Gutenberg's Bible
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Printed from the Time of Gutenberg’S Were Both Scribes and Illuminators Who Established Invention1
GD 135 HISTORY OF GRAPHIC DESIGN Chapter 6: ����������������������������������������������������� TERMS: PEOPLE AND PLACES: • Incunabula (pg. 85) • Nuremberg, Germany (pg. 89) • Broadsides, broadsheets (pgs. • Martin Luther (pgs. 94-97) 85, 87) • Erhard Reuwich (pg. 89) • Exemplars (pg. 87) • Günther & Johann Zainer (pgs. • Aesop’s Vita et fabulae (pgs. 87, 87-88) 88) • Anton Koberger (pgs. 90-93) • Peregrinationes in Montem Syon • Albrecht Dürer (pgs. 93-95) (pgs. 88, 89) • William Caxton (pgs.97-100) • Nuremberg Chronicle (pgs. 90- • Arnao Guillen de Brocar (pg. 101) 93) • Dürer’s The Apocalypse (pgs. 92, 93) • Teuerdank (pgs. 94, 95) • Polyglot Bible (pgs. 100-101) From a page in Aesop’s Vita et fabulae, 1476. ���������������������������������������������������������������������������������������������������������������������������������� Chapter 6 Study Questions Historians used the term “incunabula” to describe The German brothers Günther and Johann Zainer early books printed from the time of Gutenberg’s were both scribes and illuminators who established invention1. to the end of the 15th century� What does the printing5. businesses that popularized illustrated books� They word “incunabula” mean? expanded beyond topics of religion and theology to include popular literature and folktales such as ________________� A� cradle, or baby linen C� incurable insomniac A� Historia Griseldis and Aesop’s Life and Tales� B� a new era D� a revolution B� The Papyrus of Ani and the Book of the Dead. By 1500, printing was produced in more than 140 C� The Gutenberg Bible and the Psalter in Latin� towns, replacing many of the scriptori which made manuscripts2. � Which of the following is NOT a result of this D� The Qur’an and the Diamond Sutra� new mechanized craft? Erhard Reuwich was the first _________________ to A� Books became less C� Illiteracy increased due be identified as such for his work in Peregrinationes in costly to make� to lack of books� Montem6. -
FINDING AID to the RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20Th Century
FINDING AID TO THE RARE BOOK LEAVES COLLECTION, 1440 – Late 19/20th Century Purdue University Libraries Virginia Kelly Karnes Archives and Special Collections Research Center 504 West State Street West Lafayette, Indiana 47907-2058 (765) 494-2839 http://www.lib.purdue.edu/spcol © 2013 Purdue University Libraries. All rights reserved. Processed by: Kristin Leaman, August 27, 2013 Descriptive Summary Title Rare Book Leaves collection Collection Identifier MSP 137 Date Span 1440 – late 19th/early 20th Century Abstract The Rare Book Leaves collection contains leaves from Buddhist scriptures, Golden Legend, Sidonia the Sorceress, Nuremberg Chronicle, Codex de Tortis, and an illustrated version of Wordsworth’s poem Daffodils. The collection demonstrates a variety of printing styles and paper. This particular collection is an excellent teaching tool for many classes in the humanities. Extent 0.5 cubic feet (1 flat box) Finding Aid Author Kristin Leaman, 2013 Languages English, Latin, Chinese Repository Virginia Kelly Karnes Archives and Special Collections Research Center, Purdue University Libraries Administrative Information Location Information: ASC Access Restrictions: Collection is open for research. Acquisition It is very possible Eleanore Cammack ordered these Information: rare book leaves from Dawson’s Book Shop. Cammack served as a librarian in the Purdue Libraries. She was originally hired as an order assistant in 1929. By 1955, she had become the head of the library's Order Department with a rank of assistant professor. Accession Number: 20100114 Preferred Citation: MSP 137, Rare Book Leaves collection, Archives and Special Collections, Purdue University Libraries Copyright Notice: Purdue Libraries 7/7/2014 2 Related Materials MSP 136, Medieval Manuscript Leaves collection Information: Collection of Tycho Brahe engravings Collection of British Indentures Palm Leaf Book Original Leaves from Famous Books Eight Centuries 1240 A.D.-1923 A.D. -
1 a Place Is Carefully Constructed: Reading the Nuremberg Cityscape
A Place is Carefully Constructed: Reading the Nuremberg Cityscape in the Nuremberg Chronicle Kendra Grimmett A Sense of Place May 3, 2015 In 1493 a group of Nuremberg citizens published the Liber Chronicarum, a richly illustrated printed book that recounts the history of the world from Creation to what was then present day.1 The massive tome, which contains an impressive 1,809 woodcut prints from 645 different woodblocks, is also known as the Nuremberg Chronicle. This modern English title, which alludes to the book’s city of production, misleadingly suggests that the volume only records Nuremberg’s history. Even so, I imagine that the men responsible for the book would approve of this alternate title. After all, from folios 99 verso through 101 recto, the carefully constructed visual and textual descriptions of Nuremberg and its inhabitants already unabashedly favor the makers’ hometown. Truthfully, it was common in the final decades of the fifteenth century for citizens’ civic pride and local allegiance to take precedence over their regional or national identification.2 This sentiment is strongly stated in the city’s description, which directly follows the large Nuremberg print spanning folios 99 verso and 100 recto (fig. 1). The Chronicle specifies that although there was doubt whether Nuremberg was Franconian or Bavarian, “Nurembergers neither wished to be 1 Scholarship on the Nuremberg Chronicle is extensive. See, for instance: Stephanie Leitch, “Center the Self: Mapping the Nuremberg Chronicle and the Limits of the World,” in Mapping Ethnography in Early Modern Germany: New Worlds in Print Culture (Basingstoke; New York: Palgrave Macmillan, 2010), 17-35; Jeffrey Chipps Smith, “Imaging and Imagining Nuremberg,” in Topographies of the Early Modern City, ed. -
Reformation 2017 Johannes Gutenberg Handout
FACES OF THE REFORMATION Gutenberg’s invention helped Johannes Gutenberg spread the ideas of the Reformation Born: 1395? | Mainz, Germany to the masses Died: 1468 | Mainz, Germany Could Johannes Gutenberg have known when he first conceived the idea of moveable type that it would contribute to the spread of the Reformation and the Renaissance and lead to the education of all levels of society? One might question his presence in the “Faces of the Reformation” series. But considering that his presses printed not only Luther’s 95 Theses but also the papal indulgences that sparked Luther’s polemic pen, it seems fitting that he should be included. Gutenberg was born about 1395 as the son of a metalsmith, and he became acquainted with the printing business at a very young age. His invention of the moveable type press made the mass production of books a reality that would change the world. By 1450, his new invention was operating. As with most new ideas of this scale, the road was not smooth. In 1446, Johann Fust, Gutenburg’s financial backer, won a lawsuit against him regarding repayment of the funds. Gutenberg’s employee and son-in-law, Peter SchÖffer, testified against him. Before this lawsuit was finalized, Gutenberg had printed a Latin Bible that contained 42 lines of Scripture per page. This “42-line Bible” is known as the Gutenberg Bible. The press for the Bible, Gutenberg’s masterpiece, along with a second book containing only Psalms, was lost to Fust in the court case. The Psalter was published after the court case with no mention of Gutenberg; only Fust’s and SchÖffer’s names appear as the printers. -
Press Relation: City Museum at Fembo's House
Press release 23.11.2016 City of Nuremberg Municipal Museums Contact: PR department Hirschelgasse 9-11 City Museum at Fembo’s House 90403 Nuremberg Tel.: +49 (0)911 / 2 31-54 20 Fax: +49 (0)911 / 2 31-1 49 81 Nuremberg's only surviving large Late Renaissance merchant's house [email protected] – halfway up the hill to the Imperial Castle – invites visitors to . experience a trip through the city's past. Priceless original rooms, City Museum at the Fembohaus staged settings and audio plays bring 950 years of Nuremberg's Burgstraße 15 history to life. The museum's Exhibition Forum, with its changing 90403 Nürnberg Tel.: +49 (0)9 11 / 2 31-25 95 presentations, is a showcase for the city's history, art and culture. Fax: +49 (0)9 11 / 2 31-25 96 stadtmuseum-fembohaus@ For centuries, Nuremberg had been at the center of German and European stadt.nuernberg.de history. It was one of the most powerful imperial cities of the Holy Roman Empire and was the city most frequently visited by German emperors and museen.nuernberg.de kings. Trade and crafts brought Nuremberg wealth, power, and recognition. By the fourteenth century, the city had developed into a flourishing trade center. Nuremberg merchants had extensive international trade connections, maintained branch offices all over Europe, and were represented at all trade fairs and markets. During the German Renaissance, Nuremberg was home to famed artist Albrecht Dürer and Europe's largest printer-publisher, Anton Koberger. In 1525, Nuremberg was one of the first major German cities to introduce Lutheran Reformation. -
A Thousand Years of the Bible 19
A THOUSAND YEARS OF THE BIBLE 19. Petrus Comestor, Bible Historíale, translated by Guiart des Moulins. Paris, circa 1375. Ms. 1, vol. 2, fol. 86v: Jeremiah Before Jerusalem in Flames. A THOUSAND YEARS OF THE BIBLE AN EXHIBITION OF MANUSCRIPTS FROM THE J. PAUL GETTY MUSEUM MALIBU AND PRINTED BOOKS FROM THE DEPARTMENT OF SPECIAL COLLECTIONS UNIVERSITY RESEARCH LIBRARY, UCLA Malibu Los Angeles The J. Paul Getty Museum University of California 1991 Cover illustration: 12. Gospel Book, Helmarshausen Abbey, Germany, circa 1120-1140. Ms. Ludwig II 3, fol. 51v: Saint Mark Writing his Gospel © January 1991 by The J. Paul Getty Museum and The Regents of the University of California ISBN 0-89236-193-X TABLE OF CONTENTS FOREWORD by John Walsh and Gloria Werner vii BIBLE COLLECTIONS IN LOS ANGELES by John Bidwell 1 THE J. PAUL GETTY MUSEUM: MEDIEVAL AND RENAISSANCE MANUSCRIPTS by Ranee Katzenstein INTRODUCTION TO THE EXHIBITION 15 CHECKLIST 35 ILLUSTRATIONS 41 THE DEPARTMENT OF SPECIAL COLLECTIONS, UNIVERSITY RESEARCH LIBRARY, UCLA: THE PRINTED WORD by David S. Zeidberg and James Davis INTRODUCTION TO THE EXHIBITION 61 CHECKLIST 77 ILLUSTRATIONS 87 This page intentionally left blank FOREWORD In the years since Henry Huntington acquired his Guten berg Bible, southern California has become a center for study ing the arts of the book. Each of the region's libraries, universities, and museums can boast individual treasures, but when these resources are taken together, the results are remarkable. The extent to which the collections of the J. Paul Getty Museum and UCLÄs research libraries complement each other can be judged in^l Thousand Years of the Bible. -
The-Gutenberg-Museum-Mainz.Pdf
The Gutenberg Museum Mainz --------------------------------------------------------------------- Two original A Guide Gutenberg Bibles and many to the other documents from the dawn of the age of printing Museum ofType and The most beautiful Printing examples from a collection of 3,000 early prints Printing presses and machines in wood and iron Printing for adults and children at the Print Shop, the museum's educational unit Wonderful examples of script from many countries of the world Modern book art and artists' books Covers and illustrations from five centuries Contents The Gutenberg Museum 3 Johannes Gutenberg- the Inventor 5 Early Printing 15 From the Renaissance to the Rococo 19 19th Century 25 20th Century 33 The Art and Craftmanship of the Book Cover 40 Magic Material Paper 44 Books for Children and Young Adults 46 Posters, Job Printing and Ex-Libris 48 Graphics Techniques 51 Script and Printing in Eastern Asia 52 The Development of Notation in Europe and the Middle East 55 History and Objective of the Small Press Archives in Mainz 62 The Gutenberg Museum Print Shop 63 The Gutenberg Society 66 The Gutenberg-Sponsorship Association and Gutenberg-Shop 68 Adresses and Phone Numbers 71 lmpressum The Gutenberg Museum ~) 2001 The Cutcnlx~rg Museum Mainz and the Cutcnbc1g Opposite the cathedral in the heart of the old part ofMainz Spons01ship Association in Germany lies the Gutenberg Museum. It is one of the oldest museums of printing in the world and This guide is published with tbc kind permission of the attracts experts and tourists from all corners of the globe. Philipp von Zahc1n publisher's in Mainz, In r9oo, soo years after Gutenberg's birth, a group of citi with regard to excLrpts of text ;md illustrations zens founded the museum in Mainz. -
Dr. Lee's Latex Slides
CSCE 222 Discrete Structures for Computing LaTeX Dr. Hyunyoung Lee ! ! ! ! ! Based on slides by Andreas Klappenecker "1 Tripitaka Koreana Palman Daejanggyeong (“Eighty-Thousand Tripitaka”)! South Korean collection of Buddhist scriptures! Carved onto 81,258 wooden printing blocks in the 13th century! The world’s most comprehensive and oldest intact version of Buddhist canon in Hanja script, with no known errors or errata in the 52,382,960 characters "2 Haeinsa - UNESCO World Heritage Site "3 Gutenberg Johannes Gutenberg! Introduced movable metal type to Europe (in around 1439) ! Invented the printing press! Started a revolution in printing in Europe "4 Gutenberg Bible Gutenberg demonstrated his printing technology by printing a complete bible. ! The Gutenberg bible was produced at a significantly lower cost than hand copying.! Still, cost: about 3 years salary of a clerk per bible.! 1978: Copy sold for $2.2million "5 "6 Fast Forward to 1974 Academic books often a mix of handwritten symbols (e.g. formulas) and typeset symbols.! Note the arrows... "7 Fast Forward to 2011 (Homework Submission) The scan is a faithful reproduction of the submission! It remains a mystery how the TA was able to read it. "8 Late 70’s: Don Knuth invents TeX "9 Knuth Don Knuth illustrates the mathematical typesetting with TeX by writing the bible of computer programming: ! Four volumes published so far: "10 1984: LaTeX In 1984, Leslie Lamport writes the markup language LaTeX that makes TeX particularly easy to use. ! Key feature: The document is organized according to its structure (e.g. Title, Chapter, Sections, etc.)! The language is easy to learn! Available on virtually all computing platforms "11 LaTeX Computer programmers will feel right at home: The document is produced by a program. -
Printers: New Cultural Actors in Europe Beginning in the Late fifteenth Century
Humanists and Europe Printers: new cultural actors in Europe beginning in the late fifteenth century Catherine KIKUCHI ABSTRACT Printing was born in Germany with the production of the Gutenberg Bible, although printers set up shop across all of Europe beginning in the first decades of the century. They specialized, organized, and collaborated with merchants and bookshops. This new industry was particularly concentrated in merchant cities and university towns. Their editorial strategies sought to reach an increasingly broader audience which was not limited to persons of letters, although important printers worked with the Humanists for the diffusion of high quality revised editions. Their collaboration involved ancient texts, such as the Greek editions of Aldus Manutius, as well as religious texts, the Bible in particular. Printing was thus a driver of religious and intellectual renewal, but was also suspected of conveying harmful and heretical ideas; with the Reformation and Counter-Reformation, printers were increasingly controlled by political and religious authorities, a control that some of them were able to circumvent. The invention and diffusion of printing The birth of printing in Europe is dated as 1452, when Johann Gutenberg produced the 42-line Bible in Mainz with the help of Peter Schöffer and funding from Johann Fust. This invention takes its place in the long-term history of technology, stretching from Chinese and Korean printing methods to engraved Bibles for the poor in the fourteenth and fifteenth centuries. The true change with Gutenberg was not so much the press itself, but the use of movable type. Furthermore, the success of printing was also due to its connection with important merchants who invested in this new art, such as Johann Fust. -
A Leaf from a Gutenberg Bible Illuminated in England
A LEAF FROM A GUTENBERG BIBLE ILLUMINATED IN ENGLAND EBERHARD KONIG OLD libraries, even those with a great tradition in providing information of a high standard, may sometimes benefit from visitors who insist on not confining themselves to what is listed or catalogued, although the outcome will frequently be—to the annoyance of all concerned—that the search was for something that does not necessarily exist. This situation is all too familiar to those art historians who are experts of illumination and who trace special styles of decoration in manuscripts or printed books; moreover, they do not very often meet librarians who take them to the shelves or are willing to waste days looking for one item which cannot be identified by a precise shelf-mark. It has happened several times that I wished to find objects in the British Library which I could not properly identify, and I have encountered the kindest possible help on each occasion, even when in the end we had to conclude that the book we had looked for did not really exist. ^ But the last time this happened the search was successful: to her own astonishment Lotte Hellinga found in the British Library collection of incunabula a forgotten leaf of a Gutenberg Bible which is not listed in its catalogue, BMC^ one of tbe greatest of all catalogues of incunabula.^ It was not by divination that I asked to see this leaf. Seymour de Ricci had listed it in 1911,-^ and Paul Schwenke, perhaps the only scholar to make a thorough study of all the copies of the Gutenberg Bible known during his lifetime, and who was well acquainted with questions of binding and decoration, described the leaf in his Ergdnziingsband (1923) to the first (and brilliant) facsimile of the Berlin copy of the Gutenberg Bible."^ Subsequently the fragment vanished from the Gutenberg literature, and apparently also from the memories of incunabulists. -
RQX 72 3 Bookreviews 1049..1051
REVIEWS 1049 1622), at the Staats- und Stadtbibliothek in Augsburg. Part 3 of White’s book is a cen- sus of Gutenberg Bibles based on Paul Needham’s 1985 census, but revised and expanded, also including fragments. It contains information on location, references, size, completeness, different settings, and provenance of all known copies. With his Editio princeps, White offers a wealth of new information, but most impor- tantly, he offers a new and original approach to Gutenberg’s monument in printing his- tory, which particularly manifests itself in the second part of the book. There he adds a new layer to our understanding of the Gutenberg Bible and its extant copies by giving insight into the Gutenberg Bible as phenomenon through its historiography. Given the vast amount of literature and possible references to copies, this must have been an enor- mous undertaking. However, White’s approach also creates confusion because it is not always clear what the Gutenberg Bible actually is. Is it a construct that only emerged after 1700, as White describes in part 2? Is it the Bible edition that came into being in Mainz around 1450 (part 1)? Or does it refer to actual copies of this edition (part 3)? This matters, especially for the theory of the Gutenberg Bible falling into oblivion in the sixteenth and seven- teenth centuries. White describes one long history, connecting the fifteenth to the eigh- teenth century, but these are different histories. The fifteenth century saw the birth of a printed bible by Gutenberg in Mainz, while the eighteenth century saw the birth of the construct that is the Gutenberg Bible. -
The Power of the Printed Word
Chapter 1 THE BIG QUESTION Why was Gutenberg’s invention of a printing The Power of press so important? the Printed Word Did you know that a man named “John Gooseflesh” changed the world? Johann Gensfleisch, which in English is John Gooseflesh, was born in the city of Mainz, Germany, around 1397 CE. However, by the time Johann started school, he went by the name Gutenberg instead of Gensfleisch and that is the name we remember. Gutenberg was the name of the large manor house in which Johann grew up. He came from a very wealthy family. Johann was taught to read from an early age. Unlike the homes of less privileged children in the early 1400s, the Gutenberg house was full of books. That may not seem unusual, but it was. Books in the 1400s were very different from the books we have today. The book you are reading right now is a printed book. There are thousands of copies of this book, all exactly the same. They were printed by machines in a very short time. Not so with the books in Johann’s day. Each book in the Gutenberg’s home library was one of a kind, rare, and expensive. 2 1 2 Books in the Middle Ages Throughout the Middle Ages, books were made by hand. Much of the writing was done by monks working in monasteries, although the craft of making books also took place in some universities and secular schools. Primarily existing books such as the Bible and great works authored by ancient Greek and Roman scholars were copied.