Non-Destructive Compositional Analyses of Gutenberg's Inks and Papers by Proton Milliprobe

Total Page:16

File Type:pdf, Size:1020Kb

Non-Destructive Compositional Analyses of Gutenberg's Inks and Papers by Proton Milliprobe Submitted to Archaeometry December 1982 NON-DESTRUCTIVE COMPOSITIONAL ANALYSES OF GUTENBERG'S INKS AND PAPERS BY PROTON MILLIPROBE Thomas Ao Cahill, Bruce H. Kusko, Robert A. Eldred Department of Physics and Crocker Nuclear Laboratory, and Richard N. Schwab D~partment of History University of California, Davis, CA 95616 USA Introduction The development of printing with moveable type began a revolution that continues to this day. During the fifty years that followed the invention of printing the new technique spread over Europe, resulting in the publication of hundreds of thousands of books, numbers that were completely inconceivable in the era of manuscript book production. Many aspects of the incunabula period (pre-1500) are shrouded in uncertainty, partly because records of what we wish to know have not survived or were never written down, and doubt- less partly because of the tendency of craftsmen then, as always, to guard their secrets. The extraordinary level of craftsmanship of the first great printed book, the 42-line Bible (the Gutenberg Bible) stands out in sharp contrast to the inferior quality of many later works during the incunabula period and afterward. The blackness and permanence of its ink, the technical perfection of its printing, and the excellence of its papers have rarely been surpassed. Little is known with certainty about the invention of its typographical ink, which in the new printing pro~ess was second in importance only to the development of moveable type itself. Even the exact role of Gutenberg in the introduction of printing into the western world and the publication of the 42-line Bible is open to debate. The paths by which the new technique spread and varied from town to town and country to country are in many cases obscure. We hope that our studies of the composition of inks and papers in the fifteenth century will shed light upon some of the early printing mysteries of this important period. The purpose of this paper is to explain how the technical problems that we encountered in the analysis of the 42-line Bible and other early printed works were handled and to present evidences about the composition of inks and papers that bear upon Gutenberg's own work and its impact upon his contemporaries and successors among the printers of the incunabula period. -1- The Problems of Non-Destructive Analysis of Delicat~ Objects: The paramount problem associated with obtaining compositional data on pages of the 42-line Bible is that because of their uniqueness and value any method of analysis must be non-destructive in the fullest sense of the term. By this we mean that the techniques must put no stress whatsoever on the object beyond that normal to its use or display, and that after the investi- gation one should not be able to tell, even with instruments far more sensitive than human senses, that any analysis has been performed. Chemical methods can only approach this ideal state by the use of minute samples, or aliquots, taken from the object. Since chemical methods involve changes of chemical state they are inherently destructive. If the aliquot cannot be seen by eye, the ideal is approached. Unfortunately, this procedure then faces the logical hurdle of associating a minute aliquot to the bulk sample, and spatial inhomogenities can make the results misleading. Many nuclear and atomi c methods are basically non-destructive, but by accident of design only certain types of samples can be analyzed non- destructively. A good example is neutron activation analysis (NAA), (DeSoote, 1972; Arniel!1~811which can perform quantitative trace analysis of numerous elements in grams of sample. Yet, most systems involve insertion of the sample into a nuclear reactor core, where stressful and even destruc- tive radiation exists,and one sometimes has the problem of lingering radio- activity of the sample. Methods of x-ray analysis, such as x-ray fluorescence (XRF), electron microprobe and scanning electron microscopes (SEM), and particle induced x-ray emission (PIXE) come closest to the non-destructive ideal. Electron beam methods, however, require very small samples~ vacuum irradiations, and often -2- sample coatings; they also entail some beam heating. These are usually unacceptable for the analyses of most rare or valuable ojects. X-Ray fluores- cence is widely and successfully used for analyses of fragile objects, and it is truly non-destructive (Banks, 1963; Hall, 1973; Hansen, 1981; Carriveau, 1982) However, in the form used by most museums and laboratories, it finds a limited range of elements, has spatial resolution on the scale of centimeters and has limited sensitivity. Particle induced x-ray emission (PIXE) has millimeter spatial resolution and can find a wider range of elements than XRF, including some of the biologically important elements from sodium through calcium so important in papers and many biologically derived inks (Johansson, et al 1970; Folkmann et al 197~; Cahill 1980). Such systems have previously been successfully used in the study of archaeological objects made from ceramics and metal objects '(Gordon and Kraner 1972; Ahlberg 1976; Baijot-Stroobants and Bodart 1977; Boulle and Peisach 1979; Mommsen et al 1980; Chen, et al,1980). PTXE systems, however, are generally operated in vacuum, limiting sample size, and many have potential ,for sample damage by beam heating. The first problem is solved and the second mitigated by bringing the beam out of vacuum into an air or helium atmosphere, for an external beam PIXE system, a proton milliprobe (Seaman and Shane 1975; Katsanos et al 1976; Lodhi and Sioshansi 1977; Deconninck 1977; Huda 1979; Chen et al 1980). In the Davis system the beam heating problem was reduced to insignificance by placing the x-ray detector so close to the sample that beam currents could be reduced to less than 10-9 amperes, and by using on-demand beam pulsing to turn the cyclotron off whenever an x-ray was being analyzed. The specific problems of analysis of inks and rubrics is complicated by the presence of paper or parchment substrates. One must make a quantita- tive subtraction of the chemically complicated paper from the inks, requiring -3- the ability to analyze a known amount of ink-plus-paper, and then subtracting the paper content. This can not be done if the excitation covers an unknown ratio of ink to paper, on the front and back sides of the sheet. Thus, one requires excitation narrower than the inked letters and rubrics. The problem is compounded by examples in which the inks on each side of a leaf have different compositions. One must then be able to select a letter on each side without interference from the letters on the other side. This requires not only a small proton beam but ability to set its location to sub-millimeter precision on both sides of partially opaque objects. Thus, in the program undertaken at Davis, the attempt was made to develop a proton milliprobe of such inherent sensitivity that one could analyze even the most fragile and sensitive objects, with the capability of quantitively analyzing millimeter portions of large objects to parts per million sensitivity for any and all elements from sodium to the end of the periodic table. -4- The Davis Proton Milliprobe: A beam of 4.5 MeV protons is used as the source of excitation in the Davis external beam proton milliprobe. The 76" isochronous cyclotron (Gendreau 1981) circulates a beam of 9 MeV H~ ions at relatively high currents corresponding to a good fraction of the maximum possible circulating internal beam for this ion in the Davis machine. The extracted beam passes through highly confining external slits, the electrostatic deflection plates of the on-demand beam pulsing system, (Thibeau et al 1973) a bending magnet, and another set of slits before entering the experimental area. Through these precautions, the nominal 0.5 nA delivered to the sample could not suddenly increase more than a factor of 2 due to changes in internal cyclotron parameters, as the accelera- tor is operating close to maximum conditions. Additional collimation is provided by a set of continuously adjustable collimators upstream of the final micrometer slits (Figure 1), designed to minimize current on these micrometer slits. The beam exits into a helium.atmosphere slightly above ambient pressure through a 2 mil Kapton* window. This window is routinely replaced after every 10 hours of use, although a darkening of its normal golden color to jet black provides visual confirmation of radiation damage to the window well before failure. The chamber is lined with polyethelyne (CH2) foils to prevent secondary radiation from the aluminum walls. The beam then passes through the sample to a moveable Faraday cup and is inte- grated. Location and size of the ion beam is set by the micrometer settings, and confirmed by the use of easily bleachable blue dye in a paper which is run for about 5 minutes at 10 times the normal beam current. A low power He-Ne laser mounted below the beam line provides a spot of about 1 mm diameter at *Dupont trademark -5- the exact location of~ and collinear with~ the ion beam~ through use of a mirror that can intersect the ion beam. This laser spot~ completely harmless to the object being tested~ can be seen through most papers and parchments~ as well as on the front (analyzed) surface of opague objects by another mirror. A white light of variable intensity shines on the front surface of papers and parchments, allowing one to detect letters simultaneously on each side and compare it to the laser spot. Although the energy delivered by the proton beam to a sheet of paper is roughly equi~alent to that provided by a 100 watt light bulb at 50 cm~ and much less than sunlight~ extensive tests were performed to verify that the proton beam was harmless to papers and parchments.
Recommended publications
  • Reformation 2017 Johannes Gutenberg Handout
    FACES OF THE REFORMATION Gutenberg’s invention helped Johannes Gutenberg spread the ideas of the Reformation Born: 1395? | Mainz, Germany to the masses Died: 1468 | Mainz, Germany Could Johannes Gutenberg have known when he first conceived the idea of moveable type that it would contribute to the spread of the Reformation and the Renaissance and lead to the education of all levels of society? One might question his presence in the “Faces of the Reformation” series. But considering that his presses printed not only Luther’s 95 Theses but also the papal indulgences that sparked Luther’s polemic pen, it seems fitting that he should be included. Gutenberg was born about 1395 as the son of a metalsmith, and he became acquainted with the printing business at a very young age. His invention of the moveable type press made the mass production of books a reality that would change the world. By 1450, his new invention was operating. As with most new ideas of this scale, the road was not smooth. In 1446, Johann Fust, Gutenburg’s financial backer, won a lawsuit against him regarding repayment of the funds. Gutenberg’s employee and son-in-law, Peter SchÖffer, testified against him. Before this lawsuit was finalized, Gutenberg had printed a Latin Bible that contained 42 lines of Scripture per page. This “42-line Bible” is known as the Gutenberg Bible. The press for the Bible, Gutenberg’s masterpiece, along with a second book containing only Psalms, was lost to Fust in the court case. The Psalter was published after the court case with no mention of Gutenberg; only Fust’s and SchÖffer’s names appear as the printers.
    [Show full text]
  • A Thousand Years of the Bible 19
    A THOUSAND YEARS OF THE BIBLE 19. Petrus Comestor, Bible Historíale, translated by Guiart des Moulins. Paris, circa 1375. Ms. 1, vol. 2, fol. 86v: Jeremiah Before Jerusalem in Flames. A THOUSAND YEARS OF THE BIBLE AN EXHIBITION OF MANUSCRIPTS FROM THE J. PAUL GETTY MUSEUM MALIBU AND PRINTED BOOKS FROM THE DEPARTMENT OF SPECIAL COLLECTIONS UNIVERSITY RESEARCH LIBRARY, UCLA Malibu Los Angeles The J. Paul Getty Museum University of California 1991 Cover illustration: 12. Gospel Book, Helmarshausen Abbey, Germany, circa 1120-1140. Ms. Ludwig II 3, fol. 51v: Saint Mark Writing his Gospel © January 1991 by The J. Paul Getty Museum and The Regents of the University of California ISBN 0-89236-193-X TABLE OF CONTENTS FOREWORD by John Walsh and Gloria Werner vii BIBLE COLLECTIONS IN LOS ANGELES by John Bidwell 1 THE J. PAUL GETTY MUSEUM: MEDIEVAL AND RENAISSANCE MANUSCRIPTS by Ranee Katzenstein INTRODUCTION TO THE EXHIBITION 15 CHECKLIST 35 ILLUSTRATIONS 41 THE DEPARTMENT OF SPECIAL COLLECTIONS, UNIVERSITY RESEARCH LIBRARY, UCLA: THE PRINTED WORD by David S. Zeidberg and James Davis INTRODUCTION TO THE EXHIBITION 61 CHECKLIST 77 ILLUSTRATIONS 87 This page intentionally left blank FOREWORD In the years since Henry Huntington acquired his Guten­ berg Bible, southern California has become a center for study­ ing the arts of the book. Each of the region's libraries, universities, and museums can boast individual treasures, but when these resources are taken together, the results are remarkable. The extent to which the collections of the J. Paul Getty Museum and UCLÄs research libraries complement each other can be judged in^l Thousand Years of the Bible.
    [Show full text]
  • The-Gutenberg-Museum-Mainz.Pdf
    The Gutenberg Museum Mainz --------------------------------------------------------------------- Two original A Guide Gutenberg Bibles and many to the other documents from the dawn of the age of printing Museum ofType and The most beautiful Printing examples from a collection of 3,000 early prints Printing presses and machines in wood and iron Printing for adults and children at the Print Shop, the museum's educational unit Wonderful examples of script from many countries of the world Modern book art and artists' books Covers and illustrations from five centuries Contents The Gutenberg Museum 3 Johannes Gutenberg- the Inventor 5 Early Printing 15 From the Renaissance to the Rococo 19 19th Century 25 20th Century 33 The Art and Craftmanship of the Book Cover 40 Magic Material Paper 44 Books for Children and Young Adults 46 Posters, Job Printing and Ex-Libris 48 Graphics Techniques 51 Script and Printing in Eastern Asia 52 The Development of Notation in Europe and the Middle East 55 History and Objective of the Small Press Archives in Mainz 62 The Gutenberg Museum Print Shop 63 The Gutenberg Society 66 The Gutenberg-Sponsorship Association and Gutenberg-Shop 68 Adresses and Phone Numbers 71 lmpressum The Gutenberg Museum ~) 2001 The Cutcnlx~rg Museum Mainz and the Cutcnbc1g Opposite the cathedral in the heart of the old part ofMainz Spons01ship Association in Germany lies the Gutenberg Museum. It is one of the oldest museums of printing in the world and This guide is published with tbc kind permission of the attracts experts and tourists from all corners of the globe. Philipp von Zahc1n publisher's in Mainz, In r9oo, soo years after Gutenberg's birth, a group of citi­ with regard to excLrpts of text ;md illustrations zens founded the museum in Mainz.
    [Show full text]
  • Dr. Lee's Latex Slides
    CSCE 222 Discrete Structures for Computing LaTeX Dr. Hyunyoung Lee ! ! ! ! ! Based on slides by Andreas Klappenecker "1 Tripitaka Koreana Palman Daejanggyeong (“Eighty-Thousand Tripitaka”)! South Korean collection of Buddhist scriptures! Carved onto 81,258 wooden printing blocks in the 13th century! The world’s most comprehensive and oldest intact version of Buddhist canon in Hanja script, with no known errors or errata in the 52,382,960 characters "2 Haeinsa - UNESCO World Heritage Site "3 Gutenberg Johannes Gutenberg! Introduced movable metal type to Europe (in around 1439) ! Invented the printing press! Started a revolution in printing in Europe "4 Gutenberg Bible Gutenberg demonstrated his printing technology by printing a complete bible. ! The Gutenberg bible was produced at a significantly lower cost than hand copying.! Still, cost: about 3 years salary of a clerk per bible.! 1978: Copy sold for $2.2million "5 "6 Fast Forward to 1974 Academic books often a mix of handwritten symbols (e.g. formulas) and typeset symbols.! Note the arrows... "7 Fast Forward to 2011 (Homework Submission) The scan is a faithful reproduction of the submission! It remains a mystery how the TA was able to read it. "8 Late 70’s: Don Knuth invents TeX "9 Knuth Don Knuth illustrates the mathematical typesetting with TeX by writing the bible of computer programming: ! Four volumes published so far: "10 1984: LaTeX In 1984, Leslie Lamport writes the markup language LaTeX that makes TeX particularly easy to use. ! Key feature: The document is organized according to its structure (e.g. Title, Chapter, Sections, etc.)! The language is easy to learn! Available on virtually all computing platforms "11 LaTeX Computer programmers will feel right at home: The document is produced by a program.
    [Show full text]
  • A Leaf from a Gutenberg Bible Illuminated in England
    A LEAF FROM A GUTENBERG BIBLE ILLUMINATED IN ENGLAND EBERHARD KONIG OLD libraries, even those with a great tradition in providing information of a high standard, may sometimes benefit from visitors who insist on not confining themselves to what is listed or catalogued, although the outcome will frequently be—to the annoyance of all concerned—that the search was for something that does not necessarily exist. This situation is all too familiar to those art historians who are experts of illumination and who trace special styles of decoration in manuscripts or printed books; moreover, they do not very often meet librarians who take them to the shelves or are willing to waste days looking for one item which cannot be identified by a precise shelf-mark. It has happened several times that I wished to find objects in the British Library which I could not properly identify, and I have encountered the kindest possible help on each occasion, even when in the end we had to conclude that the book we had looked for did not really exist. ^ But the last time this happened the search was successful: to her own astonishment Lotte Hellinga found in the British Library collection of incunabula a forgotten leaf of a Gutenberg Bible which is not listed in its catalogue, BMC^ one of tbe greatest of all catalogues of incunabula.^ It was not by divination that I asked to see this leaf. Seymour de Ricci had listed it in 1911,-^ and Paul Schwenke, perhaps the only scholar to make a thorough study of all the copies of the Gutenberg Bible known during his lifetime, and who was well acquainted with questions of binding and decoration, described the leaf in his Ergdnziingsband (1923) to the first (and brilliant) facsimile of the Berlin copy of the Gutenberg Bible."^ Subsequently the fragment vanished from the Gutenberg literature, and apparently also from the memories of incunabulists.
    [Show full text]
  • RQX 72 3 Bookreviews 1049..1051
    REVIEWS 1049 1622), at the Staats- und Stadtbibliothek in Augsburg. Part 3 of White’s book is a cen- sus of Gutenberg Bibles based on Paul Needham’s 1985 census, but revised and expanded, also including fragments. It contains information on location, references, size, completeness, different settings, and provenance of all known copies. With his Editio princeps, White offers a wealth of new information, but most impor- tantly, he offers a new and original approach to Gutenberg’s monument in printing his- tory, which particularly manifests itself in the second part of the book. There he adds a new layer to our understanding of the Gutenberg Bible and its extant copies by giving insight into the Gutenberg Bible as phenomenon through its historiography. Given the vast amount of literature and possible references to copies, this must have been an enor- mous undertaking. However, White’s approach also creates confusion because it is not always clear what the Gutenberg Bible actually is. Is it a construct that only emerged after 1700, as White describes in part 2? Is it the Bible edition that came into being in Mainz around 1450 (part 1)? Or does it refer to actual copies of this edition (part 3)? This matters, especially for the theory of the Gutenberg Bible falling into oblivion in the sixteenth and seven- teenth centuries. White describes one long history, connecting the fifteenth to the eigh- teenth century, but these are different histories. The fifteenth century saw the birth of a printed bible by Gutenberg in Mainz, while the eighteenth century saw the birth of the construct that is the Gutenberg Bible.
    [Show full text]
  • The Power of the Printed Word
    Chapter 1 THE BIG QUESTION Why was Gutenberg’s invention of a printing The Power of press so important? the Printed Word Did you know that a man named “John Gooseflesh” changed the world? Johann Gensfleisch, which in English is John Gooseflesh, was born in the city of Mainz, Germany, around 1397 CE. However, by the time Johann started school, he went by the name Gutenberg instead of Gensfleisch and that is the name we remember. Gutenberg was the name of the large manor house in which Johann grew up. He came from a very wealthy family. Johann was taught to read from an early age. Unlike the homes of less privileged children in the early 1400s, the Gutenberg house was full of books. That may not seem unusual, but it was. Books in the 1400s were very different from the books we have today. The book you are reading right now is a printed book. There are thousands of copies of this book, all exactly the same. They were printed by machines in a very short time. Not so with the books in Johann’s day. Each book in the Gutenberg’s home library was one of a kind, rare, and expensive. 2 1 2 Books in the Middle Ages Throughout the Middle Ages, books were made by hand. Much of the writing was done by monks working in monasteries, although the craft of making books also took place in some universities and secular schools. Primarily existing books such as the Bible and great works authored by ancient Greek and Roman scholars were copied.
    [Show full text]
  • The Gutenberg Bible of 1454 Libro Stephan Fussel
    THE GUTENBERG BIBLE OF 1454 LIBRO STEPHAN FUSSEL 244-PDFTGBO1LSF | 48 Page | File Size 1,846 KB | 18 Nov, 2019 COPYRIGHT 2019, ALL RIGHT RESERVED PDF File: The Gutenberg Bible Of 1454 Libro Stephan Fussel - 244-PDFTGBO1LSF 1/2 The Gutenberg Bible Of 1454 Libro Stephan Fussel This The Gutenberg Bible Of 1454 Libro Stephan Fussel Pdf file begin with Intro, Brief Discussion until the Index/Glossary page, look at the table of content for additional information, if provided. It's going to discuss primarily concerning the previously mentioned topic in conjunction with much more information related to it. As per our directory, this eBook is listed as 244-PDFTGBO1LSF, actually introduced on 18 Nov, 2019 and then take about 1,846 KB data size. We advise you to browse our wide selection of digital book in which distribute from numerous subject as well as resources presented. If you're a student, you could find wide number of textbook, academic journal, report, and so on. With regard to product buyers, you may browse for a complete product instruction manual and also guidebook and download all of them absolutely free. Take advantage of related PDF area to obtain many other related eBook for The Gutenberg Bible Of 1454 Libro Stephan Fussel, just in case you didn't find your desired topic. This section is include the most relevant and correlated subject prior to your search. With additional files and option available we expect our readers can get what they are really searching for. Source :https://office.librarycloud.co.uk/pdf/downloads/The-gutenberg-bible-of-1454-libro-stephan-fussel.pdf Download or Read: THE GUTENBERG BIBLE OF 1454 LIBRO STEPHAN FUSSEL PDF Here! The writers of The Gutenberg Bible Of 1454 Libro Stephan Fussel have made all reasonable attempts to offer latest and precise information and facts for the readers of this publication.
    [Show full text]
  • The Museum of Printing History Offers Hands-On Learning Opportunities for Students of All Ages
    Welcome The Museum of Printing History offers hands-on learning opportunities for students of all ages. Visits to the Museum are appropriate for a wide range of subjects, whether the focus is science and technology or English Language Arts, history or fine arts and crafts. With exhibitions dedicated to the development of essential technologies, American and Texas history, the traditions of Western literature and art – as well as working galleries for crafts such as papermaking, printmaking, and bookbinding – the visiting student will encounter scholars and artists who are gifted at bringing the past to life. Museum of Printing History tours are customizable to the needs of any class. Discuss a course or unit topic with our Curator or Artist-in-Residence to develop a tour which fits the subject matter that the students are currently exploring. If suitable for the size of your group, it is also possible to introduce hands-on projects, such as a session printing in our lithography studio with Houston artist Charles Criner, or an introduction to book construction and history with one of our bookbinders. In addition to regularly scheduled classes, the Museum of Printing History can work with your school or community group to schedule workshops on a wide range of topics relating to the art of the book. We have a list of workshops available on demand, or we may work together to design something special for your group. For questions, or to schedule your outreach workshop, please contact Amanda Stevenson, Curator, [email protected], 713-522-4652, ext. 207. Contents Preparing for your Visit Maps & Directions 2 Tour Information 3 Museum Overview 4 Pre-Visit Discussions 5 Museum & Post Visit Activities 11 1 Preparing for Your Visit Convenient to downtown and to all major freeways, the Museum is located at 1324 West Clay, between Waugh Drive and Montrose, just south of Allen Parkway.
    [Show full text]
  • Johannes Gutenberg
    THIS DAY IN HISTORY STUDY GUIDE FEB. 23, 1455: GUTENBERG BIBLE PUBLISHED Biographies, discussion questions, suggested activities and more PRINTING Setting the Stage Before Johannes Gutenberg introduced printing to the West, knowledge of the world was limited to those who could aff ord to buy expensive, hand-cop- ied books--mainly royalty and religious orders. However, the printing pro- cess was already well established in other parts of the world. Chinese arti- sans were pressing ink onto paper as early as the second century A.D., and by the 800s, they had produced full-length books using wooden block printing. Movable type also fi rst surfaced in the Far East. Sometime around the mid- 11th century, a Chinese alchemist named Pi Sheng developed a system of individual character types made from a mixture of baked clay and glue. Metal movable type was later used in Korea to create the “Jikji,” a collection of Zen Buddhist teachings. The Jikji was fi rst published in 1377, some 75 years before Johannes Gutenberg began churning out his Bibles in Mainz, Germany. Cover photo: A close up of the Gutenberg Bible. FEB. 23, 1455 ∙ GUTENBERG BIBLE PUBLISHED THIS DAY IN HISTORY / 2 FEB. 23, 1455 GUTENBERG BIBLE PUBLISHED ost scholars believe that on February 23, 1455, Johannes MGutenberg published what comes to be known as the “Gutenberg Bible” using a printing press he de- signed and built. The elegant, two-vol- ume Latin bible was Europe’s first mass-produced book, and one of the earliest works made using movable metallic type, a system of individual letters and character pieces that could be rearranged and reused during printing.
    [Show full text]
  • Gutenberg's Invention
    Gutenberg’s Invention By Allan Haley MANY PEOPLE THINK OF JOHANN GUTENBERG (c. 1398–1468) as the “father of printing.” And, in a certain sense, he is. However, he is not the inventor of the printing press, or of printing ink, or even of moveable type. Gutenberg’s Bible was neither the first book printed using moveable type, nor the first book he printed using moveable type. And it certainly is not his most important contribution to graphic communication. Revisionary Inventor of learning and knowledge from The Might of Knowledge Even though Gutenberg did not invent religious to secular – all within less than Leaders of the Catholic Church thought most of the devices for which he is com- 50 years. that mass-produced copies of its monly given credit, his achievements teachings could strengthen its power are monumental. They are rooted in In 1455, there were no printing presses and authority. Their idea was to his ability to scientifically synthesize in Europe. By 1500, presses were disseminate thousands of copies of various mechanical elements into an operating in 245 cities, from Stockholm identical religious texts, as a way to economical, practical product. to Palermo. Before 1455, there were no potentially take religious conformity and Gutenberg built on the work of others, printed texts in Europe. By 1500, over obedience to unprecedented heights. starting with their existing tools and 20 million books had been printed – devices, which he modified, refined and one book for every five people living in The Church realized too late, however, perfected to suit his purpose. Western Europe.
    [Show full text]
  • The Catholic Bible: the First Printed Book?
    The Catholic Bible: The First Printed Book? Did you know that when Johannes Gutenberg invented the printing press, the first book he published was the Catholic Bible? Before Johannes Gutenberg invented the printing press in the Western world, books were hard to find and highly valuable. Bibles were handwritten by monks and usually only clergy were able to own them. But the printing press allowed vendors to mass-produce books, newspapers, and magazines, making books and information cheaper and more accessible to everyone. When Gutenberg created this revolutionary piece of technology, the first book he printed to distribute throughout the world was the Catholic Bible. Of all the works Gutenberg could have printed, why the Catholic Bible? Little is known about Gutenberg other than the fact that he invented the printing press in Europe around 1450 and was a devout Catholic. After designing the printing press, he borrowed money to mass-produce Catholic bibles that could be sent throughout the world. It is believed that Gutenberg printed 180 copies of this bible, known as the Gutenberg Bible. Many scholars note that what stands out about the Gutenberg Bible is how intricate and delicate this publication is, having been printed with high-quality materials. Today, only forty-nine copies of the Gutenberg Bible have survived. So why is this bible so important to us? It’s important because the printing press helped spread information and ideas in a way that was not possible before. Thanks to Johannes Gutenberg, the fundamental teachings of Catholicism were able to flourish during this time. .
    [Show full text]