Desiring Devastated Landscapes: Love After Ecological Collapse
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EXHIBITS an Evolution
CHAPTER 2 EXHIBITS An Evolution Frances Kruger, Not Finished After All These Years Liz Clancy, and Museums have many important functions, but exhibits are what most Kristine A. Haglund people come to see. In addition to educating and entertaining, exhibits bring visitors in the door, generating revenue that supports Museum operations. More than a century after John F. Campion spoke at the Museum’s opening exercises on July 1, 1908, his observation that “a museum of natural history is never finished” is especially true in the world of exhibits (Fig. 2.1)—and in fact needs to stay true for the Museum to remain relevant (Alton 2000). Times change, expectations change, demographics change, and opportuni- ties change. This chapter is a selective, not-always-chronological look at some of the ways that the Museum’s exhibits have changed with the times, evolving from static displays and passive observation to immersive experi- ences to increased interactivity and active visitor involvement. Starting from a narrow early focus, the Museum went on to embrace the goal of “bringing the world to Denver” and, more recently, to a renewed regional emphasis and a vision of creating a community of critical thinkers who understand the lessons of the past and act as responsible stewards of the future.1 Figure 2.1. Alan Espenlaub putting finishing touches on the Moose-Caribou diorama. 65 DENVER MUSEUM OF NATURE & SCIENCE ANNALS | No. 4, December 31, 2013 Frances Kruger, Liz Clancy, and Kristine A. Haglund Displays and Dioramas Construction of the Colorado Museum of Natural History, as the Museum was first called, began in 1901. -
British Sky Broadcasting Group Plc Annual Report 2009 U07039 1010 P1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647 Mm Scale: 100%
British Sky Broadcasting Group plc Annual Report 2009 U07039 1010 p1-2:BSKYB 7/8/09 22:08 Page 1 Bleed: 2.647mm Scale: 100% Table of contents Chairman’s statement 3 Directors’ report – review of the business Chief Executive Officer’s statement 4 Our performance 6 The business, its objectives and its strategy 8 Corporate responsibility 23 People 25 Principal risks and uncertainties 27 Government regulation 30 Directors’ report – financial review Introduction 39 Financial and operating review 40 Property 49 Directors’ report – governance Board of Directors and senior management 50 Corporate governance report 52 Report on Directors’ remuneration 58 Other governance and statutory disclosures 67 Consolidated financial statements Statement of Directors’ responsibility 69 Auditors’ report 70 Consolidated financial statements 71 Group financial record 119 Shareholder information 121 Glossary of terms 130 Form 20-F cross reference guide 132 This constitutes the Annual Report of British Sky Broadcasting Group plc (the ‘‘Company’’) in accordance with International Financial Reporting Standards (‘‘IFRS’’) and with those parts of the Companies Act 2006 applicable to companies reporting under IFRS and is dated 29 July 2009. This document also contains information set out within the Company’s Annual Report to be filed on Form 20-F in accordance with the requirements of the United States (“US”) Securities and Exchange Commission (the “SEC”). However, this information may be updated or supplemented at the time of filing of that document with the SEC or later amended if necessary. This Annual Report makes references to various Company websites. The information on our websites shall not be deemed to be part of, or incorporated by reference into, this Annual Report. -
The Moderate Voice
The Moderate Voice Zack Kopplin 19 March 2013 Activists Re-Launch Campaign to Repeal Louisiana’s Creationism Law Since 2008, the Louisiana Science Education Act Has Been the Subject of National and International Criticism and Ridicule Baton Rouge, LA — (March, 18, 2013) — Senator Karen Carter Peterson (D-New Orleans) recently filed SB 26 to repeal the Louisiana Science Education Act, Louisiana’s misnamed and misguided creationism law. Since its passage in 2008, the Louisiana Science Education Act (LSEA) has been the subject of national and international criticism and ridicule, and its repeal has been endorsed an overwhelming consensus of scientists and educators and a broad coalition of religious leaders and clergy. This is the Senator Peterson’s third attempt at repealing the act. Previous hearings about the Louisiana Science Education Act were the focus of intense national interest. Videos of the meetings have collectively received more than 680,000 views on YouTube and were covered by national publications including io9 and Slate. The campaign has been covered both nationally and internationally, including in The Guardian, The Boston Globe, The Huffington Post, The Washington Post, Italian Vogue, MSNBC, and Bill Moyers’s “Moyers and Company.” Originally conceived as the Louisiana Academic Freedom Act, the LSEA is based on a model statute developed by the Discovery Institute, a Seattle-based think tank that lobbies for legislation promoting creationism in the classroom. State Senator Ben Nevers, the bill’s original sponsor, explained that he filed the bill at the behest of the Louisiana Family Forum. “They (the Louisiana Family Forum) believe that scientific data related to creationism should be discussed when dealing with Darwin’s theory,” Senator Nevers said. -
AN UNEASY CONTRADICTION Surveying the Career of Edward Burtynsky by CAROL M CCUSKER
PANORAMIC AN UNEASY CONTRADICTION Surveying the career of Edward Burtynsky BY CAROL M CCUSKER OIL FIELDS #19 (DIPTYCH), BELRIDGE, CALIFORNIA, USA—2003 Our dependence on nature to provide the materials for our con - quarries, and uranium tailings. More recently, he has pho - This photographic trajectory, from the subtle to the shocking, says the photographer. “We are drawn by desire, a chance at sumption, and our concern for the health of our planet sets us into tographed landscapes we couldn’t imagine without his camera: is in sync with growing public awareness of critical land-use issues. good living, yet…the world is suffering for our success.” an uneasy contradiction. — Edward Burtynsky China’s relocation of millions of citizens to make way for the You could say that Ed Burtynsky and his audience have grown up Three Gorges Dam, E-waste recycling, tire dumps, and ship- together in mutual ecological consciousness, with the photogra - sing color film, a large format camera, positioning himself rom the mid-1980s to the present, photographer Edward breaking. For two decades, Burtynsky’s environmentally con - pher acting like Dickens’s “Ghost of Christmas Future,” revealing above his subject, often printing to a painterly size of 50x60 Burtynsky has made beautiful images of landscapes we’d scious photographs have grown from picturing quiet, seemingly the malevolent fruits of our collective consumption. “Between Uinches, with an eye for compositional beauty amid the Frather not see. He photographs sites that are essential to benign hillsides with houses and dogs to the flagrantly poi - attraction and repulsion, seduction and fear…these images are ruins, his photographs form a detailed archive of the present that our worldwide energy consumption: open-pit mines, refineries, sonous, in the red river tailings of Sudbury, Ontario. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE Mcgonigal
Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE McGONIGAL THE PENGUIN PRESS New York 2011 ADVANCE PRAISE FOR Reality Is Broken “Forget everything you know, or think you know, about online gaming. Like a blast of fresh air, Reality Is Broken blows away the tired stereotypes and reminds us that the human instinct to play can be harnessed for the greater good. With a stirring blend of energy, wisdom, and idealism, Jane McGonigal shows us how to start saving the world one game at a time.” —Carl Honoré, author of In Praise of Slowness and Under Pressure “Reality Is Broken is the most eye-opening book I read this year. With awe-inspiring ex pertise, clarity of thought, and engrossing writing style, Jane McGonigal cleanly exploded every misconception I’ve ever had about games and gaming. If you thought that games are for kids, that games are squandered time, or that games are dangerously isolating, addictive, unproductive, and escapist, you are in for a giant surprise!” —Sonja Lyubomirsky, Ph.D., professor of psychology at the University of California, Riverside, and author of The How of Happiness: A Scientific Approach to Getting the Life You Want “Reality Is Broken will both stimulate your brain and stir your soul. Once you read this remarkable book, you’ll never look at games—or yourself—quite the same way.” —Daniel H. Pink, author of Drive and A Whole New Mind “The path to becoming happier, improving your business, and saving the world might be one and the same: understanding how the world’s best games work. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Downloading of Movies, Television Shows and Other Video Programming, Some of Which Charge a Nominal Or No Fee for Access
Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE FISCAL YEAR ENDED DECEMBER 31, 2011 OR ☐ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 FOR THE TRANSITION PERIOD FROM TO Commission file number 001-32871 COMCAST CORPORATION (Exact name of registrant as specified in its charter) PENNSYLVANIA 27-0000798 (State or other jurisdiction of (I.R.S. Employer Identification No.) incorporation or organization) One Comcast Center, Philadelphia, PA 19103-2838 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (215) 286-1700 SECURITIES REGISTERED PURSUANT TO SECTION 12(b) OF THE ACT: Title of Each Class Name of Each Exchange on which Registered Class A Common Stock, $0.01 par value NASDAQ Global Select Market Class A Special Common Stock, $0.01 par value NASDAQ Global Select Market 2.0% Exchangeable Subordinated Debentures due 2029 New York Stock Exchange 5.50% Notes due 2029 New York Stock Exchange 6.625% Notes due 2056 New York Stock Exchange 7.00% Notes due 2055 New York Stock Exchange 8.375% Guaranteed Notes due 2013 New York Stock Exchange 9.455% Guaranteed Notes due 2022 New York Stock Exchange SECURITIES REGISTERED PURSUANT TO SECTION 12(g) OF THE ACT: NONE Indicate by check mark if the Registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ☒ No ☐ Indicate by check mark if the Registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. -
Building a Brand Leader
Building a brand leader INTRODUCTION We’ve come a long way 1993-4 1999 2003 that Sky will have 7 million digital “we want to be at the heart of 21st cen- Over the next two years Sky continued Interactivity came to Sky in 1999 with the satellite households (18.9 million indi- tury living and to make every day extra- In a few years, British Sky Broadcasting has transformed the First, a little bit of history… to increase what was on offer to its sub- launch of Open and Sky Sports Active. viduals) - fully a third of all TV homes ordinary for every one of our customers” way people in Britain watch and use their television. Before scribers. In 1993 it added a multichan- Using Sky digital technology, Open in Britain. It has secured the main live 1989 nel package, offering a selection of allowed customers to shop, bank, play rights to FA Premier League Football This is backed up by a statement of Sky people could never have imagined ordering a pizza or When Sky began broadcasting via the themed channels that complemented the games and email directly from their tele- until the end of 2003-04 season. And it how that will be achieved, a brand sending an email from their set. Today it’s an accepted thing. Astra satellite back in February 1989 it existing movies, news and sports ser- vision. Sky Sports Active, available has firmly established itself as a leading promise: offered four channels – Sky Channel, vices. A further expansion occurred in during major live sports broadcasts on innovator and pioneer in broadcasting. -
Course Syllabus
HCOL 185: SU: Sustainability: A Cultural History MWF 2:20-3:10; F 3:30-4:20 * University Heights North, The University of Vermont, Fall 2018; Instructor: Professor M. D. Usher; Office: Department of Classics, 481 Main Street, Room 303;Contact: 656-4431; home: 897-2822; e-mail: [email protected] Course Description: “What’s in a name? that which we call a rose By any other name would smell as sweet.” —Romeo and Juliet Act II, Scene II “Look unto the rock whence ye were hewn, And to the hole of the pit whence ye were digged.” —Isaiah 51:1 Proponents of sustainability tend to present their ideas and prescriptions as new and innovative and argue that sustainable living is a defining concern of our time. Sustainable living is indeed an urgent, pressing issue for today’s world, but students in this course will learn that many of the fundamental tenets of the modern sustainability movement are also hallmarks of ancient Greek culture and thought. This course, a foray into the genealogy of ideas, traces the trajectory of modern notions of ecological and socio-economic sustainability back through time. Through selected readings spanning over two thousand years, students will see old ideas and precepts cropping up again and again over the course of history, up to and including the present day. They will grapple with conceptual and philosophical aspects of sustainability and with sustainable living itself (and the inevitable trade-offs and contradictions therein) experientially via a field trip to the small, diversified farm my wife and I built from scratch as an experiment in sustainable living, where we raise sheep, tend a large garden, and manage a maple sugarbush. -
The Sarasota News Leader. ARTICLE INCORRECTLY ATTRIBUTED
THE SARASOTA Vol. 2, No. 25 — March 7, 2014 COVER News Leader LET IT BE RAISING MORE CONCERNS A STRONG RESPONSE Inside Old school journalism. 21st century delivery. GET TO HELP KNOW US A.K.A. HELP MASTHEAD Rachel Brown Hackney Cleve Posey Editor and Publisher Production Manager / Graphic Designer [email protected] [email protected] Cooper Levey-Baker Robert S. Hackney Associate Editor Opinion Editor / General Manager [email protected] [email protected] Stan Zimmerman Advertising Sales City Editor [email protected] [email protected] Subscription Services Roger Drouin [email protected] County Editor Press Releases & News Tips [email protected] [email protected] Norman Schimmel Staff Photographer [email protected] Fran Palmeri Contributing Writer [email protected] Harriet Cuthbert Contributing Writer [email protected] Elinor Rogosin A&E Writer [email protected] John Riley Editorial Cartoonist [email protected] Vicki Chatley Copy Editor [email protected] Letters To the Editor [email protected] “The Sarasota News Leader” is a registered trademark of New Sheriff Publishing, Inc., which publishes The Sarasota News Leader. Copyright © 2014 Sarasota News Leader. All rights reserved. No part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. Member - National Digital Press Association • P.O. Box 5099 • Sarasota, FL 34277 • (941) 227-1080 WELCOME Last week, as I was reflecting on potential content for this issue, it appeared the City Commission meeting would be the only sig- nificant source. Oh, how wrong was I proven to be. -
Games of Idealized Courtship and Seduction in the Paintings of Antoine Watteau and Jean-Honoré Fragonard and in Laclos' Novel, Dangerous Liaisons Barbara C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Games of Idealized Courtship and Seduction in the Paintings of Antoine Watteau and Jean-Honoré Fragonard and in Laclos' Novel, Dangerous Liaisons Barbara C. Robinson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES GAMES OF IDEALIZED COURTSHIP AND SEDUCTION IN THE PAINTINGS OF ANTOINE WATTEAU AND JEANHONORĖ FRAGONARD AND IN LACLOS’ NOVEL, DANGEROUS LIAISONS By BARBARA C. ROBINSON A Dissertation submitted to the Department of Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2009 The members of the Committee approve the Dissertation of Barbara C. Robinson defended on March 19, 2009. ____________________________________ William Cloonan Professor Directing Dissertation ____________________________________ Barry S. Sapolsky Outside Committee Member ____________________________________ Raymond Fleming Committee Member ____________________________________ Stanley E. Gontarski Committee Member Approved: _____________________________________________________ Nancy Warren, Chair, Department of Interdisciplinary Humanities The Graduate School has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I wish to thank the many friends and colleagues who have given me support and encouragement throughout this long process. In particular, I wish to acknowledge Jennifer Boyles, Judy Crawford, Ercelle Fishburn, Chet Kennedy and Ron Motter who have been with me from the beginning. Dr. William Cloonan, my major professor, deserves special thanks for pushing me beyond my limits and teaching me to think. I also owe thanks to the members of my committee – Dr. Ray Fleming, Dr.