The Hulk: Design and Development of a Weather-Proof Vehicle for Long-Term Autonomy in Outdoor Environments
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Montana Novel Before 1914
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1948 Montana novel before 1914 Ruth Willard Robinson The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Robinson, Ruth Willard, "Montana novel before 1914" (1948). Graduate Student Theses, Dissertations, & Professional Papers. 3013. https://scholarworks.umt.edu/etd/3013 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. fiE UOMZASA BEFtlil. 1501* A, 3* Wasssr College, Poa^hkeepsie, Mm York W36 fVesonted in partial fulfillaent of Mi® roqulrtoant tor the d@gr»e of .iSastiar of Art® Montana Stat® Uniweity 151*8 Approved! 7 Cb&Srma of Moard of ^xa^Jj»r3 i«^an of 0rs4uato "oUool UMI Number: EP34062 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publish)rtg UMI EP34062 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
Smartlink SI B Gateway
Smartlink SI B DOCA0123EN-04 09/2020 Smartlink SI B User Manual 09/2020 DOCA0123EN-04 www.se.com The information provided in this documentation contains general descriptions and/or technical character- istics of the performance of the products contained herein. This documentation is not intended as a substitute for and is not to be used for determining suitability or reliability of these products for specific user applications. It is the duty of any such user or integrator to perform the appropriate and complete risk analysis, evaluation and testing of the products with respect to the relevant specific application or use thereof. Neither Schneider Electric nor any of its affiliates or subsidiaries shall be responsible or liable for misuse of the information contained herein. If you have any suggestions for improvements or amendments or have found errors in this publication, please notify us. You agree not to reproduce, other than for your own personal, noncommercial use, all or part of this document on any medium whatsoever without permission of Schneider Electric, given in writing. You also agree not to establish any hypertext links to this document or its content. Schneider Electric does not grant any right or license for the personal and noncommercial use of the document or its content, except for a non-exclusive license to consult it on an "as is" basis, at your own risk. All other rights are reserved. All pertinent state, regional, and local safety regulations must be observed when installing and using this product. For reasons of safety and to help ensure compliance with documented system data, only the manufacturer should perform repairs to components. -
Checklist Card
COMMON 033. Sentinel – HALT! MUTANT! 034. Storm – Queen of Wakanda 001. Angel – Heaven Sent 035. Sunfi re – Shiro Yoshida 002. Avalanche – Collateral Damage 036. The Blackbird – SR-71 003. Banshee – The Wail of the Banshee 037. The Hellfi re Club – Inner Circles 004. Beast – Acrobatic Aggression 038. Thunderbird – John Proudstar 005. Bishop – Finding Fitzroy 039. Wolverine – James Howlett 006. Blink – Warp-Powered Crystals 040. Xavier’s School – Home for Gifted 007. Blob – “Crash” Diet Youngsters 008. Boom Boom – Time Bomb 009. Colossus – Comrade in Arms UNCOMMON 010. Cyclops – Boy Scout 011. Danger Room – Training is Key 041. Angel – Carrying the Team! 012. Doop – Lights! Camera! Action! 042. Avalanche – The Vizier of Vibration 013. Emma Frost – Girl’s Best Friend 043. Banshee – Fallen Hero 014. Havok – Cosmic Absorption 044. Beast – Intro the Wild Blue Yonder 015. Iceman – Cold Hands, Warm Heart 045. Bishop – Back From the Future 016. Jean Grey – Mind Over Matter 046. Blink – Prepared in the Pens 017. Jubilee – Life on the Streets 047. Blobs – Nothing Moves the Blob! 018. Juggernaut – Get Outta My Head 048. Boom Boom – Mutate 35 Charles! 049. Colossus – Thick Skin 019. Kitty Pryde– Madam Headmistress 050. Cyclops – Balancing the Scales 020. Magneto – Vision of a New World 051. Danger Room – Housing Hidden 021. Mimic – Borrowed Talent Perils 022. Morph – Kevin Sidney 052. Doop – Uniquely Adapted 023. Nocturne – Talia Wagner 053. Emma Frost – All That Glitters 024. Onslaught – Feeding on Dark 054. Havok – Protecting the Galaxy Thoughts 055. Iceman – Frosty 025. Polaris – Polar Opposites 056. Jean Grey – Professor’s Protégé 026. Professor X – Peaceful Coexistence 057. -
A Study of Early Utah-Montana Trade, Transportation, and Communication, 1847-1881
Brigham Young University BYU ScholarsArchive Theses and Dissertations 1959 A Study of Early Utah-Montana Trade, Transportation, and Communication, 1847-1881 L. Kay Edrington Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Mormon Studies Commons, and the United States History Commons BYU ScholarsArchive Citation Edrington, L. Kay, "A Study of Early Utah-Montana Trade, Transportation, and Communication, 1847-1881" (1959). Theses and Dissertations. 4662. https://scholarsarchive.byu.edu/etd/4662 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A STUDY OF EARLY UTAH-MONTANA TRADE TRANSPORTATION, AND COMMUNICATION 1847-1881 A Thesis presented to the department of History Brigham young university provo, Utah in partial fulfillment of the Requirements for the degree Master of science by L. Kay Edrington June, 1959 This thesis, by L. Kay Edrington, is accepted In its present form by the Department of History of Brigham young University as Satisfying the thesis requirement for the degree of Master of Science. May 9, 1959 lywrnttt^w-^jmrnmr^^^^ The writer wishes to express appreciation to a few of those who made this thesis possible. Special acknowledge ments are due: Dr. leRoy R. Hafen, Chairman, Graduate Committee. Dr. Keith Melville, Committee member. Staffs of; History Department, Brigham young university. Brigham young university library. L.D.S. Church Historian's office. Utah Historical Society, Salt lake City. -
Achievements Booklet
ACHIEVEMENTS BOOKLET This booklet lists a series of achievements players can pursue while they play Marvel United: X-Men using different combinations of Challenges, Heroes, and Villains. Challenge yourself and try to tick as many boxes as you can! Basic Achievements - Win without any Hero being KO’d with Heroic Challenge. - Win a game in Xavier Solo Mode. - Win without the Villain ever - Win a game with an Anti-Hero as a Hero. triggering an Overflow. - Win a game using only Anti-Heroes as Heroes. - Win before the 6th Master Plan card is played. - Win a game with 2 Players. - Win without using any Special Effect cards. - Win a game with 3 Players. - Win without any Hero taking damage. - Win a game with 4 Players. - Win without using any Action tokens. - Complete all Mission cards. - Complete all Mission cards with Moderate Challenge. - Complete all Mission cards with Hard Challenge. - Complete all Mission cards with Heroic Challenge. - Win without any Hero being KO’d. - Win without any Hero being KO’d with Moderate Challenge. - Win without any Hero being KO’d with Hard Challenge. MARVEL © Super Villain Feats Team vs Team Feats - Defeat the Super Villain with 2 Heroes. - Defeat the Villain using - Defeat the Super Villain with 3 Heroes. the Accelerated Villain Challenge. - Defeat the Super Villain with 4 Heroes. - Your team wins without the other team dealing a single damage to the Villain. - Defeat the Super Villain without using any Super Hero card. - Your team wins delivering the final blow to the Villain. - Defeat the Super Villain without using any Action tokens. -
Spider-Man: Into the Spider-Verse
SPIDER-MAN: INTO THE SPIDER-VERSE Screenplay by Phil Lord and Rodney Rothman Story by Phil Lord Dec. 3, 2018 SEQ. 0100 - THE ALTERNATE SPIDER-MAN “TAS” WE BEGIN ON A COMIC. The cover asks WHO IS SPIDER-MAN? SPIDER-MAN (V.O.) Alright, let’s do this one last time. My name is Peter Parker. QUICK CUTS of a BLOND PETER PARKER Pulling down his mask...a name tag that reads “Peter Parker”...various shots of Spider-Man IN ACTION. SPIDER-MAN (V.O.) I was bitten by a radioactive spider and for ten years I’ve been the one and only Spider-Man. I’m pretty sure you know the rest. UNCLE BEN tells Peter: UNCLE BEN (V.O.) With great power comes great responsibility. Uncle Ben walks into the beyond. SPIDER-MAN (V.O.) I saved a bunch of people, fell in love, saved the city, and then I saved the city again and again and again... Spiderman saves the city, kisses MJ, saves the city some more. The shots evoke ICONIC SPIDER-MAN IMAGES, but each one is subtly different, somehow altered. SPIDER-MAN (V.O.) And uh... I did this. Cut to Spider-Man dancing on the street, exactly like in the movie Spider-Man 3. SPIDER-MAN (V.O.) We don’t really talk about this. A THREE PANEL SPLIT SCREEN: shots of Spider-Man’s “products”: SPIDER-MAN (V.O.) Look, I’m a comic book, I’m a cereal, did a Christmas album. I have an excellent theme song. (MORE) 2. SPIDER-MAN (V.O.) (CONT'D) And a so-so popsicle. -
X-Men Archives Checklist
X-Men Archives Checklist Base Cards # Card Title [ ] 01 Title Card [ ] 02 Angel [ ] 03 Armor [ ] 04 Beast [ ] 05 Bishop [ ] 06 Blink [ ] 07 Cable [ ] 08 Caliban [ ] 09 Callisto [ ] 10 Cannonball [ ] 11 Captain Britain [ ] 12 Chamber [ ] 13 Colossus [ ] 14 Cyclops [ ] 15 Dazzler [ ] 16 Deadpool [ ] 17 Domino [ ] 18 Dust [ ] 19 Elixir [ ] 20 Emma Frost/White Queen [ ] 21 Forge [ ] 22 Gambit [ ] 23 Guardian [ ] 24 Havok [ ] 25 Hellion [ ] 26 Icarus [ ] 27 Iceman [ ] 28 Ink [ ] 29 Jean Grey [ ] 30 Jubilee [ ] 31 Karma [ ] 32 Kuan-Yin Xorn [ ] 33 Lilandra [ ] 34 Longshot [ ] 35 M [ ] 36 Magik [ ] 37 Magma [ ] 38 Marvel Girl [ ] 39 Mercury [ ] 40 Mimic [ ] 41 Mirage [ ] 42 Morph [ ] 43 Multiple Man [ ] 44 Nightcrawler [ ] 45 Northstar [ ] 46 Omega Sentinel [ ] 47 Pixie [ ] 48 Polaris [ ] 49 Prodigy [ ] 50 Professor Xavier [ ] 51 Psylocke [ ] 52 Quicksilver [ ] 53 Rockslide [ ] 54 Rogue [ ] 55 Sage [ ] 56 Shadowcat [ ] 57 Shatterstar [ ] 58 Shola Inkosi [ ] 59 Siryn [ ] 60 Starjammers [ ] 61 Storm [ ] 62 Strong Guy [ ] 63 Sunfire [ ] 64 Sunspot [ ] 65 Surge [ ] 66 Wallflower [ ] 67 Warpath [ ] 68 Wicked [ ] 69 Wind Dancer [ ] 70 Wolfsbane [ ] 71 Wolverine [ ] 72 X-23 Nemesis (1:8 packs) # Card Title [ ] N1 Mr. Sinister by Greg Land [ ] N2 Magneto by Sean Chen and Sandu Florea [ ] N3 Mystique by Mike Mayhew [ ] N4 Sabretooth by Paolo Rivera [ ] N5 Mojo by Frank Cho [ ] N6 Apocalypse by Salvador Larroca [ ] N7 Juggernaut by Sean Chen [ ] N8 Sentinels by Marc Silvestri and Joe Weems [ ] N9 Brotherhood of Evil Mutants by David Finch Cover Gallery -
How to Study Comics & Graphic Novels
HOW TO STUDY COMICS & GRAPHIC NOVELS: A GRAPHIC INTRODUCTION TO COMICS STUDIES ENRIQUE DEL REY CABERO, MICHAEL GOODRUM & JOSEAN MORLESÍN MELLADO HOW TO STUDY COMICS & GRAPHIC NOVELS: A GRAPHIC INTRODUCTION TO COMICS STUDIES ENRIQUE DEL REY CABERO, MICHAEL GOODRUM & JOSEAN MORLESÍN MELLADO How to Study Comics & Graphic Novels: A Graphic Introduction to Comics Studies Text by Enrique del Rey Cabero and Michael Goodrum Illustrations and design by Josean Morlesín Mellado Published in 2021 by the Oxford Comics Network, based at TORCH The Oxford Research Centre in the Humanities. Oxford Comics Network: https://www.torch.ox.ac.uk/comics Twitter: @TORCHComicsOx Facebook: https://m.facebook.com/TORCHComics/ TORCH The Oxford Research Centre in the Humanities: https://www.torch.ox.ac.uk Twitter: @TORCHOxford Facebook: https://m.facebook.com/TORCHOxford This Guide and its content are published under the following Creative Commons License: Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0) ISBN: 978-1-8383792-0-9 Acknowledgements: The authors would like to thank Marie Trinchant for editing and revising this guide so thoroughly, as well as Chris Paul and Sarah Jacobs for proofreading it. TABLE OF CONTENTS 5 FOREWORD 7 INTRODUCTION 8 COMICS VS. GRAPHIC NOVELS 10 THE LANGUAGE 14 WORDS & IMAGES 18 PRODUCTION OF COMICS 20 COMICS 24 DISTRIBUTION 28 APPROACHES TO TRADITIONS METHODS STUDYING COMICS 32 FURTHER 34 AN INTERVIEW WITH 40 ABOUT READING NICK SOUSANIS THE AUTHORS FOREWORD If you’ve ever designed a module on comics before, you’ll know how difficult it is to decide where to begin. Do students need to understand the history before comics theory? Or do you need to talk about comics form before everything else? And where do institutions, politics and readers come in? It’s a bit like when a student comes to your office and asks what they need to read in order to start writing an essay on graphic novels. -
TSR6907.MHR2.Webs-Th
WEBS: The SPIDER-MAN Dossier The GRANDMASTER Log by Scott Davis Table of Contents Introduction ……………………………………………………………………………………………….. 2 GRANDMASTER Log Entries …………………………………………………………………………... 3 SPIDER-MAN ……………………………………………………………………………………………… 3 SPIDER-MAN Supporting Cast ……………………………………………………………………………. 7 SPIDER-MAN Allies ……………………………………………………………………………………… 10 SPIDER-MAN Foes ……………………………………………………………………………………….. 18 An Adventurous Week …………………………………………………………………………………… 56 Set-up ………………………………………………………………………………………………………. 56 Timelines …………………………………………………………………………………………………… 58 Future Storyline Tips ……………………………………………………………………………………….. 64 Credits: Design: Scott Davis Art Coordination: Peggy Cooper Editing: Dale A. Donovan Typography: Tracey Zamagne Cover Art: Mark Bagley & John Romita Cartography: Steven Sullivan Interior & Foldup Art: The Marvel Bullpen Design & Production: Paul Hanchette This book is protected under the copyright law of the United States of America. Any reproduction or unauthorized use of the material or artwork herein is prohibited without the express written consent of TSR, Inc. and Marvel Entertainment Group, Inc. The names of the characters used herein are fictitious and do not refer to any persons living or dead. Any descriptions including similarities to persons living or dead are merely coincidental. Random House and its affiliate companies have worldwide distribution rights in the book trade for English language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. MARVEL SUPER HEROES and MARVEL UNIVERSE are trademarks of Marvel Entertainment Group, Inc. All Marvel characters, character names, and the distinctive likenesses thereof are trademarks of Marvel Entertainment Group, Inc. 1992 Marvel Entertainment Group, Inc. All Rights Reserved. The TSR logo is a trademark owned by TSR, Inc. 1992 TSR, Inc. All Rights Reserved. Printed in the U.S.A. TSR, Inc. -
PUBLIX MADE PUBLIC Responded Immediately to the Jewish Family
FREE TO ALL PLEASE REUSE OR RECYCLE THE BAGPIPE AFTER READING WEDNESDAY, DEC 11, 2019 14049 SCENIC HIGHWAY, LOOKOUT MOUNTAIN, GA 30750 VOLUME 68.1 The Blink Cafe Senior Integration Project Covenant Basketball Death Stranding “The Archer” Recent renovations have updated SIP’s history, its purpose, and why An update on how the season is Looking into the soundtrack of Taylor Swift’s recent song is a the cafe and its menu it is becoming Capstone starting off for the Scots Hideo Kojima’s new game call for permanence Page 1 Page 2 Page 4 Page 6 Page 7 SECOND NORTH OR GHETTO? THIS YEAR AT COVENANT by Harmonee Keitt and Karl Ferda ’22 also wrote a letter Grant Kierpa to Ghetto, but took a more di- rect approach. He did not want Earlier this semester on October his letter to become public and 30, Meg Miller ’21 wrote and delivered copies of it directly to distributed an open letter across the hall about a week after Mill- campus to express concern over er’s initial letter. the name of 2nd North in Carter, otherwise known as Ghetto. It “I had originally thought about was distributed across every res- writing a letter similar to Meg ident hall on campus and called Miller’s and was happy to see on students to sign a grievance that someone had written about the proposed South Broad Street Publix, rendering from Hiscutt & Associates - timesfreepress.com form to petition for the name to it,” said Ferda. be changed. Ferda is a first-generation Students such as Will Payne ’20 American and comes from a PUBLIX MADE PUBLIC responded immediately to the Jewish family.