Results Autumn Classic Sale
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Lopulliset Hinnat Kevään Klassinen
Lopulliset hinnat Kevään Klassinen Nro Esine Vasarahinta 1 Carl Johansson, Spring landscape. 38 000 SEK 2 Oskar Bergman, "Kväll i Visby" (Evening in Visby). 10 000 SEK 3 Oskar Bergman, The old oak. Ei myyty 4 Oskar Bergman, Meadow Flowers. 14 000 SEK 5 Olle Hjortzberg, From the artist's atelier. 46 000 SEK 6 Bernhard Oscarsson, View over Nybroviken. Ei myyty 7 Prins Eugen, "Vadstena från Stubbet" (View of Vadstena from the surrounding fields). 40 000 SEK 8 Helmer Osslund, Spring landscape. 15 000 SEK 9 Bruno Liljefors, Blackcock's courting. 160 000 SEK 10 Bruno Liljefors, "Spoväng". 120 000 SEK 11 Bruno Liljefors, Common Eiders on a rock. 390 000 SEK 12 Gustaf Fjaestad, Winter landscape with frozen lake. 420 000 SEK 13 Hanna Hirsch-Pauli, Serene summer eve. Ei myyty 14 Emma Ekwall, Interior with lace-making girl. 34 000 SEK 15 Gerda Tirén, Girl on a sofa. 32 000 SEK 16 Hugo Birger, Scene from Alhambra. 70 000 SEK 17 Axel Borg, Jesters with monkey. 80 000 SEK 18 Robert Lundberg, Portrait of the artist Carl Johansson. 65 000 SEK 19 Carl Flodman, Fishing village, Kivik. 50 000 SEK 20 Axel Jungstedt, Working the fields. 80 000 SEK 21 Olof Hermelin, Spring landscape. 19 000 SEK 22 Olof Krumlinde, View of Uppsala Castle. 16 000 SEK 23 Johan Krouthén, Woman in a spring landscape. Ei myyty 24 Alfred Wahlberg, Woman on meadow, summer landscape from France. 70 000 SEK 25 Alfred Wahlberg, Undulating field with poppies. 8 500 SEK 26 Hugo Salmson, Something in the air. -
Unbounded the Eighteenth Century Mirrored by the Present Gränslöst
GÖTEBORGS KONSTMUSEUMS SKRIFTSERIE GÖTEBORGS KONSTMUSEUMS SKRIFTSERIE DETTA ÄR DET ÅTTONDE NUMRET AV GÖTEBORGS KONSTMUSEUMS SKRIFTSERIE SKIASCOPE Gränslöst Gränslöst Namnet är hämtat från ett instrument som den inflytelserike museimannen Unbounded Benjamin Ives Gilman utvecklade i början av 1900-talet för att ge betraktaren 1700-tal speglat i nuet möjlighet att fokusera på konsten i de, enligt upphovsmannen, ofta alltför stora och tätt hängda museisalarna. Ett finns på Göteborgs konstmuseum, ISBN 978-91-87968-96-9 sannolikt inköpt av Axel L. Romdahl. Vad har Alexander Roslins societetsporträtt Skiascopet blev aldrig någon succé. Det blev kanske obsolet genom att en och Tobias Bernstrups fotografiska själviscen- glesare hängningsideologi vann mark under mellankrigstiden. Ändå kan nog sättningar i lack och pumps gemensamt? I slu- många museibesökare känna igen sig i det som Gilman beskriver som ett av tet av 1700-talet drogs nya gränser upp kring museiväsendets grundproblemen: den museitrötthet som infinner sig redan köns identitet, konst närsrollen, synen på naturen efter ett par salar. Redan vid sekelskiftet stod det klart att museernas själva och västerlandets förhållande till Kina. I vår tid essens – att samla och ställa ut – hotade att göra dem alltför omfattande och omöjliga för besökarna att ta till sig. Sovring blir med tiden lika viktigt som ifrågasätts och överskrids dessa gränser på nytt, samlande. vilket öppnar för nya perspektiv på konst, mode Denna skriftseries ledstjärna är just fokusering. Liksom Gilmans instru- och konsthantverk från 1700-talet. Omvänt kan ment vill vi bidra till att rama in, lyfta fram och intensivt studera frågor som 1700-talets konst säga något om vår tid. vi ser som betydelsefulla. -
Acquisitions for the Reopened Nationalmuseum, Stockholm, 2011
Stockholm Supplement 2018.qxp_Layout 1 25/09/2018 14:35 Page 1 Acquisitions for the reopened Nationalmuseum, Stockholm, 2011–18 Stockholm Supplement 2018.qxp_Layout 1 25/09/2018 14:35 Page 2 Stockholm Supplement 2018.qxp_Layout 1 25/09/2018 14:35 Page 3 Acquisitions for the reopened Nationalmuseum, Stockholm, 2011–18 ork on the newly refurbished Nationalmuseum, was a clear educational and art-historical endeavour in the Museum’s Stockholm, which reopens to the public on 13th acquisitions policy, centred on notions of styles and periods, gradually this October, has built on three simultaneous and faded away in favour of a focus on aesthetic experience alone. The solitary parallel projects: renovation and remodelling of artistic genius was seen as supplying material for a dramatic narrative, Wthe building, a new display of the collection and against a backdrop built increasingly around individual masterpieces. new acquisitions. Alongside transforming the old building into a museum that is tter for purpose and more secure, Sleeper awakened by a young woman with a lit wick, or Il Fumacchio, considerable energy has gone into making the collections more accessible. by Nicolas Régnier. c.1622–25. Canvas, 101 by 133 cm. This has involved both showing well-known works from the collections Gift of the Friends of the Nationalmuseum, 2011. NM 7077. in a new way and rediscovering others that, for one reason or another, had fallen into obscurity. This scene of ribaldry was presumably invented by Régnier, a Franco-Flemish A review of the extensive holdings of the Nationalmuseum highlighted Caravaist. A courtesan plays a prank on a handsome young prodigal who has dozed a number of gaps. -
Portraits of Sculptors in Modernism
Konstvetenskapliga institutionen Portraits of Sculptors in Modernism Författare: Olga Grinchtein © Handledare: Karin Wahlberg Liljeström Påbyggnadskurs (C) i konstvetenskap Vårterminen 2021 ABSTRACT Institution/Ämne Uppsala universitet. Konstvetenskapliga institutionen, Konstvetenskap Författare Olga Grinchtein Titel och undertitel: Portraits of Sculptors in Modernism Engelsk titel: Portraits of Sculptors in Modernism Handledare Karin Wahlberg Liljeström Ventileringstermin: Höstterm. (år) Vårterm. (år) Sommartermin (år) 2021 The portrait of sculptor emerged in the sixteenth century, where the sitter’s occupation was indicated by his holding a statue. This thesis has focus on portraits of sculptors at the turn of 1900, which have indications of profession. 60 artworks created between 1872 and 1927 are analyzed. The goal of the thesis is to identify new facets that modernism introduced to the portraits of sculptors. The thesis covers the evolution of artistic convention in the depiction of sculptor. The comparison of portraits at the turn of 1900 with portraits of sculptors from previous epochs is included. The thesis is also a contribution to the bibliography of portraits of sculptors. 2 Acknowledgements I would like to thank my supervisor Karin Wahlberg Liljeström for her help and advice. I also thank Linda Hinners for providing information about Annie Bergman’s portrait of Gertrud Linnea Sprinchorn. I would like to thank my mother for supporting my interest in art history. 3 Table of Contents 1. Introduction ....................................................................................................................... -
INTERNATIONAL GEMMOLOGICAL CONFERENCE Nantes - France INTERNATIONAL GEMMOLOGICAL August 2019 CONFERENCE Nantes - France August 2019
IGC 2019 - Nantes IGC 2019 INTERNATIONAL GEMMOLOGICAL CONFERENCE Nantes - France INTERNATIONAL GEMMOLOGICAL August 2019 CONFERENCE Nantes - France www.igc-gemmology.org August 2019 36th IGC 2019 – Nantes, France Introduction 36th International Gemmological Conference IGC August 2019 Nantes, France Dear colleagues of IGC, It is our great pleasure and pride to welcome you to the 36th International Gemmological Conference in Nantes, France. Nantes has progressively gained a reputation in the science of gemmology since Prof. Bernard Lasnier created the Diplôme d’Université de Gemmologie (DUG) in the early 1980s. Several DUGs or PhDs have since made a name for themselves in international gemmology. In addition, the town of Nantes has been on several occasions recognized as a very attractive, green town, with a high quality of life. This regional capital is also an important hub for the industry (e.g. agriculture, aeronautics), education and high-tech. It has only recently developed tourism even if has much to offer, with its historical downtown, the beginning of the Loire river estuary, and the ocean close by. The organizers of 36th International Gemmological Conference wish you a pleasant and rewarding conference Dr. Emmanuel Fritsch, Dr. Nathalie Barreau, Féodor Blumentritt MsC. The organizers of the 36th International Gemmological Conference in Nantes, France From left to right Dr. Emmanuel Fritsch, Dr. Nathalie Barreau, Féodor Blumentritt MsC. 3 36th IGC 2019 – Nantes, France Introduction Organization of the 36th International Gemmological Conference Organizing Committee Dr. Emmanuel Fritsch (University of Nantes) Dr. Nathalie Barreau (IMN-CNRS) Feodor Blumentritt Dr. Jayshree Panjikar (IGC Executive Secretary) IGC Executive Committee Excursions Sophie Joubert, Richou, Cholet Hervé Renoux, Richou, Cholet Guest Programme Sophie Joubert, Richou, Cholet Homepage Dr. -
Danmarks Kunstbibliotek the Danish National Art Library
Digitaliseret af / Digitised by Danmarks Kunstbibliotek The Danish National Art Library København / Copenhagen For oplysninger om ophavsret og brugerrettigheder, se venligst www.kunstbib.dk For information on copyright and user rights, please consult www.kunstbib.dk D 53.683 The Ehrich Galleries GDlö ilaøtrrø” (Exclusively) Danmarks Kunstbibliotek Examples French SpanS^^ Flemish Dutch PAINTINGS 463 and 465 Fifth Avenue At Fortieth Street N E W YO R K C IT Y Special Attention Given to the Expertising, Restoration and Framing o f “ (®li fHastrrii” EXHIBITION of CONTEMPORARY SCANDINAVIAN ART Held under the auspices of the AMERICAN-SCANDINAVIAN SOCIETY Introduction and Biographical Notes By CHRISTIAN BRINTON With the collaboration of Director KARL MADSEN Director JENS THUS, and CARL G. LAURIN The American Art Galleries New York December tenth to twenty-fifth inclusive 1912 SCANDINAVIAN ART EXHIBITION Under the Gracious Patronage of HIS MAJESTY GUSTAV V King of Sweden HIS MAJESTY CHRISTIAN X Copyright, 1912 King of Denmark By Christian Brinton [ First Impression HIS MAJESTY HAAKON VII 6,000 Copies King of Norway Held by the American-Scandinavian Society t 1912-1913 in NEW YORK, BUFFALO, TOLEDO, CHICAGO, AND BOSTON Redfield Brothers, Inc. New York INTRODUCTORY NOTE h e A m e r i c a n -Scandinavian So c ie t y was estab T lished primarily to cultivate closer relations be tween the people of the United States of America and the leading Scandinavian countries, to strengthen the bonds between Scandinavian Americans, and to advance the know ledge of Scandinavian culture among the American pub lic, particularly among the descendants of Scandinavians. -
Results Autumn Classic Sale 559
Results Autumn Classic Sale 559 No. Item Hammer price 1 Carl Johansson, Spring landscape. 22 000 SEK 2 Alfred Bergström, Summer landscape, Concarneau. 17 000 SEK 3 Georg Pauli, "Franskt landskap" (French landscape). 20 000 SEK 4 Georg Pauli, French landscape. Unsold 5 Carl Skånberg, Boats on the shore, coastal scene from the north of France. 16 000 SEK 6 Per Ewert, The harbour in Concarneau, Brittany. Unsold 7 Bror Oscar Eugen Börjeson, Still life. 25 000 SEK 8 Mina (Vilhelmina) Carlsson-Bredberg, Still life. 17 000 SEK 9 Emma Löwstedt-Chadwick, Angling boy. 14 500 SEK 10 Carl Trägårdh, Elegant lady by the sea. 72 000 SEK 11 Nils Kreuger, "Gråväder", Knapegård (Grey weather, Knapegård). 330 000 SEK 12 Nils Kreuger, "Tjur och ko vid Snärjebäcken", Knapegård (Bull and cow by 160 000 SEK Snärjebäcken, Knapegård). 13 Nils Kreuger, "Bessie vid krysantemumträdet" (Bessie by the chrysanthemum). Unsold 14 Nils Kreuger, Spring evening. 68 000 SEK 15 Nils Kreuger, "Vårafton" (Spring evening). 105 000 SEK 16 Helmer Osslund, "Hösttavla från Abisko" (Autumn painting from Abisko). 32 000 SEK 17 Helmer Osslund, "Niporna i Ångermanälven" (Sandbanks in the Ångerman river). 17 500 SEK 18 Helmer Osslund, Autumn landscape with dark skies. 25 000 SEK 19 Helmer Osslund, River landscape with darkening skies. 15 000 SEK 20 Helmer Osslund, Autumn landscape from Torne träsk with Lapporten. 410 000 SEK 21 Thure Wallner, Osprey in nest. 21 000 SEK 22 Thure Wallner, Winter landscape with partridges. 31 000 SEK 23 Thure Wallner, "Lövsångare i vårsol" (Willow warbler in spring sun). 19 000 SEK 24 Mosse Stoopendaal, "Rödhakar" (Redbreasts). -
MARTY DE CAMBIAIRE 2 Catalogue De Noël Catalogue De Noël
MARTY DE CAMBIAIRE 2 Catalogue de Noël Catalogue de Noël Christmas Catalogue MARTY DE CAMBIAIRE Tous les dessins du catalogue sont visibles sur rendez-vous à notre bureau. Sauf mention contraire, les dessins sont vendus non encadrés. Les dimensions des œuvres sont données en millimètres et en inches en indiquant la hauteur puis la longueur. All drawings in this catalogue can be viewed in our office. We receive by appointment. Unless otherwise indicated, drawings are sold without frames. Dimensions are given in millimetres and inches, with height before width. Nous remercions Marina Korobko et Gabrielle Desazars de Montgailhard pour leur aide. Marty de Cambiaire 16 place Vendôme 75001 Paris +33 (0)1 49 26 07 03 [email protected] www. martydecambiaire.com Catalogue de Noël Christmas Catalogue MARTY DE CAMBIAIRE 1 GIUSEPPE CESARI, dit IL CAVALIER D’ARPINO Arpino 1568 – Rome 1640 Tête d’homme barbu Head of a Man with a Beard Sanguine. Numéroté 31 en bas à droite. Encadré. Red chalk. Numbered 31 at lower right. Framed. 134 x 97 mm (5 1/4 x 3 7/8 in.) PROVENANCE Christie’s Londres, 15 avril 1980 ; Dr A. Ricci, Rome ; collection privée inconnue ; Jean-Luc Baroni Ltd ; collection privée. BIBLIOGRAPHIE Herwarth Röttgen, Cavalier Giuseppe Cesari d’Arpino, Die Zeichnungen, I Disegni, Stuttgart, opus magnum, volume I, p. 370-371, n° 163, illustré. Ce dessin et plusieurs autres, dont bon nombre ont été numérotés à la plume et encre brune par une main du XVIIIe siècle, sont mis en rapport par Herwarth Röttgen avec les fresques de la chapelle Contarelli à Saint-Louis-des-Français de Rome et seraient des études préparatoires aux personnages qui entourent saint Matthieu. -
Volume 25 / No. 3 / 1996
he Journa TGemmolog Volume 25 No. 3 July 1996 f~J J The Gemmological Association and Gem Testing Laboratory of Great Britain President E.M. Bruton Vice-Presidents AE. Farn, D.G. Kent, RK. Mitchell Honorary Fellows R.T. Liddicoat [nr., E. Miles, K. Nassau Honorary Life Members D.}. Callaghan, E.A Iobbins, H. Tillander Council of Management CR Cavey, T.}. Davidson, N.W. Deeks, RR Harding, 1.Thomson, v.P. Watson Members' Council AJ. Allnutt, P. Dwyer-Hickey, R. Fuller, B. Jackson, J. Kessler, G. Monnickendam, L. Music, J.B. Nelson, K. Penton, P.G. Read, 1. Roberts, R Shepherd, CH. Winter Branch Chairmen Midlands: J.W. Porter North West: 1. Knight Scottish: J. Thomson Examiners AJ. Allnutt, M.Sc., Ph.D., FGS S.M. Anderson, B.SdHonst FGA L. Bartlett, B.Sc., M.Phil., FGA, DGA E.M. Bruton, FGA, DGA CR. Cavey, FGA S. Coelho, B.Sc., FGA, DGA AT. Collins, B.Sc., Ph.D. AG. Good, FGA, DGA CJ.E. Hall, B.Sc.(Hons), FGA G.M. Howe, FGA, DGA G.H. Jones, B.5c., Ph.D., FGA H.L. Plumb, B.Sc., FGA, DGA RD. Ross, B.Sc., FGA DGA P.A. Sadler, B.Sc., FGA, DGA E. Stem, FGA, DGA Prof. 1. Sunagawa, D.Sc. M. Tilley, GG, FGA CM. Woodward, B.5c., FGA DGA The Gemmological Association and Gem Testing Laboratory of Great Britain 27 Greville Street, London EC1N 8SU Telephone: 0171-404 3334 Fax: 0171-404 8843 j*3fr \ St TGemmologhe Journal of y QAQTT. VOLUME 25 NUMBER 3 JULY 1996 Editor Dr R.R. -
Volume 35 / No. 7 / 2017
GemmologyThe Journal of Volume 35 / No. 7 / 2017 The Gemmological Association of Great Britain Contents GemmologyThe Journal of Volume 35 / No. 7 / 2017 COLUMNS p. 581 569 What’s New AMS2 melee diamond tester| p. 586 MiNi photography system| Spectra diamond colorimeter| Lab Information Circular| Gemmological Society of Japan abstracts|Bead-cultured blister pearls from Pinctada maculata|Rubies from Cambo- dia and Thailand|Goldsmiths’ S. Bruce-Lockhart photo Review|Topaz and synthetic moissanite imitating rough diamonds|Santa Fe Symposium proceedings|Colour-change ARTICLES glass imitating garnet rough| Thanh Nhan Bui photo M2M diamond-origin tracking service|More historical reading Feature Articles lists 598 The Linkage Between Garnets Found in India at the 572 Gem Notes Arikamedu Archaeological Site and Their Source at Cat’s-eye aquamarine from Meru, the Garibpet Deposit Kenya|Colour-zoned beryl from By Karl Schmetzer, H. Albert Gilg, Ulrich Schüssler, Jayshree Pakistan|Coloration of green dravite from Tanzania|Enstatite Panjikar, Thomas Calligaro and Patrick Périn from Emali, Kenya|Grossular from Tanga, Tanzania|Natrolite 628 Simultaneous X-Radiography, Phase-Contrast from Portugal|Large matrix opal and Darkfield Imaging to Separate Natural from carving|Sapphires from Tigray, Cultured Pearls northern Ethiopia|Whewellite from the Czech Republic| By Michael S. Krzemnicki, Carina S. Hanser and Vincent Revol Inclusions in sunstone feldspar from Norway and topaz from Sri 640 Camels, Courts and Financing the French Blue Lanka|Quartz with a tourmaline -
Utvalda ”Mästerverk” Då Och Nu EN STUDIE AV TVÅ KONSTUTSTÄLLNINGAR
Utvalda ”Mästerverk” då och nu EN STUDIE AV TVÅ KONSTUTSTÄLLNINGAR Författare: Carina Henriksson© Magisteruppsats i konstvetenskap Vårterminen 2016 30 hp Handledare: Johan Eriksson 15 ABSTRACT Institution/Ämne Uppsala universitet. Konstvetenskapliga institutionen, Konstvetenskap Författare Carina Henriksson Titel och undertitel: Utvalda ”Mästerverk” då och nu En studie av två konstutställningar Engelsk titel: Chosen “Highlights” then and now A study of two exhibitions Handledare Johan Eriksson Ventileringstermin: Höstterm. (år) Vårterm. (år) Sommartermin (år) 2016 The chosen exihibitions in this study are Highlights. Famous and forgotten Art Treasures from Nationalmuseum from 2014 and the earlier one from 1941 My best artwork which is chosen artworks from private collectors in Stockholm. It is a compare of the two exhibitions about artists and their artworks. Even a discussion of what a artwork is if it is called master- peice and the importance of a curator at the museum has in the situation of organize an ex- hibition. Besides that the study discuss two private collections in the first decade of 1900. Innehållsförteckning 1. Inledning................................................................................................................................... 1 1.1 Bakgrund ......................................................................................................................... 1 1.2 Syfte och frågeställning ............................................................................................... 1 1.3 Avgränsningar................................................................................................................ -
Travelling in a Palimpsest
MARIE-SOFIE LUNDSTRÖM Travelling in a Palimpsest FINNISH NINETEENTH-CENTURY PAINTERS’ ENCOUNTERS WITH SPANISH ART AND CULTURE TURKU 2007 Cover illustration: El Vito: Andalusian Dance, June 1881, drawing in pencil by Albert Edelfelt ISBN 978-952-12-1869-9 (digital version) ISBN 978-952-12-1868-2 (printed version) Painosalama Oy Turku 2007 Pre-print of a forthcoming publication with the same title, to be published by the Finnish Academy of Science and Letters, Humaniora, vol. 343, Helsinki 2007 ISBN 978-951-41-1010-8 CONTENTS PREFACE AND ACKNOWLEDGEMENTS. 5 INTRODUCTION . 11 Encountering Spanish Art and Culture: Nineteenth-Century Espagnolisme and Finland. 13 Methodological Issues . 14 On the Disposition . 17 Research Tools . 19 Theoretical Framework: Imagining, Experiencing ad Remembering Spain. 22 Painter-Tourists Staging Authenticity. 24 Memories of Experiences: The Souvenir. 28 Romanticism Against the Tide of Modernity. 31 Sources. 33 Review of the Research Literature. 37 1 THE LURE OF SPAIN. 43 1.1 “There is no such thing as the Pyrenees any more”. 47 1.1.1 Scholarly Sojourns and Romantic Travelling: Early Journeys to Spain. 48 1.1.2 Travelling in and from the Periphery: Finnish Voyagers . 55 2 “LES DIEUX ET LES DEMI-DIEUX DE LA PEINTURE” . 59 2.1 The Spell of Murillo: The Early Copies . 62 2.2 From Murillo to Velázquez: Tracing a Paradigm Shift in the 1860s . 73 3 ADOLF VON BECKER AND THE MANIÈRE ESPAGNOLE. 85 3.1 The Parisian Apprenticeship: Copied Spanishness . 96 3.2 Looking at WONDERS: Becker at the Prado. 102 3.3 Costumbrista Painting or Manière Espagnole? .