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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Only Believe Song Book from the SPOKEN WORD PUBLICATIONS, Write To
SONGS OF WORSHIP Sung by William Marrion Branham Only Believe SONGS SUNG BY WILLIAM MARRION BRANHAM Songs of Worship Most of the songs contained in this book were sung by Brother Branham as he taught us to worship the Lord Jesus in Spirit and Truth. This book is distributed free of charge by the SPOKEN WORD PUBLICATIONS, with the prayer that it will help us to worship and praise the Lord Jesus Christ. To order the Only Believe song book from the SPOKEN WORD PUBLICATIONS, write to: Spoken Word Publications P.O. Box 888 Jeffersonville, Indiana, U..S.A. 47130 Special Notice This electronic duplication of the Song Book has been put together by the Grand Rapids Tabernacle for the benefit of brothers and sisters around the world who want to replace a worn song book or simply desire to have extra copies. FOREWARD The first place, if you want Scripture, the people are supposed to come to the house of God for one purpose, that is, to worship, to sing songs, and to worship God. That’s the way God expects it. QUESTIONS AND ANSWERS, January 3, 1954, paragraph 111. There’s something about those old-fashioned songs, the old-time hymns. I’d rather have them than all these new worldly songs put in, that is in Christian churches. HEBREWS, CHAPTER SIX, September 8, 1957, paragraph 449. I tell you, I really like singing. DOOR TO THE HEART, November 25, 1959. Oh, my! Don’t you feel good? Think, friends, this is Pentecost, worship. This is Pentecost. Let’s clap our hands and sing it. -
The Poetics of Reflection in Digital Games
© Copyright 2019 Terrence E. Schenold The Poetics of Reflection in Digital Games Terrence E. Schenold A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Brian M. Reed, Chair Leroy F. Searle Phillip S. Thurtle Program Authorized to Offer Degree: English University of Washington Abstract The Poetics of Reflection in Digital Games Terrence E. Schenold Chair of the Supervisory Committee: Brian Reed, Professor English The Poetics of Reflection in Digital Games explores the complex relationship between digital games and the activity of reflection in the context of the contemporary media ecology. The general aim of the project is to create a critical perspective on digital games that recovers aesthetic concerns for game studies, thereby enabling new discussions of their significance as mediations of thought and perception. The arguments advanced about digital games draw on philosophical aesthetics, media theory, and game studies to develop a critical perspective on gameplay as an aesthetic experience, enabling analysis of how particular games strategically educe and organize reflective modes of thought and perception by design, and do so for the purposes of generating meaning and supporting expressive or artistic goals beyond amusement. The project also provides critical discussion of two important contexts relevant to understanding the significance of this poetic strategy in the field of digital games: the dynamics of the contemporary media ecology, and the technological and cultural forces informing game design thinking in the ludic century. The project begins with a critique of limiting conceptions of gameplay in game studies grounded in a close reading of Bethesda's Morrowind, arguing for a new a "phaneroscopical perspective" that accounts for the significance of a "noematic" layer in the gameplay experience that accounts for dynamics of player reflection on diegetic information and its integral relation to ergodic activity. -
Gazette a Bounty an Escapee from Meet GCHS’S of Berries Scudder’S Pond? Valedictorian Page 15 Page 18 Page 6 Vol
HERALD________________ GLEN COVE _______________ Gazette A bounty An escapee from Meet GCHS’s of berries Scudder’s Pond? valedictorian Page 15 Page 18 Page 6 Vol. 28 No. 24 JUNE 13-19, 2019 $1.00 Is clean water in sight for Crescent Beach? By MIKE CoNN $200,000. gested solutions have involved [email protected] Past studies have concluded the installation of filters in the that the contamination comes pipes to clean the water as it Crescent Beach’s public acces- from runoff that finds its way flows through them. Last year, sibility — or lack of it — has been into pipes leading to Crescent DeRiggi-Whitton discussed differ- a source of frustration for many Beach. Water flowing through ent means of cleaning up the Glen Covers for the past decade. stream with Eric Swenson, exec- The beach was closed in 2009 due utive director of the Hempstead to bacterial contaminants in the Harbor Committee, and Dr. Sarah stream that empties out there. etlands are Meyland, an associate professor Although the level of contamina- naturally a water at the New York Institute of Tech- tion has fluctuated over the years, W nology and the director of the there have been instances when filter system. As water school’s Center for Water the concentration of bacteria in Resources Management. the stream has been over 1,000 migrates through a According to Meyland, com- times higher than what is munities across the country are deemed safe for humans. wetland, water quality is working to improve water quality A number of studies have improved. -
MOORE CASTING C/O Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293
MOORE CASTING c/o Skyway Studios, 3201 Dickerson Pike - SUITE 110 NASHVILLE, TENNESSEE 37207 (615) 831-0039 & (615) 650-6293 Regina Moore Email: [email protected] Web Site: www.moorecasting.com FILM “Run the Race” Principal Casting Run the Race Productions, LLC “Autumn” Principal Casting Autumn Productions “The Road Less Traveled” Featured Extras & Extras Sweet Road,LLC “I Can Only Imagine”- Principals-Regional Casting Assist Beverly Holloway Casting “Sweet, Sweet Summertime” Principals Triple Horse Studios “Love is Alive” Principals & Extras Bella Veritas Productions “The Upside of Down” Principals & Extras Bella Veritas Productions “The Song” Principals, Extras, Audience City on the Hill Productions “Welcome to Inspiration” Principals & Extras For Our Father Films, LLC “Into the Wild” - remote Principal John Kelly “The Green Mile” Casting Support Castle Rock Pictures, Inc. “Grace Unplugged” Assist. w/ Search Coran Deo Studios, Inc. “Civil Brand” Principals & Extras Brand Productions “Pirates Of The Plain” Principal Pirates Production, LLC Neil Young “Heart of Gold” Audience Producer Paramount Classics "10 Seconds" Principals & Extras Bella Veritas Production “Blackbirds and Blazers” Principals & Extras Wa Ya Productions “Bedlam” Principals & Extras Ghostwaters Productions “The Expert” Facilities/Casting Assist. Arch Stanton Productions “Calling All Kids” Principals & Extras Vision Tree Films “Daydreams Are Forever” Specialty Casting Vanaheim Studios “On The Way Home” Principals & Extras Cloudland Filmworks “Piece by Piece” Principals Michael Ashcraft Productions “Forgotten Memories” Principals Tim Ormond Productions “Derailers” (Short) Principals & Extras Honest Images Perry Wallace Documentary Extras Black Sheep Stew TELEVISION CMT “Still the King” Featured Extras & Extras Hideout Pictures, LLC 2016 Series – 1st Season PBS Outdoor Host Host PopFizz “AHA” (TV Mini Series) Principals City on a Hill Productions GAC Host Great American Country “Tracks” Pilot Real People Casting Mission Control Media, Inc. -
(Muise)\15-274 Amicus Brief Priests for Life.Wpd
NO. 15-274 In the Supreme Court of the United States WHOLE WOMAN’S HEALTH, et al., Petitioners, v. JOHN HELLERSTEDT, M.D., COMMISSIONER, TEXAS DEPARTMENT OF STATE HEALTH SERVICES, et al., Respondents. On Writ of Certiorari to the United States Court of Appeals for the Fifth Circuit BRIEF OF AMICUS CURIAE PRIESTS FOR LIFE IN SUPPORT OF RESPONDENTS ROBERT JOSEPH MUISE Counsel of Record American Freedom Law Center P.O. Box 131098 Ann Arbor, Michigan 48113 (734) 635-3756 [email protected] DAVID YERUSHALMI American Freedom Law Center 1901 Pennsylvania Avenue NW Suite 201 Washington, D.C. 20006 (855) 835-2352 Counsel for Amicus Curiae Becker Gallagher · Cincinnati, OH · Washington, D.C. · 800.890.5001 i TABLE OF CONTENTS TABLE OF AUTHORITIES................... i STATEMENT OF IDENTITY AND INTERESTS OF AMICUS CURIAE PRIESTS FOR LIFE ...... 1 SUMMARY OF THE ARGUMENT ............. 3 ARGUMENT............................... 3 I. Texas Has a Legitimate Basis to Regulate Abortion in order to Minimize Its Harmful Effects.................................. 3 II. The Testimonies of Abortion Victims Demonstrate that More Abortion Regulations Are Needed, not Less...................... 5 CONCLUSION ............................ 13 APPENDIX Silent No More Testimonies ............App. 1 ii TABLE OF AUTHORITIES CASES Planned Parenthood of Southeastern Pennsylvania v. Casey, 505 U.S. 833 (1992) ............. 3, 4, 5 OTHER AUTHORITIES http://www.silentnomoreawareness.org/testimonies /index.aspx.............................. 6 Senate Comm. on Health -
The Devils' Dance
THE DEVILS’ DANCE TRANSLATED BY THE DEVILS’ DANCE HAMID ISMAILOV DONALD RAYFIELD TILTED AXIS PRESS POEMS TRANSLATED BY JOHN FARNDON The Devils’ Dance جينلر بازمي The jinn (often spelled djinn) are demonic creatures (the word means ‘hidden from the senses’), imagined by the Arabs to exist long before the emergence of Islam, as a supernatural pre-human race which still interferes with, and sometimes destroys human lives, although magicians and fortunate adventurers, such as Aladdin, may be able to control them. Together with angels and humans, the jinn are the sapient creatures of the world. The jinn entered Iranian mythology (they may even stem from Old Iranian jaini, wicked female demons, or Aramaic ginaye, who were degraded pagan gods). In any case, the jinn enthralled Uzbek imagination. In the 1930s, Stalin’s secret police, inveigling, torturing and then executing Uzbekistan’s writers and scholars, seemed to their victims to be the latest incarnation of the jinn. The word bazm, however, has different origins: an old Iranian word, found in pre-Islamic Manichaean texts, and even in what little we know of the language of the Parthians, it originally meant ‘a meal’. Then it expanded to ‘festivities’, and now, in Iran, Pakistan and Uzbekistan, it implies a riotous party with food, drink, song, poetry and, above all, dance, as unfettered and enjoyable as Islam permits. I buried inside me the spark of love, Deep in the canyons of my brain. Yet the spark burned fiercely on And inflicted endless pain. When I heard ‘Be happy’ in calls to prayer It struck me as an evil lure. -
February 5, 2013 - Uvm, Burlington, Vt Uvm.Edu/~Watertwr - Thewatertower.Tumblr.Com
volume 13 - issue 3 - tuesday, february 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by staceybrandt Veiled in a dimness that makes every- thing ironic and decorated with items from a shitty garage sale, Radio Bean creates the perfect environment for local talent to sing, strum, and squawk their stuff . It’s no won- der that when sign-ups for Monday night’s Open Mic rolled around the line was liter- ally out the door. Hoards of hipsters and hippies crammed around the sign-up sheet eager to reserve fi ft een precious minutes of attention from strangers. I managed to squeeze my name onto the list, and be- ing a fi rst timer, my name was generously weed smell in one’s dorm room. It’s funny spotlight, an idiot with a microphone, and subsequent performers included a mind- pushed to the top: 9 o’clock was my time. I what the Radio Bean crowd can do to one’s my words now somehow mattered. Con- blowing bongo drummer who later col- would perform fi rst. mental state. Th e cool chick sitting next to templating using an edgy stage name (Cool laborated with a resident beat-boxer (they When I am nervous, I tend to yawn me gave me the sudden urge to dread my Jew?), I half-mumbled my intro and began did an impromptu jam session that brought involuntarily—probably because I forget hair and get a tattoo sleeve. And a heavily to pluck my guitar strings. People got quiet everyone to their feet), a man making nois- to breath and, deprived of oxygen, I must bearded man across the bar made becom- when I started to sing which made me relax es which he called “hip-hop”, and a talented resort to large spontaneous gulps of air to folk-country singer named Will Overman remain conscious. -
Film Film Film Film
Annette Michelson’s contribution to art and film criticism over the last three decades has been un- paralleled. This volume honors Michelson’s unique C AMERA OBSCURA, CAMERA LUCIDA ALLEN AND TURVEY [EDS.] LUCIDA CAMERA OBSCURA, AMERA legacy with original essays by some of the many film FILM FILM scholars influenced by her work. Some continue her efforts to develop historical and theoretical frame- CULTURE CULTURE works for understanding modernist art, while others IN TRANSITION IN TRANSITION practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film. The intro- duction investigates and evaluates Michelson’s work itself. All in some way pay homage to her extraordi- nary contribution and demonstrate its continued cen- trality to the field of art and film criticism. Richard Allen is Associ- ate Professor of Cinema Studies at New York Uni- versity. Malcolm Turvey teaches Film History at Sarah Lawrence College. They recently collaborated in editing Wittgenstein, Theory and the Arts (Lon- don: Routledge, 2001). CAMERA OBSCURA CAMERA LUCIDA ISBN 90-5356-494-2 Essays in Honor of Annette Michelson EDITED BY RICHARD ALLEN 9 789053 564943 MALCOLM TURVEY Amsterdam University Press Amsterdam University Press WWW.AUP.NL Camera Obscura, Camera Lucida Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Edited by Richard Allen and Malcolm Turvey Amsterdam University Press Front cover illustration: 2001: A Space Odyssey. Courtesy of Photofest Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 494 2 (paperback) nur 652 © Amsterdam University Press, Amsterdam, 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Outside Covers
YARRADALE STUD 2013 YEARLING SALE 12.00PM SUNDAY 19 MAY O’BRIEN ROAD, GIDGEGANNUP, WESTERN AUSTRALIA FROST GIANT HE’S COMING New to Western Australia in 2013 A son of GIANT’S CAUSEWAY, just like champion sire, SHAMARDAL. From the STORM CAT sireline, just like successful WA sire MOSAYTER - sire of MR MOET, TRAVINATOR, ROMAN KNOWS etc This durable, tough Group 1 winner, won from 2 years through to 5 years and was a top class performer on both turf and dirt. In his freshman year in 2012 he was fourth leading first crop sire in America!! (ahead of Big Brown, Street Boss etc) • Ranked number 1 by % winners to runners – 80% • Ranked number 1 by Stakes horses to runners – 27% • All time leading money earnings for a first crop sire in America’s North East. With his first crop of 2YO’s in 2012 he sired: • 15 runners for 12 individual 2YO winners! • 4 of those were 2YO stakes horses! • Average earnings of over $50,000 for every 2YO! Continuing on from what has been a wonderful year on the racetrack for our Yarradale Stud graduates, we take great pleasure in presenting to you our 2013 Yarradale Stud Yearling Sale catalogue. After four successful editions of the on farm sale, we are now seeing some fantastic results and stories coming out of these sales. Not only have the previous on farm sales been a great day out with wonderful crowds in attendance, these sales are now proving to be a great source of winners. Obviously our aim is to sell yearlings that go on and perform and we have been thrilled to see the graduates of our previous sales really hitting their straps in recent times. -
A Narrative Approach to the Philosophical Interpretation Of
A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2011 Major Subject: Curriculum and Instruction A NARRATIVE APPROACH TO THE PHILOSOPHICAL INTERPRETATION OF DREAMS, MEMORIES, AND REFLECTIONS OF THE UNCONSCIOUS THROUGH THE USE OF AUTOETHNOGRAPHY/BIOGRAPHY A Dissertation by ANTONIO RIVERA ROSADO Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Co-Chairs of Committee, Stephen Carpenter Patrick Slattery Committee Members, Valerie Hill-Jackson Toby Egan Head of Department, Dennie Smith May 2011 Major Subject: Curriculum and Instruction iii ABSTRACT A Narrative Approach to the Philosophical Interpretation of Dreams, Memories, and Reflections of the Unconscious Through the Use of Autoethnography/Biography. (May 2011) Antonio Rivera Rosado, B.A., Interamerican University of Puerto Rico; M.Ed., The University of Texas at El Paso Co-Chairs of Advisory Committee, Dr. Stephen Carpenter Dr. Patrick Slattery The purpose of the present study aimed to develop a comprehensive model that measures the autoethnographic/biographic relevance of dreams, memories, and reflections as they relate to understanding the self and others. A dream, memory, and reflection (DMR) ten item questionnaire was constructed using aspects of Freudian, Jungian, and Lacanian Theory of Dream Interpretation. Fifteen dreams, five memories, and five reflections were collected from the participant at the waking episode or during a moment of deep thought. -
Sober and Alone: a Phenomenological Exploration of the Loneliness Experienced by Recovering Alcoholics
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons SOBER AND ALONE: A PHENOMENOLOGICAL EXPLORATION OF THE LONELINESS EXPERIENCED BY RECOVERING ALCOHOLICS by Timothy J. Evans Liberty University A Dissertation Presented in Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy Liberty University February 2010 © Timothy J. Evans, February, 2010 All Rights Reserved ii SOBER AND ALONE: A PHENOMENOLOGICAL EXPLORATION OF THE LONELINESS EXPERIENCED BY RECOVERING ALCOHOLICS A Dissertation Proposal Submitted to the Faculty of Liberty University In partial fulfillment of the requirements for the degree Doctor of Philosophy by Timothy J. Evans Liberty University, Lynchburg, Virginia February, 2010 Dissertation Committee Approval: _________________________________________ FRED MILACCI, D.Ed., Chair date _________________________________________ KENNETH REEVES, Ed.D., Reader date _________________________________________ ROBERT LEHMAN, Ph.D., Reader date _________________________________________ LISA SOSIN. Ph.D., Reader date iii ABSTRACT SOBER AND ALONE: A PHENOMENOLOGICAL EXPLORATION OF THE LONELINESS EXPERIENCED BY RECOVERING ALCOHOLICS By Timothy J. Evans Center for Counseling and Family Studies Liberty University, Lynchburg, Virginia Doctor of Philosophy in Counseling This phenomenological inquiry investigated the loneliness experienced by recovering alcoholics. Select participants responded to open-ended interview questions pertaining to their experience of loneliness as well as its impact on their lives. Moreover, participants were asked to indentify what factor or factors may have contributed to the onset or persistence of their loneliness. Phenomenological analysis of the data revealed that loneliness, as experienced by recovering alcoholics, is a recursive experience that is co-morbid with a number of debilitating affects. Therefore, the loneliness that was experienced during recovery represented just one part of a combination of painful affective experiences.