DOCSLIB.ORG

Филмð¾ð³ñ€Ð°Ñ„иÑ)​

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Филмð¾ð³ñ€Ð°Ñ„иÑ)​ Франк Капра Филм ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (ФилмографиÑ)​ The Broadway Madonna https://bg.listvote.com/lists/film/movies/the-broadway-madonna-3986111/actors Platinum Blonde https://bg.listvote.com/lists/film/movies/platinum-blonde-1124332/actors Prelude to War https://bg.listvote.com/lists/film/movies/prelude-to-war-1144659/actors That Certain Thing https://bg.listvote.com/lists/film/movies/that-certain-thing-1157116/actors Rain or Shine https://bg.listvote.com/lists/film/movies/rain-or-shine-1157168/actors State of the Union https://bg.listvote.com/lists/film/movies/state-of-the-union-1198352/actors Tunisian Victory https://bg.listvote.com/lists/film/movies/tunisian-victory-12129859/actors Pocketful of Miracles https://bg.listvote.com/lists/film/movies/pocketful-of-miracles-1219727/actors The Battle of Russia https://bg.listvote.com/lists/film/movies/the-battle-of-russia-1387285/actors Meet John Doe https://bg.listvote.com/lists/film/movies/meet-john-doe-1520732/actors Tramp, Tramp https://bg.listvote.com/lists/film/movies/tramp%2C-tramp-1540242/actors Lost Horizon https://bg.listvote.com/lists/film/movies/lost-horizon-1619885/actors Here Comes the Groom https://bg.listvote.com/lists/film/movies/here-comes-the-groom-1622567/actors Rendezvous in Space https://bg.listvote.com/lists/film/movies/rendezvous-in-space-17027654/actors Ladies of Leisure https://bg.listvote.com/lists/film/movies/ladies-of-leisure-1799948/actors The Miracle Woman https://bg.listvote.com/lists/film/movies/the-miracle-woman-1808053/actors Flight https://bg.listvote.com/lists/film/movies/flight-2032557/actors Hemo the Magnificent https://bg.listvote.com/lists/film/movies/hemo-the-magnificent-2042102/actors It Happened One Night https://bg.listvote.com/lists/film/movies/it-happened-one-night-208632/actors The Donovan Affair https://bg.listvote.com/lists/film/movies/the-donovan-affair-2135682/actors Submarine https://bg.listvote.com/lists/film/movies/submarine-2172512/actors American Madness https://bg.listvote.com/lists/film/movies/american-madness-2195957/actors The Power of the Press https://bg.listvote.com/lists/film/movies/the-power-of-the-press-2229501/actors Forbidden https://bg.listvote.com/lists/film/movies/forbidden-2279544/actors The Matinee Idol https://bg.listvote.com/lists/film/movies/the-matinee-idol-2288328/actors Long Pants https://bg.listvote.com/lists/film/movies/long-pants-2288578/actors For the Love of Mike https://bg.listvote.com/lists/film/movies/for-the-love-of-mike-2289046/actors Broadway Bill https://bg.listvote.com/lists/film/movies/broadway-bill-2368037/actors The Strong Man https://bg.listvote.com/lists/film/movies/the-strong-man-2515935/actors Riding High https://bg.listvote.com/lists/film/movies/riding-high-2538430/actors Dirigible https://bg.listvote.com/lists/film/movies/dirigible-283303/actors Lady for a Day https://bg.listvote.com/lists/film/movies/lady-for-a-day-301649/actors Say It with Sables https://bg.listvote.com/lists/film/movies/say-it-with-sables-3707688/actors So This Is Love? https://bg.listvote.com/lists/film/movies/so-this-is-love%3F-3716304/actors The Nazis Strike https://bg.listvote.com/lists/film/movies/the-nazis-strike-3818851/actors The Battle of Britain https://bg.listvote.com/lists/film/movies/the-battle-of-britain-3821396/actors The Way of the Strong https://bg.listvote.com/lists/film/movies/the-way-of-the-strong-3822978/actors The Younger https://bg.listvote.com/lists/film/movies/the-younger-generation-4332239/actors Generation Attack in the Pacific https://bg.listvote.com/lists/film/movies/attack-in-the-pacific-4817942/actors Divide and Conquer https://bg.listvote.com/lists/film/movies/divide-and-conquer-5284007/actors Fultah Fisher's Boarding https://bg.listvote.com/lists/film/movies/fultah-fisher%27s-boarding-house-5508386/actors House The Bitter Tea of https://bg.listvote.com/lists/film/movies/the-bitter-tea-of-general-yen-568239/actors General Yen Here Is Germany https://bg.listvote.com/lists/film/movies/here-is-germany-5737365/actors Arsenic and Old Lace https://bg.listvote.com/lists/film/movies/arsenic-and-old-lace-59317/actors Know Your Enemy: https://bg.listvote.com/lists/film/movies/know-your-enemy%3A-japan-6423171/actors Japan Our Mr. Sun https://bg.listvote.com/lists/film/movies/our-mr.-sun-7111102/actors The Battle of China https://bg.listvote.com/lists/film/movies/the-battle-of-china-7715853/actors Two Down and One to https://bg.listvote.com/lists/film/movies/two-down-and-one-to-go-7858929/actors Go War Comes to America https://bg.listvote.com/lists/film/movies/war-comes-to-america-7968392/actors Your Job in Germany https://bg.listvote.com/lists/film/movies/your-job-in-germany-8058834/actors Животът е https://bg.listvote.com/lists/film/movies/%D0%B6%D0%B8%D0%B2%D0%BE%D1%82%D1%8A%D1%82-%D0%B5- прекраÑÐ​ µÐ½ %D0%BF%D1%80%D0%B5%D0%BA%D1%80%D0%B0%D1%81%D0%B5%D0%BD-204191/actors Дупка в https://bg.listvote.com/lists/film/movies/%D0%B4%D1%83%D0%BF%D0%BA%D0%B0-%D0%B2- главата %D0%B3%D0%BB%D0%B0%D0%B2%D0%B0%D1%82%D0%B0-2468401/actors ГоÑÐ​ ¿Ð¾Ð´Ð¸Ð½ https://bg.listvote.com/lists/film/movies/%D0%B3%D0%BE%D1%81%D0%BF%D0%BE%D0%B4%D0%B8%D0%BD- Ð”Ð¸Ð¹Ð´Ñ ​ отива %D0%B4%D0%B8%D0%B9%D0%B4%D1%81-%D0%BE%D1%82%D0%B8%D0%B2%D0%B0-%D0%B2- в града %D0%B3%D1%80%D0%B0%D0%B4%D0%B0-475529/actors ÐÐ​ µ можеш Ð https://bg.listvote.com/lists/film/movies/%D0%BD%D0%B5-%D0%BC%D0%BE%D0%B6%D0%B5%D1%88- ´Ð° го %D0%B4%D0%B0-%D0%B3%D0%BE-%D0%B2%D0%B7%D0%B5%D0%BC%D0%B5%D1%88-%D1%81- вземеш Ñ​ %D1%82%D0%B5%D0%B1-637835/actors теб ГоÑÐ​ ¿Ð¾Ð´Ð¸Ð½ https://bg.listvote.com/lists/film/movies/%D0%B3%D0%BE%D1%81%D0%BF%D0%BE%D0%B4%D0%B8%D0%BD- Смит отива %D1%81%D0%BC%D0%B8%D1%82-%D0%BE%D1%82%D0%B8%D0%B2%D0%B0- във %D0%B2%D1%8A%D0%B2- Вашингтон %D0%B2%D0%B0%D1%88%D0%B8%D0%BD%D0%B3%D1%82%D0%BE%D0%BD-866120/actors.
Load more

Recommended publications
  • Torrance Herald
    THURSDAY, FEBRUARY 21. 1935 Page 4 TORRANCE IfBRALD, Torrancp,-California BRITISH STAR of "Evergreen" is On the Double Bill At Fox Redondo Three Scintillating Stars Shine at Torrance "Bordertown" with Paul Muni FILM FIND Starting Sunday A Ucnn W. Levy romance as Opens at Lomita Tonight 1 »yinpalhctlcally treated na memorable Mm. MoonllBht." "fiapRgrutiflu' *«l<1 to embrace much splendor- as bus ever been crowded ,'irito" one iiTuittcal film, an a cant ill real favorites are .<ai to b'1 the ingredients of Cjaumon Uritlsh's currfnt offering at the Toiranre Theatre, Jessie Mat thews in "Kvcrsrrcen." The pic turn's <-ni,'UBc>mrnt will run thret nlchts starting tonight, as jmniun tu the feature, "Forsaking All Others." Miss Matthews Is the newest and one of the most sensatlona ' film finds of G. B. Production! :md lias had an enviable reputa- lio __ fit London previous to her eleva­ tion i', film .stardom. She played a bu!i<l y.-ar on the stage In "Ei green" )..-fore it was 1 transfel to tin- films. West of the Pecos" Opens Not'Sjnce "Dinner At Eight" motion picture created as much Tonight at Plaza Theatre Ivance discussion as Metro-Gold- yn - Mayor's newest offering, Hailed as the talking screen's two greatest portrayer* of emo'tion,, "Forsaking All Others," .which Barnum and His Tippling Aid< Paul Muni and Sette Davis smilingly regard the result of their greatest ihown tonight, Friday and,Sat­ dramaticmaic effort, the Warner Bros,ros, prouconproduction "Border-town,", in whichc urday at the Torrance Theatre star of ''I Am a Fugitive From the Chain Gang" and the sensatio i-ith a cast headed by three of "Of Human Bondage" reach new stellar heights.
    [Show full text]
  • Vertigo. Revista De Cine (Ateneo Da Coruña)
    Vertigo. Revista de cine (Ateneo da Coruña) Título: Frank Capra vs. Harry Langdon: El hombre cañón Autor/es: Pena, Jaime J. Citar como: Pena, JJ. (1992). Frank Capra vs. Harry Langdon: El hombre cañón. Vértigo. Revista de cine. (5):21-23. Documento descargado de: http://hdl.handle.net/10251/42953 Copyright: Todos los derechos reservados. Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: FRANK CAPRA vs. HARRY LANGDO,N: 1.- HARRY LANGDON Fue Walter Montague, un viejo actor y propietario de una pequeña productora, quién EL HOMBRE introdujo a Frank Capra en el mundo del cine. O quizás deberíamos decir que fue a costa de ""' Walter Montague como Frank Capra se in­ CANON trodujo en el mundo del cine. Sea como fuere, Montague produjo a Capra su primer cortometraje, FULTAFtSHER'S BOARDING JAIME J. PENA HOUSE (1921), una adaptación de Rudyard Kipling que destaca por su crudeza y realismo, la cual le sirvió al hijo de emigrantes sicilianos para iniciarse en el cine aprendiendo el oficio a la inversa: primero como director, luego como montador, atrezzista, escritor de gags o lo que hiciese falta.
    [Show full text]
  • February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
    February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E.
    [Show full text]
  • ED273292.Pdf
    ED 273 292 IR 051 616 TITLE Annual Report of tile Librarian of Congress, 1905. For the Fiscal Year Ending September 30, 1985. INSTITUTION Library of Congress, Mashingtos, D.C. PUB DATE 86 NOTE 232p.; For the 1984 annual report, see ED 260 712; for a summary report for 1985, see IR 051 620. AVAILABLE FROMSuperintendent of Documents, U. S. Government Printing Office, Washington, DC 20402. PUB TYPE Books (010) -- Reports - Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS Annual Reports; Cataloging; Copyrights; *Federal Programs; Information Science; Law Libraries; Library Administration; *Library Services; Library Statistics; *National Libraries; *Program Descriptions; *Research Libraries IDENTIFIERS Congressional Research Service; Copyright Mice; *Library of Congress ABSTRACT Fiscal year activities are summarized for seves organizational areas of the Library of Congress; (1) Administration--Office of the Librarian, and Managemest Servicms; (2) National Programs--American Folklife Center, Children's Literature Center, Educational Liaison Office, Exhibits Office, Federal Library and Information Center Committee, Information Office, Natioaal Library Service for the Blind and Physically Nandicapped, asd Publishing Office; (3) Congressional Research Servicemember mod committee relations, labor-management relations, research services, special research activities, and automated information services; (4) Processing Services--acquisitions and overseas operations, cataloging, bibliographic products and services, networking, and staff
    [Show full text]
  • The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
    The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158.
    [Show full text]
  • September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 Min)
    September 3, 2013 (XXVII:2) Frank Capra, IT HAPPENED ONE NIGHT (1934, 105 min) Academy Awards—1935: —Best Actor in a Leading Role (Clark Gable) —Best Actress in a Leading Role (Claudette Colbert) —Best Director (Frank Capra) —Best Picture —Best Writing, Adaptation (Robert Riskin) National Film Registry—1993 Directed by Frank Capra Cinematography by Joseph Walker Clark Gable...Peter Warne Claudette Colbert...Ellie Walter Connolly...Andrews Roscoe Karns...Shapeley Ward Bond...Bus Driver #1 (uncredited) FRANK CAPRA (director) (b. Francesco Rosario Capra, May 18, 1897, Bisacquino, Sicily, Italy—d. September 3, 1991, La Quinta, California) Broadway Bill, 1934 It Happened One Night, 1933 Lady for a Day, 1932 American Madness, 1932 Forbidden, 1931 Platinum Frank Capra is the recipient of three Academy Awards: 1939 Blonde, 1931 Dirigible, 1930 Rain or Shine, 1930 Ladies of Best Director for You Can't Take It with You (1938), 1937 Best Leisure, 1929 The Donovan Affair, 1928 The Power of the Press, Director for Mr. Deeds Goes to Town (1936), and 1935 Best 1928 Submarine, 1928 The Way of the Strong, 1928 The Matinee Director for It Happened One Night (1934). In 1982 he received Idol, 1928 So This Is Love?, 1928 That Certain Thing, 1927 For a Lifetime Achievement Award from the American Film the Love of Mike, 1926 The Strong Man, and 1922 The Ballad of Institute. Fisher's Boarding House. Capra directed 54 films, including 1961 Pocketful of Miracles, Capra also has 44 writing credits, including the screenplay of It’s 1959 A Hole in the Head, 1951 Here Comes the Groom, 1950 a Wonderful Life.
    [Show full text]
  • The Field Guide to Sponsored Films
    THE FIELD GUIDE TO SPONSORED FILMS by Rick Prelinger National Film Preservation Foundation San Francisco, California Rick Prelinger is the founder of the Prelinger Archives, a collection of 51,000 advertising, educational, industrial, and amateur films that was acquired by the Library of Congress in 2002. He has partnered with the Internet Archive (www.archive.org) to make 2,000 films from his collection available online and worked with the Voyager Company to produce 14 laser discs and CD-ROMs of films drawn from his collection, including Ephemeral Films, the series Our Secret Century, and Call It Home: The House That Private Enterprise Built. In 2004, Rick and Megan Shaw Prelinger established the Prelinger Library in San Francisco. National Film Preservation Foundation 870 Market Street, Suite 1113 San Francisco, CA 94102 © 2006 by the National Film Preservation Foundation Library of Congress Cataloging-in-Publication Data Prelinger, Rick, 1953– The field guide to sponsored films / Rick Prelinger. p. cm. Includes index. ISBN 0-9747099-3-X (alk. paper) 1. Industrial films—Catalogs. 2. Business—Film catalogs. 3. Motion pictures in adver- tising. 4. Business in motion pictures. I. Title. HF1007.P863 2006 011´.372—dc22 2006029038 CIP This publication was made possible through a grant from The Andrew W. Mellon Foundation. It may be downloaded as a PDF file from the National Film Preservation Foundation Web site: www.filmpreservation.org. Photo credits Cover and title page (from left): Admiral Cigarette (1897), courtesy of Library of Congress; Now You’re Talking (1927), courtesy of Library of Congress; Highlights and Shadows (1938), courtesy of George Eastman House.
    [Show full text]
  • Frank Capra L'ennemi Public, William A
    magazine de l’institut lumiÈre #93 21 octobre 4 décembre 2011 RueDu Premier Film FRANKrétrospective CAPRA Actuellement en librairie « Ce livre est une histoire définitive du cinéma muet. » Martin Scorsese 93 # Grande dame d'un jour, Frank Capra L'Ennemi public, William A. Wellman Ben-Hur, William Wyler 4 RÉTROSPECTIVE FRank CaPRa 17 CIMnÉ a ET PSYChIaTRIE 11 PROJECTIOnS À La VILLa LUMIÈRE 17 CIMnÉ a ET BanDE-DESSInÉE 16MM n&B InVITaTIOn À BLUTCh 12 CL aSSIQUES DU CInÉMa 18 L’En pouva TaBLE VEnDREDI Nuit STEPhEn King 15 CI nÉ-COnCERT À L'aUDITORIUM DE LYOn 19 R nEnSEIg EMEnTS praTIQUES et InDEx 16 CMInÉ aThÈQUE des films de monTagnE Sommaire Enfin traduit en France ! PRIX LUMIÈRE 2011 : GÉRARD DEPARDIEU Actuellement en librairie MAGAZINE DE L’INSTITUT LUMIÈRE #93 21 octobre 4 décembre 2011 RUEDU PREMIER FILM FRANKYt[YVZWLJ[P]L CAPRA Préface de Philippe Garnier En couvErturE : Priscilla Lane et Cary Grant dans Arsenic 14,5 x 24 cm, 1008 pages, et vieilles dentelles de Frank Capra (1944) traduit de l’anglais par RemErciEmEnts : Christine Leteux, 32 € Action/Théâtre du temple, Auditorium de Lyon, Carlotta Films, Ciné-Archives, Cinémathèque française, Films sans frontières, Flash Pictures, Forum des Images, Gaumont, Grands Films Classiques, Lobster Films, Nompareille Productions, SNC, Splendor Films, Swashbuckler Films, Tamasa Kevin Brownlow, lors de sa venue au festival Lumière 2011 Distribution, Warner Bros. Re mErciEmEnts particuliErs à : Raymond Chirat, Michel Cieutat, Raphael Chambouvet, Blutch, Loris Thiel, Dr Alain Bouvarel, Dr Jean-Christophe Vignoles, Nicolas Janaud, Yannick Vallençant, Pierre Saloff-Coste, Martin Goutte. © JL Mège Le samedi 8 octobre, le Prix Lumière a été remis à Gérard Depardieu.
    [Show full text]
  • Hollywood Theology: the Commodification of Religion in Twentieth-Century Films Author(S): Jeffery A
    Center for the Study of Religion and American Culture Hollywood Theology: The Commodification of Religion in Twentieth-Century Films Author(s): Jeffery A. Smith Reviewed work(s): Source: Religion and American Culture: A Journal of Interpretation, Vol. 11, No. 2 (Summer 2001), pp. 191-231 Published by: University of California Press on behalf of the Center for the Study of Religion and American Culture Stable URL: http://www.jstor.org/stable/10.1525/rac.2001.11.2.191 . Accessed: 29/01/2013 11:41 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Center for the Study of Religion and American Culture are collaborating with JSTOR to digitize, preserve and extend access to Religion and American Culture: A Journal of Interpretation. http://www.jstor.org This content downloaded on Tue, 29 Jan 2013 11:41:14 AM All use subject to JSTOR Terms and Conditions Hollywood Theology: The Commodication of Religion in Twentieth-Century Films Jeffery A. Smith A motion picture is a product formed by the intricate inter- play of lm industry forces and cultural expectations. Hollywood must attract audiences and audiences crave gratication or, perhaps, edication.
    [Show full text]
  • “Can't Help Singing”: the “Modern” Opera Diva In
    “CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location.
    [Show full text]
  • Report to the U. S. Congress for the Year Ending December 31, 2009
    Report to the U.S. Congress for the Year Ending December 31, 2009 Created by the U.S. Congress to Preserve America’s Film Heritage Created by the U.S. Congress to Preserve America’s Film Heritage April 12, 2010 Dr. James H. Billington The Librarian of Congress Washington, D.C. 20540-1000 Dear Dr. Billington: In accordance with The Library of Congress Sound Recording and Film Preservation Programs Reauthorization Act of 2008 (Public Law 110-336), I submit to the U.S. Congress the 2009 Report of the National Film Preservation Foundation. The NFPF presents this Report proud of deeds accomplished but humbled by the work still left to do. When the foundation started its grant program in 1998, only a handful of institutions had the resources to preserve historically significant American films in their collections. Now, thanks to federal funding secured through the Library of Congress as well as the support of the entertainment industry, 202 archives, libraries, and museums from coast to coast are saving American films and sharing them with the public. These efforts have rescued 1,562 works that might otherwise have been lost—newsreels, documentaries, silent-era features, avant-garde films, home movies, industrials, and independent productions. Films preserved through the NFPF are now used widely in education and reach audiences everywhere through theatrical exhibition, television, video, and the Internet. More culturally significant American films are being rediscovered every day—both here and abroad. Increasingly preservationists are finding that archives in other countries hold a key to unlocking America’s “lost” silent film heritage.
    [Show full text]
  • Film and Architecture: Discovering the Self-Reflection of Frank Capra And
    UNLV Retrospective Theses & Dissertations 1-1-2000 Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis Marie Lynore Kohler University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Kohler, Marie Lynore, "Film and architecture: Discovering the self-reflection of rF ank Capra and Frank Lloyd Wright through contextual analysis" (2000). UNLV Retrospective Theses & Dissertations. 1120. http://dx.doi.org/10.25669/c7iq-fh8b This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiaice, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor qualify illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]