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Bibliography Bibliography Aisin-Gioro Pu Yi. From Emperor to Citizen: The Autobiography of Aisin-Gioro Pu Yi, translated by W.J.F. Jenner. Oxford: Oxford University Press, 1987. Alo Chönzay (A-lo chos-mdzad). Bod kyi gnas-lugs bden-rdzun sgo phye-ba’i lde- mig (The Key that Opens the Door to the Truth to the Tibetan Situation). Privately distributed in Chatswood, Australia, 1983. Anagnost, Ann. National Past-Times: Narrative, Representation and Power in Modern China. Durham: Duke University Press, 1997. Apter, David E. and Tony Saich. Revolutionary Discourse in Mao’s Republic. Cambridge and London: Harvard University Press, 1994. Arnold, David and Stuart Blackburn, eds. Telling Lives in India: Biography, Autobiography and Life History. Bloomington: Indiana University Press, 2004. Avedon, John. In Exile from the Land of Snows: The Definitive Account of the Dalai Lama and Tibet since the Chinese Conquest. New York: Knopf, 1984. 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Yinchuan: Ningxia chubanshe, 2004. 238 Bibliography “ ‘Chen Yan: erbian de shijie’ zizhuan zai Jing qianshou” (“Chen Yan: a world of sound” autobiography signing in Beijing). http://www. 00544.com.webdump.org/2004/jiejueshalong/409080001.htm (accessed 25 July 2013). “Chen Yan gangqin diaolü” (Chen Yan piano tuning). http://www.bjpiano. com (accessed 9 November, 2007). Ch’en Shih-hsiang. “An Innovation in Chinese Biographical Writing.” Far Eastern Quarterly 13.1 (1953): 44–62. Cheng, Nien. Life and Death in Shanghai. London: Grafton, 1986. Chia, Lucille. Printing for Profit: The Commercial Publishers of Jianyang, Fujian (11th-17th Centuries). Cambridge: Harvard University Press, 2002. China Internet Network Information Center. [29th] Statistical Report on Internet Development in China, 2012. http://www.apira.org (accessed 28 August, 2012). 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Recovering Bodies: Illness, Disability and Life Writing. Madison: University of Wisconsin Press, 1997. ——. “Introduction – The Empire of the ‘Normal’: A Forum on Disability and Self-representation.” American Quarterly 52.2 (2000): 305–310. ——. Memoir: An Introduction. Oxford: Oxford University Press, 2011. “CPC Calls for Learning from Zhang Haidi.” China Report: Political, Sociological and Military Affairs 429, June 10, 1983. Crawford, Robert. “The Biography of Juan Ta-ch’eng.” Chinese Culture 6.2 (1965): 28–105. Cui Xianghua. “Cong tongyangxi dao nü jiangjun” (From child bride to woman general). In Zhongguo nü jiangjun (Chinese women generals), edited by Cui Xianghua et al., 1–36. Beijing: Jiefangjun wenyi chubanshe, 1995. Dalai Lama. My Land and My People (Tib. Ngos yul dang ngos kyi mi-mang). Darjeeling: Freedom Press, 1963. Dauncey, Sarah. “Screening Disability in the PRC: the Politics of Looking Good.” China Information 21.3 (2007): 481–506. Bibliography 239 ——. “Three Days to Walk: A Personal Story of Life Writing and Disability Consciousness in China.” Disability & Society 27.3 (2012): 311–323. dBang-‘dus rDo-rje. Bod kyi rig-gnas lo-rgyus rgyu-cha bdams-sgrigs ‘don-thengs dang-po dang brgyad-pa’i nang khungs-med nor-‘khrul mang-dag cig ‘dug-gshis phyi-rabs blo-gsar rnams mgo-bo mi rmongs-pa’i ched dngos-byung nor-bcos gsal- bshad (Because There Were Very Many Groundless Inaccuracies in the 1st and 8th Volumes of the Selected Tibetan Materials on History and Culture, I Expound [here] the Corrected Reality, so that the Youth in the Next Generation Are Not Fooled). Dharamsala: Department of Information and International Relations, 1989. de Bary, William T. and Irene Bloom, eds. Sources of Chinese Tradition, vol. 1. 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    Lipsey, Eleanor Laura (2018) Music motifs in Six Dynasties texts. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/32199 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Music motifs in Six Dynasties texts Eleanor Laura Lipsey Thesis submitted for the degree of PhD 2018 Department of East Asian Languages and Cultures China & Inner Asia Section SOAS, University of London 1 Abstract This is a study of the music culture of the Six Dynasties era (220–589 CE), as represented in certain texts of the period, to uncover clues to the music culture that can be found in textual references to music. This study diverges from most scholarship on Six Dynasties music culture in four major ways. The first concerns the type of text examined: since the standard histories have been extensively researched, I work with other types of literature. The second is the casual and indirect nature of the references to music that I analyze: particularly when the focus of research is on ideas, most scholarship is directed at formal essays that explicitly address questions about the nature of music.
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