ESI NEWS Volume 4, Issue 2, Autumn 2009
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Japanese Aesthetics and Gustav Klimt: in Pursuit of a New Voice Svitlana Shiells
Strand 2. Art Nouveau and Politics in the Dawn of Globalisation Japanese Aesthetics and Gustav Klimt: In Pursuit of a New Voice Svitlana Shiells Abstract At the end of the nineteenth century, Japonisme—an artistic lingua franca—became one of the most organic, overarching components of Gustav Klimt’s new art. This paper draws parallels between Gustav Klimt’s Portrait of Sonja Knips and It ō Jakuch ū’s print Golden Pheasant and Bamboo in Snow . The discovery of an unexpectedly close dialogue between Klimt and Jakuch ū and the striking similarity of the formal language of the two works supports the paper’s thesis that It ō Jakuch ū’s print is the primary source of influence behind the conception and execution of the portrait and, by extension, that Klimt’s engagement with Japanese stimuli is one of the main engines behind his creative pursuit, starting at the end of the 1890s. This discovery challenges preconceived notions and existing concepts and illustrates the impossibility of understanding Klimt’s heritage comprehensively and adequately without examining the role of Japonisme in it. Keywords: Gustav Klimt, Japonisme, It ō Jakuch ū, the Vienna Secession, ukiyo-e prints. 1 In the wake of the World Fair of 1873 in Vienna, a strong wave of Japonisme permanently re- shaped the capital of the Austro-Hungarian Empire. According to Hermann Bahr, the Viennese encountered the presence of “Japonisme in all the arts,” which were “impossible to understand without bearing in mind the influence of Japanese art.” 1 Japonisme indeed became a Zeitgeist in fin de siècle Vienna and, in the visual arts, Gustav Klimt was its main advocate. -
Klirnt and Schiele Stephan Kleinschuster May 6, 1997 AR592
The Evolution of Expressionism In Turn-of-the-Century Vienna: Klirnt and Schiele Stephan Kleinschuster May 6, 1997 AR592 1 1 Until 1897, Classicism in Viennese high art had served as a mimetic construct of the elite society who were both art's staunchest supporters and the purveyors of moral and philosophical values that served as it's staple of judgment. In the following years, from 1898 to 1918, were revolutions of both natures, political and philosophical. The artistic transformation from the Classicism of the Habsburg Monarchy to the expressionism of the Cafe "Nihilism" could be seen most obviously in two of Vienna's foremost artists of the time, Gustav Klimt and Egon Schiele. This paper seeks to compare and contrast the works of these two artists who seem to crystallize the moral, social, political, and artistic upheaval of early Twentieth Century Vienna. It lS fitting that Gustav Klimt and Egon Schiele died six months from one another, both of the Spanish influenza, and both in 1918. It is important to note that even though stylistic variables call for their ultimate contrast, they loved and admired one another, and they both stood for the values that defined Secessionism. Their proximity in philosophy makes it all the more profound to discover their differences. In Klimt came classical objectivity housed in a contemporary conceptual framework. In Schiele came the shift to brutal subjectivity that pushed the limits of this framework. Even though, as will be discussed, the similarity of the subject matter seems to remain a constant, the execution becomes the variable upon which the change becomes dependent. -
Viennese Art, Ugliness, and the Vienna School of Art History: the Vicissitudes of Theory and Practice
Viennese art, ugliness, and the Vienna school of art history: the vicissitudes of theory and practice Kathryn Simpson Around 1900 in Vienna, the concept of ugliness developed a new significance in both art theory and practice. The theorists of the Vienna school of art history, including Franz Wickhoff, Alois Riegl, and later Otto Benesch and Max Dvoř{k, rejected the scholarly tradition of Germanic contemporaries like renowned art historian Heinrich Wölfflin, who championed classical art as the highest aesthetic good. By contrast the Vienna school art historians opposed absolute aesthetics and its insistence that a specifically classical beauty was the goal of all art.1 At the dawn of the twentieth century, Wickhoff and Riegl both presented radically new theories arguing for a revaluation of aesthetic values, a non-hierarchical relationship between so-called beauty and ugliness, and the importance of developing an art that was appropriate for the age. Ugliness was suddenly spotlighted in Viennese artistic practice as well. Gustav Klimt was the undisputed king of the Viennese art scene; he had inherited the throne from the revered history painter, designer, and decorator Hans Makart, whose sensual, decorative sensibility had defined late-nineteenth-century tastes in Vienna, giving rise to the term Makartstil, or ‘Makart style.’ After three years as the leader of the Vienna Secession movement, Klimt produced a series of works of art which enraged sectors of the intellectual establishment and the general public, who reacted in particular to the purported ugliness of Klimt’s latest visions. Yet shortly thereafter young Viennese artists eager to lead what they called the ‘new art’ movement began to develop deliberate strategies of ugliness to help create and buttress their own antagonistic artistic personae. -
Wittgenstein's Vienna Our Aim Is, by Academic Standards, a Radical One : to Use Each of Our Four Topics As a Mirror in Which to Reflect and to Study All the Others
TOUCHSTONE Gustav Klimt, from Ver Sacrum Wittgenstein' s VIENNA Allan Janik and Stephen Toulmin TOUCHSTONE A Touchstone Book Published by Simon and Schuster Copyright ® 1973 by Allan Janik and Stephen Toulmin All rights reserved including the right of reproduction in whole or in part in any form A Touchstone Book Published by Simon and Schuster A Division of Gulf & Western Corporation Simon & Schuster Building Rockefeller Center 1230 Avenue of the Americas New York, N.Y. 10020 TOUCHSTONE and colophon are trademarks of Simon & Schuster ISBN o-671-2136()-1 ISBN o-671-21725-9Pbk. Library of Congress Catalog Card Number 72-83932 Designed by Eve Metz Manufactured in the United States of America 8 9 10 11 12 13 14 15 16 The publishers wish to thank the following for permission to repro duce photographs: Bettmann Archives, Art Forum, du magazine, and the National Library of Austria. For permission to reproduce a portion of Arnold SchOnberg's Verklarte Nacht, our thanks to As sociated Music Publishers, Inc., New York, N.Y., copyright by Bel mont Music, Los Angeles, California. Contents PREFACE 9 1. Introduction: PROBLEMS AND METHODS 13 2. Habsburg Vienna: CITY OF PARADOXES 33 The Ambiguity of Viennese Life The Habsburg Hausmacht: Francis I The Cilli Affair Francis Joseph The Character of the Viennese Bourgeoisie The Home and Family Life-The Role of the Press The Position of Women-The Failure of Liberalism The Conditions of Working-Class Life : The Housing Problem Viktor Adler and Austrian Social Democracy Karl Lueger and the Christian Social Party Georg von Schonerer and the German Nationalist Party Theodor Herzl and Zionism The Redl Affair Arthur Schnitzler's Literary Diagnosis of the Viennese Malaise Suicide inVienna 3. -
The Search for Christian Doppler
meeting summary Report from the International Workshop on Remote Sensing in Geophysics Using Doppler Techniques* Arnaldo Brandolini,a+ Ben B. Balsley,b# Antonio Mabres,c# Ronald F. Woodman,d# Carlo Capsoni,3 Michele D'Amico,3 Warner L. Ecklund,e Tor Hagfors/ Robert Harper^ Malcolm L. Heron,h Wayne K. Hocking; Markku S. Lehtinen; Jurgen Rottger,k Martin F. Sarango,d Torn Sato,1 Richard J. Stauch,m J. M. Vaughn," Lucy R. Wyatt,0 and Dusan S. Zrnic? 1. Introduction (A. Brandolini, B. Balsley, in different application areas of Doppler remote sens- A. Mabres, R. Woodman) ing. Actually, Doppler remote sensing is employed in a wide range of applications, from atmospheric bound- The International Workshop on Remote Sensing in ary layer sensing to wind profiling, from sea surface Geophysics Using Doppler Techniques was held on 11- sensing to radar astronomy. Such different applications 15 March 1996 in Bellagio, Italy, at the Rockefeller face different challenges, which sometimes lead to Study and Conference Center. Supported by the development of very different techniques. Rockefeller Foundation, the workshop brought to- In the organizers' opinion, a discussion of such gether a small number of expert researchers working techniques between researchers working in different application areas could be both interesting and useful. *Organized by the Department of Electrical Engineering of In particular, ideas of signal-processing techniques Politecnico di Milano. could be profitably exchanged. The purpose of the +Workshop organizing committee. workshop was in fact to provide a forum where such aPolitecnico di Milano, Milan, Italy. a discussion could take place. bUniversity of Colorado at Boulder, Boulder, Colorado. -
Download PDF of Article
teaching and education Synchrotron radiation and X-ray free-electron lasers (X-FELs) explained to all users, active and potential ISSN 1600-5775 Yeukuang Hwua,b,c* and Giorgio Margaritondod* aInstitute of Physics, Academia Sinica, Taipei 11529, Taiwan, bDepartment of Engineering Science, National Cheng Kung University, Tainan 70101, Taiwan, cBrain Research Center, National Tsing Hua University, Hsinchu 30013, Taiwan, and dFaculte´ des Sciences de Base, Ecole Polytechnique Fe´de´rale de Lausanne, 1015 Lausanne, Switzerland. Received 8 September 2020 *Correspondence e-mail: [email protected], [email protected] Accepted 29 March 2021 Synchrotron radiation evolved over one-half century into a gigantic worldwide Edited by M. Yamamoto, RIKEN SPring-8 enterprise involving tens of thousands of researchers. Initially, almost all users Center, Japan were physicists. But now they belong to a variety of disciplines: chemistry, materials science, the life sciences, medical research, ecology, cultural heritage Keywords: synchrotron; X-FEL; relativity; and others. This poses a challenge: explaining synchrotron sources without ponderomotive. requiring a sophisticated background in theoretical physics. Here this challenge is met with an innovative approach that only involves elementary notions, commonly possessed by scientists of all domains. 1. Background Synchrotron radiation sources and free-electron lasers (Margaritondo, 1988, 2002; Winick, 1995; Willmott, 2011; Mobilio et al., 2015; Bordovitsyn, 1999) are, arguably, the most important practical applications of Albert Einstein’s special relativity (Rafelski, 2017). Indeed, they exploit relativistic properties to produce electromagnetic radiation in spectral ranges where other emitters are unsatisfactory, most notably X-rays. Explaining such sources to non-physicists is not easy. We propose here an approach that only requires a few basic scientific notions. -
Birth of Modernism
EN OPENING MARCH 16TH BIRTH OF (Details) Wien Museum, © Leopold Werke: Moriz Nähr ÖNB/Wien, Klimt, Weitere Gustav Pf 31931 D (2). MODERNISM PRESS RELEASE VIENNA 1900 BIRTH OF MODERNISM FROM 16TH MARCH 2019 The exhibition Vienna 1900. Birth of Modernism has been conceived as the Leopold Muse- um’s new permanent presentation. It affords insights into the enormous wealth and diver- sity of this era’s artistic and intellectual achievements with all their cultural, social, political and scientific implications. Based on the collection of the Leopold Museum compiled by Ru- dolf Leopold and complemented by select loans from more than 50 private and institutional collections, the exhibition conveys the atmosphere of the former metropolis Vienna in a unique manner and highlights the sense of departure characterized by contrasts prevalent at the turn of the century. The presentation spans three floors and features some 1,300 exhibits over more than 3,000 m2 of exhibition space, presenting a singular variety of media ranging from painting, graphic art, sculpture and photography, via glass, ceramics, metals, GUSTAV KLIMT textiles, leather and jewelry, all the way to items of furniture and entire furnishings of apart- Death and Life, 1910/11, reworked in 1915/16 ments. The exhibition, whose thematic emphases are complemented by a great number of Leopold Museum, Vienna archival materials, spans the period of around 1870 to 1930. Photo: Leopold Museum, Vienna/ Manfred Thumberger UPHEAVAL AND DEPARTURE IN VIBRANT FIN-DE-SIÈCLE VIENNA At the turn of the century, Vienna was the breeding ground for an unprecedentedly fruitful intellectual life in the areas of arts and sciences. -
The Demise of the World of the Gutnajers: the Warsaw Art Market in World War II
The Demise of the World of the Gutnajers: The Warsaw Art Market in World War II Nawojka Ciesli´ nska-Lobkowicz´ Downloaded from https://academic.oup.com/hgs/article-abstract/33/3/333/5702591 by University of Cambridge user on 11 February 2020 Warsaw/Starnberg A substantial number of Jewish art and antiques dealers operated in pre-World War II Warsaw. Particularly respected were the salons of the brothers Bernard and Abe Gutnajer. Virtually everyone in their milieu perished in the Warsaw ghetto or Treblinka. Taking their place were new “Aryan” dealers and a clientele of “new” money. The Warsaw art market under the German occupation experienced a particular growth between the start of the Jewish ghetto’s liquidation in mid-1942 and the outbreak of the Warsaw Uprising in August 1944, as “abandoned” property flooded the market. After decades of subsequent turbulent history, researchers can hardly hope to document the provenance of more than a fraction of tens of thousands of surviving works of art and valuable antiques. We are looking at a group portrait of three men1 whose poses suggest that they are family, probably brothers. Elegantly dressed, they face the camera with composure. The man on the left, balding slightly, sports an impressive moustache and the bi-colored sash of a professional association along with a large pearl tie pin. He is the eldest. The middle brother stands on the right, a badge in his lapel, his left hand holding a roll or a thin tube that extends beyond the frame. The youngest brother doi:10.1093/hgs/dcz041 Holocaust and Genocide Studies 33, no. -
Timeline / 1870 to 1930 / FINE and APPLIED ARTS
Timeline / 1870 to 1930 / FINE AND APPLIED ARTS Date Country Theme 1872 France Fine And Applied Arts Impression, Sunrise by the Impressionist painter Claude Monet. 1872 - 1874 Portugal Fine And Applied Arts O Desterrado (The Outcast), a sculpture by António Soares dos Reis (1847–89) is an idealised self-portrait. It conveys the collective feelings of his contemporary intellectuals and the feelings of loneliness and longing common to those who had left their homeland. The sculptor’s romantic sensibility enabled him to shape feelings and psychological tensions in the marble. 1873 Turkey Fine And Applied Arts First art exhibition in #stanbul, organised by #eker Ahmed Pa#a. 1874 Austria Fine And Applied Arts Kasper von Zumbusch (1830–1915) begins work on a monument to Empress Maria Theresia, situated on Maria-Theresien-Platz at the Ringstrasse in Vienna. 1876 France Fine And Applied Arts Dance at Le moulin de la Galette by the Impressionist painter Pierre-Auguste Renoir. 1876 Romania Fine And Applied Arts 19 February: birth of the great Romanian sculptor Constantin Brâncu#i, author of sculptures such as Mademoiselle Pogany, The Kiss, Bird in Space, and The Endless Column. His works are today exhibited in museums in France, the USA and Romania. 1877 Austria Fine And Applied Arts The Austrian glass manufacture Lobmayr produces glass cups in the Oriental Style. 1877 - 1882 Romania Fine And Applied Arts Ion Georgescu, considered to be the first Romanian modern sculptor, studies in Paris, where he exhibits his first works. 1877 Austria Fine And Applied Arts The Viennese Stock Market is completed to a design by Theophil Hansen. -
Multinuclear MRS at 7T Uncovers Exercise Driven Differences in Skeletal Muscle Energy Metabolism Between Young and Seniors
fphys-11-00644 June 29, 2020 Time: 12:36 # 1 ORIGINAL RESEARCH published: 29 June 2020 doi: 10.3389/fphys.2020.00644 Multinuclear MRS at 7T Uncovers Exercise Driven Differences in Skeletal Muscle Energy Metabolism Between Young and Seniors Patrik Krumpolec1,2†, Radka Klepochová1†, Ivica Just1, Marjeta Tušek Jelenc1, Ivan Frollo3, Jozef Ukropec2, Barbara Ukropcová2,4, Siegfried Trattnig1,5, 1,5,6 1,3,7 Edited by: Martin Krššák * and Ladislav Valkovicˇ Bruce M. Damon, 1 High Field MR Center, Department of Biomedical Imaging and Image-guided Therapy, Medical University of Vienna, Vienna, Vanderbilt University Medical Center, Austria, 2 Biomedical Research Center, Institute of Experimental Endocrinology, Slovak Academy of Sciences, Bratislava, United States Slovakia, 3 Department of Imaging Methods, Institute of Measurements Science, Slovak Academy of Sciences, Bratislava, Reviewed by: Slovakia, 4 Faculty of Medicine, Institute of Pathophysiology, Comenius University in Bratislava, Bratislava, Slovakia, David Bendahan, 5 Christian Doppler Laboratory for Clinical Molecular MR Imaging, Vienna, Austria, 6 Division of Endocrinology UMR 7339 Centre de Résonance and Metabolism, Department of Internal Medicine III, Medical University of Vienna, Vienna, Austria, 7 Oxford Centre Magnétique Biologique et Médicale for Clinical Magnetic Resonance Research, RDM Cardiovascular Medicine, University of Oxford, Oxford, United Kingdom (CRMBM), France Melissa Hooijmans, 1 VU University Medical Center, Purpose: Aging is associated with changes in muscle energy metabolism. Proton ( H) Netherlands and phosphorous (31P) magnetic resonance spectroscopy (MRS) has been successfully *Correspondence: applied for non-invasive investigation of skeletal muscle metabolism. The aim of this Martin Krššák [email protected] study was to detect differences in adenosine triphosphate (ATP) production in the aging 31 †These authors have contributed muscle by P-MRS and to identify potential changes associated with buffer capacity of equally to this work muscle carnosine by 1H-MRS. -
Technische Universität Wien
INCREaSE Kick-Off Wroclaw, 27 March 2019 TU Wien Johannes Böhm TU Wien Department of Geodesy and Geoinformation Research Division Higher Geodesy TU Wien 1815 Founded as „k. k. Polytechnisches Institut" 1919 Admission for women 1975 Renamed to „Technische Universität" (TU) 2015 200-year-anniversary TU Wien Picture TU-Mainbuilding: © TU Wien | Thomas Blazina Department of Geodesy and Geoinformation Research Division Higher Geodesy TU Wien Alumni • Christian Doppler (Doppler effect) • Joseph Loschmidt (Loschmidt constant) • Otto Wagner (architect) • Richard Zsigmondy (Nobel Prizewinner for Chemistry ) • Viktor Kaplan (Kaplan turbine) • Josef and Johann Strauß • ... TU Wien Department of Geodesy and Geoinformation Research Division Higher Geodesy Research at TU Wien – From Basic Research to Applications TU Wien Department of Geodesy and Geoinformation Research Division Higher Geodesy Five Research Focus Points • Computational Science and Engineering • Quantum Physics and Quantum Technologies • Materials and Matter • Information and Communication Technologies • Energy and Environment • Additional Fields of Research TU Wien Department of Geodesy and Geoinformation Research Division Higher Geodesy Cooperation Overview 1/2 • On campus • Cooperation & research centres connecting faculties • TU doctoral programmes • With Austrian universities • TU Austria (Graz University of Techn., University of Leoben) • Vienna Scientific Cluster [1] [2] Pictures: © [1] Lois Lammerhuber, [2] www.solardecathlon.at TU Wien Department of Geodesy and Geoinformation -
Bfm:978-3-7091-6677-2/1.Pdf
Alec Eden The Search for Christian Doppler Springer-Verlag Wien GmbH Prof. Alec Eden The Christian Doppler Foundation Schwarzstrasse 44, A-5020 Salzburg, Austria This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically those of translation, reprinting, re-use of illustrations, broadcasting, reproduction by photo• copying machine or similar means, and storage in data banks. © 1992 by Springer-Verlag Wien Originally published by Springer-Verlag Wien New York in 1992 Printed on acid-free paper With 27 partly colored Figures Frontispiece: Salzburg at the time of Christian Doppler (ca. 1840) From a coloured lithograph by Leopold Rottmann after Georg Pezolt. The house in which Doppler was born is on the far bank of the River Salzach and is indicated by the tip of the small square tower of the City Hall on the near side, slightly to the right of the centre of the picture. Cover design: T. Erben, Wien Library of Congress Cataloging-in-Publication Data. Eden, Alec, 1935— . The Search for Christian Doppler / Alec Eden. p. cm. Includes index. ISBN 978-3-7091-7378-7 ISBN 978-3-7091-6677-2 (eBook) DOI 10.1007/978-3-7091-6677-2 1. Doppler, Christian, 1803 — 1853. 2. Physicists — Austria — Biography. I. Title. QC16.D7E34 1992. 530'.092—dc20. [B]. 92-16814 ISBN 978-3-7091-7378-7 This book is dedicated to my daughter, Guinevere, and other young scientists ofher generation at the threshold ofan exciting career Foreword It is now 150 years ago, on 25th May 1842, that the son of a Salzburg ston emason presented a scientific work "On the coloured light of the double stars and certain other heavenly bodies" at a meeting of the Royal Bo hemian Society of Sciences held in Prague.