Assistant Minister King's Chapel, Boston, Massachusetts (2.7.17

Total Page:16

File Type:pdf, Size:1020Kb

Assistant Minister King's Chapel, Boston, Massachusetts (2.7.17 Assistant Minister King’s Chapel, Boston, Massachusetts (2.7.17) www.kings-chapel.org King’s Chapel seeks a full-time Assistant Minister. The position is available March 1, 2017. The Assistant Minister will report to the Senior Minister and assist her in a manner that reflects the Assistant Minster’s comparative skills and interests. We are looking for a person with particular experience and strength in Children and Family Ministry. An effective Assistant Minister also will have experience and interest in adult religious education, preaching, pastoral care of all ages, Christian worship leadership, social justice, and church growth. King’s Chapel is a Christian church affiliated with the Unitarian Universalist Association. This position is open to liberal Christians ordained or eligible to be ordained in other traditions. The Assistant Minister will be asked to regularly lead the Christian sacraments of Holy Communion and Baptism; will be asked by the minister to perform weddings and funerals; will participate in our three weekly worship services; will preach once a month at the three services; and will provide leadership, with the Church School Director, in developing our church school. Additionally, the Assistant Minister will collaborate with the Senior Minister to offer adult religious education programming. The Assistant Minister will lead a monthly gathering of Theology on Tap. King’s Chapel, located in the heart of Boston on the historic Freedom Trail, is a liberal Christian Church welcoming to all. It is congregational in governance, and its main 11 AM Sunday service follows an Anglican pattern of worship, using the King’s Chapel Book of Common Prayer, the Revised Common Lectionary, and service music led by our organist and professional choir. The Sunday 9 AM intergenerational service meets weekly in our smaller Chapel at the Parish House, and includes regular participation by our children. Church School follows this service. The Wednesday evening service is a candle-lit service in our large Chapel, with organ and a professional cantor; communion is served in the chancel, with participants gathered around the communion table. In addition to the ministers, paid staff includes a full-time Music Director and Organist; a Parish Administrator; and a Director for our Freedom Trail programs. In addition, we are assisted by part-time staff: a church school director, a 9 AM music director, a book keeper, an administrative assistant, and two building vergers. There is an active and talented elected lay leadership. King’s Chapel is at an exciting time: In March 2013 we called a new senior minister, ordained by the United Church of Christ; in September 2014 a full-time Assistant Minister also joined us. Together, these clergy have worked closely with the congregation to bring in new members, support new lay leadership, and institute the two new worship services. With the decision by the Assistant Minister to relocate to another city for a family move, the Senior Minister now seeks a ministerial colleague with whom she, other staff, and congregational leadership can continue to build a thriving church in the heart of our city. Pursuant to the UUA tradition, the Assistant will be a contract employee, renewable annually. The expectation is that the Assistant is in a position to make a multi-year commitment. Compensation will be dependent upon experience, and will include a cash salary; housing in the form of a newly renovated apartment located on the 5th floor of our historic Beacon Hill Parish House, accessible by elevator, overlooking the Boston Common; and benefits. Interested persons are asked to submit electronically ONLY the following: 1) a letter of interest explaining the candidate’s fit with King Chapel’s unique ministry; 2) a resume; and 3) a sermon. If video or audio of the sermon is also available, please provide a CD or a link. Please submit these materials to [email protected]. Submissions will be reviewed as they are received. .
Recommended publications
  • March 27, 2018 RESTORATION of CAPPONI CHAPEL in CHURCH of SANTA FELICITA in FLORENCE, ITALY, COMPLETED THANKS to SUPPORT FROM
    Media Contact: For additional information, Libby Mark or Heather Meltzer at Bow Bridge Communications, LLC, New York City; +1 347-460-5566; [email protected]. March 27, 2018 RESTORATION OF CAPPONI CHAPEL IN CHURCH OF SANTA FELICITA IN FLORENCE, ITALY, COMPLETED THANKS TO SUPPORT FROM FRIENDS OF FLORENCE Yearlong project celebrated with the reopening of the Renaissance architectural masterpiece on March 28, 2018: press conference 10:30 am and public event 6:00 pm Washington, DC....Friends of Florence celebrates the completion of a comprehensive restoration of the Capponi Chapel in the 16th-century church Santa Felicita on March 28, 2018. The restoration project, initiated in March 2017, included all the artworks and decorative elements in the Chapel, including Jacopo Pontormo's majestic altarpiece, a large-scale painting depicting the Deposition from the Cross (1525‒28). Enabled by a major donation to Friends of Florence from Kathe and John Dyson of New York, the project was approved by the Soprintendenza Archeologia Belle Arti e Paesaggio di Firenze, Pistoia, e Prato, entrusted to the restorer Daniele Rossi, and monitored by Daniele Rapino, the Pontormo’s Deposition after restoration. Soprintendenza officer responsible for the Santo Spirito neighborhood. The Capponi Chapel was designed by Filippo Brunelleschi for the Barbadori family around 1422. Lodovico di Gino Capponi, a nobleman and wealthy banker, purchased the chapel in 1525 to serve as his family’s mausoleum. In 1526, Capponi commissioned Capponi Chapel, Church of St. Felicita Pontormo to decorate it. Pontormo is considered one of the most before restoration. innovative and original figures of the first half of the 16th century and the Chapel one of his greatest masterpieces.
    [Show full text]
  • Design and Renovation Guidelines and Protocols
    GUIDELINES and PROTOCOLS for the DESIGN and RENOVATION of CHURCHES and CHAPELS First Sunday of Advent December 1, 2013 Catholic Diocese of Saginaw Office of Liturgy The Office of Liturgy for the Diocese of Saginaw has prepared this set of guidelines and protocols to be used in conjunction with those outlined in Built of Living Stones. This diocesan document attempts to give clearer direction to those areas that Built of Living Stones leaves open to particular diocesan recommendations and directives. All those involved in any design for new construction or renovation project of a church or chapel in the Diocese of Saginaw should be familiar with these guidelines and protocols and ensure that their intent is incorporated into any proposed design. Guidelines and Protocols for the Design And Renovation of Churches and Chapels Text 2009, Diocese of Saginaw, Office of Liturgy. Latest Revision Date: December 1, 2013. Excerpts from Built of Living Stones: Art, Architecture, and Worship: Guidelines of the National Conference of Catholic Bishops copyright 2001, United States Conference of Catholic Bishops, Washington, DC. Used with permission. All rights reserved. Excerpts taken with permission and appreciation from similar publications from the following: Archdiocese of Chicago; Diocese of Grand Rapids; Diocese of Seattle; Archdiocese of Milwaukee; Diocese of Lexington; Archdiocese of Philadelphia and Diocese of La Crosse. No part of these works may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without the permission in writing from the copyright holder. Printed in the United States of America For you have made the whole world a temple of your glory, that your name might everywhere be extolled, yet you allow us to consecrate to you apt places for the divine mysteries.
    [Show full text]
  • Self-Guided Tour of the Basilica 13
    Self-Guided Tour of the Basilica 13 This tour takes you from the baptismal 14 font near the main entrance, down the 12 center aisle to the sanctuary, then right to the east apsidal chapels, back to the 16 15 11 Lady Chapel, and then to the west side chapels. The Basilica museum may be 18 17 7 10 reached through the west transept. 9 The Bishops’ Museum, located in the Basilica’s basement, contains pontificalia of various American bishops, dating from the 19th century. 11 6 5 20 19 8 4 3 BASILICA OF THE Saint André Bessette, C.S.C. (1845-1937), founder of St. Joseph’s SACRED HEART FLOOR PLAN Oratory, Montréal, Canada, was canonized by Pope Benedict XVI on October 17, 2010. The statue of Saint André Bessette was designed 1. Font, Ambry, Paschal Candle by the Rev. Anthony Lauck, C.S.C. (1985). Saint André’s feast day is 2. Holtkamp Organ (1978) 8 January 6. 3. Sanctuary Crossing 2 4. Seal of the Congregation of Holy Cross 1 5. Altar of Sacrifice 6. Ambo (Pulpit) 9 7. Original Altar / Tabernacle 8. East Transept and World War I Memorial Entrance 9. Tintinnabulum 10. St. Joseph Chapel (Pietà) 11. St. Mary / Bro. André Chapel 2 12. Reliquary Chapel 17 13. The Lady Chapel / Baroque Altar 14. Holy Angels / Guadalupe Chapel 15. Mural of Our Lady of Lourdes 16. Our Lady of Victory / Basil Moreau Chapel 17. Ombrellino 18. Stations of the Cross Chapel / Tomb of A “minor basilica” is a special designation given by the Pope to certain John Cardinal O’Hara, C.S.C.
    [Show full text]
  • Altars Personified: the Cult of the Saints and the Chapel System in Pope Pascal I's S. Prassede (817-819) Judson J
    Claremont Colleges Scholarship @ Claremont Pomona Faculty Publications and Research Pomona Faculty Scholarship 1-1-2005 Altars personified: the cult of the saints and the chapel system in Pope Pascal I's S. Prassede (817-819) Judson J. Emerick Pomona College Deborah Mauskopf Deliyannis Recommended Citation "Altars Personified: The ultC of the Saints and the Chapel System in Pope Pascal I's S. Prassede (817-819)" in Archaelogy in Architecture: Studies in Honor of Cecil L. Striker, ed. J. Emerick and D. Deliyannis (Mainz am Rhein: Philipp von Zabern, 2005), pp. 43-63. This Article is brought to you for free and open access by the Pomona Faculty Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Faculty Publications and Research by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Archaeology in Architecture: Studies in Honor of Cecil L. Striker Edited by Judson J. Em erick and Deborah M. Deliyannis VERLAG PHILIPP VON ZABERN . MAINZ AM RHEIN VII, 216 pages with 146 black and white illustrations and 19 color illustrations Published with the assistance of a grant from the James and Nan Farquhar History of An Fund at the University of Pennsylvania Bibliographic information published by Die Deutsche Bibliotbek Die Deutsche Bibliorhek lists this publication in the Deutsche NationalbibJ iographie; detailed bibliographic data is available on the Internet at dJttp://dnb.ddb.de> . © 2005 by Verlag Philipp von Zabern, Maim am Rhein ISBN- I0: 3-8053-3492-3 ISBN- 13: 978-3-8053-3492-1 Design: Ragnar Schon, Verlag Philipp von Zabern, Maim All rights reserved.
    [Show full text]
  • Open Muroya Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF HISTORY A COMPARISON OF NORMAN ARCHITECTURE IN THE KINGDOMS OF ENGLAND AND SICILY Mikito Muroya FALL 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in History with honors in History Reviewed and approved* by the following: Kathryn Salzer Assistant Professor of History Thesis Supervisor Mike Milligan Senior Lecturer in History Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This study offers a comparison of the differing architectural styles and forms in the Norman Kingdoms of Sicily and England, exploring what exactly differed, as well as attempting to determine why such differences exist in each area. In the Kingdom of England, the Normans largely imported their own forms from Normandy, incorporating little of the Anglo-Saxon architectural heritage. There are in fact examples of seemingly deliberate attempts to eliminate important Anglo-Saxon buildings and replace them with structures built along Norman lines. By contrast, in the Kingdom of Sicily, buildings erected after the arrival of the Normans feature a mix of styles, incorporating features of the earlier Islamic, Byzantine and local Italian Romanesque, as well as the Normans' own forms. It is difficult to say why such variance existed, but there are numerous possibilities. Some result from the way each state was formed: England had already existed as a kingdom when the Normans conquered the land and replaced the ruling class, while the Kingdom of Sicily was a creation of the Norman conquerors; furthermore, the length of time taken to complete the conquest contrasted greatly.
    [Show full text]
  • Eltham Palace: Its Chapels and Chaplains
    Archaeologia Cantiana Vol. 83 1968 ELTHAM PALACE: ITS CHAPELS AND CHAPLAINS By H. J. PRAGNELL ELTHAM PALACE as we see it today is represented by a fifteenth- century Great Hall, stone and brick walls surrounding the moat, and a triple-arched stone bridge thought to have been rebuilt in the reign of Edward IV. The only pictorial record of the complete palace known to exist, the engraving by Peter Stent made about 1650, is inaccurate in some details and is in any case drawn from a considerable distance outside the moated area. It may well be that Stent never saw the palace and made his engraving from somebody else's drawing. Nonsuch Palace which was once thought to have little pictorial evidence surviving is rich in comparison with Eltham. We are fortunate, however, in possessing two plans of Eltham by John Thorpe which are thought to have been made about 1590 but may in fact be slightly later. Accounts for 1603-04 record payment for 'measuring' the plan of the house,1 whereas no such payment occurs in the accounts c. 1590 though the annual records of repair work are complete for this period. One plan covers the outer court, the other the moated area. Both have been carefully studied and were redrawn as a single plan for inclusion in Clapham and Godfrey's Famous Buildings and their Story, 1913. From the plan of the moated area it is possible to see the approximate shape and proportions of the Great Chapel as it existed in the sixteenth century. This plan will be referred to later in connection with the rebuilding of the chapel by order of Henry VIII.
    [Show full text]
  • Pontormo's Capponi Chapel* Leosteinberg
    385 Pontormo's Capponi Chapel* LeoSteinberg Pontormo's work in the Capponi Chapel in Santa Felicita, as "Christ is taken away from His Mother, towards the Florence, began in I525 with the decoration of its hemis- tomb... the Virgin's gesture... becomes one of farewell." pherical dome, a fresco of God the Father surrounded by Meanwhile, on the vault surface directly opposite, the figure four patriarchs. The fresco was followed by four circular of God the Father (known to us from the Uffizi drawings, panels for the pendentives with bust portraits of the evan- Figs. 4-5) extends his right hand in "a gesture of sublime gelists, partly Bronzino's work,1 and by the great altar- compassion and benediction directed across the Chapel to the piece, variously called Descentfrom the Cross (or Deposition), dead Christ." "The fusion by gesture and emotion of dome Pietd, or Entombment (Fig. I).2 The final work, datable in and altarpiece has the effect that the subject-matter of the 1528, was the fresco of the Annunciationon the window wall. parts also becomes one, and that an action takes place across This last, the four tondi, and the altarpiece in its rich the space of the chapel."6 period frame are intact. The cupola decoration was lost In what follows, I will have to quarrel with almost every when the original dome was destroyed to make way for the detail of Shearman's analysis. But my disagreements, in- present shallower vault; nor do we know whether this oc- stead of invalidating, will, I believe, confirm his essential curred in the sixteenth or the eighteenth century.3 In fact, intuition.
    [Show full text]
  • St Ansem's Chapel, Canterbury Cathedral
    Archaeologia Cantiana Vol. 18 1889 ( 169 ) ST. ANSBLM'S CHAPEL, CANTEBBTOY CATHEDEAL. (EOEMEELT THE CHAPEi OF SAIHTS PETBE AKD PAUL.) BY CANON SCOTT ROBERTSON. THIS chapel, upon tlie soutli side of the choir's south aisle, stands above the crypt-chapel of St. Gabriel, the paintings in which were described by me, and fully illustrated, in Archceologia, Oantiana,, Vol. XHI., pp. 48-80. Late in the year 1888, Canon Francis J. Holland gener- ously undertook to restore St. Anselm's Chapel, and to fit it up for the use of such small congregations as would assemble, for instance, at early morning administrations of the Holy Communion. In the course of the work necessary for carrying out Ms purpose, certain discoveries have been made which are of interest. Especially deserving of mention and of record, is the uncovering of a painting, in distemper, of St. Paul, shaking off the viper into the fire at Melita. The work, wMch Canon Holland had undertaken, was found to require far greater labour and much longer time, than he or any one could possibly have anticipated. Before describing it in. detail, it may be well to recall to the reader's memory what, the chapel contains. It formed part of Ernulf's and Conrad's work at the commencement of the twelfth century. On the north side of this: chapel stands the elaborately carved tomb of Archbishop Simon Mepham, who died in 1338-4 on the llth of February. The record of his inter- 170 ST. ANSELM'S OHAPEL, ment states that lie was buried in the Chapel of St.
    [Show full text]
  • Nonconformist Places of Worship Introductions to Heritage Assets Summary
    Nonconformist Places of Worship Introductions to Heritage Assets Summary Historic England’s Introductions to Heritage Assets (IHAs) are accessible, authoritative, illustrated summaries of what we know about specific types of archaeological site, building, landscape or marine asset. Typically they deal with subjects which lack such a summary. This can either be where the literature is dauntingly voluminous, or alternatively where little has been written. Most often it is the latter, and many IHAs bring understanding of site or building types which are neglected or little understood. Many of these are what might be thought of as ‘new heritage’, that is they date from after the Second World War. ‘Nonconformist’ has long been used as a description of Protestant Christians in England and Wales who were not part of the Church of England. Among the numerous denominations are the Baptists, Methodists, Quakers and the Salvation Army. By the mid-nineteenth century their chapels and meeting houses, the subject of this brief introduction, outnumbered the buildings of the Church of England’s. While many chapels are now disused or have seen conversion, they remain characteristic and often notable buildings in settlements in all parts of the country. This guidance note has been written by Christopher Wakeling and edited by Paul Stamper. It is one is of several guidance documents that can be accessed at HistoricEngland.org.uk/listing/selection-criteria/listing-selection/ihas-buildings/ Published by Historic England August 2016. All images © Historic England unless otherwise stated. HistoricEngland.org.uk/listing/selection-criteria/ Front cover The large granite Wesleyan chapel of 1843 at Ponsanooth (Cornwall) dominates this former industrial village, known for its gunpowder mills.
    [Show full text]
  • Mission and Pastoral Measure 2011 Code of Recommended Practice – Volume 2 – Dealing with Consecrated Church Buildings
    Mission and Pastoral Measure 2011 Code of Recommended Practice – Volume 2 – Dealing with Consecrated Church Buildings Mission and Pastoral Measure 2011 Code of Recommended Practice Volume 2: Dealing with Consecrated Church Buildings 1st Edition – July 2012 Mission and Pastoral Measure 2011 Code of Recommended Practice – Volume 2 – Dealing with Consecrated Church Buildings Mission and Pastoral Measure 2011 Code of Recommended Practice – Dealing with Consecrated Church Buildings From time to time amendments and supplements will be notified by email. In order to receive notification you are invited to email your request to [email protected]. The Code can also be downloaded from the Church Commissioners’ website (http://www.ccpastoral.org/mpm2011code). Mission and Pastoral Measure 2011 Code of Recommended Practice – Volume 2 – Dealing with Consecrated Church Buildings Contents List of Common Acronyms Chapter 12 - Introduction 12.1 – 12.7 Introduction 12.8 Background to the Code 12.9 What the Code sets out to do 12.10 - 12.12 Presentation 12.13 Updating the Code 12.14 - 12.21 Key statutory bodies 12.22 - 12.24 General duty Chapter 13 - The role of the Diocesan Mission and Pastoral Committee 13.1 - 13.2 Appointment and membership 13.3 - 13.6 Annual and interim reports 13.7 - 3.8 Considerations, functions and duties 13.9 - 13.11 Ascertainment of views of interested parties: statutory requirements 13.12 - 13.15 Ascertainment of views: arrangements in practice 13.16 - 13.19 Submission of proposals to the Commissioners 13.20 - 13.21 Draft
    [Show full text]
  • Luce Chapel.Pdf
    1 Luce Chapel is a renowned architecture in Taiwan. With its outstanding achievements, it certainly stands outin the modern architectural movement of Preface post-war Taiwan. In October 2014, Luce Chapel was chosen to be one of the ten global classic modern architectures, and the first project within Asian architecture,which received the first “Keeping It Modern” (hereafter abbreviated as KIM) Grant from the Getty Foundation. The Grant acknowledgesthese 20th century modern architectures as milestones of human civilization. With high experimental mentalities, groups of architects and engineersof the previous centuryboldlytried out exploratory materials and cutting edge construction techniques, and built innovative architectures thathave stimulated changes in their surrounding environments, histories, local culture, and forever transformed the philosophical approaches of architecture. However, the Getty Foundation also regards these architectures to be under various degrees of risks. Being fifty to sixty or even older, many of these innovative materials and techniques boldly used at the time oftheirsconstruction were not, and still have not been scientifically tested and analyzed to this very day. Furthermore, the productions of many of these materials have been discontinued due to low adoptions in the market, making conservations even more difficult. Therefore, the Getty Foundation KIM grants promote the sustainable conservation of modern architecture. This focus has also been the core value of the Luce Chapel conservation project. Built in 1963, Luce Chapel has stood on the campus of Tunghai University for over 50 years. This building was designed and built to function as a church building, and has maintained its religious purpose over the years.However, as the number of faculty and students continues to grow,the space demand for community engagements and ceremonial activities of colleges and departments on campus have also increased extensively.
    [Show full text]
  • The Frontier Kingdom of Norman Sicily in Comparative Perspective
    University of Central Florida STARS Electronic Theses and Dissertations, 2020- 2020 The Uniqueness of a Kingdom: The Frontier Kingdom of Norman Sicily in Comparative Perspective Onyx De La Osa University of Central Florida, [email protected] Part of the European History Commons Find similar works at: https://stars.library.ucf.edu/etd2020 University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2020- by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation De La Osa, Onyx, "The Uniqueness of a Kingdom: The Frontier Kingdom of Norman Sicily in Comparative Perspective" (2020). Electronic Theses and Dissertations, 2020-. 33. https://stars.library.ucf.edu/etd2020/33 THE UNIQUENESS OF A KINGDOM: THE FRONTIER KINGDOM OF NORMAN SICILY IN COMPARATIVE PERSPECTIVE by ONYX DE LA OSA B.A. Florida Atlantic University, 2014 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2020 © 2020 Onyx De La Osa ii ABSTRACT The frontier was once described as lands on the periphery of a culture. I argue that frontier spaces are a third space where hybridity can occur. Several of these areas existed in the medieval world with many centering around the Mediterranean and its surrounding lands. The Norman kingdom of Sicily is one such place.
    [Show full text]