The Lawyer (Part 2, the Funeral) by Andrea Slip

Total Page:16

File Type:pdf, Size:1020Kb

The Lawyer (Part 2, the Funeral) by Andrea Slip The Lawyer (part 2, the Funeral) by Andrea Slip 1 | P a g e Due to Covid and the high death toll it was another month before Mr Lewdanski’s funeral took place at Weybridge Crematorium. I had trouble deciding what to wear. I did not really want to go all out black as I knew that was what Wendy would be wearing. 2 | P a g e I decided to go with matching white panties, bra, suspenders, and a cute little white half-slip. 3 | P a g e Hosiery was sheer black stockings, of course, and black heels. 4 | P a g e I put on my black skirt and a new lacy white top. When I looked in the mirror, I realised just how thin the white blouse was. It was almost completely sheer except for some little white hearts. I thought that perhaps I should wear a camisole or a full slip to be more discrete and stop everyone staring at my lacy bra and boobs, although some men might quite like that view. 5 | P a g e I found a white camisole and tried that on. It looked much better, now everyone could stare at my lacy camisole instead but at least my cleavage would not show quite so much. I pulled my sheer blouse down over my camisole. 6 | P a g e As I adjusted my slip and stockings I wondered if Wendy was putting on her black slip and French knickers at the same time as me. 7 | P a g e As it turned out I was right. Wendy had just put on some seamed black stockings, and a full-length black slip, as required by the conditions of the will. She had a photo of me in my black slip, bra, suspenders, French knickers, and seamed stockings to refer to just in case she had forgotten. I had been required to demonstrate, in my office, to Wendy what she had to wear to the funeral as required by Mr Lewdanski. 8 | P a g e If only I had been there to see her just before she put her skirt and blouse on. I imagined her lifting her slip to adjust her stockings. Enough imagination, I had a funeral to get ready for. 9 | P a g e It was a warm day. I had taken a black jacket but left it in the car when I got to Weybridge Crematorium. There were only a dozen or so people, some family, and some business associates. Numbers were still restricted due to the Covid-19 restrictions in place at the time. The hearse had arrived just as I got to the door. Wendy was at the front of the queue waiting to go into the chapel. I did not get the chance to speak to her, I probably would afterwards. I could already see that she was wear a sheer patterned blouse and pleated black skirt. I could see a black and bra slip through the top of her sheer blouse. Her hosiery was black and seamed. It was not obvious whether she was wearing seamed stockings or tights. I was getting hard. She had definitely compiled with most of the special instructions in the will, but there were a couple of things I needed to check that would require a closer inspection later. I followed the other mourners into the chapel and then the coffin came in last. 10 | P a g e I crept into the chapel and sat at the back. As I looked down to see the lacy white hem of my slip and my lacy stocking tops showing through my thin black skirt. I loved the colour contrast of my slip showing against my black stockings. 11 | P a g e There was a man further along my row, he smiled when he noticed my peeping slip. He looked vaguely familiar; I think he might have been a business associate of Mr Lewdanski. I left my skirt and slip as they were during the service. It was a humanist service, no hymns, no singing, no prayers and quite short, it suited me perfectly. Due to the need to clean the chapel between funerals the time slot was limited to 20 minutes per funeral anyway. 12 | P a g e Mrs Lewdansky stood just outside the door of the chapel just after the service finished to greet everyone. I was last one out. “Thanks for coming,” said Wendy, “Look at the flowers with me when the others are heading off.” She winked at me. 13 | P a g e I hung back and let the family look at the flowers laid out by the funeral director. There was to be no wake (Covid restrictions again) so no one was in a hurry. The Lewdanski’s did not have any children but I think a brother and sister-in-law were chatting to Wendy. Her sister-in-law looked cross. The man who had looked vaguely looked familiar saw me standing on my own and came over to chat to me. He introduced himself as John Catcher. It turned out we had met before at a business function before. He was a partner in one of Mr Lewdanski’s businesses. No handshake, just a little wave of hello. Would handshakes ever come back? 14 | P a g e John kept looking at my lingerie showing through my sheer blouse and smiling. He said he wanted to meet with me about the business that he had jointly owned with Mr Lewdansky. He knew that it would default to him with Mr Lewdanski’s passing, as that was in their partnership agreement. I already knew that because I remembered writing it. We exchanged business cards and agreed to meet once probate was settled. He headed off to the car park, with a smile on his face. I think he really liked seeing my lacy camisole through my thin blouse, I had made the right choice of outfit. 15 | P a g e The other mourners were saying goodbye to Wendy. There was no wake, of course, but Wendy promised when things got back to normal, she would hold a party to celebrate Lew’s life. I hung back to make sure I spoke to Wendy last. “I can see you complied with the dress code, Wendy. Your black slip shows through your blouse nicely, everyone could tell you are wearing a slip.” “My sister-in-law was a bit snooty about my sheer blouse and my slip being on show. Not quite suitable for a funeral she said. I said it was a special request by her brother that everyone had to see me in my slip, a condition of the will I said. Not quite true, I know, but it shut her up. She sniffed and said well, yes that sounds like Will trying to get his own way, even after he has passed away. Imagine if I had not worn a slip with this blouse and skirt. Now let us look at the flowers, Karen.” 16 | P a g e Actually, I could imagine Wendy without the black slip. Her bra would show through and maybe even her French knickers. I was getting hard again. It was a good job that there were only the two of us left, everyone else had gone back to the car park. 17 | P a g e Then I clocked it, Wendy and I were actually wearing the same blouse and skirt, except that her blouse and lingerie was black, my blouse and lingerie was white. I knew just how sheer the black pleated skirt was, so if she had gone to the funeral without the black slip, I would have found out something about non-compliance with the dress regulations. As Wendy crouched down to look at the flowers, I discovered just what that non-compliance was. 18 | P a g e “I have been a naughty girl, Miss Jones. I didn’t wear black French knickers.” She opened her legs further and looked up at me, checking that I could see right up her skirt. She was wearing French knickers, not black but a pink pair. Karen looked at my face and then at the bulge in my own panties, slip and skirt. She smiled. “I have been very, very bad, not complying with Lew’s instructions to wear all black lingerie. I think you need to punish me at your office as soon as possible.” I was gobsmacked and to be honest so hard looking up her skirt at her pretty pink panties. “Well yes, I did say I would need to check all of your lingerie at the office.” Wendy picked up the flowers and stood up. “I will see you at your office in about 15 minutes then for a uniform inspection. Love your blouse and skirt, it is almost exactly the same as mine. That is so sexy seeing your white lingerie showing through your sheer white blouse,” said Wendy. 19 | P a g e 20 minutes later the uniform inspection started in my office. Wendy stood with her back to me just as I had seen her standing outside the chapel except that I think she had pulled her skirt up a little higher like a naughty schoolgirl. I described what I could see as if it was an actual check list. “Black skirt and blouse, tick. I can see two sets of black straps through your thin blouse. One must be your black bra and the other your black slip that also shows under the hem of your skirt.
Recommended publications
  • Volume 2, Issue 3, Autumn 2018
    The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit.
    [Show full text]
  • Patch Works NEW YORK — Rustic and Refined — a Combination That Goes to the Heart of Ralph Lauren’S Work
    SAKS NIXES BON-TON BID/2 ICONIX SAID BUYING RAMPAGE/4 WWDWomen’s Wear Daily • The Retailers’MONDAY Daily Newspaper • September 19, 2005 • $2.00 Accessories/Innerwear/Legwear Patch Works NEW YORK — Rustic and refined — a combination that goes to the heart of Ralph Lauren’s work. For spring, he mixed the elements in beautifully tailored jackets cut from patchwork denim. Here, a shapely blazer over a frilled shirt and printed jeans. For more on the shows, see pages 6 to 15. The Long, Hot Season: Buyers Applaud Spring But Gripe About Shows By Sharon Edelson and David Moin NEW YORK — A brutal show schedule with many off-site venues; hot, humid weather, and snarled traffic as a result of the United Nations summit left retailers feeling cranky last week, but nonetheless bullish about spring. Given the continuing strength of the luxury market, retailers said they expect their open-to-buys to be at least a few points ahead of last year and perhaps more if their companies are opening new stores. After all, the euro is dropping against the dollar, meaning designer goods might be less expensive come See Buyers, Page12 PHOTO BY JOHN AQUINO PHOTO BY 2 WWD, MONDAY, SEPTEMBER 19, 2005 WWD.COM Saks Turns Down Bon-Ton By Vicki M. Young WWDMONDAY Accessories/Innerwear/Legwear NEW YORK — Saks Inc. has re- jected a bid by The Bon-Ton Stores for its northern depart- FASHION Ralph Lauren presented an array of stunning items, Donna Karan offered ment store group, and will now elegant sensuality and Gwen Stefani made her runway debut to close the week.
    [Show full text]
  • Private Lessons a Photo Story by Andrea Slip
    Private Lessons A photo story by Andrea Slip 1 | P a g e Lesson01 Mike was a little nervous as he stood outside the brown front door on a Sunday afternoon. His mum had arranged for him to have some A-level revision lessons with a Miss Loren, a friend of hers who used to be a maths teacher. He didn’t quite know what to expect. He knocked on the door. Within a few moments the door opened. Mike had to try very, very hard not to let his jaw hit the floor. A lady opened the door to Mike. “You must be Mike, pleased to meet you, do come in, I am Sophie Loren” said Sophie shaking his hand. Mike recovered as he stared in amazement at the lady dressed in a cream silk dress. As she put her brown high heels on the step her button up dress split at the front to reveal both a cream lace edged slip and possibly the hint of a lacy stocking top. Miss Loren, Sophie, looked vaguely familiar, but he couldn’t quite place where from. 2 | P a g e Lesson02 Earlier that Sunday Sophie was dressing in her bedroom. She remembered that this afternoon that the son of her co-worker Alison was coming round for his first maths revision lesson. She had also established with Alison in the staffroom at work that he was the shelf stacker that had seen her up- skirt flash and had “helped” her find the toilet when her skirt had accidently fallen down at the Supermarket.
    [Show full text]
  • A Study on the Characteristics of 20Th Century Womenfs Undergarments
    IJCC, Vol. 6, No. 2, 83 〜92(2003) 15 A Study on the Characteristics of 20th Century Womenfs Undergarments Seo-Hee Lee and Hyeon-Ju Kim* Assistant Professor, Dept, of Fashion and Beauty, Konyang University Instructor, Dept, of Clothing Science, Seoul Women's University* (Received June 23, 2003) Abstract This study aims to classify -women's undergarments of the 20th century by periods, and to examine their characteristics. The research method consists of a literature study based on relevant documentary records and a demonstrative analysis of graphic data collected from each reference. The features of women's under­ garments obtained from the study are as fallows: First, silhouette changes of outer garments appear to influence the type and style of a new undergarment. Second, technological development results in a new type of undergarments. Third, the development of new material appears to influence functions and design of undergarments. Fourth, social changes including the development of sports affects the changes of undergarments. As seen so far, the form or type, material, and color in undergarment diversify when fashion changes become varied and rapid. As shown before the 20th century, the importance of undergarment's type, farm, and function gradually reduces according to the changes of -women's mind due to their social participation, although it still plays a role in correcting the shape of an outer garment based on the outer silhouette. The design also clearly shows the extremes of maximization and minimization of decoration. Key words : undergarment, modern fashion, lingerie, infra apparel the beginning of the 20th century, corsets and I.
    [Show full text]
  • Mum's Lingerie Draw
    Mum's Lingerie Draw Mike was profoundly affected by the lady who flashed her slip, sheer stockings and nylon panties at him in the Supermarket. He had to find out more and he started his research at home, in his Mum's lingerie draw. A photo story by Andrea Slip [email protected] 1 | P a g e mum01 It was wrong, just so wrong. He felt ashamed. It was so wrong it was probably illegal. What would his Mum say? Why had he done it? They had looked so pretty sitting there. He swore he would never do it again. Mike lived with his Mum. His Dad had walked out 5 years earlier, he wasn't missed. Mike got on well with his Mum, they were very alike. As he ran his bath he stripped off his clothes and contemplated a quick wank whilst he waited but needed something to get him started. His eyes fell on the overfull laundry basket. Right on top were a pair of his Mum's navy blue nylon panties. They looked so pretty with a lacy hem. His resistance to touching his Mum's undies held him back for oh, I don' know, about a nano second maybe. 2 | P a g e Mum02 He picked up the panties and examined them. This was the first time he had ever touched his Mum's underwear, no not underwear, her lingerie. So French, so much a sexier a word than underwear or even pants, although panties was nice as well but perhaps a bit American.
    [Show full text]
  • M&S: Lingerie
    M&S: Lingerie Providing secret support since 1926 1926 We introduced our first bras, designed to suit the ideal of a flatter chest and boyish figure, fashions that were all the rage in the 1920s. As well as bras we sold garters, directoire knickers, sanitary belts and free-run bodices. White cotton and rayon bra, 1920s Ref: T81/18 1932 We sold corsetry and uplifting brassieres advertised with the slogan ‘A perfect figure guaranteed’. These new styles suited the changing trend for ‘lift and separation’. Advert from ‘The Marks and Spencer Magazine’, Christmas 1932 1941-1945 All clothing during the war had to adhere to Utility standards, due to the shortages posed by wartime conditions. Clothing had to meet the Government’s regulations, and we developed a Utility lingerie range that was not only functional but attractive. Satin bra with Utility label, c1943 Ref: T1941/5 1951-1953 We developed our bra sizes to include three cup sizes; small, medium and large. This was inspired by American lingerie and allowed the bras to fit a greater proportion of women. In 1953 we sold 125,000 brassieres per week. Advert showing range of bra sizes, St Michael News, 1953 St Michael News, Jan 1958 1953 We started selling bras aimed at teenagers and younger women. Light, simple styles such as the brief brassiere were designed for the more ‘youthful figure’. In 1953 we sold 25% of the nation’s total sales in knitted vests. Women’s knitted vests were only available in two sizes; medium and large. St Michael News, Sep 1958 1955 We sold elastic high line girdles, which provided more support, and ensured ‘spare tyres, [and] ungainly bulges are eliminated’.
    [Show full text]
  • Lingerie Providing Secret Support Since 1926 1926 We Opened Our Drapery Department, Which Included Clothing As Well As Lingerie
    M&S: Lingerie Providing secret support since 1926 1926 We opened our Drapery Department, which included clothing as well as lingerie. Our first bras were designed to provide the flatter chest and boyish figure popular at the time. Our lingerie range included garters, directoire knickers, sanitary belts and free- run bodices. The oldest bra in the Archive collection dates from the late 1920s – it offered a low level of support whilst giving the wearer a smooth silhouette. White cotton and rayon bra, c1928, Ref: T81/18 Window display of artificial silk lingerie, 1937 1930s The most popular fabric for lingerie during the 1930s and 1940s was artificial silk, or rayon as it was known - an early synthetic fibre made with cellulose from wood pulp. The fabric was seen as a more affordable alternative to silk, and a more luxurious option than cotton, linen or wool. 1932 We sold corsetry and uplifting brassieres advertised with the slogan ‘A perfect figure guaranteed’. These new styles suited the changing trend for ‘lift and separation’. Hook-sided girdles gave ‘that slim silhouette demanded by present fashions’. Advert from ‘The Marks and Spencer Magazine’, 1932 1939 Stock control documents show that by 1939 we were selling at least 30 styles of bras – most were available in white or peach, sometimes blue. Styles included ‘rubber reducing brassieres’ and an Outsize range Advert from ‘The Marks and Spencer Magazine’, 1932 1941-1945 During the war, austerity measures and the Utility Scheme meant designers had to work harder to continue making attractive yet practical garments. Despite this, we were still able to produce glamorous lingerie.
    [Show full text]
  • Stockings Review
    Stockings Review Andrea reviews some new stockings by Gabriella and shows how they should be worn. (with apologies to Legslavish on You Tube for the idea) 1 | P a g e Today I am going to review some stockings called Calze, Elite by Gabriella (a Polish stocking manufacturer). I bought these on Ebay, so this is an independent review. Eyes on the stockings packet please, not my creamy satin night shirt or my lacy nylon slip. 2 | P a g e The stockings are 20 denier, not as thin as some sheer stockings I wear. The colour is Nero (black) and the size ¾ (large). What is not obvious from the packet is that these are hold ups. The cost was about £6 from Aurelliecom on Ebay,with free 1st class delivery, excellent deal, as I saw them at a higher price on Amazon. 3 | P a g e So let’s take the stockings out of the lovely packet. I should keep packets like this as the images are so lovely. 4 | P a g e As with most modern stockings there is a large lycra content so the stockings look quite short and very opaque straight out of the packet. 5 | P a g e I am going to try the stockings on but will need to change out of the brown BHS lace top stockings I am already wearing. They don’t show this on Legslavish on You Tube so I hope you are not peeping at my pink French knickers as I raise my silky slip! 6 | P a g e You can just see the two bands of silicone at the top of the stockings, but not three, as with some British stockings.
    [Show full text]
  • Andrew Leggett
    In Dreams, a Novel and its Exegesis: In Dreams – Novel; The place of dreams in the Novel and the Cinematic Work of David Lynch– Exegesis Author Leggett, Andrew Alfred George Published 2016 Thesis Type Thesis (PhD Doctorate) School School of Humanities, Languages and Social Science DOI https://doi.org/10.25904/1912/2813 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366962 Griffith Research Online https://research-repository.griffith.edu.au In Dreams, a Novel and its Exegesis In Dreams – Novel The place of dreams in the novel and the cinematic work of David Lynch – Exegesis Andrew Leggett Bachelor of Medicine and Bachelor of Surgery, University of Queensland Master of Philosophy in Creative Writing, University of Queensland Fellow of the Royal Australian and New Zealand College of Psychiatrists School of Humanities Arts, Law and Education Group Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 22nd October 2015 1 SYNOPSIS Dr Garrick Willis, the protagonist of my novel In Dreams, is a recently divorced neurologist who suffers premonitory dreams and intrusive violent fantasies. Willis loses his girlfriend Jade to a drug dealing pimp and comes to be wrongly accused of her murder, a crime that has plagued his waking fantasies and haunted his dreams. At the start of the novel, Garrick’s first patient for the afternoon is Nick Myshkin, with whom he has just shared a seat on the train from Meadowbrook to Princess Alexandra Hospital. Nick is a bass player in the grunge band Return of the Evil Youth for Christ, who deals amphetamines in Fortitude Valley nightclubs and pimps mysterious women on the streets.
    [Show full text]
  • The Changing Gender-References of Words for Items of Clothing
    The Changing Gender-references of Words for Items of Clothing Piia Kujanpää University of Tampere Faculty of Communication Sciences Master’s Programme in English Language and Literature Master’s Thesis May 2018 Tampereen yliopisto Viestintätieteiden tiedekunta Englannin kielen ja kirjallisuuden maisteriopinnot KUJANPÄÄ, PIIA: Vaatesanojen muuttuvat sukupuoliviittaukset Pro gradu -tutkielma, 72 sivua + liitteet 11 sivua Toukokuu 2018 ________________________________________________________________________________ Sukupuoli kulttuurisena konstruktiona (gender) on muuttuva ja rakentuu sosiaalisessa vuorovaikutuksessa myös kielen kautta. Näin ollen myös sukupuoli, johon vaatesana viittaa voi muuttua. Tämän tutkielman tarkoituksena on selvittää tätä aiemmin vähän tutkittua aluetta. Tutkimuskysymykset ovat seuraavat: 1) Miten ja miksi vaatesanojen sukupuoliviittaukset ovat muuttuneet Norrin (1996, 1998) tutkimuksista? 2) Tukeeko myös korpusaineisto kahdesta korpuksesta (The British National Corpus (BNC) ja The Corpus of Global Web-Based English (GloWbE)) Norrin (1998) tutkimuksessaan esittelemiä viittä sukupuoliviittausten muuttumisen vaihetta? 3) Onko Norrin viiden vaiheen malli sovellettavissa myös muihin vaatesanoihin? Tutkimus keskittyy vain brittienglantiin, jotta tulosten vertailu Norrin tutkimukseen olisi mahdollista. Tutkimus yhdistää sekä kvalitatiivisia että kvantitatiivisia tutkimusmenetelmiä. Tutkimuksen aineistona on seitsemän sanakirjaa ja korpusaineistona BNC ja GloWbE. BNC sisältää materiaalia 1990-luvun alkupuoliskolta, kuten
    [Show full text]
  • Wedding Invitation
    Wedding Invitation Brenda and Alan continue their relationship, after meeting at a private sewing class. One day, Brenda receives a wedding invitation from an old friend whose daughter Fifi is getting married. Brenda has to get a new frock, but what will Alan wear? 1 | P a g e “Oh look Alan, Fifi is getting married in September, we are both invited to the evening reception,” exclaimed Brenda as she opened the post. “What am I going to wear?” She looked again at the invitation, “I am going to have to get a new dress, I have nothing that fits the bill. Perhaps a dress with purple accents and matching shoes. “Who’s Fifi,” asked Alan? “Oh you must remember her Alan! She is Jo’s daughter, Jo was my best friend at school.” Alan wondered if it would a cross dressing wedding, he had always been jealous of the ladies all dressed up in their frillies at previous weddings. “But what am I going to wear,” asked Alan? “Oh I don’t know, the invite says pink or purple dress code. Perhaps you could wear your suit with a purple tie,” said Brenda vaguely. Alan frowned and would give it a think. 2 | P a g e Brenda did buy a new dress from Jacques Vert. She put it on the outside of the door of her wardrobe, so it would not become creased before she wore it for the wedding. Her wardrobe was bursting with clothes. Alan kept looking at it and thought how nice Brenda would look in.
    [Show full text]
  • Bodywear Bodywear
    EU MARKET SURVEY 2003 EU MARKET SURVEY 2003 BODYWEAR BODYWEAR Mailing address: P.O. Box 30009, 3001 DA Rotterdam, The Netherlands Phone: +31 10 201 34 34 Fax: +31 10 411 40 81 E-mail: [email protected] Internet: http://www.cbi.nl CENTRE FOR THE PROMOTION OF IMPORTS FROM DEVELOPING COUNTRIES Office: WTC-Beursbuilding, 5th floor 37 Beursplein, Rotterdam, The Netherlands EU MARKET SURVEY 2003 BODYWEAR Compiled for CBI by: Drs. Jan P. Servaas May 2003 DISCLAIMER The information provided in this market survey is believed to be accurate at the time of writing. It is, however, passed on to the reader without any responsibility on the part of CBI or the authors and it does not release the reader from the obligation to comply with all applicable legislation. Neither CBI nor the authors of this publication make any warranty, expressed or implied, concerning the accuracy of the information presented, and will not be liable for injury or claims pertaining to the use of this publication or the information contained therein. No obligation is assumed for updating or amending this publication for any reason, be it new or contrary information or changes in legislation, regulations or jurisdiction. New CBI publication with updated contents replacing CBI’s EU Market Survey 2002 ‘Bodywear’ and CBI’s EU Strategic Marketing Guide 2002 ‘Bodywear’ (published in January 2002). Photo courtesy: Hunnink & van den Broek CONTENTS REPORT SUMMARY 7 INTRODUCTION 10 PART A: EU MARKET INFORMATION 1 PRODUCT CHARACTERISTICS 15 1.1 Product groups 15 1.2 Customs/statistical product
    [Show full text]