol periodical periodical NEWS NEWS LETTERS. LETTERS. Annual SubscriptionSubscription $2.00 Honorary SecretarySecretary Mrs.Mrs. F.F. J.J. HunterHunter BeenakBeenak Road.Road, WANDIN SOUTH,SOUTH, VIC., AUSTRALIAAUSTRALIA 31393139 INTRODUCTIONINTRODUCTION Inln futurefuture I Ishall shall give give a a description description of of my my more more recent recent registered registered seedlingsseedlings andand newnew stock.stock. Il-have have deleteddeleted fromfrom mymy listlist manymany ofof thethe oldold favourites, favourites, butbut mostmost areare stillstill available available at at the the 1979/80 1979/80 prices.prices. TERMSTERMS ALLALL PRICES PRICES QUOTEDQUOTED AREARE IN IN AUSTRALIAN AUSTRALIAN DOLLARS DOLLARS WouldWOuld overseasoverseas customers please check exchange rate with youryour Bank, Bank, AgencyAgency oror Post Post Office. Office, AllAll ordersorders in in excess excess of of $10.00 $10.00 (Aust.)(Aust.) otherother thanthan mixed, mixed, accompanied accompanied byby cashcash oror chequecheque willwill be be given given the the following {oliowing discounts, discounts, posted posted before: before: 11 February FebruarY — 15% andand 1 1 March March — 10%. -15% -10%. DiscountsDiscounts areare availableavailable toto Horticultural Horticultural SocietiesSocieties and and Garden Garden Clubs.Clubs, BulbsBulbs orderedordered byby overseasoverseas customerscustomers will bebe forwardedforwarded S.A.L.S.A.L. (Surface(Surface. AirAir Lifted)Lilted) oror AIRAIR MAILMAIL wherewhere S.A.L.S.A.L. doesdoes NOTNOT apply,apply, unlessunless requestedrequested other-other- wisewise byby customers.customers.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]