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Dictamen Firma Conjunta
República Argentina - Poder Ejecutivo Nacional 2020 - Año del General Manuel Belgrano Dictamen firma conjunta Número: Referencia: Conc. 1692 | Art. 14, Ley N° 27.442 | Informe de Objeción SEÑORA SECRETARIA DE COMERCIO INTERIOR Elevamos para su consideración el presente dictamen referido al Informe de Objeción del Expediente N° EX-2020-57150244- -APN-DR#CNDC del Registro del MINISTERIO DE DESARROLLO PRODUCTIVO, caratulado “CONC.1692 - THE WALT DISNEY COMPANY Y TWENTY-FIRST CENTURY FOX, INC. S/NOTIFICACIÓN ART. 9 DE LA LEY N° 27.442”, correspondiente a la operación de concentración económica en trámite ante esta Comisión Nacional de Defensa de la Competencia, en virtud de lo establecido en el Artículo 14 de la Ley Nº 27.442 y su Decreto Reglamentario Nº 480/2018. I. Aclaración metodológica. 1. Este Dictamen se realiza en cumplimiento de lo dispuesto por el Artículo 14 de la Ley N° 27.442. 2. El presente informe en ningún caso podrá ser considerado pre-juzgamiento o juicio de valor respecto de los actuados, sino un análisis preliminar que se efectúa con los elementos reunidos en esta primera etapa de la investigación, que de ninguna manera constituye la decisión definitiva sobre el asunto sometido a consideración. II. La operación. 3. Con fecha 19 de marzo de 2019 se notificó ante esta Comisión Nacional la operación de concentración económica consistente en la adquisición del control exclusivo por parte de la firma THE WALT DISNEY COMPANY (en adelante denominada “DISNEY”) sobre TWENTY-FIRST CENTURY FOX, INC. (en adelante denominada “FOX”). Dicha adquisición incluyó los estudios de TV y cine, redes de entretenimiento por cable y negocios de TV internacional de FOX. -
Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER
Transmedia HOLLYWOOD, HEALTH & SOCIETY • USC ANNENBERG NORMAN LEAR CENTER Our Work in the Digital Realm Hollywood, Health & Society is a free, non-profit resource based at the USC Annenberg Norman Lear Center that connects TV creative teams with top health and climate change experts. These ser- vices are also available to those producing new media content on television show websites and social media platforms. In fact, we have already built up a substantial portfolio of work in the digi- tal realm. Among other projects, HH&S has: ➻ Parenthood / The Experts Speak Provided experts and coordinated responses for “The Experts Speak” feature on Asperger’s/ASD Coordinated with experts on bioterrorism for on the Parenthood (NBC) website. features on the website and third season DVD of 24 Provided an expert for MTV International’s (FOX). World AIDS Day online “Ask The Doctor” feature. Worked with ABC to develop a Q&A on the General Partnered with Army Wives and Lifetime Televi- Hospital website, answering viewer’s questions about sion on multi-episode storylines dealing with an on-air storyline dealing with HIV. Type 2 diabetes and traumatic brain injuries. New Partnered with Telemundo and the Centers for Dis- media components included informational pages ease Control and Prevention to create health-related, on mylifetime.com and Army Wives-themed show-specific websites for telenovelas (Pecados pages on cdc.gov. Social media included tweets Ajenos, Amarte Así) in both Spanish and English. on @CDCgov, @OfficialArmyWives, and @Real- Coordinated a pro-social, transmedia (television, WendyDavis (star of Army Wives) and a special radio, workshops, Internet) campaign with Sin Senos Facebook page (monitored by the CDC) for fans No Hay Paraíso. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
MTV International
Brand/Rebrand: MTV International 07.16.2015 In 1987, Sting sang the iconic words "I want my MTV" on the Dire Straits single "Money for Nothing." Now, nearly 30 years later, he can finally have it, thanks to an MTV International rebrand that hands a healthy portion of its channels' on-air real estate over to the viewers. Unofficially dubbed "I am my TV," the flashy centerpiece of the new MTVI is #MTVBump, an online platform that lets viewers upload their own videos to be considered as idents, or by submitting them through Instagram and Vine using the aforementioned hashtag. At the same time, the Viacom network has provided each of the regions across the 160+ countries in which it resides with a digital toolkit packed with hundreds of lo-fi-yet-chic animated backgrounds and 3D animated objects, then given them free reign to combine them at will. The goal, said Sean Saylor, VP of creative at MTV International, was "for it to feel fun" for each region to implement the new assets, "to mix and match them as much as they want and to make them feel unique and relevant to their audience… It's coming from the same direction aesthetically but it always looks a little different." MTVI has always packed its airwaves with imaginative design elements (a fresh new slate of its legendary Art Breaks also populate the rebrand), creating what is at least the illusion of an anything-goes aesthetic well-suited to its audience. But this new amalgamation of user-generated content and local in-house creative independence makes the illusion a reality - the brand is ceding control of its airwaves to a degree unprecedented in linear television, giving literally anyone in the world the chance to help dictate its look and feel. -
Putting National Party Convention
CONVENTIONAL WISDOM: PUTTINGNATIONAL PARTY CONVENTION RATINGS IN CONTEXT Jill A. Edy and Miglena Daradanova J&MC This paper places broadcast major party convention ratings in the broad- er context of the changing media environmentfrom 1976 until 2008 in order to explore the decline in audience for the convention. Broadcast convention ratings are contrasted with convention ratingsfor cable news networks, ratings for broadcast entertainment programming, and ratings Q for "event" programming. Relative to audiences for other kinds of pro- gramming, convention audiences remain large, suggesting that profit- making criteria may have distorted representations of the convention audience and views of whether airing the convention remains worth- while. Over 80 percent of households watched the conventions in 1952 and 1960.... During the last two conventions, ratings fell to below 33 percent. The ratings reflect declining involvement in traditional politics.' Oh, come on. At neither convention is any news to be found. The primaries were effectively over several months ago. The public has tuned out the election campaign for a long time now.... Ratings for convention coverage are abysmal. Yet Shales thinks the networks should cover them in the name of good cit- izenship?2 It has become one of the rituals of presidential election years to lament the declining television audience for the major party conven- tions. Scholars like Thomas Patterson have documented year-on-year declines in convention ratings and linked them to declining participation and rising cynicism among citizens, asking what this means for the future of mass dem~cracy.~Journalists, looking at conventions in much the same way, complain that conventions are little more than four-night political infomercials, devoid of news content and therefore boring to audiences and reporters alike.4 Some have suggested that they are no longer worth airing. -
Small Episodes, Big Detectives
Small Episodes, Big Detectives A genealogy of Detective Fiction and its Relation to Serialization MA Thesis Written by Bernardo Palau Cabrera Student Number: 11394145 Supervised by Toni Pape Ph.D. Second reader Mark Stewart Ph.D. MA in Media Studies - Television and Cross-Media Culture Graduate School of Humanities June 29th, 2018 Acknowledgments As I have learned from writing this research, every good detective has a sidekick that helps him throughout the investigation and plays an important role in the case solving process, sometimes without even knowing how important his or her contributions are for the final result. In my case, I had two sidekicks without whom this project would have never seen the light of day. Therefore, I would like to thank my thesis supervisor Toni Pape, whose feedback and kind advice was of great help. Thank you for helping me focus on the important and being challenging and supportive at the same time. I would also like to thank my wife, Daniela Salas, who has contributed with her useful insight, continuous encouragement and infinite patience, not only in the last months but in the whole master’s program. “Small Episodes, Big Detectives” 2 Contents Introduction ...................................................................................................................... 4 1. Literature Seriality in the Victorian era .................................................................... 8 1.1. The Pickwick revolution ................................................................................... 8 -
“The Masterpiece” PRODUCTION BIOS MARTHA WILLIAMSON
‘SIGNED, SEALED, DELIVERED’ 1004 “The Masterpiece” PRODUCTION BIOS MARTHA WILLIAMSON (Executive Producer and Creator) - Martha Williamson made television history when her CBS series, "Touched By An Angel" set a new standard for an inspirational family drama when it grew to a weekly audience of 25 million viewers and exploded into more than a billion dollar franchise during its initial 9-year run. As Executive Producer and Head Writer of the ground-breaking series, Williamson was the visionary who guided the show into previously uncharted territory with her unique brand of inspirational story telling that produced more than strong ratings; it changed lives. Correspondence from viewers reveals its continued impact as the series plays in syndication and DVD's worldwide. Williamson then sealed her place in history when she went on to become the first woman to solely executive-produce two one-hour dramas simultaneously, after creating and executive- producing “Promised Land,” which aired for three years on CBS. As the go-to creative executive for inspirational family entertainment, Williamson is consulting with companies that are expanding their brands into the growing genre of faith and family programming. Under her MoonWater Productions banner, she is developing a number of television pilots. Her “Signed, Sealed, Delivered” comic drama is scheduled to air on Hallmark Channel in October 2013. She has also returned to script doctoring and is serving as a Screenwriter and Executive Producer for the remake of Disney's classic family film “Thomasina.” She began her career in comedy, working with the producing teams for Carol Burnett and Joan Rivers and went on to write for and produce situation comedies such as "The Facts of Life," "Family Man," "Jack's Place" and "Living Dolls" for all the networks. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
In Re Viacom Inc Stockholders Litigation
IN THE COURT OF CHANCERY OF THE STATE OF DELAWARE IN RE VIACOM INC. ) CONSOLIDATED STOCKHOLDERS LITIGATION ) C.A. No. 2019-0948-JRS MEMORANDUM OPINION Date Submitted: September 15, 2020 Date Decided: December 29, 2020 Corrected: December 30, 2020 Gregory V. Varallo, Esquire of Bernstein Litowitz Berger & Grossmann LLP, Wilmington, Delaware; Jeroen van Kwawegen, Esquire, Edward G. Timlin, Esquire, Andrew E. Blumberg, Esquire and Daniel E. Meyer, Esquire of Bernstein Litowitz Berger & Grossmann LLP, New York, New York, Attorneys for Lead Plaintiff California Public Employees’ Retirement System. Chad Johnson, Esquire, Noam Mandel, Esquire and Desiree Cummings, Esquire of Robbins Geller Rudman & Dowd LLP, New York, New York; Christopher H. Lyons, Esquire of Robbins Geller Rudman & Dowd LLP, Nashville, Tennessee, Attorneys for Additional Plaintiff Park Employees’ and Retirement Board Employees’ Annuity and Benefit Fund of Chicago. Francis A. Bottini, Jr., Esquire and Anne B. Beste, Esquire of Bottini & Bottini, Inc., La Jolla, California, Attorneys for Additional Plaintiff Louis M. Wilen. Matthew E. Fischer, Esquire, Michael A. Pittenger, Esquire, Christopher N. Kelly, Esquire, J. Matthew Belger, Esquire, Jacqueline A. Rogers, Esquire and Callan R. Jackson, Esquire of Potter Anderson & Corroon LLP, Wilmington, Delaware and Victor L. Hou, Esquire, Rahul Mukhi, Esquire and Mark E. McDonald, Esquire of Cleary Gottlieb Steen & Hamilton LLP, New York, New York, Attorneys for Defendants National Amusements, Inc., NAI Entertainment Holdings LLC, and Shari E. Redstone. Gregory P. Williams, Esquire, Blake Rohrbacher, Esquire and Kevin M. Regan, Esquire of Richards, Layton & Finger, P.A., Wilmington, Delaware and Robert H. Baron, Esquire, Gary A. Bornstein, Esquire and Rory A. -
New Men's Basketball Coach Implement
.- ... ........ ...... I UNIVERSITY OF INDIANAPOLIS 4 Tr l-- .- ri 92&- -- . 3 -J . .'f teams face hurdles a h Track Guiding Light r 9 , ' E. i -- Men and women open outdoor season A history of UIndy's affiliation with the UMC 11- 11-57 - .===3:' 1 1 , - 4 Page 10 11 Ir:t Page lic .' .... P.':I./....- 4 1 n ....... , '. 4 . 6, 1 1 THE t-=3 r---r ·r i Y 2.-3 -29 14-id v.mr *3 :7 .f 4 11*TrITY,<67<'.394'' rly -Va *'. Kis =N-#f 438 'f ME nad# 1:en * 4.-19,7,4 31=*C :wil".9, ;41 -; 1 3 *%4 "0.WMI B.t3 1'dr " r.1 P. t.* L. " 0 . M.m S ,1 up J R m ,·i ..: '*' 1.'.m -,d,6. 4 0 10 4 4 1 4 K' 3 "3 4' 1 4 ./. - 6. .1£.,r,32 .•7, s, · 3- -, - -=--...'* 12'5-48.4'2:: -4# - Jit.da-,Blf:,""./5 ... , 2:.t.04 VOL. 86/ IssuE 10 REFLECTOR.UINDY.EDU APRIL 9,2008 Board of Gouard returns to UIndy as Trustees men's basketball coach implement new health fee Sami Shelton & Adrian and what he wanted for the program '1,* , i .5RK·;1,7,4,·r F.,,•·.*7' ·, By different.. '.a:-Im - Ie.. .4-*9.F· ·- ..: .... were . philosophically - - 1 -I.*,1/' *==i.i... Kendrick ,-, t .V.- - .- -1. a" . '5 - . Gouard saidthatUIndyhas always -'7- '. -'' - , ..WWP= immm 1 EDTFOR ./7. - 4 * :.1. **» . NEWS EDITOR & FEATURE held a special place in his heart. ·«.• . '*b.# 4- By Meisha Baker "I wanted to come back to UIndy 6 -4# 1 1 r.-1&-7 4 BUSINESS MANAGER , The University of Indianapolis because the academic standards F ' - -''Si., 4 Athletic Department announced Stan of this university are so high, the : . -
Prohibiting Product Placement and the Use of Characters in Marketing to Children by Professor Angela J. Campbell Georgetown Univ
PROHIBITING PRODUCT PLACEMENT AND THE USE OF CHARACTERS IN MARKETING TO CHILDREN BY PROFESSOR ANGELA J. CAMPBELL1 GEORGETOWN UNIVERSITY LAW CENTER (DRAFT September 7, 2005) 1 Professor Campbell thanks Natalie Smith for her excellent research assistance, Russell Sullivan for pointing out examples of product placements, and David Vladeck, Dale Kunkel, Jennifer Prime, and Marvin Ammori for their helpful suggestions. Introduction..................................................................................................................................... 3 I. Product Placements............................................................................................................. 4 A. The Practice of Product Placement......................................................................... 4 B. The Regulation of Product Placements................................................................. 11 II. Character Marketing......................................................................................................... 16 A. The Practice of Celebrity Spokes-Character Marketing ....................................... 17 B. The Regulation of Spokes-Character Marketing .................................................. 20 1. FCC Regulation of Host-Selling............................................................... 21 2. CARU Guidelines..................................................................................... 22 3. Federal Trade Commission....................................................................... 24 -
United States Securities and Exchange Commission
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): November 21, 2005 VIACOM INC. -------------------------------------------------------------- (Exact name of registrant as specified in its charter) Delaware 001-09553 04-2949533 - ------------------------------- ------------------------ ------------------------------- (State or other jurisdiction of (Commission File Number) (I.R.S. Employer Identification incorporation) Number) 1515 Broadway, New York, NY 10036 -------------------------------------------------------------- (Address of principal executive offices) (zip code) Registrant's telephone number, including area code: (212) 258-6000 Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2.): [X] Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) [ ] Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) [ ] Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) [ ] Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) 1 Section 5 - Corporate Governance and Management Item 5.02 Departure of Directors or Principal Officers; Election of Directors; Appointment of Principal