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Love, Oh Love, Oh Careless Love
Love, Oh Love, Oh Careless Love Careless Love is perhaps the most enduring of traditional folk songs. Of obscure origins, the song’s message is that “careless love” could care less who it hurts in the process. Although the lyrics have changed from version to version, the words usually speak of the pain and heartbreak brought on by love that can take one totally by surprise. And then things go terribly wrong. In many instances, the song’s narrator threatens to kill his or her errant lover. “Love is messy like a po-boy – leaving you drippin’ in debris.” Now, this concept of love is not the sentiment of this author, but, for some, love does not always go right. Countless artists have recorded Careless Love. Rare photo of “Buddy” Bolden Lonnie Johnson New Orleans cornetist and early jazz icon Charles Joseph “Buddy” Bolden played this song and made it one of the best known pieces in his band’s repertory in the early 1900s, and it has remained both a jazz standard and blues standard. In fact, it’s a folk, blues, country and jazz song all rolled into one. Bessie Smith, the Empress of the Blues, cut an extraordinary recording of the song in 1925. Lonnie Johnson of New Orleans recorded it in 1928. It is Pete Seeger’s favorite folk song. Careless Love has been recorded by Louis Armstrong, Ray Charles, Bob Dylan and Johnny Cash. Fats Domino recorded his version in 1951. Crescent City jazz clarinetist George Lewis (born Joseph Louis Francois Zenon, 1900 – 1968) played it, as did other New Orleans performers, such as Dr. -
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
April-24-Fri [Converted].Ai
2009 New Orleans Jazz & Heritage Festival Friday, April 24 presented by Shell www.nojazzfest.com Congo Peoples Health Sheraton Chouest Allison Miner Acura Gentilly Square WWOZ Blues Economy Hall New Orleans Jazz & Gospel Lagniappe Family Music Heritage Stage Stage "My Louisiana" Jazz Tent Tent Tent Fais Do-Do Heritage Stage Tent Stage Kids' Tent Stage Stage Stage 11:15 am 11:15 am 11:15 am 11:15 am 11:15 am 11:20 am Ladysmith 11:20 am 11:25 am Second Mt. 11:30 am Red Lions Rockin' June Gardner High Ground 11:30 am Carmel University of 11:30 am of South Africa Tabby Thomas and the Drifters Gospel Choir Mem Shannon Presented by Xavier Chief KeKe New Orleans Fellas Bluegrass Band & the NOSACONN Inc. and University & the 11:50 am Jazz Guitar Red Hot 11:45 am The Vettes NEWCORP Arts Initiative Comanche Brass Band Membership 12:00 pm Jazz Ensemble 12:00 pm Ensemble Interview: 12:05 pm 12:00 pm Hunters Mardi 12:00 pm Yacub Addy 12:10 pm Gras Indians 12:10 pm 12:15 pm 12:15 pm 12:15 pm Interviewer: 12:20 pm Como Now Lorraine Farr 12:20 pm 12:20 pm 12:20 pm 12:25 pm 12:30 pm 12:40 pm 12:35 pm Water Seed Spencer Lost Bayou 12:35 pm 12:40 pm Bohren Connie Jones Ramblers 12:45 pm 12:45 pm 12:45 pm 12:45 - 1:35 pm 12:50 pm The 19th Street Interview: Red David Egan Marlon Leroy Jones Blues Band Clearwater remembers 1:10 pm Jordan 1:10 pm 1:10 pm Kumbuka Gospel Junior High Benjy Davis 1:15 pm African Drum Soul Children Danny Barker Project Quartet Chorale and the Fairview and Dance 1:25 pm B.C. -
Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
TOM MALONEY and TOM HALL a Tribute to Four Important St
TOM MALONEY AND TOM HALL A Tribute to Four Important St. Louisans, BLUESWEEK Review in Pictures, An Essay by Alonzo Townsend, The Application Window Opens for the St. Louis/IBC Road to Memphis, plus: CD Review, Discounts for Members and more... THE BI-MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY July/August 2014 Number 69 July/August 2014 Number 69 Officers Chairperson BLUESLETTER John May The Bi-Monthly Magazine of the St. Louis Blues Society Vice Chairperson The St. Louis Blues Society is dedicated to preserving and perpetuating blues music in Jeremy Segel-Moss and from St. Louis, while fostering its growth and appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual Treasurer improvement in their field, all for the educational and artistic benefit of the general public. Jerry Minchey Legal Counsel Charley Taylor CELEBRATING 30 YEARS Secretary Lynn Barlar OF SUPPORTING BLUES MUSIC IN ST LOUIS Communications Dear Blues Lovers, Mary Kaye Tönnies Summer is in full swing in St. Louis.Festivals, neighborhood events and patios filled with Board of Directors music are kickin’ all over the City. Bluesweek, over Memorial Day Weekend, was a big hit for Ridgley "Hound Dog" Brown musicians and fans alike. Check out some of the pictures from the weekend on page 11. Thanks to Bernie Hayes everyone who helped make Bluesweek a success! Glenn Howard July means the opening of applications for bands and solo/duo acts who want to be involved Rich Hughes in this year’s International Blues Challenge. Last year we had a fantastic group of bands and solo/ Greg Hunt duo acts competing to go to Memphis. -
NEW ORLEANS 2Nd LINE
PVDFest 2018 presents Jazz at Lincoln Center NEW ORLEANS 2nd LINE Workshop preparation info for teachers. Join the parade! Saturday, June 9, 3:00 - 4:00 pm, 170 Washington Street stage. 4:00 - 5:00 pm, PVDFest parade winds through Downtown, ending at Providence City Hall! PVDFest 2018: a FirstWorks Arts Learning project Table of Contents with Jazz at Lincoln Center A key component of FirstWorks, is its dedication to providing transformative arts experiences to underserved youth across Rhode Island. The 2017-18 season marks the organization’s fifth year of partnership with Jazz at Lincoln Center. FirstWorks is the only organization in Southern New England participating in this highly innovative program, which has become a cornerstone of our already robust Arts Learning program by incorporating jazz as a teaching method for curricular materials. Table of Contents . 2 New Orleans History: Social Aid Clubs & 2nd Lines . 3 Meet Jazz at Lincoln Center . .. 6 Who’s Who in the Band? . 7 Sheet Music . 8 Local Version: Meet Pronk! . 12 Teacher Survey . .. 14 Student Survey. .15 Word Search . .16 A young parade participant hoists a decorative hand fan and dances as the parade nears the end of the route on St. Claude Avenue in New Orleans. Photo courtesy of Tyrone Turner. PVDFest 2018: a FirstWorks Arts Learning project 3 with Jazz at Lincoln Center NOLA History: Social Aid Clubs and 2nd Lines Discover the history of New Orleans second line parades and social aid clubs, an important part of New Orleans history, past and present. By Edward Branley @nolahistoryguy December 16, 2013 Say “parade” to most visitors to New Orleans, and their thoughts shift immediately to Mardi Gras. -
To Jazz Fest
Tulane University She brings "Soul Power" to Jazz Fest May 03, 2012 2:30 AM Ryan Rivet [email protected] Five days a week, Melissa Weber is a manager in the Office of Cocurricular Programs of Newcomb- Tulane College. At nights and on weekends, however, she takes to the airwaves and club stages as her alter ego, D.J. Soul Sister. Tulane staff member Melissa Weber, a.k.a. D.J. Soul Sister, spreads the word about the music she loves. (Photo by Marc Pagani) Weber, who's hosted her “Soul Power” program on WWOZ-FM radio for 16 years, also has brought her show to the New Orleans Jazz and Heritage Festival as both a performer and interviewer since 2009. A respected live disc jockey artist, Weber opened for Cee Lo Green on the Congo Square stage last weekend and interviewed drummer Bill Summers on the Allison Miner Music Heritage Stage. “This year was absolutely great, maybe my favorite experience out of all four years,” Weber says. “I really wanted to tap into the fun energy of Cee Lo, and so I did that with the music I played. The crowd was so energetic, like I've never seen before.” She uses both the performance and the interview as a “means to the same end,” Weber says. “My mission [is] sharing soulful music and stories of the pioneers who have paved the way,” Weber says. “I'm honored to do both in order to support the music and musicians that I believe in and have loved since I was very young.” Tulane University | New Orleans | 504-865-5210 | [email protected] Tulane University Weber describes herself as “extremely camera shy,” so it seems odd that she could be so passionate about being in front of large crowds. -
Peter Novelli Peternovelli.Com
Peter Novelli peternovelli.com Guitarist / singer / songwriter Peter Novelli is based in New Orleans. The Peter Novelli Band plays Louisiana roots and blues, a blend of blues-rock-R&B-funk with some zydeco-cajun influences. Novelli’s CD Louisiana Roots & Blues (June 12 release) with his core rhythm section Darryl White (drums, formerly w/ Tab Benoit and Chris Thomas King), Chris Chew (bass, North Mississippi Allstars), Joe Krown (B3 and piano, formerly w/ late Gatemouth Brown), and special guests Chubby Carrier (Grammy-winning zydeco accordionist), Chris Thomas King (lap slide guitar, Grammy “Oh Brother, Where Art Thou”), Shamarr Allen (trumpet) and Elaine and Lisa Foster on vocals. Novelli’s debut CD, produced by bassist David Hyde, hit the charts within a month of release and gathered widespread critical acclaim. His originals, with a few selected covers, made a journey through Louisiana-American blues-roots music. Guests include Dr. John, Paul Barrere, Augie Meyers, the late Gatemouth Brown’s rhythm section, and top Lousiana musicians. The CD includes an historical Tribute To Slim Harpo, with members of Harpo’s band including James Johnson, and interviews with Johnson, the late Raful Neal and “Big” Johnny Thomassie. Novelli started violin at age 6, picked up guitar at 14 after hearing a BB King record. The intensity, passion and raw emotional content of some of the blues masters (black and white, American and British) stuck in his ear and that is what drives him to this day. He likes to combine this feel with harmonic ideas of jazz, the relentless groove of zydeco, and just about any cool and unusual style of music or rhythm that works. -
Thursday, April 25, 2019
8 days of classic WWOZ Presents Jazz Festing In Place, 2020 Jazz Fest Thursday,LISTEN LIVE at 90.7FM or on April line at wwoz.org/listen 25, 2019SUPPORT WWOZ: wwoz.org/donate broadcasts Sheraton Allison Miner Cultural AcuraThursday Gentilly CongoFriday Square Saturday Blues EconomySunday Hall New Orleans ThursdayJazz & Gospel Friday Lagniappe Saturday SundayExchange WWOZ Kids Tent Music Heritage StageApril 23 Stage AprilStage 24 April 25 Tent TentApril 26 Fais Do-Do AprilHeritage 30 Stage Tent May 1 Stage May 2 May Pavilion3 Jazz Tent Stage Stage World Journey OUTDOOR CAROUSEL 11:00 am 12:00pm - 6:00pm Kermit Ruffins tribute Big Sam's Irma Thomas tribute Aaron Neville Bonerama Raymond Myles Glen David Andrews Leah Chase Chouval Bwa to Louis Armstrong Funky Nation to MahaliaTraditionnel Jackson 11:15 am (2010 Gospel11:15 am Tent) 11:15 am (2012) 11:15 am 11:15(1994) am 11:15 am 11:15 am 11:15 am (2017) (2012) 11:20 (2015)am (2004) (2007)of Martinique Kid Simmons’ Goldman Fi Yi Yi The 11:30 am Loyola & the Mandingo Mia Borders Nigel Hall University Local Thibodeaux Wimberly Family 11:30 am 11:30 am 11:30 am Dianne Reeves Jonathon Long Hazel & the Delta Warriors Gospel Singers Terrance Simien Rockin Dopsie Jr. Lorem ipsum JazzShannon Band McNally International & the Lawtell MardiTBA Gras Indians Dr. MichaelMichael White Skinkus Young AmandaMakueto Shaw Rumba Buena (2013) Ramblers 11:55 am 11:55 am and Moyuba Audiences(2006) (2004) 12:00 pm 12:00 pm 12:00 pm (2011) Allstars Playboys (2011) (2015)Groove 12:00 pm 12:05 pm 12:05(1992) pm 12:05 pm with guest Performing Arts & Friends 12:05 pm Michael Ray Showcase 12:15 pm 12:15 pm Ella Fitzgerald with Wayne Toups Bob French & Original Anders Osborne 12:20 pm Hot 8 Brass Band Charmaine Neville 12:20 pm Soul Rebels 12:15 pm Stevie Wonder 12:20 pm (2015)12:20 pm 12:20Tuxedo pm Jazz Band 12:20 pm (2017) Arrianne TBA (2013) (2014) 12:25 pm 12:25 pm Diassing Keelen 12:30 pm (1977) Gal Holiday Grayson (2010) Kunda 12:30 pm 12:35 pm 12:35 pm & the Bill Summers Brockamp of Senegal 12:40 pm Honky Tonk Luther Kent and the J. -
WHO's GUITAR Is That?
2013 KBA -BLUES SOCIETY OF THE YEAR CELEBRATING OUR 25TH YEAR IN THIS ISSUE: -Who’s Guitar is That? -The Colorado-Alabama Connection Volume 26 No3 April/May2020 -An Amazing Story -Johnny Wheels Editor- Chick Cavallero -Blues Boosters Partners -CBS Lifetime Achievement WHO’s GUITAR is Award to Mark Sundermeier -CBS Lifetime Achievement That? Award to Sammy Mayfield By Chick Cavallero -CD Reviews –CBS Members Pages Guitar players and their guitar pet names what’s in a name, eh? Not every guitar player names his CONTRIBUTERS TO THIS ISSUE: guitars, heck be pretty hard since some of them have hundreds, and some big stars have Chick Cavallero, Jack Grace, Patti thousands. Still, there have been a few famous Cavallero, Gary Guesnier, Dr. Wayne ones in the Blues World. Most every blues fan Goins, Michael Mark, Ken Arias, Peter knows who Lucille was, B.B. King’s guitar, right? “Blewzzman” Lauro But why? Well, in 1949 BB was a young bluesman playing at a club in Twist, Arkansas that was heated by a half-filled barrel of kerosene in the middle of the dance floor to keep it warm. A fight broke out and the barrel got knocked over with flaming kerosene all over the wooden floor. “It looked like a river of fire, so I ran outside. But when I got on the outside, I realized I left my guitar inside.” B.B. Said he then raced back inside to save the cheap Gibson L-30 acoustic he was playing …and nearly lost his life! The next day he found out the 2 men who started the fight-and fire- had been fighting over a woman named Lucille who worked at that club. -
Ithaca College Alumni Big Band
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 4-26-2008 Concert: Ithaca College Alumni Big Band Ithaca College Alumni Big Band Steve Brown Ray Brown Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Alumni Big Band; Brown, Steve; and Brown, Ray, "Concert: Ithaca College Alumni Big Band" (2008). All Concert & Recital Programs. 6670. https://digitalcommons.ithaca.edu/music_programs/6670 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE ALUMNI BIG BAND Steve Brown and Ray Brown, musical directors Ford Hall Saturday, April 26, 2008 8:15 p.m. PROGRAM Straightahead City Ray Brow Bossa Barbara Steve Brown Arr. Ray Brown Sweet Angel Steve Brown Lyrics: Tish Rabe Two Birds, On~ Stone Steve Brown Embraceable You/Quasimodo Gershwin/Parker Arr. Ray Brown The Telephone Song Menescal/Boscoli/Gimbel .. Arr. Ray BrowU Bittersweet Willie Maiden Trans. Ray Brown The Best of Everything Tony Bennett Arr. Steve Brown Our Love Is Here To Stay George Gershwin Air. Ray Brown INTERMISSION Del Sasser Sam Jones Arr. Ray Brown PickYours·elf Up Fields/Kem Arr. Neal Hefti Trans. Tony DeSare Kayak Kenny Wheeler Arr. Ray Brown Barbara Horace Silver Arr. Ray Brown I Could Write A Book Rodgers/Hart Arr. Ray Brown The Thumb Wes Montgomery Arr. Ray Brown The Ballad of Thelonious Monk Jimmy Rowles Arr. -
WWOZ Governance Board Meeting
WWOZ Board of Directors Meeting Wednesday, November 10, 2010 Manager’s Report 1. Fall Membership Drive. As of November 5th, Membership has raised $235,000 from 2,188 donors, this time last year Membership reported $274,000 from 1,973 donors. The difference is in Brass Pass sales, as we sold $50,000 more in Brass Passes in the Fall of 2009 due to the publicized price change in 2010. Non-event membership is up significantly from this time last year, raising $12,000 more in regular memberships. Membership is working on a year-end Brass Pass push as well as a countdown to gain 100 more donors by December 31st. This campaign will include on-air spots, an e-blast and web presence. Membership reports that it is 95% completed with calling all donors from the past membership drive. 2. Major Giving. As of November 5th, Major Giving has received $6,000 in donations, this time last year Major Giving had received $13,000 in donations. Renewal letters are expected to begin returning shortly, with a push for end of year giving. Crystal Gross will mail out a second letter to all major donors who do not respond the first ask. Board Member, Doug Hammel, reported back to Crystal Gross with his post-drive thank-a-thon calls. 3. Thirtieth Birthday Bash. The WWOZ Membership Department reports that WWOZ is celebrating its 30th birthday on Saturday, December 4th with a full day of revelry. We are starting out with a second line parade through the French Quarter, and bringing it all back to where the station started—at Tipitina's Uptown—for a Birthday Bash.