Special Tribute to Fr. Bryson
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1 Bobby Rigg Transcript 2:37:17 CK
Bobby Rigg Transcript 2:37:17 CK: The following interview features local rock and roll hero Bobby Rigg. It took place on November 17, 2015 and is conducted by Carole Cadarette and Cindy Kus. Rigg brought rock and roll to Alpena in the early 1960’s with his band The Chevelles; then went on to form The Frost, one of Detroit’s premier 60’s rock bands. CC: Let’s talk about how you got started. BR: Well, my father was a drummer in, in the Big Band era, and, ah, he was from Ohio and he, they, ended up coming up here and playing at the Trianon Ballroom. The Trianon Ballroom was above what is now known as Alpena Furniture- it was upstairs, along with a bowling alley. And ah, so the Big Band came up here and my dad just fell in love with this area. Ah, ended up getting married to my mom, Rita, ah, and he owned the Midway, he owned the, ah, Dairy Bar on, on Chisholm Street, and ah, then Tubby’s restaurant downtown. And ah, a very successful entrepreneur, him and my mom worked so hard and ah, but my dad was a drummer and a singer- had a wonderful voice, and ah, you know in, in the Big Band era and so the drums were always there. I remember at three years old, walking down the street with this little, it was a little snare drum, it only had one head on it, I still have it. And then the snares were right under that top head and there was no bottom head on it and I’d strap it to me with a belt and I’d walk up and down the street playing this…drum. -
Not Only Women Bleed Copyright © 2012 by Dick Wagner
NOt Only Women bleed Copyright © 2012 by Dick Wagner Desert Dreams Productions, LLC, www.desertdreamsllc.com 10645 N Tatum Blvd, Suite 200, Phoenix, AZ 85028 USA All Rights Reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without the written permission of the author, except where permitted by law. Reviewers may quote brief excerpts in connection with a review. Edited by Susan Michelson Director of Production by Alex Cyrell Line Editing by Jessica Cyrell Interior book design by David Moratto Dick Wagner Official Websites: www.wagnermusic.com, www.notonlywomenleed.com Connect with Dick Wagner personally through the following resources: www.facebook.com/wagnerrocks, www.facebook.com/groups/maestroofrock Find and purchase Dick Wagner music here: itunes.apple.com, www.amazon.com, www.cdbaby.com and all major online vendors Library of Congress Control Number 2012940672 ISBN 978-0-9856843-0-3 Printed in the United States of America NOt Only Women bleed BY: DICK WAGNER VIGNETTES FROM THE HEART OF A ROCK MUSICIAN FoReword by: Alice CoOper Edited by: Susan Michelson FOREWORD A few words from Alice Cooper first saw Dick Wagner while he was playing with The Frost in Detroit, “ and quickly I filed him under ‘guitar players I’d like to steal.’ Later I Ihad the great pleasure of adding him to the Welcome to My Nightmare touring band, where along with Steve Hunter they became known as the ‘Dynamic Duo,’ a name given to them by Steven Tyler. -
By Gary Graff
PERFORMERS p k By Gary G raff I SINGS THAT ROCK & ROLL NEVER FORGETS - SO, drew the same kind of inspiration from Hank Williams, appropriately, Bob Seger- has a clear memory Woody Guthrie and Bob Dylan but applied their own of his first inkling that music might be his regional aesthetic to it - a more narrative form built on life’s pursuit. “My dad made a big deal when I earth parables about maintaining everyday ideals amid was, like, four years old about the fact that I all manner of adversity and temptation. No plaintive sang ‘I’m Looking Over a Four-Leaf Clover’ in troubadours these folk, Seger and company also showed Hthe back of his ’49 Buick,” Seger recalls. “He just went that you could deliver these contemplative paeans with nuts over that. I think that was maybe the very first the same kind of furious energy that you’d have singing inclination for me.” about cars and girls. Fifty-four years later, that’s proved to be a sage reve In his work, Seger celebrates the nobility of the “Beau lation. Seger has carved out a nearly four- tiful Loser” and the assembly-line workers decade recording career in which he’s “Makin’ Thunderbirds,” as well as the sold almost fifty million albums and metaphoric struggle of running “Against launched enduring hits such as “Ramblin’ the Wind.” The subject of his “Hollywood Gamblin’ Man,” “Night Moves,” “Turn the Nights” grapples with a dual-edged sword Page,” “Hollywood Nights,” “Against the as he lives life in a too-fast lane, while the W ind” and “Like a Rock.” And not only is exuberant freedoms of his “Ramblin’ Gam 1978’s “Old Time Rock & Roll” the Num blin’ Man” and “Travelin’ Man” are not as ber Two jukebox selection of all time, but unfettered as they initially seem but, rather, it has virtually replaced Creedence Clear tempered by a desire for more dependable water Revival’s “Proud Mary” as the celebratory relationships. -
Carson Interview Transcript
Carson Interview 1 Cass Corridor Documentation Project Oral History Project Interviewee: David A. Carson Relationship to Cass Corridor: Detroit music historian, deejay Interviewer: Jared Natzke Date of Interview: April 7, 2011 Location: Purdy-Kresge Library, Wayne State University, Detroit, MI (by phone) Natzke: This is Jared Natzke. I’m interviewing Mr. David Carson on April 7, 2011. He is the author of a few books about Detroit rock history: Grit, Noise, and Revolution is about Detroit rock and roll and Rockin’ [Down] the Dial is his earlier book about rock deejays in Detroit. So David, could you tell me a little bit about your background, about where you grew up? Carson: Sure. I was born in the city, in the city of Detroit, over on the east side, over by Chryslers, and I kind of got moved to suburban Royal Oak as a child. But I kept ties with the east side. My grandmother continued to live over there in the flat that we had lived in. I always had ties to that part of town. [I] grew up in Royal Oak, went to Helen Keller Junior High School, Dondero High School out there. Carson Interview 2 Natzke: So you eventually got into radio. When you were growing up were there certain deejays that you listened to a lot, that you looked up to, that you kind of wanted to emulate? Carson: Well, Detroit was always a really great radio town and it’s had some terrific stations and personalities, people who were on before I was listening to them whose reputations I was aware of. -
Grande Ballroom National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _Grande Ballroom ________________________________ Other names/site number: _ _____________________ Name of related multiple property listing: _N/A_______________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: _8952-8970 Grand River Avenue________________________________ City or town: Detroit_________ State: Michigan_________ County: Wayne____________ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the -
At Home Mix of New [Listen]
At Home Mix of New DJDaveLawson.com August 26, 2020 [Listen] 1. The Spacewalkers Gemini, Go Baby Go! 24. The Voice Masters Dance Right Into My 2. Bob Kuban and the In-Men The Pretzel Heart 3. The Chicago Loop (When She Wants 25. Lee Dorsey Four Corners (parts 1 & 2) 26. Dorothy Ashby Soul Vibrations 4. The Fabulous Pack 27. Major Lance 5. Bobby Darin Long Line Rider 28. Willie Horton Detroit Is Happening 6. Mickey Denton 29. Hung Over 7. 30. Pookie McCline The Gorilla Walk House Party 31. The Royaltones Seesaw 8. Otis Redding Shout Bamalama 32. Bunny Paul Sweet Talk 9. Fats Domino You Done Me Wrong 33. The Moonglows Too Late 10. The Chanteurs The Grizzly Bear 34. Pat and Lolly Vegas Robot Walk 11. Ronnie and the Del-Aires My Funny 35. Barbara and the Browns Big Party Valentine 36. James Carr Love Attack 12. Little Willie John It Only Hurts a Little 37. Roddie Joy Come Back Baby While 38. Chuck Jackson ng a Lot 13. The Five Stars Dead Wrong 39. The Strangers The Caterpillar Crawl 14. Young Jessie 40. Eddie Bo Gotta Have More 15. The Baltineers New Love 41. Bobby Parker Watch Your Step 16. Christine Kittrell Call His Name 42. Jackie Wilson & Lavern Baker Think 17. Kris Peterson Nature Boy Twice 18. The Dolls Please Come Home 43. Percy Mayfield 19. The Gitlfriends For My Sake 44. Lee Dorsey Candy Yam 20. The Debutantes Strong Foundation 45. Wilson Pickett 21. Barbara Acklin Stop, Look & Listen (to Heartbreak Your Heart) 46. -
Irrshow Press Releases Text-201102.Pages
The Irrelevant Rock & Roll & Music Show Text extracted from press releases SEASON 1 JAN 27, 2008 • Featured Artist: Toronto rock/punk band, Fidget • Albums that deserve to be played again • Bad albums by good bands • It came from England • Retro perspective • Music off your radar FEB 3, 2008 • Featured Artist: Legendary punk goddess, April Storm • Crossfire: Lacuna Coil – Karmacode; New York Dolls – Someday It Will Please You to Remember Even This • Albums that Deserve to be Played Again: Robin Trower – Bridge of Sighs • Retro Perspective: Black Sabbath • Bad Albums by Good Bands: Emerson, Lake and Palmer – Love Beach • Find of the Week: Mars Volta – Amputecture • For What it’s Worth: Live Bands Then and Live Bands Now FEB 10, 2008 • Featured Artist: Notorious 90’s rockers, 98 DA • Crossfire: My Chemical Romance – The Black Parade; The Flaming Lips – Yeah Yeah Yeah • Albums that Deserve to be Played Again: Sutherland Brothers and Quiver – Lifeboat • Retro Perspective: Jimi Hendrix • Bad Albums by Good Bands: Oasis • Find of the Week: Gov’t Mule – High and Mighty • For What it’s Worth: Live Bands Then and Live Bands Now FEB 17, 2008 • Featured Artist: Folk rock artisans, Common Rotation • Crossfire: The National – Boxer; Feist – The Reminder • Albums that Deserve to be Played Again: Nick Drake – Better Later • Retro Perspective: Matt Johnson (Aka) The The • For What it’s Worth: Fake Hype • Find of the Week: Gov’t Mule – High and Mighty FEB 24, 2008 • Featured Artist: Longshot recording artist. The original Rock & Roll outlaw, Sab & The