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Torrance Herald
THURSDAY, FEBRUARY 21. 1935 Page 4 TORRANCE IfBRALD, Torrancp,-California BRITISH STAR of "Evergreen" is On the Double Bill At Fox Redondo Three Scintillating Stars Shine at Torrance "Bordertown" with Paul Muni FILM FIND Starting Sunday A Ucnn W. Levy romance as Opens at Lomita Tonight 1 »yinpalhctlcally treated na memorable Mm. MoonllBht." "fiapRgrutiflu' *«l<1 to embrace much splendor- as bus ever been crowded ,'irito" one iiTuittcal film, an a cant ill real favorites are .<ai to b'1 the ingredients of Cjaumon Uritlsh's currfnt offering at the Toiranre Theatre, Jessie Mat thews in "Kvcrsrrcen." The pic turn's <-ni,'UBc>mrnt will run thret nlchts starting tonight, as jmniun tu the feature, "Forsaking All Others." Miss Matthews Is the newest and one of the most sensatlona ' film finds of G. B. Production! :md lias had an enviable reputa- lio __ fit London previous to her eleva tion i', film .stardom. She played a bu!i<l y.-ar on the stage In "Ei green" )..-fore it was 1 transfel to tin- films. West of the Pecos" Opens Not'Sjnce "Dinner At Eight" motion picture created as much Tonight at Plaza Theatre Ivance discussion as Metro-Gold- yn - Mayor's newest offering, Hailed as the talking screen's two greatest portrayer* of emo'tion,, "Forsaking All Others," .which Barnum and His Tippling Aid< Paul Muni and Sette Davis smilingly regard the result of their greatest ihown tonight, Friday and,Sat dramaticmaic effort, the Warner Bros,ros, prouconproduction "Border-town,", in whichc urday at the Torrance Theatre star of ''I Am a Fugitive From the Chain Gang" and the sensatio i-ith a cast headed by three of "Of Human Bondage" reach new stellar heights. -
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E. -
Филмð¾ð³ñ€Ð°Ñ„иÑ)
Франк Капра Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) The Broadway Madonna https://bg.listvote.com/lists/film/movies/the-broadway-madonna-3986111/actors Platinum Blonde https://bg.listvote.com/lists/film/movies/platinum-blonde-1124332/actors Prelude to War https://bg.listvote.com/lists/film/movies/prelude-to-war-1144659/actors That Certain Thing https://bg.listvote.com/lists/film/movies/that-certain-thing-1157116/actors Rain or Shine https://bg.listvote.com/lists/film/movies/rain-or-shine-1157168/actors State of the Union https://bg.listvote.com/lists/film/movies/state-of-the-union-1198352/actors Tunisian Victory https://bg.listvote.com/lists/film/movies/tunisian-victory-12129859/actors Pocketful of Miracles https://bg.listvote.com/lists/film/movies/pocketful-of-miracles-1219727/actors The Battle of Russia https://bg.listvote.com/lists/film/movies/the-battle-of-russia-1387285/actors Meet John Doe https://bg.listvote.com/lists/film/movies/meet-john-doe-1520732/actors Tramp, Tramp https://bg.listvote.com/lists/film/movies/tramp%2C-tramp-1540242/actors Lost Horizon https://bg.listvote.com/lists/film/movies/lost-horizon-1619885/actors Here Comes the Groom https://bg.listvote.com/lists/film/movies/here-comes-the-groom-1622567/actors Rendezvous in Space https://bg.listvote.com/lists/film/movies/rendezvous-in-space-17027654/actors Ladies of Leisure https://bg.listvote.com/lists/film/movies/ladies-of-leisure-1799948/actors The Miracle Woman https://bg.listvote.com/lists/film/movies/the-miracle-woman-1808053/actors Flight https://bg.listvote.com/lists/film/movies/flight-2032557/actors -
ED273292.Pdf
ED 273 292 IR 051 616 TITLE Annual Report of tile Librarian of Congress, 1905. For the Fiscal Year Ending September 30, 1985. INSTITUTION Library of Congress, Mashingtos, D.C. PUB DATE 86 NOTE 232p.; For the 1984 annual report, see ED 260 712; for a summary report for 1985, see IR 051 620. AVAILABLE FROMSuperintendent of Documents, U. S. Government Printing Office, Washington, DC 20402. PUB TYPE Books (010) -- Reports - Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Annual Reports; Cataloging; Copyrights; *Federal Programs; Information Science; Law Libraries; Library Administration; *Library Services; Library Statistics; *National Libraries; *Program Descriptions; *Research Libraries IDENTIFIERS Congressional Research Service; Copyright Mice; *Library of Congress ABSTRACT Fiscal year activities are summarized for seves organizational areas of the Library of Congress; (1) Administration--Office of the Librarian, and Managemest Servicms; (2) National Programs--American Folklife Center, Children's Literature Center, Educational Liaison Office, Exhibits Office, Federal Library and Information Center Committee, Information Office, Natioaal Library Service for the Blind and Physically Nandicapped, asd Publishing Office; (3) Congressional Research Servicemember mod committee relations, labor-management relations, research services, special research activities, and automated information services; (4) Processing Services--acquisitions and overseas operations, cataloging, bibliographic products and services, networking, and staff -
September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 Min)
September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 min) Academy Awards—1935: —Best Actor in a Leading Role (Clark Gable) —Best Actress in a Leading Role (Claudette Colbert) —Best Director (Frank Capra) —Best Picture —Best Writing, Adaptation (Robert Riskin) National Film Registry—1993 Directed by Frank Capra Cinematography by Joseph Walker Clark Gable...Peter Warne Claudette Colbert...Ellie Walter Connolly...Andrews Roscoe Karns...Shapeley Ward Bond...Bus Driver #1 (uncredited) FRANK CAPRA (director) (b. Francesco Rosario Capra, May 18, 1897, Bisacquino, Sicily, Italy—d. September 3, 1991, La Quinta, California) Broadway Bill, 1934 It Happened One Night, 1933 Lady for a Day, 1932 American Madness, 1932 Forbidden, 1931 Platinum Frank Capra is the recipient of three Academy Awards: 1939 Blonde, 1931 Dirigible, 1930 Rain or Shine, 1930 Ladies of Best Director for You Can't Take It with You (1938), 1937 Best Leisure, 1929 The Donovan Affair, 1928 The Power of the Press, Director for Mr. Deeds Goes to Town (1936), and 1935 Best 1928 Submarine, 1928 The Way of the Strong, 1928 The Matinee Director for It Happened One Night (1934). In 1982 he received Idol, 1928 So This Is Love?, 1928 That Certain Thing, 1927 For a Lifetime Achievement Award from the American Film the Love of Mike, 1926 The Strong Man, and 1922 The Ballad of Institute. Fisher's Boarding House. Capra directed 54 films, including 1961 Pocketful of Miracles, Capra also has 44 writing credits, including the screenplay of It’s 1959 A Hole in the Head, 1951 Here Comes the Groom, 1950 a Wonderful Life. -
The Field Guide to Sponsored Films
THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House. -
Frank Capra L'ennemi Public, William A
magazine de l’institut lumiÈre #93 21 octobre 4 décembre 2011 RueDu Premier Film FRANKrétrospective CAPRA Actuellement en librairie « Ce livre est une histoire définitive du cinéma muet. » Martin Scorsese 93 # Grande dame d'un jour, Frank Capra L'Ennemi public, William A. Wellman Ben-Hur, William Wyler 4 RÉTROSPECTIVE FRank CaPRa 17 CIMnÉ a ET PSYChIaTRIE 11 PROJECTIOnS À La VILLa LUMIÈRE 17 CIMnÉ a ET BanDE-DESSInÉE 16MM n&B InVITaTIOn À BLUTCh 12 CL aSSIQUES DU CInÉMa 18 L’En pouva TaBLE VEnDREDI Nuit STEPhEn King 15 CI nÉ-COnCERT À L'aUDITORIUM DE LYOn 19 R nEnSEIg EMEnTS praTIQUES et InDEx 16 CMInÉ aThÈQUE des films de monTagnE Sommaire Enfin traduit en France ! PRIX LUMIÈRE 2011 : GÉRARD DEPARDIEU Actuellement en librairie MAGAZINE DE L’INSTITUT LUMIÈRE #93 21 octobre 4 décembre 2011 RUEDU PREMIER FILM FRANKYt[YVZWLJ[P]L CAPRA Préface de Philippe Garnier En couvErturE : Priscilla Lane et Cary Grant dans Arsenic 14,5 x 24 cm, 1008 pages, et vieilles dentelles de Frank Capra (1944) traduit de l’anglais par RemErciEmEnts : Christine Leteux, 32 € Action/Théâtre du temple, Auditorium de Lyon, Carlotta Films, Ciné-Archives, Cinémathèque française, Films sans frontières, Flash Pictures, Forum des Images, Gaumont, Grands Films Classiques, Lobster Films, Nompareille Productions, SNC, Splendor Films, Swashbuckler Films, Tamasa Kevin Brownlow, lors de sa venue au festival Lumière 2011 Distribution, Warner Bros. Re mErciEmEnts particuliErs à : Raymond Chirat, Michel Cieutat, Raphael Chambouvet, Blutch, Loris Thiel, Dr Alain Bouvarel, Dr Jean-Christophe Vignoles, Nicolas Janaud, Yannick Vallençant, Pierre Saloff-Coste, Martin Goutte. © JL Mège Le samedi 8 octobre, le Prix Lumière a été remis à Gérard Depardieu. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
Film and Architecture: Discovering the Self-Reflection of Frank Capra And
UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. -
1936-09-08 [P B-18]
----- ■ -I I AMUSEMENTS. MELODRAMA IN THIRD _AMUSEMENTS.__ _ Howard to Unable Conceal Beloved Humorist to Be Seen WEEK AT THE ROADSIDE Again BY EVERY CRITIC WITH- "Among the Moonshiners” Brings Romeo Role Weaknesses OUT ONE DISSENTING VOICE1 New In /PRAISED High Brilliancy to Red Barn. [ SEASON'S FIRST BIG HITT Norma Shearer Gives Performance Superb TV/f ELODRAMA has reached a roar- 1 ing, bombastic, rip-snorting "Magnificent screen presentation Norma of Juliet, However, Reversing Shearer rises to heights of aiirrlng tragedy for the season at the Roadside " height f that we think no Juliet has ever surpassed Theater In the current production of -BETTY HYNES. HERAIJJ. Earlier "The screen Judgments. "Among the Moonshiners.” an ancient art has never presented anythin* o. such delicate beauty Norma Shearer blood-and-thunder that comes BY ROBERT B. PHILLIPS, Jr. drammy sparkles. ANDREW R. KELLEY. TIMES closer to "Murder In the Red Barn "The reflections cm "Romeo and Juliet": j Production as a whole la far and away than the and tha best that ever has been revealed to an Leslie Howard as "Romeo.” is said that the anything boys girls It sound of Mr. aaaer public." —NELSON BELL, POST have done out at their barn theater. Howard's dulcet voice sends susceptible ladies into swocming spasms, | "Packed with comedy, tears, action This is a that is made to and. above romance FURTHERand he delivers a flawless reading of this. role, as to diction and intona- piece all. ... a fasci- nating order for the Roadside—made for a movi- truly a motion tion. -
Complete List of Silent Films Featuring Journalists and Journalism 1890-1919 (Each Film Is Annotated in the 11 Appendices)
Complete List of Silent Films Featuring Journalists and Journalism 1890-1919 (Each film is annotated in the 11 appendices) 1894 Miss Jerry 1897 Bad Boy and Poor Old Grandpa, The Bradford Daily Argus Newspaper Offices 1898 N.Y. Journal Despatch Yacht "Buccaneer" President McKinley's Inspection of Camp Wikoff War Correspondents 1899 Distributing a War Extra (aka Delivering Newspapers) Fight of Reporters, The: L'Affaire Dreyfus Bagarre entre journalistes 1900 Confounding the Art Critic Horsewhipping an Editor 1901 Happy Hooligan April-Fooled Li Hung Chang 1902 Poet's Revenge, A 1903 Business Rivalry Delivering Newspapers Pres. Roosevelt's Fourth of July Oration 1904 Newspaper in Making, A Russian Army in Manchuria, The 1905 Newsboy, The 1906 Critic, The 1907 John D. and the Reporter Looking for the Medal Making of a Modern Newspaper, The Poet's Bid for Fame, The 1908 Afraid of Microbes Boy Detective, The or The Abductors Foiled Bridal Couple Dodging Cameras (aka Bridal Couple Dodging the Cameras, The Bride Loses Her Duke) Christmas in Paradise Alley Female Politician, Mrs Bell, Is Nominated for Mayor, The Flower Girl, The Her Newsboy Friend Honest Newsboy's Reward, An Honesty Is the Best Policy (A Pathetic Story of Life in the Slums) Lottery Ticket (aka Le billet de loterie) Railway Tragedy Scotland's Greatest Newspaper The Professor's Trip to the Country or, a Case of Mistaken Identity Ticklish Man, The 1909 Ambassador's Dispatch Case, The (aka Ambassador's Despatch Case, The; La valise diplomatique) At the Altar -- The Interception of -
Frank Capra's Increasingly Unresolved Populist Films of the Depression Era Nathan Johnston Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) January 2011 The opuliP st Dilemma: Frank Capra's Increasingly Unresolved Populist Films of the Depression Era Nathan Johnston Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Johnston, Nathan, "The opulP ist Dilemma: Frank Capra's Increasingly Unresolved Populist Films of the Depression Era" (2011). All Theses and Dissertations (ETDs). 492. https://openscholarship.wustl.edu/etd/492 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY University College American Culture Studies The Populist Dilemma Frank Capra’s Increasingly Unresolved Populist Films of the Depression Era By Nathan Johnston A Thesis Presented to the Graduate School of Arts and Sciences Of Washington University In partial fulfillment of the requirements for the Degree of Master of Arts May 2011 Saint Louis, Missouri Copyright by Nathan E. Johnston 2011 Acknowledgements A work such as this cannot happen without tremendous support from numerous individuals. I must first thank Dr. Lutz Koepnick for his tireless leadership on this project. I would also like to thank Dr. Henry Schvey and Dr. Robert Moore for their assistance as readers for the finished work. I must thank Josie Walters Johnson at the Library of Congress film room for her assistance and patience with my first experience using a reel-to-reel machine.