2020.10.29 Background Briefing Note

Total Page:16

File Type:pdf, Size:1020Kb

2020.10.29 Background Briefing Note Initial briefing for the Future of Media Commission October 2020 NB. This briefing paper has been prepared by the Secretariat ahead of the inaugural meeting of the Future of Media Commission. It is intended as a general orientation, lightly introducing some of the issues pertinent to the Commission and signposting some further research and information. It does not purport to be a definitive statement on, or comprehensive analysis of, the media sector in Ireland or the challenges that it faces. Nor does it represent government policy on any of the issues which the Commission will examine during the course of its work. 1 1 ABOUT THE FUTURE OF MEDIA COMMISSION ......................................................... 3 1.1 Establishment and Terms of Reference........................................................................................... 3 1.2 Membership of the Commission .................................................................................................... 4 1.3 Secretariat .................................................................................................................................... 5 1.4 Online presence ............................................................................................................................ 5 2 SETTING THE SCENE ................................................................................................ 6 3 PROFILE OF THE MEDIA LANDSCAPE IN IRELAND ..................................................... 8 3.1 Print media ................................................................................................................................... 8 3.2 Online media .............................................................................................................................. 10 3.3 Broadcast media ......................................................................................................................... 11 3.4 Ireland’s Public Service Broadcasters ........................................................................................... 12 3.4.1 RTÉ ..................................................................................................................................... 12 3.4.2 TG4 ..................................................................................................................................... 15 4 REGULATORY ISSUES ............................................................................................ 17 4.1 Revised Audiovisual Media Services Directive .............................................................................. 17 4.2 Online Safety and Media Regulation Bill ....................................................................................... 17 4.3 Regulation of Broadcasting in Ireland ........................................................................................... 18 4.3.1 BAI annual review of output targets ................................................................................... 18 4.3.2 BAI 5-Year Review of Funding of Public Service Broadcasters ............................................. 18 4.3.3 Governance of Public Service Broadcasters ........................................................................ 19 5 FUNDING OF PUBLIC SERVICE BROADCASTING ...................................................... 19 5.1 TV Licence Collection ................................................................................................................... 19 5.2 Distribution of the Licence Fee ..................................................................................................... 19 5.3 The Broadcasting Fund and the Independent Production Sector .................................................... 20 5.4 Reforming funding of public service media ................................................................................... 20 ANNEX I – ADDITIONAL READING MATERIAL ................................................................ 22 5.4.1 International Examples ....................................................................................................... 23 5.4.2 Print ................................................................................................................................... 23 2 1 About the Future of Media Commission 1.1 Establishment and Terms of Reference The Commission and its Terms of Reference are based on a Government Decision of 29 September 2020, and in line with a commitment in the current Programme for Government, Our Shared Future. The preamble to the Commission’s Terms of Reference describes the context for the Commission’s work. It emphasises that well-functioning media systems, and in particular public service broadcasting, deliver four important public services to Irish society, namely: informing, educating and entertaining the Irish public with regard to matters of Irish culture, identity, sport, language and other matters inherent to Ireland and the Irish people; ensuring that the public has access to high quality, impartial, independent journalism, reporting on matters of local, regional, national, European and international importance in a balanced way and which contributes to democratic discourse; bringing the nation, and diaspora, together at moments of great national importance; ensuring that creative Irish talent gets the opportunity to have their work reach audiences in Ireland and, where possible, further afield. The preamble continues by describing how, since the foundation of the State, these public service aims have been, and continue to be delivered at local, regional and national level by a wide number of media organisations including the two statutorily-established public service broadcasters - RTÉ and TG4 - as well as independent broadcasters, producers and print media. It identifies also the increasingly important role played by online media in the delivery of public service aims. The Terms of Reference then set out the goals of the Commission, as follows: To identify what the Irish experience has been in delivering the above aims through public service broadcasters, other broadcasters, print and online media at a local, regional and national level and the challenges created for these media by new global platforms and changing audience preferences in relation to how content is delivered; To consider the extent to which the current models of delivery are the appropriate ones the next 10 years; To review best practice in other comparable jurisdictions, particularly across the European Economic Area in terms of providing future-proofed models for meeting the above four public services in light of changing audience expectations, in particular the preferences and behaviours of younger audiences. 3 Finally, the Terms of Reference set out the tasks of the Commission, which are to be completed through a Report of the Commission, to be finalised within a nine month period. The Commission’s report is expected to: propose how public service aims should be delivered in Ireland over the next ten years; describe how public service media should contribute to supporting Ireland’s cultural and creative sectors; how public service media can be funded in a way that is sustainable, gives greater security of funding, ensures independent editorial oversight and delivers value for money to the public; make recommendations on RTÉ’s role, financing and structure within this framework; set out how public service media is to be overseen and regulated, having regard to our EU obligations including the requirements of the revised Audio-visual Media Services Directive. 1.2 Membership of the Commission The Commission has been constituted as an independent body whose members have been appointed on the basis of their expertise in broadcast, print and online media. The composition of the Commission represents a balanced mix of experts in public service media, independent journalism, social media, new technology platforms, media economics, culture, language, creative content, governance and best international practice. The Commission itself is not intended to be a stakeholder representative forum, and as such none of its members have been appointed in an ex-officio capacity. It is envisaged that the Commission will engage comprehensively with key stakeholders, including journalists and their representatives, publishers, regional media, and the wider public. The membership of the Commission includes: Professor Brian MacCraith, Chair of the Commission. Former President of Dublin City University Sinéad Burke, Director of Tilting the Lens, writer and academic active in social media, and member of the Council of State Alan Rusbridger, Chair of the Steering Committee of the Reuters Institute for the Study of Journalism at the University of Oxford, and former Editor-in-Chief of Guardian News and Media Lynette Fay, freelance broadcaster with an academic background in applied communications Nuala O’Connor, co-founder of South Wind Blows, writer and documentary filmmaker in the areas of music and the Arts 4 Dr. Gillian Doyle, Professor of Media Economics at the University of Glasgow Mark Little, CEO and co-Founder of Kinzen, and Founder of Storyful Stephen McNamara, Director of Communications with the Irish Rugby Football Union Dr. Finola Doyle-O’Neill, Broadcast Historian at University College Cork Two additional members to be appointed subject to Government Decision 1.3 Secretariat Secretary to the Commission is Andrew Munro, Assistant Secretary at the Department
Recommended publications
  • Local Commercial Radio Content
    Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary ....................................................................................................
    [Show full text]
  • Broadcasting Authority of Ireland
    Broadcasting Authority of Ireland Review of Sound & Vision 3 July 2019 Mediatique Limited 65 Chandos Place London WC2N 4HG UNITED KINGDOM www.mediatique.co.uk BAI – Review of Sound & Vision 3 Executive summary Objectives, methodology and outline of the scheme ▪ Mediatique was commissioned to assist the BAI in their statutory obligation to review the operation, impact and effectiveness of the Sound & Vision 3 Broadcasting Funding Scheme. ▪ The review requires an assessment of how the scheme operates and performs against its stated objectives, and in particular the effectiveness and efficiency of its operations, its impact on the value chain and on production and availability of (in particular) Irish-language content and its role and impact within the current media landscape. ▪ A key aim of the report is to provide a comprehensive basis for informing the BAI on developing a revised scheme(s) in 2020. In this context, we were asked to consider how robust the scheme and its successors are likely to be, now and in the future, given any anticipated changes in the broadcasting landscape over the next 5-10 years, as well as the impact of any scheme that may operate adjacent to a new scheme or schemes (e.g., funds sourced from new content levies or other funding sources). ▪ A range of research methodologies was required to inform the various aspects of the review, including: a review of internal BAI data; secondary research; a bespoke consumer survey (delivered by Ipsos MRBI); an online survey of producers; and stakeholder interviews. ▪ S&V3 has been in operation since 2015, and in that time 10 funding rounds (numbering 23 through 32) have been completed.
    [Show full text]
  • An Post Tv Licence Online
    An Post Tv Licence Online Purposive and twilit Spense never overseen sidewards when Dwight reformulate his bicameralist. Diffusive Gasper festers untiringly while Jean-Pierre always nets his galliwasps dynamize in-house, he bullied so apostolically. Dylan remains know-nothing: she Indianizing her singularity aluminized too nowise? The full time television licence ireland will receive a tv licence either an post tv licence so Online programmes on the enquiry officer usually a hotel in some addresses. I've moved or improve no accident watch TV at my address How do I cancel my licence You we cancel our licence for you away longer. Best and worst shops Supermarkets Black Friday Online shopping Boxing Day and January sales. And postcode to improve your electricity provider is currently being directional, especially given off by post licence ireland will get prosecuted if you enjoy your faux fur really gonna have? Paying by post in direct debit there does a chin of options for this flush help. Scammers will continue to you receiving equipment and the tv online bills and programmes. If you don't have such licence and you whoever is of watching TV when an Enquiry. Cost Of Paying Tv Licence Monthly Squarespace. An Post blasts Facebook for hosting group with advice on. A TV licence should be purchased online at wwwtvlicenceie using MasterCard or. Yes rather who downloads or watches BBC programmes on demand including catch up TV on iPlayer must be covered by a TV Licence You also need but be covered by a TV Licence so watch or join live TV programmes on any channel including on iPlayer This applies to any device you use.
    [Show full text]
  • Select Committee of Tynwald on the Television Licence Fee Report 2010/11
    PP108/11 SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE REPORT 2010/11 REPORT OF THE SELECT COMMITTEE OF TYNWALD ON THE TELEVISION LICENCE FEE At the sitting of Tynwald Court on 18th November 2009 it was resolved - "That Tynwald appoints a Committee of three Members with powers to take written and oral evidence pursuant to sections 3 and 4 of the Tynwald Proceedings Act 1876, as amended, to investigate the feasibility and impact of withdrawal from or amendment of the agreement under which residents of the Isle of Man pay a television licence fee; and to report." The powers, privileges and immunities relating to the work of a committee of Tynwald are those conferred by sections 3 and 4 of the Tynwald Proceedings Act 1876, sections 1 to 4 of the Privileges of Tynwald (Publications) Act 1973 and sections 2 to 4 of the Tynwald Proceedings Act 1984. Mr G D Cregeen MHK (Malew & Santon) (Chairman) Mr D A Callister MLC Hon P A Gawne MHK (Rushen) Copies of this Report may be obtained from the Tynwald Library, Legislative Buildings, Finch Road, Douglas IM7 3PW (Tel 07624 685520, Fax 01624 685522) or may be consulted at www, ,tynwald.orgim All correspondence with regard to this Report should be addressed to the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas IMI 3PW TABLE OF CONTENTS 1. Introduction 1 2. The broadcasting landscape in the Isle of Man 4 Historical background 4 Legal framework 5 The requirement to pay the licence fee 5 Whether the licence fee is a UK tax 6 Licence fee collection and enforcement 7 Infrastructure for terrestrial broadcasting 10 Television 10 Radio: limitations of analogue transmission capability and extent of DAB coverage 13 3.
    [Show full text]
  • 4-Student-Notes-Media-Industries U2
    Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018.
    [Show full text]
  • Hans Knot International Radio Report May 2016
    Hans Knot International Radio Report May 2016 Welcome everybody to another International Radio Report with a lot of thanks to all those who responded on last issue. Those with very interesting answers will be in this in next report, others have already had their personal answers in the mail. Let’s start this issue with an e mail from Roger Day, who’s working 50 years within the radio industry next month and started his career way back in 1966 on Swinging Radio England: ‘Hi Hans Details of my party to celebrate this milestone. It would be fantastic if you can come. Tickets on sale here. https://www.dreamland.co.uk/events/listings/eventdetail/175/9/fift y-shades-of-day-with-roger-twiggy-day Best Wishes Roger Day’. Roger Day in 1968 when he worked for Radio Caroline. Photo: Freewave Archive. Well thanks a lot Roger for the invitation but coming over to England during that weekend is not possible due to other commitments. Hopefully one or more of the readers will have a look at the above mentioned internetsite and decide to book a ticket. May I wish you a lot of pleasure and hopefully many more years in radio! Next one comes from Mike Terry who had sharp ears when listening to BBC Radio 2: ‘Hi Hans. It was surprising to hear BBC Radio 2 Sounds of the Sixties show plays my request: ‘I Love You Caroline’ and mention Radio Caroline on April 9th. As I expect you know this record is from the Pathfinders, a Birkenhead, Liverpool group.
    [Show full text]
  • Radio-Radio-Mulryan
    ' • *427.. • • • • ••• • • • • . RADIO RADIO Peter Mulryan was born in Dublin in 1961. He took an honours degree in Communication Studies from the NIHE, Dublin. He began work as a presenter on RTE's Youngline programme, then moved to Radio 2 as a reporter, before becoming a television continuity announcer and scriptwriter. Since leaving RTE, he has been involved in independent film and video production as well as lecturing in broadcasting. He now lives and works in the UK. PUBLICATIONS RADIO RADIO 813 Peter Mulryan Borderline Publications Dublin, 1988 Published in 1988 by Borderline Publications 38 Clarendon Street Dublin 2 Ireland. CD Borderline Publications ISBN No. 1 870300 033 Computer Graphics by Mark Percival Cover Illustration and Origination by Artworks ( Tel: 794910) Typesetting and Design by Laserworks Co-operative (Tel: 794793) CONTENTS Acknowledgements Preface by the Author Introduction by Dave Fanning 1. The World's First Broadcast 1 2. Freedom and Choice 11 3. Fuse-wire, Black Coffee and True Grit 19 4. Fun and Games 31 5. A Radio Jungle 53 6. Another Kettle of Fish 67 7. Hamburger Radio 79 8. The Plot Thickens 89 9. A Bolt from the Blue 101 10. Black Magic and the Five Deadly Sins 111 11. Bees to Honey 129 12. Twenty Years Ago Today 147 Appendix I - Party Statements Appendix II - The Stations ACKNO WLEDGEMENTS In a book that has consumed such a large and important period of my life, I feel I must take time out to thank all those who have helped me over the years. Since the bulk of this text is built around interviews! have personally conducted, I would like to thank those who let themselves be interviewed (some several times).
    [Show full text]
  • Number 18 of 2009 BROADCASTING ACT 2009 REVISED Updated to 14
    Number 18 of 2009 BROADCASTING ACT 2009 REVISED Updated to 14 July 2021 This revised Act is an administrative consolidation of the Broadcasting Act 2009. It is prepared by the Law Reform Commission in accordance with its function under the Law Reform Commission Act 1975 (3/1975) to keep the law under review and to undertake revision and consolidation of statute law. All Acts up to and including the Sale of Tickets (Cultural, Entertainment, Recreational and Sporting Events) Act 2021 (21/2021), enacted 14 July 2021, and all statutory instruments up to and including the Broadcasting (Transfer of Departmental Administration and Ministerial Functions) Order 2021 (S.I. No. 402 of 2021), made 14 July 2021, were considered in the preparation of this Revised Act. Disclaimer: While every care has been taken in the preparation of this Revised Act, the Law Reform Commission can assume no responsibility for and give no guarantees, undertakings or warranties concerning the accuracy, completeness or up to date nature of the information provided and does not accept any liability whatsoever arising from any errors or omissions. Please notify any errors, omissions and comments by email to [email protected]. Number 18 of 2009 BROADCASTING ACT 2009 REVISED Updated to 14 July 2021 Introduction This revision presents the text of the Act as it has been amended since enactment, and preserves the format in which it was first passed. Related legislation Broadcasting (Offences) Acts 1968 to 2009: this Act is one of a group of Acts included in this collective citation, to be construed together as one (Broadcasting Act 2009 (18/2009), s.
    [Show full text]
  • Ireland: in Search of Reform for Public Service Media Funding
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ulster University's Research Portal Ireland: In search of reform for public service media funding Phil Ramsey, Ulster University [email protected] http://ulster.academia.edu/PhilRamsey | http://orcid.org/0000-0001-5873-489X Published as: Ramsey, P. (2018) Ireland: In search of reform for public service media funding. In C. Herzog, H. Hilker, L. Novy and Torun, O. (Eds), Transparency and Funding of Public Service Media: deutsche Debatte im internationalen Kontex (pp.77–90). Wiesbaden: Springer VS. Abstract This chapter discusses public service media (PSM) in Ireland in the context of the recent financial crisis and major demographic changes. It considers some of the factors impacting domestic PSM that are similar to those in other mature media systems in Europe, such as declining funding streams and debates over PSM-funding reform. After introducing the Irish social and political-economic context and providing for a brief historical review of PSM in Ireland, the roles of the domestic PSM organizations RTÉ and TG4 in the Irish media market are discussed. The chapter addresses initial government support for the introduction of a German-style household media fee, a Public Service Broadcasting Charge. While the charge was intended for introduction in 2015, it was later ruled out by the Irish Government in 2016. Ireland: in search of reform for public service media funding Public Service Media (PSM) has a long-tradition in the Republic of Ireland (ROI, hereafter Ireland), dating back to the commencement of the state radio service 2RN in January 1926.1 The state’s involvement in broadcasting later gave way to the main public broadcaster RTÉ, which has broadcast simultaneously on television and radio since New Year’s Eve 1961, and latterly, delivered public service content online.
    [Show full text]
  • JNLR-Sales House Data
    JNLR – SALES HOUSE REPORT – 2020/3 NOVEMBER 2020 © 2020 Ipsos MRBI All rights reserved. Contains Ipsos' Confidential and Proprietary information and may not be disclosed or reproduced without the prior written consent of Ipsos. NOTE TO THE READER … The following charts outline Weekly Reach and 7am-7pm (PT) share for October 2019 to September 2020 (2020-3), across key demographics. Reach data is compared to the same time period last year (2019-3). Due to Covid-19 restrictions no interviewing was conducted in Quarter 2 (April, May, June) 2020. Therefore, the current report incorporates 9-months' data during this 12-month period. Definitions: HKWK is defined as Housekeeper with dependent children (any age) Universe estimates and sample size – refer to 2020-3 data. See Appendix for Sales house composition 2 © 2020 Ipsos MRBI JNLR Sales House Report – 2020-3 Radio Today RADIO TODAY Almost 3.2 million Irish adults listen to radio on an average day DAILY WEEKLY 15+ 15-34 35+ 15+ 3,187,000 893,000 2,294,000 3,640,000 On average listeners tune 85 92 % 81 72 into 1.5 radio stations daily Av. Mins* 256 192 282 Source: JNLR MediaStar Weekly Reach Source: JNLR National Report 2020-3 * Average time spent among listeners 7am-midnight 4 © 2020 Ipsos MRBI JNLR Sales House Report – 2020-3 RADIO TODAY While most listening happens on the AM/FM radio –330,000 listen daily on non-FM platforms SHARE OF TIME PC/laptop PC/laptop SPENT Mobile Mobile device device 1.5% 3.1% 2.8% 7.5% 1.7% 2% Other Other 15+ 15-34 94.1% 87.4% am/fm (home/car) am/fm (home/car) Source:
    [Show full text]
  • Read of COVID-19
    DIGITAL NEWS REPORT IRELAND 2021 Colleen Murrell, Kirsty Park, David Robbins, Dawn Wheatley BAI Foreword ................................................................................... 04 DCU FuJo Foreword ........................................................................ 06 Methodology ................................................................................... 07 Authorship and Research Acknowledgements ............................. 08 Executive Summary ......................................................................... 09 Section 1: Irish News Consumers .................................................... 13 Section 2: Sources and Devices ...................................................... 25 Section 3: Attitudes, Trust and Payments ..................................... 35 Section 4: Brands, Discovery and Social Media ............................ 59 Section 5: Coronavirus and the Media........................................... 77 Essay: Paying for News By Hugh Linehan .............................................................................. 87 Essay: Long Live Television: COVID-19 and trusted media By Colleen Murrell............................................................................ 89 Essay: Diversity and representation: Do audiences like what they see? By Dawn Wheatley .......................................................................... 91 Essay: Key decisions for the Future of Media Commission By David Robbins ............................................................................
    [Show full text]
  • Annual Report 2015
    Annual Report 2015 Údarás Um Shábháilteacht Ar Bhóithre Road Safety Authority ROAD SAFETY AUTHORITY 01 CONTENTS ANNUAL REPORT 2015 01 ROAD SAFETY AUTHORITY 02 CHAIRPERSON’S STATEMENT LIZ O’DONNELL, CHAIRPERSON 2015 saw a 14% decline in road deaths In 2016 we are going to need that ROAD SAFETY compared to 2014. support. I have great difficulty in describing Support for a new Road Traffic Bill which LAWS NEED this as a success. While I welcome the provides for: reduction in the number of fatalities and • The introduction of chemical EFFECTIVE those bereaved, I’m acutely aware that roadside testing to tackle drug there are 166 families and communities driving ENFORCEMENT devastated as a result of road trauma last year. • The introduction of a new 20 km/h speed limit for housing However crude, the number of people Key points estates killed on the road remains the only way • 166 families and we can measure progress in road safety. • The introduction of a third communities devastated as As the primary State body for road safety, payment option for those who a result of road trauma it is important that we acknowledge didn’t receive their fixed charge this progress, so that we can report to • Ireland falling behind the rest notice in the post. the public that our collective efforts are of Europe in setting 30km/h paying off. These provisions will go a long way speed limits towards addressing some of the key • Welcome the current The RSA, along with other agencies, issues on our roads. Programme for Government advocacy groups and road safety campaigners, works hard to persuade We also need to turn our attention to restore Garda numbers back to other road safety issues that we of 15,000 people to change their attitudes and behaviour, in order to reduce the thought had been effectively tackled, • Concern that we are seeing number of casualties on the road.
    [Show full text]