Pigments Suitable for Encaustic
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French Bulldog Club Of
French Bulldog (Bouledogue Français) Coat colours according to the FCI breed standard Standard FCI N° 101 17.04.2015 Admissible Colours Faults and Disqualifications French Bulldog - FCI N° 101 Jakko BROERSMA Raerd (NL), February 2016 Admissable Colours, Faults and Disqualifications 2/15 French Bulldog - FCI N° 101 INHOUD: 1. Introduction 4 2. Admissible coat colours 5 a. Colour 6 b. Brindle 6 c. Fawn 7 d. Pied 8 e. Fawn & White 8 3. Faults 9 4. Disqualifying faults 10 a. Variations on disqualifying faults 11 b. Merle 12 5. Additional non-admissible coat colours 12 a. Red and Cream 12 b. Explanation regarding Red and Cream 13 6. Other disqualifying faults 13 a. Colour of the nose 13 7. Appendix I – Differences in translation 14 Admissable Colours, Faults and Disqualifications 3/15 French Bulldog - FCI N° 101 1. INTRODUCTION: The colour definition for the French Bulldog has been changed several times since the first FCI breed standard was written in the early 1880’s. Next to that it differs on several aspects from breed standards of other kennel clubs around the world like for instance the American Kennel Club or the English Kennel Club. Although the different standards are basically equal regarding the coat colour– the French Bulldog usually is described as fawn, brindled or pied – several details in the definitions, faults and disqualifications ensure a diversity of interpretations among the FCI, AKC, KC and other kennel clubs. The FCI breed standard for the French Bulldog was revised on several areas in 2014 and was published on April 17th in French and English. -
Study of Fragments of Mural Paintings from the Roman Province Of
Study of fragments of mural paintings from the Roman province of Germania Superior Thesis submitted in partial fulfilment of the requirements of the degree Doctor rer. nat. of the Faculty of Environment and Natural Resources, Albert-Ludwigs-Universität Freiburg im Breisgau, Germany by Rafaela Debastiani Freiburg im Breisgau, Germany 2016 Name of Dean: Prof. Dr. Tim Freytag Name of Supervisor: Prof. Dr. Michael Fiederle Name of 2nd Reviewer: PD Dr. Andreas Danilewsky Date of thesis' defense: 03.02.2017 “The mind is not a vessel to be filled, but a fire to be kindled” Plutarch Contents Nomenclature ........................................................................................................................ 1 Acknowledgment ................................................................................................................... 3 Abstract ................................................................................................................................. 5 Zusammenfassung ................................................................................................................ 7 1. Introduction .................................................................................................................... 9 2. Analytical techniques in the non-destructive analyses of fragments of mural paintings ..13 2.1 X-ray Fluorescence Spectroscopy ..........................................................................13 2.1.1 Synchrotron-based scanning macro X-ray fluorescence (MA-XRF) .................17 -
Official Standard of the French Bulldog General Appearance
Official Standard of the French Bulldog General Appearance: The French Bulldog has the appearance of an active, intelligent, muscular dog of heavy bone, smooth coat, compactly built, and of medium or small structure. Expression alert, curious, and interested. Any alteration other than removal of dewclaws is considered mutilation and is a disqualification. Proportion and Symmetry - All points are well distributed and bear good relation one to the other; no feature being in such prominence from either excess or lack of quality that the animal appears poorly proportioned. Influence of Sex - In comparing specimens of different sex, due allowance is to be made in favor of bitches, which do not bear the characteristics of the breed to the same marked degree as do the dogs. Size, Proportion, Substance: Weight not to exceed 28 pounds; over 28 pounds is a disqualification. Proportion - Distance from withers to ground in good relation to distance from withers to onset of tail, so that animal appears compact, well balanced and in good proportion. Substance - Muscular, heavy bone. Head: Head large and square. Eyes dark in color, wide apart, set low down in the skull, as far from the ears as possible, round in form, of moderate size, neither sunken nor bulging. In lighter colored dogs, lighter colored eyes are acceptable. No haw and no white of the eye showing when looking forward. Ears Known as the bat ear, broad at the base, elongated, with round top, set high on the head but not too close together, and carried erect with the orifice to the front. The leather of the ear fine and soft. -
Cortinarius Caperatus (Pers.) Fr., a New Record for Turkish Mycobiota
Kastamonu Üni., Orman Fakültesi Dergisi, 2015, 15 (1): 86-89 Kastamonu Univ., Journal of Forestry Faculty Cortinarius caperatus (Pers.) Fr., A New Record For Turkish Mycobiota *Ilgaz AKATA1, Şanlı KABAKTEPE2, Hasan AKGÜL3 Ankara University, Faculty of Science, Department of Biology, 06100, Tandoğan, Ankara Turkey İnönü University, Battalgazi Vocational School, TR-44210 Battalgazi, Malatya, Turkey Gaziantep University, Department of Biology, Faculty of Science and Arts, 27310 Gaziantep, Turkey *Correspending author: [email protected] Received date: 03.02.2015 Abstract In this study, Cortinarius caperatus (Pers.) Fr. belonging to the family Cortinariaceae was recorded for the first time from Turkey. A short description, ecology, distribution and photographs related to macro and micromorphologies of the species are provided and discussed briefly. Keywords: Cortinarius caperatus, mycobiota, new record, Turkey Cortinarius caperatus (Pers.) Fr., Türkiye Mikobiyotası İçin Yeni Bir Kayıt Özet Bu çalışmada, Cortinariaceae familyasına mensup Cortinarius caperatus (Pers.) Fr. Türkiye’den ilk kez kaydedilmiştir. Türün kısa deskripsiyonu, ekolojisi, yayılışı ve makro ve mikro morfolojilerine ait fotoğrafları verilmiş ve kısaca tartışılmıştır. Anahtar Kelimeler: Cortinarius caperatus, Mikobiyota, Yeni kayıt, Türkiye Introduction lamellae edges (Arora, 1986; Hansen and Cortinarius is a large and complex genus Knudsen, 1992; Orton, 1984; Uzun et al., of family Cortinariaceae within the order 2013). Agaricales, The genus contains According to the literature (Sesli and approximately 2 000 species recognised Denchev, 2008, Uzun et al, 2013; Akata et worldwide. The most common features al; 2014), 98 species in the genus Cortinarius among the members of the genus are the have so far been recorded from Turkey but presence of cortina between the pileus and there is not any record of Cortinarius the stipe and cinnamon brown to rusty brown caperatus (Pers.) Fr. -
PIGMENTS Pigments Can Be Used for Colouring and Tinting Paints, Glazes, Clays and Plasters
PIGMENTS Pigments can be used for colouring and tinting paints, glazes, clays and plasters. About Pigments About Earthborn Pigments Get creative with Earthborn Pigments. These natural earth and mineral powders provide a source of concentrated colour for paint blending and special effects. With 48 pigments to choose from, they can be blended into any Earthborn interior or exterior paint to create your own unique shade of eco friendly paint. Mixed with Earthborn Wall Glaze, the pigments are perfect for decorative effects such as colour washes, dragging, sponging and stencilling. Some even contain naturally occurring metallic flakes to add extra dazzle to your design. Earthborn Pigments are fade resistant and can be mixed with Earthborn Claypaint and Casein Paint. Many can also be mixed with lime washes, mortars and our Ecopro Silicate Masonry Paint. We have created this booklet to show pigments in their true form. Colour may vary dependant on the medium it is mixed with. Standard sizes 75g, 500g Special sizes 50g and 400g (Mica Gold, Mangan Purple, Salmon Red and Rhine Gold only) Ingredients Earth pigments, mineral pigments, metal pigments, trisodium citrate. How to use Earthborn Pigments The pigments must be made into a paste before use as follows: For Silicate paint soak pigment in a small amount of Silicate primer and use straightaway. For Earthborn Wall Glaze, Casein or Claypaint soak pigment in enough water to cover the powder, preferably overnight, and stir to create a free-flowing liquid paste. When mixing pigments into any medium, always make a note of the amounts used. Avoid contact with clothing as pigments may permanently stain fabrics. -
Colored Cements for Masonry
Colored Cements for Masonry Make an Impact with Colored Mortar Continuing Education Provider Your selection of colored mortar can make a vivid impact on the look of Essroc encourages continuing education for architects your building. Mortar joints comprise an average of 20 percent of a brick and is a registered Continuing Education Provider of the wall’s total surface. Your selection American Institute of Architects. of i.design flamingo-BRIXMENT can dramatically enhance this surface with an eye-catching spectrum of color choices. First in Portland Cement Masonry Products that Endure the Test of Time i.design flamingo-BRIXMENT color masonry cements are manufactured First in Masonry Cement to the most exacting standards in our industry and uniquely formulated to provide strength, stability and color fastness to endure for generations. First in Colored Masonry Cement Our products are manufactured with the highest-quality iron oxide pigments, which provide consistent color quality throughout the life of the Essroc recommends constructing a sample panel prior to construction structure. All products are manufactured to meet the appropriate ASTM and/or placing an order for color. Field conditions and sand will affect specifications. the finished color. Strong on Service i.design flamingo-BRIXMENT products are distributed by a network of dealers and backed by regional Customer Support Teams. Essroc Essroc Customers also enjoy 24/7 service through www.MyEssroc.com. This Italcementi Group Essroc e-business center provides secure, instant communication -
Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
A Review on Historical Earth Pigments Used in India's Wall Paintings
heritage Review A Review on Historical Earth Pigments Used in India’s Wall Paintings Anjali Sharma 1 and Manager Rajdeo Singh 2,* 1 Department of Conservation, National Museum Institute, Janpath, New Delhi 110011, India; [email protected] 2 National Research Laboratory for the Conservation of Cultural Property, Aliganj, Lucknow 226024, India * Correspondence: [email protected] Abstract: Iron-containing earth minerals of various hues were the earliest pigments of the prehistoric artists who dwelled in caves. Being a prominent part of human expression through art, nature- derived pigments have been used in continuum through ages until now. Studies reveal that the primitive artist stored or used his pigments as color cakes made out of skin or reeds. Although records to help understand the technical details of Indian painting in the early periodare scanty, there is a certain amount of material from which some idea may be gained regarding the methods used by the artists to obtain their results. Considering Indian wall paintings, the most widely used earth pigments include red, yellow, and green ochres, making it fairly easy for the modern era scientific conservators and researchers to study them. The present knowledge on material sources given in the literature is limited and deficient as of now, hence the present work attempts to elucidate the range of earth pigments encountered in Indian wall paintings and the scientific studies and characterization by analytical techniques that form the knowledge background on the topic. Studies leadingto well-founded knowledge on pigments can contribute towards the safeguarding of Indian cultural heritage as well as spread awareness among conservators, restorers, and scholars. -
Colorflex Standard Colors
100% PURE POLYURE A COLOR SYSTEM KANSAS CITY, USA 800.321.0906 Don't see a color that works for your project? Call VersaFlex about our custom color match program. Additional charges may apply. VF 1262 The color samples on this chart are for VF 1372 representation of color only. Colors will vary depending on viewing media. VF 1237 VF 1539 Actual cured color VF 1274 VF 1360 samples are available from VersaFlex at no VF 1089 VF 1307 VF 1275 charge upon request.* VF 1365 VF 1223 VF 1363 VF 1221 VF 1106 VF 1233 VF 1389 VF 1386 VF 1309 VF 1323 VF 1211 VF 1220 VF 1224 VF 1125 VF 1230 VF 1280 VF 1239 VF 1330 VF 1397 VF 1128 VF 1276 VF 1287 VF 1300 VF 1174 VF 1252 VF 1071 VF 1380 VF 1150 VF 1253 VF 1311 VF 1399 VF 1163 VF 1329 VF 1326 VF 1286 VF 1302 VF 1291 VF 1255 VF 1077 VF 1314 VF 1010 VF 1238 VF 1254 VF 1304 VF 1292 VF 1376 VF 1076 VF 1350 VF 1392 VF 1388 VF 1208 VF 1222 VF 1357 VF 1228 VF 1213 VF 110 4 VF 1006 VF 1005 * VersaFlex advises using actual cured samples when choosing color for projects. VF 1375 Note: These colors are not available in the GelFlex® or FSS 42D product lines. © 2016 VersaFlex Incorporated QF7.2.1a.3020 Rev 1 Date-11-21-16 VF 1005 Mesa Beige VF 1006 Antique Cork VF 1010 Forest Green VF 1286 Dark Walnut Burnt Sienna VF 1071 VF 1071 Burnt Sienna VF 1287 Tile Red Chestnut VF 1302 Enviro Green VF 1238 VF 1076 Less Brown VF 1291 Midnight Blue Eggplant VF 1314 VF 1077 Cobble Brown, Walnut VF 1292 OD Green Gold VF 1307 VF 1089 Very Light Light Grey VF 1300 Red Shade Blue Raw Sienna VF 1309 VF 110 4 Fawn Pebble VF 1302 Chestnut -
2015Coat Colour Inheritance
Article written by Jean-Marie Vanbutsele, Illustrated coat colour inheritance about the Varieties of the Belgian Shepherd Dog This is a work in progress. Genetics is a rapidly evolving field, and updates will be made. Melanocytes. How do skin, hair and iris colouring take place? In the skin, the hair and the iris there are cells that secrete pigmented granules in their environment. These cells are called melanocytes because they have a pigment named melanin. If there is an absence (or lack of activity) of melanocytes, the skin and the hair are white and the eye is red because of the presence of blood vessels. Melanocytes protect the organism against sun radiations and absorb light. Melanocytes cells secrete: either eumelanin that determine the coat, nose, lips and eyes with black colour or brown/liver/chocolate colour . either phaeomelanin that determine only the coat with yellow/red colour that covers everything from deep red (like Irish Setters) to light cream. In conclusion, all coat colours and patterns in dogs are created by these two pigments. As well as being found in the coat, eumelanin is present in the other parts of the dog that need colour – most notably the eyes (irises) and nose. Phaeomelanin is produced only in the coat. It does not occur in the eyes or the noses. In July 2009, the FCI approved a standard nomenclature for coat colour. The words “fawn” and “sand” (for diluted fawn colour) are mentioned. The translation into French of “fawn with black overlay” and “sand with black overlay” are “fauve charbonné” and “sable charbonné”. -
Color Chart Colorchart
Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade