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Small Episodes, Big Detectives
Small Episodes, Big Detectives A genealogy of Detective Fiction and its Relation to Serialization MA Thesis Written by Bernardo Palau Cabrera Student Number: 11394145 Supervised by Toni Pape Ph.D. Second reader Mark Stewart Ph.D. MA in Media Studies - Television and Cross-Media Culture Graduate School of Humanities June 29th, 2018 Acknowledgments As I have learned from writing this research, every good detective has a sidekick that helps him throughout the investigation and plays an important role in the case solving process, sometimes without even knowing how important his or her contributions are for the final result. In my case, I had two sidekicks without whom this project would have never seen the light of day. Therefore, I would like to thank my thesis supervisor Toni Pape, whose feedback and kind advice was of great help. Thank you for helping me focus on the important and being challenging and supportive at the same time. I would also like to thank my wife, Daniela Salas, who has contributed with her useful insight, continuous encouragement and infinite patience, not only in the last months but in the whole master’s program. “Small Episodes, Big Detectives” 2 Contents Introduction ...................................................................................................................... 4 1. Literature Seriality in the Victorian era .................................................................... 8 1.1. The Pickwick revolution ................................................................................... 8 -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
“The Masterpiece” PRODUCTION BIOS MARTHA WILLIAMSON
‘SIGNED, SEALED, DELIVERED’ 1004 “The Masterpiece” PRODUCTION BIOS MARTHA WILLIAMSON (Executive Producer and Creator) - Martha Williamson made television history when her CBS series, "Touched By An Angel" set a new standard for an inspirational family drama when it grew to a weekly audience of 25 million viewers and exploded into more than a billion dollar franchise during its initial 9-year run. As Executive Producer and Head Writer of the ground-breaking series, Williamson was the visionary who guided the show into previously uncharted territory with her unique brand of inspirational story telling that produced more than strong ratings; it changed lives. Correspondence from viewers reveals its continued impact as the series plays in syndication and DVD's worldwide. Williamson then sealed her place in history when she went on to become the first woman to solely executive-produce two one-hour dramas simultaneously, after creating and executive- producing “Promised Land,” which aired for three years on CBS. As the go-to creative executive for inspirational family entertainment, Williamson is consulting with companies that are expanding their brands into the growing genre of faith and family programming. Under her MoonWater Productions banner, she is developing a number of television pilots. Her “Signed, Sealed, Delivered” comic drama is scheduled to air on Hallmark Channel in October 2013. She has also returned to script doctoring and is serving as a Screenwriter and Executive Producer for the remake of Disney's classic family film “Thomasina.” She began her career in comedy, working with the producing teams for Carol Burnett and Joan Rivers and went on to write for and produce situation comedies such as "The Facts of Life," "Family Man," "Jack's Place" and "Living Dolls" for all the networks. -
Social Media Events
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2018 Social Media Events Katerina Girginova University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Communication Commons Recommended Citation Girginova, Katerina, "Social Media Events" (2018). Publicly Accessible Penn Dissertations. 3446. https://repository.upenn.edu/edissertations/3446 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3446 For more information, please contact [email protected]. Social Media Events Abstract Audiences are at the heart of every media event. They provide legitimation, revenue and content and yet, very few studies systematically engage with their roles from a communication perspective. This dissertation strives to fill precisely this gap in knowledge by asking how do social media audiences participate in global events? What factors motivate and shape their participation? What cultural differences emerge in content creation and how can we use the perspectives of global audiences to better understand media events and vice versa? To answer these questions, this dissertation takes a social-constructivist perspective and a multiple-method case study approach rooted in discourse analysis. It explores the ways in which global audiences are imagined and invited to participate in media events. Furthermore, it investigates how and why audiences actually make use of that invitation via an analytical framework I elaborate called architectures of participation (O’Reilly, 2004). This dissertation inverts the predominant top-down scholarly gaze upon media events – a genre of perpetual social importance – to present a much needed bottom-up intervention in media events literature. It also provides a more nuanced understanding of what it means to be a member of ‘the audience’ in a social media age, and further advances Dayan and Katz’ (1992) foundational media events theory. -
Nickelodeon's Groundbreaking Hit Comedy Icarly Concludes Its Five-Season Run with a Special Hour-Long Series Finale Event, Friday, Nov
Nickelodeon's Groundbreaking Hit Comedy iCarly Concludes Its Five-season Run With A Special Hour-long Series Finale Event, Friday, Nov. 23, At 8 P.M. (ET/PT) Carly Shay's Air Force Colonel Father Appears for First Time in Emotional Culmination of Beloved Series SANTA MONICA, Calif., Nov. 14, 2012 /PRNewswire/ -- Nickelodeon's groundbreaking and beloved hit comedy, iCarly, which has entertained millions of kids and made random dancing and spaghetti tacos pop culture phenomenons, will end its five- season run with an unforgettable hour-long series finale event on Nickelodeon Friday, Nov. 23, at 8 p.m. (ET/PT) . (Photo: http://photos.prnewswire.com/prnh/20121114/NY13645 ) In "iGoodbye," Spencer (Jerry Trainor) offers to take Carly (Miranda Cosgrove) to the Air Force father-daughter dance when their dad, Colonel Shay, isn't able to accompany her because of his overseas deployment. When Spencer gets sick and can't take her, Freddie (Nathan Kress) and Gibby (Noah Munck) try to cheer Carly up by offering to go with her. Colonel Shay surprises everyone when he arrives just in time to take Carly to the dance. When they return from their wonderful evening together, Carly is disappointed to learn her dad must return to Italy that evening and she is faced with a very difficult decision. "iCarly has been a truly definitional show that was the first to connect the web and TV into the fabric of its story-telling, and we are so very proud of it and everyone who worked on it," said Cyma Zarghami, President, Nickelodeon Group. -
Rating the Audience: the Business of Media
Balnaves, Mark, Tom O'Regan, and Ben Goldsmith. "Bibliography." Rating the Audience: The Business of Media. London: Bloomsbury Academic, 2011. 256–267. Bloomsbury Collections. Web. 2 Oct. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 2 October 2021, 14:23 UTC. Copyright © Mark Balnaves, Tom O'Regan and Ben Goldsmith 2011. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Bibliography Adams, W.J. (1994), ‘Changes in ratings patterns for prime time before, during, and after the introduction of the people meter’, Journal of Media Economics , 7: 15–28. Advertising Research Foundation (2009), ‘On the road to a new effectiveness model: Measuring emotional responses to television advertising’, Advertising Research Foundation, http://www.thearf.org [accessed 5 July 2011]. Andrejevic, M. (2002), ‘The work of being watched: Interactive media and the exploitation of self-disclosure’, Critical Studies in Media Communication , 19(2): 230–48. Andrejevic, M. (2003), ‘Tracing space: Monitored mobility in the era of mass customization’, Space and Culture , 6(2): 132–50. Andrejevic, M. (2005), ‘The work of watching one another: Lateral surveillance, risk, and governance’, Surveillance and Society , 2(4): 479–97. Andrejevic, M. (2006), ‘The discipline of watching: Detection, risk, and lateral surveillance’, Critical Studies in Media Communication , 23(5): 392–407. Andrejevic, M. (2007), iSpy: Surveillance and Power in the Interactive Era , Lawrence, KS: University Press of Kansas. Andrews, K. and Napoli, P.M. (2006), ‘Changing market information regimes: a case study of the transition to the BookScan audience measurement system in the US book publishing industry’, Journal of Media Economics , 19(1): 33–54. -
Forecasting with Twitter Data: an Application to Usa Tv Series Audience
L. Molteni & J. Ponce de Leon, Int. J. of Design & Nature and Ecodynamics. Vol. 11, No. 3 (2016) 220–229 FORECASTING WITH TWITTER DATA: AN APPLICATION TO USA TV SERIES AUDIENCE L. MOLTENI1 & J. PONCE DE LEON2 1Decision Sciences Department, Bocconi University, Milan, Italy. 2Target Research, Milan, Italy. ABSTRACT Various researchers and analysts highlighted the potential of Big Data, and social networks in particular, to optimize demand forecasts in managerial decision processes in different sectors. Other authors focused the attention on the potential of Twitter data in particular to predict TV ratings. In this paper, the interactions between television audience and social networks have been analysed, especially considering Twitter data. In this experiment, about 2.5 million tweets were collected, for 14 USA TV series in a nine-week period through the use of an ad hoc crawler created for this purpose. Subsequently, tweets were classified according to their sentiment (positive, negative, neutral) using an original method based on the use of decision trees. A linear regression model was then used to analyse the data. To apply linear regression, TV series have been grouped in clusters; clustering is based on the average audience for the individual series and their coefficient of variability. The conclusions show and explain the existence of a significant relationship between audience and tweets. Keywords: Audience, Forecasting, Regression, Sentiment, TV, Twitter. 1 INTRODUCTION Many authors in these years highlighted the potential of Big Data in general to support better quantitative forecasting approaches to economic data. In particular, a recent and very interesting work from Hassani and Silva [1] summarized the problems and potential of Big Data forecasting. -
Broadcasting: Feb 18 Reaching Over 117,000 Readers Every Week 60Th Year 1991
Broadcasting: Feb 18 Reaching over 117,000 readers every week 60th Year 1991 TELEVISION / 38 RADIO / 43 BUSINESS / 54 TECHNOLOGY / 64 Fox gears up in -house Operators endorse Em : roadcasting Fiber -satellite pact: production; network chiefs NAB's DAB objectives, r . ncial Vyvx to backhaul sports bemoan sponsor skittishness question its methods tightropeghtrope for IDB- Hughes FES 1 9 1991 F &F Team Scores A Super Bowl "Three- Peat :' F &F remote facilities teams have gone to the last three Super Bowls ... and come away with a winner every time. From editing and support equipment to Jumbotron production to live feeds overseas, F &F t scored every time. So whenever you need mobile units or location facilities for sports, entertainment, or teleconferencing, call the F &F team. You'll get a super production. Productions, Inc. A subsidiary of Hubbard Broadcasting. Inc. 9675 4th Street North, St. Petersburg, FL 33702 813/576 -7676 800/344 -7676 609LA NI 31(1.0._ PIl w3W WVNONINNfl3 (1 31V1S VNVICNI SlV Ia3S 16/a.W )I(1 +7£0f'8VI213S6081h 9/..5 119I C-f **, * * :^*=`** *::*AM ) IndÏaflapolis 3 - A. Broadcasting i Feb 18 THIS WEEK 27 / MORE INPUT ON endorsed the association's plan to back the Eureka 147 FIN -SYN DAB system and to serve White House Chief of as U.S. licensing agent, other Staff John Sununu weighs in broadcasters have on the fin -syn battle, reservations about the action. underscoring President Last week, at two separate Bush's interest in a meetings in Washington -the deregulatory solution to the Radio Operators Caucus issue. -
Math in the Media: Syndicated Programming
Math in the Media: Syndicated Programming Math In The Media Syndication Ratings: Talk Shows, Game Shows Finish Season Strong First-Run Strips Gear Up for Sept. 10 Season Premieres By Paige Albiniak — Broadcasting & Cable, 9/5/2007 The 2006-07 syndication season came to a close in the week ending Aug. 26, with talk and game shows hitting a high note while most first-run strips prepared for their Sept. 10 season premieres. In talk, the week’s big winner was NBC Universal’s The Martha Stewart Show, which will also begin running in primetime on Scripps’ Fine Living Sept. 10. The show gained 11% to a 1.0 household rating, according to Nielsen Media Research. That’s thanks in part to a 1.2 rating after Donny Osmond appeared Aug. 21. Warner Bros.’ Ellen also had a good showing, jumping 7% to a 1.6. Ellen kicked off her fifth season Tuesday with an appearance by Sen. Hillary Clinton (D-N.Y.). That show, which aired from New York, averaged a 2.5 rating/7 share in 55 metered markets. That’s up 19% from Ellen’s September 2006 launch, at a 2.1/6, and up 39% from her 1.8/6 average lead-in. The third-largest gain in talk went to NBC Universal’s Maury, which jumped 5% to a 2.1. Among the top three, CBS’ Oprah was flat at a 4.4; CBS’ Dr. Phil was down 5% to a 3.5; and Disney-ABC’s Live with Regis and Kelly dropped 10% to a 2.6 with a week of “repackaged” episodes. -
I. Background: the Nielsen “Ratings”
Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. 20554 In the Matter of ) ) Advanced Television Systems ) MM Docket No. 00-39 and Their Impact Upon the ) Existing Television Broadcast ) Service ) TO: The Commission REPLY COMMENTS OF Nielsen Media Research, Inc. Nielsen Media Research, Inc., is the successor to the television audience measurement business of A.C. Nielsen Company in the United States and Canada. Nielsen Media Research (“Nielsen”) fully supports the Advanced Television Systems Committee (“ATSC”) request1 to make PSIP (Program and System Information Protocol) mandatory as defined by ATSC standard A/65. In particular, TSID (Transport Stream Identifier), Call Letters (using Short Name field), Major Channel and Minor Channel fields are especially important to proper receiver operation, easing consumer usage and avoiding misidentification in audience measurement surveys. Further, Nielsen reiterates the need for program identification features as previously detailed Nielsen’s response to proceeding 87-268 (attached). Nielsen has worked closely with industry standards groups, receiver manufacturers and broadcasters to propose program identification methods for digital television. However, it has become clear that implementation must be mandatory to ensure consistent and complete identification of all digital television content. The identification retrieval methods used at the receiver are designed to add no unit costs to receivers by using existing communications ports. 1 ATSC reply comments, Section II B. WHEREFORE, Nielsen urges the Commission to adopt regulations in accordance with the opinions and arguments expressed in these Comments. Respectfully submitted, Nielsen Media Research, Inc. By: Stephen J. Boatti Senior Vice President, Chief Legal Officer Nielsen Media Research, Inc. 299 Park Avenue New York, NY 10171 212-708-7012 [email protected] June 16, 2000 2 Before the FEDERAL COMMUNICATIONS COMMISSION Washington, D.C. -
NCC Media Price Vs
GET CONNECTED • GET SMART • BE EVERYWHERE • GET CONNECTED • GET SMART • BE EVERYWHERE • GET CONNECTED • GET SMART Table of contents INTRODUCTION ROI DRIVEN Broadcast 2 Introduction Letter 35 Cable 3 Cable: The Media of Choice Reach More Consumers; More Effective Frequency GET CONNECTED 39 5 About NCC Media Price vs. Consumer Value 6 Cable, Satellite, and TARGETED Telco Interconnected 8 Connecting Advertisers to 41 Geo-Targeting Consumers in Cable Programming State Market County System GET SMART 11 SMART: The Acronym for Success in Cable 43 Targeting Multicultural Consumers SIMPLE 45 Micro-Targeting at the Cable System Level 13 eBusiness Agency Support MARKET FOCUSED BE EVERYWHERE 15 Viewer Migration to Cable 47 NCC Online Media 16 Broadcast Prime and Local 49 News Viewing Trends The Right Sites for your 20 Complementing Network Brand in Every Market Cable with Spot Cable 50 NCC Interactive Media: iTV and VOD ADAPTABLE 51 Mobile Marketing 51 23 The Right Cable Programming for Your Brand in Every Market NCC CONSULTATIVE RESOURCES 52 Investment Grade Research, Programming and Marketing Analysis 30 Reach Sports Enthusiasts More Effectively 54 The Company We Keep 55 Top 10 Key Media Buying and Planning Guidelines for Spot Television 32 Cable Program Sponsorships and Sweepstakes 1 GET CONNECTED • GET SMART • BE EVERYWHERE • GET CONNECTED • GET SMART • BE EVERYWHERE • GET CONNECTED • GET SMART NCC Media and our owners—Comcast, Time Warner Cable and Cox Media— have implemented a remarkable new set of strategic growth initiatives and partnerships. Among these recent developments, the most important and fascinating one is the forming of alliances between NCC, cable operators and satellite and telco programming distributors, including DIRECTV, AT&T U-verse and VERIZON FiOS. -
Scheduling As a Tool of Management in RTÉ Television
Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2011-7 Rationalising Public Service: Scheduling as a Tool of Management in RTÉ Television Ann-Marie Murray Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Arts Management Commons, Business and Corporate Communications Commons, and the Other Film and Media Studies Commons Recommended Citation Murray, A. (2011) Rationalising Public Service: Scheduling as a Tool of Management in RTÉ Television. Doctoral Thesis, Technological University Dublin. doi:10.21427/D70307 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Rationalising Public Service: Scheduling as a Tool of Management in RTÉ Television Ann-Marie Murray This thesis is submitted to the Dublin Institute of Technology in Candidature for the Degree of Doctor of Philosophy July 2011 School of Media Faculty of Applied Arts Supervisor: Dr. Edward Brennan Abstract Developments in the media industry, notably the increasing commercialisation of broadcasting and deregulation, have combined to create a television system that is now driven primarily by ratings. Public broadcast organisations must adopt novel strategies to survive and compete in this new environment, where they need to combine public service with popularity. In this context, scheduling has emerged as the central management tool, organising production and controlling budgets, and is now the driving force in television.