The Development of the Saxophone 1850-1950: Its Influence on Performance and the Classical Repertory
The development of the saxophone 1850-1950: its influence on performance and the classical repertory Abraham Albertus de Villiers A mini-dissertation submitted in partial fulfilment of the requirements for the degree Magister Musicae (Performing Art) Department of Music University of Pretoria Supervisor: Dr DJ Galloway Words: 25 296 January 2014 ii. STATEMENT I declare that the dissertation/thesis, which I hereby submit for the degree Magister Musicae (Performing Art) at the University of Pretoria, is my own work and has not previously been submitted by me for a degree at this or any other tertiary institution. iii. Then suddenly I hear the real note of the saxophone, unforgettable, high, and clear, as if from a heart of brass, the new thing, the thing we have come to hear. To me it has quite passed out of humanity, this famous upper register, but it is still near enough for me to understand; piercing, musical, the cry of a faun that is beautiful and hurt. The leader tips his instrument into the air; he blows with all his force but his cheeks remain pale. He is now at the height of his art. The voice of our age has come through his lips through this marvellous instrument. He is a priest possessed with half human god, endlessly sorrowful, yet utterly unsentimental. Incapable of regret, with no past, no memory, no future, no hope. The sound pricks the dancers, parts their lips, puts spring into their march. This is the thing that makes the saxophone great and brings fortunes and ruin to its players.
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