Epidemic of Fire Sirikesst. Johns Hero
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Building Networks: Cooperation and Communication Among African Americans in the Urban Midwest, 1860-1910
Building Networks: Cooperation and Communication Among African Americans in the Urban Midwest, 1860-1910 Jack S. Blocker Jr.* In the dramatic narrative of African-American history, the story of the post-Emancipation years begins in the rural South, where the rights won through postwar constitutional amendments gradually yield to the overwhelming forces of segregation and disfranchisement. During the First World War, the scene shifts to the metropolitan North, where many members of the rapidly growing southern-born migrant population develop a new, militant consciousness. Behind this primary narrative, however, lies another story. An earlier, smaller migration flow from South to North had already established the institutional and cultural foundations for the emergence of a national racial consciousness in postbellum America. Much of this crucial work took place in small and mid-size towns and cities. Some interpreters have seen the creation of a national racial consciousness as a natural and normal product of African heritage. This view, however, neglects the diverse origins and experiences of African Americans during the slavery years. “Alternatively,”writes historian Harold Forsythe, “we should consider that a distinctive national community developed from local roots during emancipation. Local associations of freedpeople, organized in families, neighborhood groupings, churches, [and] benevolent and fraternal orders, slowly developed into regional, statewide, and ultimately national consociations. This process of unification involved not only consciousness, but [also] institutional and power connections. It matured between 1909 and about 1925.”’The process of community-building can be seen clearly in the three states of Ohio, Indiana, and Illinois, which I call the Lower Midwest. On the eve of the Civil War, about 56,000 African Americans lived in the Lower Midwest. -
844/11.Le Fiwd/ SIXTY-FIFTH ANNUAL COMMENCEMENT the North
844/11.le fiWd/ SIXTY-FIFTH ANNUAL COMMENCEMENT The North Carolina State College of Agriculture and Engineering of the University of North Carolina EXERCISES OF GRADUATION William Neal Reynolds Coliseum Two-Thirty O’Clock Sunday, June Sixth Nineteen Hundred and Fifty-Four Program PROCESSIONAL MRS. ARNOLD E. HOFFMANN Raleigh, N. C. INVOCATION REV. J. H. OVERTON Director, Wesley Foundation Foirmont Methodist Church, Raleigh, N. C. CONFERRING OF DEGREES REMARKS TO THE GRADUATING CLASS HONORABLE W. B. UMSTEAD Governor of North Carolina DR. GORDON GRAY President, University of North Carolina BENEDICTION REV. J. H. OVERTON RECESSIONAL MRS. ARNOLD E. HOFFMANN CANDIDATES FOR DEGREES School of Agriculture BACHELOR OF SCIENCE IN AGRICULTURAL AND BIOLOGICAL CHEMISTRY *George Howard Satterfield, Jr............. Raleigh *William Kennard Thompson, Jr. ...... Alden, N. Y. IN AGRICULTURAL ECONOMICS Lloyd Russell Bostian .................... Raleigh Elbert Carl Griffin ........................ Monroe Larry Collins Hester..................... Roxboro James Gardner Hilton ................ Ames,‘ Iowa *Charles Calvin Shackleton ............... Salisbury *Costas Kleanthi Varkaris ...... Famagusta, Cypress IN AGRICULTURAL ENGINEERING Julian Powell Golf ................... Rocky Mount *Gary York Greene ...................Forest City *Kenneth Bryce Haywood ................ Asheboro William Hugh Johnson ............... Fayetteville Charles Brown Maness ..................... Ether Charles Lee Overman ................... Edenton Jacob Eli Reep ....................... -
Biographical Sketches of Prominent Negro Men and Women of Kentucky
3 1833 00045 0129 Gc 976.9 J632e Johnson* W. D. Biographical, sketches of prominent Negro men and women of ky. Digitized by the Internet Archive in 2010 with funding from Allen County Public Library Genealogy Center http://www.archive.org/details/biographicalsketOOjohn giographical Sketches PROMINENT NEGRO MEN AND WOMEN KeNTucny With Introductory Memoir of the Author, and Prefatory Re- marks Showing the Difference Between American and British . Slave Holders; Also Opinions of Leading Thinkers of the Race, j»j*.»»jtj»>>jtjt.jiotjt tj»jtjijt fe BY W. D.JOHNSON. Illustrated with Fifty Portraits. • Lexixcjtos, Kkxtickv. e 1 II i MIX** THE 8TANDABD PRINT, LEXINOTON, KY. 1897. r }-.i: U '«l'jJ<l' < ri A W 3 IcW ; (ONTGNTS. Preface 1 Introduction, By K. C. 0. Beujuiuiu 6 CHAITER I. Hon. W. O. BRADLEY, Governor of Kentucky 11 CHAPTER II. W. H. Ross 16 CHAITER III. Mary E. Britton 18 CHAPTER IV. Prof. G. P. Russkll 20 CHAITER V. W. A. Taylor ' 21 CHAITER VI. C. H. Parrish, A. M.,D. D 22 CHAITER VII. Rev. Joseph Couktkey, D. D 24 CHAITER VIII. Prof. J. M. Maxwell, A. M 25 CHAPTER IX. ; Rev. \V. H. Bowkn 26 CHAITER X. J J. J. C. M( Kini.ky 27 CHAITER XI. o J. A. Ciiii.ks, LL. B 28 J CHAITER XII. ? _Rev. W. H. Dickkrsox 20 £ £ CHAFTER XIII. »»EjJ. F. Gray 30 CHAPTER XIV. A. D. Kellky, M. D 30 CHAPTER XV. Rev. C. C. Vauohan 31 CHAPTER XVI. W. T. piSNWiDUiE, I). D. S 32 CHAPTER XVII. J. W. jEwtrrr 33 CHAPTER XVIII. -
Here Is Characteristically Anglican Liberty Which Encourages Members „To Develop Their Personal Gifts and Thus to Enrich the Offering Laid at the Feet of Christ‟
THE ORATORY OF THE GOOD SHEPHERD The First Seventy Five Years by GEORGE TIBBATTS,* OGS {* spelling corrected} - 2 - {iv} Copyright © Almoner, Oratory of the Good Shepherd 1988 Published by The Almoner, OGS, 56 Buckland Crescent. Windsor, Berks. Printed by Dramrite Printers Ltd, Southwark, London SE1 ISBN No. 1 871161 00 2 In this digital copy the start of each page of the book and other editorial notes are shown by e.g. {10}. - 3 - {v} FOREWORD This history appears as the Oratory celebrates the seventy fifth anniversary of its foundation in Cambridge in 1913. Canon Tibbatts, who has served both as Secretary-General and Superior, is uniquely qualified to tell the story. His association with the Oratory began in his undergraduate days at Kings in the l920ies. He knew personally the founding fathers and enjoyed their friendship. In the years preceding the first world war three young clerical dons (John How, Eric Milner-White and Edward Wynn) sought to establish a society for celibate priests, bound by a common rule of life, marked by Catholic discipline of prayer and devotion, and characterised by the importance attached to regular and systematic study in the life of a priest Their inspiration was drawn from the Catholic revival of the previous century, and they were concerned to make a distinctive witness in the religious life of the University. The ethos of the Oratory was, and has continued to be essentially Anglican in its Catholic form. The devotion to Our Lord as the Good Shepherd, the adoption of Nicholas Ferrar of Little Gidding as patron, testify to the pastoral ideal and English temper of the Oratory. -
The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 The Life and Solo Vocal Works of Margaret Allison Bonds (1913-1972) Alethea N. Kilgore Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC THE LIFE AND SOLO VOCAL WORKS OF MARGARET ALLISON BONDS (1913-1972) By ALETHEA N. KILGORE A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 Copyright © 2013 Alethea N. Kilgore All Rights Reserved Alethea N. Kilgore defended this treatise on September 20, 2013. The members of the supervisory committee were: Wanda Brister Rachwal Professor Directing Treatise Matthew Shaftel University Representative Timothy Hoekman Committee Member Marcía Porter Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii This treatise is dedicated to the music and memory of Margaret Allison Bonds. iii ACKNOWLEDGEMENTS I would first like to acknowledge the faculty of the Florida State University College of Music, including the committee members who presided over this treatise: Dr. Wanda Brister Rachwal, Dr. Timothy Hoekman, Dr. Marcía Porter, and Dr. Matthew Shaftel. I would also like to thank Dr. Louise Toppin, Director of the Vocal Department of University of North Carolina at Chapel Hill for assisting me in this research by providing manuscripts of Bonds’s solo vocal works. She graciously invited me to serve as a lecturer and performer at A Symposium of Celebration: Margaret Allison Bonds (1913-1972) and the Women of Chicago on March 2-3, 2013. -
The Papers of WEB. Du Bois
The Papers of WEB. Du Bois A Guide by Robert W McDonnell Microfilming Corporation of America A Newh-kTitiws Conipany I981 !NO part of this hook may be reproduced In any form, by Photostat, lcrofllm, xeroqraphy, or any other means, or incorporated into bny iniarmriion ~vtrievrisystem, elect,-onic 01 nwchan~cnl,without the written permission of thc copirl-iqht ownpr. Lopyriqht @ 1481. 3nlversi iy of Mr+sictl~lirtt.~dt AnlhC:~st ISBN/O-667-00650- 8 Table of Contents Acknowledgments Introduction W.E.B. Du Bois: A Biographical Sketch Scope and Content of the Collection Uu Bois Materials in Other Repositories X Arrangement of the Collection xii Descriptions of the Series xiii Notes on Arrangement of the Collection and Use of the Selective xviii Item List and Index Regulations for Use of W.E.B. Du Bois Microfilm: Copyright Information Microfilm Reel List Selective Item List Selective Index to (hide- Correspondence ACKNOWLEDGMENTS The organization and publication of the Papers of W.E.B. Du Bois has been nade possible by the generous support of the National Endownrent for the Humanities and the National Historical Publications and Records Commission and the ever-available assistance of their expert staffs, eipecially Margaret Child and Jeffrey Field for NEH and Roger Bruns, Sara Jackson, and George Vogt for NHPRC. The work was also in large part made possible by the continuing interest, assis- tance, and support of Dr. Randolph Broniery, Chancellor 1971-79, dnd Katherine Emerson, Archivist, of the University of MassachusettsiAmherst, and of other members of the Library staff. The work itself was carried out by a team consisting, at various times, of Mary Bell, William Brown, Kerry Buckley, Carol DeSousa, Candace Hdll, Jbdith Kerr, Susan Lister, Susan Mahnke, Betsy McDonnell, and Elizabeth Webster. -
The Unitarian Heritage an Architectural Survey of Chapels and Churches in the Unitarian Tradition in the British Isles
UNITARIP The Unitarian Heritage An Architectural Survey of Chapels and Churches in the Unitarian tradition in the British Isles. Consultant: H.1. McLachlan Text and Research: G~ahamHague Text and Book Design: Judy Hague Financial Manager: Peter Godfrey O Unitarian Heritage 1986. ISBN: Q 9511081 O 7 Disrributur. Rev P B. Codfrey, 62 Hastlngs Road, Sheffield, South Yorkshirc. S7 2GU. Typeset by Sheaf Graphics, 100 Wellington Street, Sheffield si 4HE Printed in England. The production of this book would have been impossible without the generous help and hospitality of numerous people: the caretakers, secretaries and ministers oi chapels, and those now occupying disused chapels; the staff of public libraries and archives in many towns and cities; the bus and train dr~verswho enabled us to visit nearly every building. We would like to record grateful thanks to the staff of Dx Williams's Library and the National Monument Record for their always courteous help; Annette Percy for providing the typescript; Charrnian Laccy for reading and advising on the scnpt; and to the North Shore Unitarian Veatch Program, and District Associations in the British Isles for their generous financial help. Sla~rmsa.Burv St Edmunds. Unirarjan Chapel. 5 Contents: Introduction Chapter 1: The Puritans before 1662 2: The Growth of Dissent 1662-1750 Gazetteer 1662-1750 3: New Status, New Identity, New Technology 1750-1 840 Gazetteer 1750-18411 4: The Gothic Age 1840-1918 Gazetteer 1840-1918 5: Decay, Destruction and Renewal 1918-1984 Top photogruph c. 1900 cf Bessels Green Old Meeting House (1716). Gazetteer 1918-1984 Below. engravmg of 1785 91 Slockron-on-Tees,meeung-house on nghr 6: The Unitarian Chapels of Wales Gazetteer 7: The Unitarian Chapels of Scotland by Andrew Hi11 Gazetteer 8: Chapels of the Non-Subscribing Presbyterian Church of Ireland by John McLachlan Gazetteer Maps and Plans Bibliography Index Chapters I to 8 are each composcd a/ an introduction, an alp~ab~t~ca. -
John Adams and the Western Appeal: Advocates of the Protest Tradition
University of Nebraska at Omaha DigitalCommons@UNO Student Work 8-1-1971 John Adams and the Western Appeal: Advocates of the protest tradition David Vasser Taylor University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Recommended Citation Taylor, David Vasser, "John Adams and the Western Appeal: Advocates of the protest tradition" (1971). Student Work. 460. https://digitalcommons.unomaha.edu/studentwork/460 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. JOHN ADAMS AND THE WESTERN APPEAL: ADVOCATES OF THE PROTEST TRADITION A Thesis Presented to the Department of History and the Faculty of the Graduate College University of Nebraska at Omaha In Partial Fulfillment of the Requirements for the Degree Master of Arts by David Vassar Taylor August 1971 UMI Number: EP73098 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI EP73098 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest ProQuest LLC. 789 East Eisenhower Parkway P.O. -
Cap Benjamin Barnes Charles Curtiss
Ancestors and Descendants of Cap Benjamin Barnes and Charles Curtiss of Granville, Mass. By Abel Tuttle Barnes Great-grandson of Capt. Benjamin Member New England Historic Genealogical Society SHARON, MASS. ½ ~ :JGift'.s :tlllirrnr There are Joyal hearts, there are spirits brave, There are souls that are pure and true; Then give to the world the best you have And the best will come back to you. Give love and love to your life will flow, A strength in your utmost need; Have faith and a score of hearts will show Their faith in your word and deed. Give truth and your gift will be paid in kind, And honor will honor meet. And a smile that is sweet will surely find A smile that is just as sweet. For life is a mirror of king and slave, 'Tis just what we are and do; Then give to the world the best you have And the best will come back to you. -Author unknown. EXPLANATIONS IN this work the family heads are arranged somewhat dif ferently from that in common use; as the title-page implies, this is a record of the descendants of Capt. Benjamin Barnes. In the family headings the descendant, whether male or female, is placed first; hence the wife, in cases where she is the descendant, will have her name placed before that of her husband. The direct descent back to Capt. Benjamin is given in small type directly under each family heading. The family heads will be in larger, black-face type, and the direct ancestors' birth number and name in record of ancestors the same. -
Ida Wells-Barnett and Chicago's Pekin Theatre
Global Posts building CUNY Communities since 2009 http://tags.commons.gc.cuny.edu Ida Wells-Barnett and Chicago’s Pekin Theatre Karen Bowdre/ Ida Wells-Barnett (1862-1931) is well known as an anti-lynching advocate and activist, but she is less well known for her involvement with the theatre. In this essay, I argue that she played an instrumental role in creating new attitudes concerning the theatre and artistic expression. She engaged in persuasion campaigns in the early twentieth century that stretched the moral boundaries African American communities placed on entertainment. In order to affect this cultural shift she sought to bring the dramatic arts to Chicago through the Pekin Theater shortly after its re-opening in March 1906. The Pekin Theater was the city’s, and one of the nation’s, first theatres owned, managed, and operated by African Americans.[1] In her artistic crusade she battled not only the biases held by middle and upper-class African Americans toward the theatre but also the religious and moral panic patronizing the theatre often brought about in these communities. Her intervention took place over fifteen years prior to Art Theatre Movement, or Little Theatre Movement, and Alain Locke’s “Steps Toward the Negro Theatre,” published in 1922. It also came a decade before W. E. B. Du Bois’s defined Black Theatre as theatrical works “about us [African Americans], by us, for us, near us.”[2] Though Wells-Barnett can be linked to uplift ideology, she disrupted uplift tenets by being a female leader with a lower class background.[3] While Wells-Barnett gained class status from her job as a journalist as well as international recognition as a reformer, her gender and her original class status (her parents were slaves and later working people), as well as her attitudes about Black leadership, complicated her “elite” position. -
Raising Her Voice: African-American Women Journalists Who Changed History
University of Kentucky UKnowledge African American Studies Race, Ethnicity, and Post-Colonial Studies 1994 Raising Her Voice: African-American Women Journalists Who Changed History Rodger Streitmatter Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Streitmatter, Rodger, "Raising Her Voice: African-American Women Journalists Who Changed History" (1994). African American Studies. 7. https://uknowledge.uky.edu/upk_african_american_studies/7 RAISING HER VOICE This page intentionally left blank RAISING HER VOICE African-American Women Journalists Who Changed History Rodger Streitmatter THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1994 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com PHOTO CREDITS: Maria W. Stewart (woodcut, which appeared with Stewart’s essays in the Liberator, reprinted by permission of the Houghton Library, Harvard University). Mary Ann Shadd Cary (reprinted from Elizabeth Lindsay Davis, Lifting as They Climb[Washington: National Association of Colored Women, 1933]). -
Records of the National Negro Business League
A Guide to the Microfilm Edition of Black Studies Research Sources Microfilms from Major Archival and Manuscript Collections Records of the National Negro Business League Part 1: Annual Conference Proceedings and Organizational Records, 1900-1919 Part 2: Correspondence and Business Records, 1900-1923 University Publications of America A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and August Meier RECORDS OF THE NATIONAL NEGRO BUSINESS LEAGUE Part 1: Annual Conference Proceedings and Organizational Records, 1900-1919 Part 2: Correspondence and Business Records, 1900-1923 Edited by Kenneth Hamilton Guide compiled by Robert E. Lester A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data Records of the National Negro Business League [microform] / editorial advisor, Kenneth M. Hamilton. microfilm reels — (Black studies research sources) Pt. 1 filmed from the archives of Tuskegee University; pt. 2 from a supplement to the papers of Booker T. Washington in the Library of Congress. Accompanied by a 1-volume printed reel guide compiled by Robert E. Lester, entitled: A guide to the microfilm edition of Records of the National Negro Business League. Contents: pt. 1. Annual conference proceedings and organizational records, 1900-1924 — pt. 2. Correspondence and business records, 1900-1923. ISBN 1-55655-507-5 (microfilm : pt. 1) — ISBN 1-55655-508-3 (microfilm: pt. 2) 1. National Negro Business League (U.S.)—Archives. 2. Afro- Americans—Economic conditions—Sources. 3. Afro-Americans in business—History—Sources.