DOCSLIB.ORG

Festivities Highlight UM's Fiftieth

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE MIAMI HURKICAN \ol..->2\n Festivities Highlight UM's Fiftieth By ALAN MAR( I S Editor Various celebrations highlight the Ashe Time Capsule University's Golden Anniversary today including a gala banquet to he held at the site of the old North Campus Today marks the fiftieth anniver­ Was Never Filled sary of the first M0 students to en­ roll in thp University By DARY MATERA events centered around the opening The North Campus DOW I park, Astiltont Ntwl Editor of the capsule at noon today. In­ cluded was to have been a concert is located on University l)r behind The time capsule embedded in the by UM's Chamber Singers, a speech the Coral Gables Public Library. Ashe Building came up empty be­ by President Henry King Stanford The celebration, open to the com­ cause the 1953 UM Homecoming and a gathering of many alumni munity, will be held in a mammoth Committee never put anything in it. along with today's administration. tent and a replica of the old "Card­ Martin Rosen. World Finance Local media coverage was also board College" is being constructed Corporation public relations direc­ planned. All these plans have now so that anyone attending the event tor and the 1953 UM Homecoming been scratched. will have to walk through the repli­ publicity chairman, explained why. ca. "We never got around to gather­ UM was saved from public em­ The piogram opens with ing enough things to put in the box. barrassment when Student Activi­ cocktails at 6:30 and dinner (Cha­ The ceremony was already set, so ties Director Kay Whitten asked the teaubriand) at 8 At 'I. I M President we just went through with it by Physical Plant Tuesday to make the Henry King Stanford, master of cer­ placing the empty box into the capsule easier to open by loosening emonies, will make a speech Also hole," Rosen said. the screws. When the screws were scheduled to speak is History Pro­ "I thought it was all forgotten, taken off. "there was just nothing fessor Emeritus l)r Charlton Te- then I picked up a copy of the there," Whitten said. beau. Dr. Tebeau has compiled a Miami Herald Tuesday morning and Until now, what happened to the history of the University in a book thought, uh oh. I've always kept capsule had given rise to much scheduled for release today entitled track of what was going on at UM, speculation. Assistant to the Presi­ The University Of Miami: A Golden but I didn't know a thing about this. dent Bryce Dunham said he thought Anniversary History, 1926 to 1976. "We never thought anyone would it got ripped off as some sort of fra­ Admission to the event which ever dig it up." ternity prank or scavenger hunt will also feature the Chamber Sing­ Rosen was not responsible for within a year or two after the cap­ ers and the Jazz Band is $12.50. gathering the material for the cap­ sule was sealed into the wall. Mertiek Speaks At Cornerstone La\ in» I eh. 1. l')2o Further information and reserva­ sule, but since he was one of the 90 Chairman for the event Larry tions can be made with the Univer­ members on the Homecoming Com- Herrup. now called chairman of "a ...rninplvliim ill i liissrmim hiiiltliiiu tlvlnwil 211 yewa sity's Alumni Association, x-2872. mitttee that year, he knew the hole in the wall," said it was proba­ story. On campus are a series of celebra­ bly stolen in 1954 or 1955 by prank­ tions concluding with rock star That year's Homecoming chair­ sters and was never returned. Frank Zappa in concert on the Patio man Buddy Wiesell is the man re­ No one guessed that there was tomorrow. sponsible, but he couldn't be locat­ never anything there in the first UM Has Come A Long Way ed. place. Today from 11 a.m. to 1 p.m. The time capsule was to contain In 1927, a time capsule that was 1925, 21 days earlier than the incor­ there will be an anniversary party microfilm and tape recordings of By ELENA SELEZ foreign countries. in the Student Union. Free hot dogs to be opened on the University's 01 Iht Hurr.cn. SUM In fact, It all started as nothing poration of its home city of Coral 1953 Homecoming events, copies of 25th anniversary was placed in the Gables. and ice cream cake will be served. the Hurricane, a history of the Uni­ The University of Miami, when it more than Coral Gables Founder Merrick Building. During the de­ George E. Merrick's dream of a uni­ The cornerstone laying of the Following that, from 7 to 9 p.m.. versity, a letter from then UM Pres­ pression, enterprising people came opened its doors to students 50 first classroom building which was ident Dr. Jay Pearson and local years ago today, had a long way to versity which would provide intel­ will be a dance on the Patio spon­ along one night and dug up the cor­ lectual and cultural development to be named in honor of Merrick's sored by the Student Union Sched­ newspaper accounts of the festivi­ nerstone, with the misunderstand­ go before reaching its present status ties. of the largest private institution of for his "City Beautiful." Other vi­ father, Solomon, was a joyous event uled to appear are a 40-piece Afro- ing that there was gold in there. All sionaries joined in Merrick's search for the 8,000 citizens who attended American band. "I don't even think we had micro­ the papers in this capsule were lost. higher learning in the southeast. Feb 4, 1926. But, seven months film back then," Rosen said. "They In the beginning years, UM did for a site and financial support for a "We will do it again, but right great university. later, on Sept. 18 the "great hurri­ As a finale to the celebration, the had the letter from the President this time with a bronze plaque not have its seven undergraduate cane" stormed through the area, de­ Student Entertainment Committee and a few Hurricanes, but I think welded securely over the face to in­ and four graduate and professional When Merrick offered 160 acres (SEC) will present Frank Zappa in and a gift of $.1 million, the dream molishing many buildings and many that was about it These things sure that It'll be there in 2001 on schools spread across three modern hopes. concert tomorrow afternoon at 3. A wers put in a scrapbopk instead." UM's 75ffi anniversary," Herrup campuse<y nor its 18,000 students took on aspects of reality and a valid UM ID isrffequired for admis­ ^M had planned a nig schedule of said from every state and more than 65 state charter'was signed April 8, Set page 3 sion. THE MIAMI HURRICANE Friday, October 15, lyre, Urban Studies Now In Transition By FRANK SUARFZ little chance of being reorganized Studies Center as there was last Vice President for Academic Af-' Hurncana Statt Writar this year. year. fairs Dr. Sid Besvinick said the pro­ M**&boor Although there is an urban stud­ "It's sort of in a transitional stage gram was restructured last year be­ The Urban and Regional Studies ies program operating under the now," said Dr. Edward Sofen, poli­ cause of a lack of "funding avail­ Center, which was terminated last School of Business Administration, tics and public affairs professor and able from federal agencies." year due to a shortage of funds, has there is not an Urban and Regional urban studies program director. The center was originally estab­ lished in 1968 with a grant from the Ford Foundation "to provide a focus for the wealth of urban and region­ al activities in progress throughout the University and throughout the Heeling* Around Campus Coral Gables Zoning Laws community." Dr. Sofen said that he really • Israeli Folk Dance Club. 7:30 to 9:30 p.m., Sunday, in the Flamin­ couldn't say what the future of the go Ballroom of the Student Union. Everyone is invited, and admission is program might be because he serves free. Yosef Yanich will give beginning and intermediate instruction. matnlv as an academic advisor for • Pre-I.egal Society. 7:30 p.m., Oct. 27, in room S226 of the Student Stoo Bookstore Merchants students in the program. Union. Flections, speakers, refreshments. >P Cvnthia Wulkan, assistant to Dr. • Circle K, 7 p.m., Wednesday, in the Orange Key room of the Stu­ dent Union. By HOLLY ENGLANDLR ple from setting up all over campus chants were doing less business this Besvinick, said she thought there • Pre-Dents, 4 p.m., today, in room SA213. Dr. Harvey Satz will Hurricane Stat) Wriltr •and getting out of control. This •year than in thp past because of the might be a committee looking into lecture and give a slide presentation on some aspects of oral surgery. way, UM could also share in the iack of diversity in their wares. the problems of the Urban Studies F'ees ($5) will be collected. By refusing to issue an operating profits." "While we will not just let the Center but could not say for sure • Nova Science Fiction Club, 7:30 p.m., Monday, in room S205 of license to the merchants occupying In order to locate in front of the ruling drop, we won't push it if the whether such a committee actually the Student Union. the tables outside the UM Book­ Bookstore, the salespeople needed a Student Union Board of Directors exists.
Recommended publications
  • Durham E-Theses

    Durham E-Theses

    Durham E-Theses `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia KOUVAROU, MARIA How to cite: KOUVAROU, MARIA (2011) `This is what Salvation must be like after a While': Bob Dylan's Critical Utopia, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1391/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Maria Kouvarou MA by Research in Musicology Music Department Durham University 2011 Maria Kouvarou ‘This is what Salvation must be like after a While’: Bob Dylan’s Critical Utopia Abstract Bob Dylan’s work has frequently been the object of discussion, debate and scholarly research. It has been commented on in terms of interpretation of the lyrics of his songs, of their musical treatment, and of the distinctiveness of Dylan’s performance style, while Dylan himself has been treated both as an important figure in the world of popular music, and also as an artist, as a significant poet.
  • 1987 Determined to Stand LETTER.Pdf

    1987 Determined to Stand LETTER.Pdf

    DETERMINED TO STAND BOB DYLAN 1987 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2004 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Determined To Stand – Bob Dylan 1987 CONTENTS 1 INTRODUCTION .............................................................................................................................................. 3 2 1987 AT A GLANCE .......................................................................................................................................... 3 3 THE 1987 CALENDAR ..................................................................................................................................... 3 4 DOWN IN THE GROOVE ................................................................................................................................ 4 5 SUMMER TOUR WITH THE GRATEFUL DEAD ...................................................................................... 6 5.1 INTRODUCTION ............................................................................................................................................ 6 5.2 THE MUSICIANS ........................................................................................................................................... 6 5.3 THE SHOW ...................................................................................................................................................
  • The Songs of Bob Dylan

    The Songs of Bob Dylan

    The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ...............................................................................................................................
  • Still on the Road 1990 Us Fall Tour

    Still on the Road 1990 Us Fall Tour

    STILL ON THE ROAD 1990 US FALL TOUR OCTOBER 11 Brookville, New York Tilles Center, C.W. Post College 12 Springfield, Massachusetts Paramount Performing Arts Center 13 West Point, New York Eisenhower Hall Theater 15 New York City, New York The Beacon Theatre 16 New York City, New York The Beacon Theatre 17 New York City, New York The Beacon Theatre 18 New York City, New York The Beacon Theatre 19 New York City, New York The Beacon Theatre 21 Richmond, Virginia Richmond Mosque 22 Pittsburg, Pennsylvania Syria Mosque 23 Charleston, West Virginia Municipal Auditorium 25 Oxford, Mississippi Ted Smith Coliseum, University of Mississippi 26 Tuscaloosa, Alabama Coleman Coliseum 27 Nashville, Tennessee Memorial Hall, Vanderbilt University 28 Athens, Georgia Coliseum, University of Georgia 30 Boone, North Carolina Appalachian State College, Varsity Gymnasium 31 Charlotte, North Carolina Ovens Auditorium NOVEMBER 2 Lexington, Kentucky Memorial Coliseum 3 Carbondale, Illinois SIU Arena 4 St. Louis, Missouri Fox Theater 6 DeKalb, Illinois Chick Evans Fieldhouse, University of Northern Illinois 8 Iowa City, Iowa Carver-Hawkeye Auditorium 9 Chicago, Illinois Fox Theater 10 Milwaukee, Wisconsin Riverside Theater 12 East Lansing, Michigan Wharton Center, University of Michigan 13 Dayton, Ohio University of Dayton Arena 14 Normal, Illinois Brayden Auditorium 16 Columbus, Ohio Palace Theater 17 Cleveland, Ohio Music Hall 18 Detroit, Michigan The Fox Theater Bob Dylan 1990: US Fall Tour 11530 Rose And Gilbert Tilles Performing Arts Center C.W. Post College, Long Island University Brookville, New York 11 October 1990 1. Marines' Hymn (Jacques Offenbach) 2. Masters Of War 3. Tomorrow Is A Long Time 4.
  • Bound for Glory Bob Dylan 1962

    Bound for Glory Bob Dylan 1962

    BOUND FOR GLORY BOB DYLAN 1962 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Bound For Glory — Bob Dylan 1962 page 2 CONTENTS: 1 INTRODUCTION..................................................................................................................... 3 2 YEAR AT A GLANCE ............................................................................................................. 3 3 CALENDAR .............................................................................................................................. 3 4 RECORDINGS ......................................................................................................................... 7 5 SONGS 1962 .............................................................................................................................. 7 6 SOURCES .................................................................................................................................. 9 7 SUGGESTED READINGS .................................................................................................... 10 7.1 GENERAL BACKGROUND .................................................................................................... 10 7.2 ARTICLE COMPILATIONS ...................................................................................................
  • And Dylan's Romanticism

    And Dylan's Romanticism

    “Isis” and Dylan’s Romanticism --John Hinchey I want to talk mainly about “Isis,” a song Dylan co-wrote with Off Broadway director Jacques Levy.1 “Isis” was the first of several songs that Dylan wrote with Levy during the summer of 1975, and this fruitful col- laboration yielded seven of the nine songs released at the end of that year on Desire. I’ve chosen “Isis” mainly because it’s an interesting and entertaining song in its own right, but also because it offers a useful vantage point for considering Dylan’s Romanticism, an abiding element in his artistic tem- perament that doesn’t get nearly as much attention as you’d think it would. Adventure, mystery, discovery, renewal, the vista of inexhaustible pos- sibility--these are the hallmarks of Romance. Its essence is an aspiration for a world without bounds, a vision of a life of unlimited possibility. “Forever Young” is a quintessentially Romantic idea, as is the popular conception of Heaven. Romanticism, you could say, is the impulse to find Heaven on Earth. It can sound ridiculous when you state it flat out this way, but al- 1 This is a slightly revised version of a paper presented at “A Series of Interpretations of Bob Dylan's Lyrical Works,” a conference hosted by the Dartmouth College English Department, August 11-13, 2006. Quotations of Dylan's lyrics are from the original official recordings, unless otherwise noted. When quoting lines extensively, I revert to the principle I used in Like a Complete Unknown (Ann Arbor: Stealing Home Press, 2002): “I’ve had to determine the ‘spaces between words’ for myself.
  • Redalyc.Tomorrow Is a Long Time

    Redalyc.Tomorrow Is a Long Time

    Revista Portuguesa de Pneumología ISSN: 0873-2159 [email protected] Sociedade Portuguesa de Pneumologia Portugal Winck, J.C.; Morais, A. Tomorrow is a long time Revista Portuguesa de Pneumología, vol. 18, núm. 2, marzo-abril, 2012, pp. 55-56 Sociedade Portuguesa de Pneumologia Lisboa, Portugal Available in: http://www.redalyc.org/articulo.oa?id=169724488001 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Document downloaded from http://www.elsevier.pt, day 28/03/2012. This copy is for personal use. Any transmission of this document by any media or format is strictly prohibited. Rev Port Pneumol. 2012;18(2):55---56 www.revportpneumol.org EDITORIAL Tomorrow is a long timeଝ Tomorrow is a long time year,1 other European countries like Spain, UK and Italy are If today was not an endless highway newcomers and we hope to maintain the interest of investi- If tonight was not a crooked trail gators from those countries. If tomorrow wasn’t such a long time During its first year (from November 2010 until September Then lonesome would mean nothing to you at all 2011), according with Google Analytical Service, the jour- Yes, and only if my own true love was waitin’ nal’s website (www.revportpneumol.org) had more or less Yes, and if I could hear her heart a-softly poundin’ constant visits (close to the 708 already checked between Only if she was lyin’ by me the months of November and December 2010).2 During the Then I’d lie in my bed once again months of January, February and September 2011 the vis- Bob Dylan, 1963 its reached almost 1000.
  • Still on the Road Early 1976 Sessions

    Still on the Road Early 1976 Sessions

    STILL ON THE ROAD EARLY 1976 SESSIONS JANUARY 22 Los Angeles, California Instrumental Rentals Studio, Rehearsals 23 Los Angeles, California Instrumental Rentals Studio, Rehearsals 23 Los Angeles, California The Troubadour 25 Houston, Texas Houston Astro drome, Night Of The Hurricane 2 27 Austin, Texas Municipal Auditorium MARCH 30 Malibu, California Shangri -La Studios Malibu, California Shangri -La Studios Still On The Road: 1976 Early sessions 3240 Instrumental Rentals Studio Los Angeles, California 22 January 1976 Rehearsals for the second Hurricane Carter Benefit concert. 1. You Ain't Goin' Nowhere 2. One More Cup Of Coffee (Valley Below) 3. Oh, Sister (Bob Dylan –Jacques Levy/Bob Dylan) 4. Sara 5. Mozambique (Bob Dylan –Jacques Levy/Bob Dylan) Bob Dylan (guitar & vocal), Bob Neuwirth (guitar), Scarlet Rivera (violin), T-bone J. Henry Burnett (guitar), Roger McGuinn (guitar), Mick Ronson (guitar), Rob Stoner (bass), Steven Soles (guitar), David Mansfield (steel guitar, mandolin, violin, dobro), Howie Wyeth (drums). Note. 1 is only a fragment. Bootlegs Days before the Hurricane (Come One! Come All!) . No Label 93-BD-023. Going Going Guam . White Bear / wb05/06/07/08. Reference. Les Kokay: Songs of the Underground. Rolling Thunder Revue . Private publication 2000, page 67. Stereo studio recording, 20 minutes. Still On The Road: 1976 Early sessions 3245 Instrumental Rentals Studio Los Angeles, California 23 January 1976 Rehearsals for the second Hurricane Carter Benefit concert. 1. Just Like A Woman 2. Just Like A Woman 3. Just Like A Woman 4. Just Like A Woman 5. Just Like A Woman 6. Just Like A Woman 7. Loving You Is Sweeter Than Ever (Don Hunter/Stevie Wonder) 8.
  • Bob Dylan: a Giant Among the Greats

    Bob Dylan: a Giant Among the Greats

    Country Music Hall of Fame® and Museum • Words & Music • Grades 3-6 Bob Dylan: A Giant Among the Greats Any short list of “greatest songwriters ever” includes Bob Dylan’s name. But Dylan stands alone for his impact on both music and culture. When Dylan received the Presidential Medal of Freedom in 2012, President Barack Obama declared, “There is not a bigger giant in the history of American music.” When Rolling Stone compiled a list of greatest songs of all time, Dylan’s “Like a Rolling Stone” was at the top. And when Time magazine selected the hundred most important people in the world during the twentieth century, Dylan was among them. Born Robert Zimmerman in Duluth, Minnesota, on May 24, 1941, Dylan began writing poetry as a boy, bought a guitar pop stars turned his tunes into Top Forty hits and added to at age fourteen, and soaked up country, folk, blues, and rock his fame. on the radio. In high school he played in rock bands, but his Over the years, Dylan has continued to be a trailblazer, interests turned to folk in college. At age twenty, he changed reinventing his music again and again and experimenting his last name and joined New York’s emerging folk scene. He across genres. In 1998, in the fourth decade of his career, he quickly earned a recording contract and poured himself into won a Grammy for Album of the Year—an amazing feat that songwriting. speaks to his depth of talent. “I learned lyrics and how to write them from listening to folk “Everybody owes a debt” to Dylan, says rock legend Bruce songs,” Dylan explained in 2015.
  • INFORMATION SHEET and SYLLABUS You Will Receive an E-Mail Attachment Copy of This Syllabus and It Will Also Be Available on Canvas

    INFORMATION SHEET and SYLLABUS You Will Receive an E-Mail Attachment Copy of This Syllabus and It Will Also Be Available on Canvas

    LIT 200 / Bob Dylan: Life, Legacy, Literature / Spring 2018/ Hill Page 1 LIT 200 / Section 1 / Bob Dylan: Life, Legacy, and Literature Richard Hill, Ph.D. Point Loma Nazarene University / Spring 2018 2 Credit Hours INFORMATION SHEET AND SYLLABUS You will receive an e-mail attachment copy of this syllabus and it will also be available on Canvas Meeting Time and Place: Tuesdays and Thursdays 6:00-7:45 in Liberty Station 205B Professor: Richard (Rick) Hill / Home phone: 858-270-5227 / Cell Phone 858-366-5221 / E-Mail: [email protected] Office: BAC 112/ Office Phone: 2670 /LJML Dept Phone: 2297 Office Hours: Open: Wed 12:30-1:15 PLNU office /Tues- Thurs 5:30 -6:00 in Liberty Station Classroom Other hours can also be arranged. Knock on the door with a question: Anytime I’m in the office PLNU Mission: To Teach ~ To Shape ~ To Send Point Loma Nazarene University exists to provide higher education in a vital Christian community where minds are engaged and challenged, character is modeled and formed, and service is an expression of faith. Being of Wesleyan heritage, we strive to be a learning community where grace is foundational, truth is pursued, and holiness is a way of life. REQUIRED TEXTS, ONLINE READING, AND AUDIO Dylan, Bob. Chronicles Volume One. New York: Simon and Schuster, 2004. Bobdylan.com. Official Website Bob Dylan. Wikipedia article. https://en.wikipedia.org/wiki/Bob_Dylan Expecting Rain. Obsessive Bob Dylan website. http://www.expectingrain.com/ Selected Songs by Bob Dylan (See page 7 for required items) Optional Items on Library Reserve One or two books per week about or by Dylan will be introduced in class, then placed on library reserve for further perusal.
  • Tangled up in Books: Using the Lyrics of Bob Dylan to Understand the Changing Times of Collection Development

    Tangled up in Books: Using the Lyrics of Bob Dylan to Understand the Changing Times of Collection Development

    Purdue University Purdue e-Pubs Charleston Library Conference Tangled Up in Books: Using the Lyrics of Bob Dylan to Understand the Changing Times of Collection Development Thomas A. Karel Franklin and Marshall College, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/charleston Part of the Higher Education Commons An indexed, print copy of the Proceedings is also available for purchase at: http://www.thepress.purdue.edu/series/charleston. You may also be interested in the new series, Charleston Insights in Library, Archival, and Information Sciences. Find out more at: http://www.thepress.purdue.edu/series/charleston-insights-library-archival- and-information-sciences. Thomas A. Karel, "Tangled Up in Books: Using the Lyrics of Bob Dylan to Understand the Changing Times of Collection Development" (2019). Proceedings of the Charleston Library Conference. http://dx.doi.org/10.5703/1288284317158 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Tangled Up in Books: Using the Lyrics of Bob Dylan to Understand the Changing Times of Collecton Development Thomas A. Karel, Franklin & Marshall College, [email protected] In 1965, Bob Dylan famously “went electric” at the But then more and more changes came down Newport Folk Festval. Folk purists were outraged, the line. Librarians, and faculty, were confronted but that was a defning moment for folk music, folk‐ with approval plans, demand‐ driven acquisitons, rock, and everything that came aferward. Twenty or e‐ books, streaming video, open access publicatons, so years later, libraries had their own “going electric” and more.
  • The Recording Sessions

    The Recording Sessions

    Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.