2011-12 Annual Report Live Performance Australiatm Vision Strategic Priorities
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Rob Mills Became a Household Name on Australian Idol. Now He's Starring
Wicked boy “I don’t mind male attention. It’s a bit of fun,” says Rob Mills. Rob Mills became a household name on Australian Idol. watched that show? No, I’ve never seen it, and I don’t think she Now he’s starring in Wicked and living the musical theatre likes talking about it too much. She doesn’t dream. From nude scenes to selling his used G-strings, bring it up, so I choose to avoid it. Millsy reveals all to Matt Myers. Prisoner has a big gay cult following. I’ve heard she was a pretty terrifying lady DNA: You’ve played Fiyero in Wicked for a so I’ll definitely be auditioning for Corny in Prisoner. I can tell you now, she’s just as year now. What has the experience been like? Collins at least. terrifying as Madame Morrible in Wicked! Rob Mills: It’s a dream come true! I’ve wanted You played Claude in the 2007 production of That’s probably why she’s got a Helpman to play this part for the past three years and Hair. Did you end up going nude? nomination. She just owns that character. now that I’m doing it, it’s a great rush. Fiyero The part where that happens is where my She has a powerful presence on the stage is a great character and I get to work with character sings, “Where do I go? Follow and is a tremendous actor. Maggie’s helped some amazing stars. Bert Newton’s joined us the river…” In most productions they hold me heaps. -
Bobby Fox Program
RIVERSIDE THEATRES PRESENTS MUSIC SUNDAY 19 JUNE AT 3PM MUSICIANS BIOGRAPHIES AND CREATIVES GLENN MOORHOUSE BOBBY FOX Musical Director VOCALS TIM FISHER and Guitar Keyboard GLENN MOORHOUSE As a guitarist, singer, song writer, arranger Tim Fisher is a graduate of the Sydney MUSICAL DIRECTOR AND GUITAR BOBBY FOX Vocals and musical director, Glenn has enjoyed a Conservatorium of Music Jazz program. rich and colourful eighteen year career in the TIM FISHER While at the Sydney Conservatorium he KEYBOARD Hailing from Longford Ireland, Bobby’s career Australian music industry. highlights include being World Irish Dance studied piano with Judy Bailey, Mike Nock SAM BLACKBURN His musical journey has delivered more and Matt McMahon, and harpsichord with BASS Champion four times and touring with Irish productions such as Riverdance, Dancing on twists and turns than the rugged coast lines Neal Perez da Costa. JAMIE CASTRISOS of his island home, Tasmania: from guitarist Dangerous Ground and To Dance on the Moon. He performs as a side-man with the Craig DRUMS with the critically acclaimed rock/pop outfit Scott Quintet, John Morrison, DerroDerro, Upon moving to Australia in 2002, Bobby The Dead Abigails to the enigmatic front man Nic Jeffries and other musical outfits. He has DAVID IRVINE began his professional musical theatre career for hard rock/post punk exponents The Dog BACKING VOCALS also performed with James Morrison, Deni with feature roles in Mamma Mia, Leader of Line, musical director with the electro/funk/ Hines, Don Rader, George Golla, Jeff Clayton, GEOFFREY WINTER the Pack, Dusty – The Original Pop Diva, We soul Mayfield as well as musical director for BACKING VOCALS Bobby Rydell (United States of America), Will Rock You, Spamalot and The Production the remarkable talent that is Bobby Fox. -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
State Ed by Sue Smith
state ed by Sue Smith 2 3 Index .................................................................................................................................................................................................... 4 Cast & Creatives .............................................................................................................................................................................. 5 Writer .................................................................................................................................................................................................. 6 Synopsis ............................................................................................................................................................................................. 8 Plot ....................................................................................................................................................................................................... 9 Director............................................................................................................................................................................................ 11 Actor Profile ................................................................................................................................................................................... 13 Characters ..................................................................................................................................................................................... -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
Made in Melbourne! Enjoyed Nationally & Internationally! MAY 2011
Made in Melbourne! Enjoyed Nationally & Internationally! MAY 2011 MAY MAY 2011 Issue 79 q comment: INTERPRIDE and PMV As you may be aware, four years ago Pride March Victoria decided to re-engage with the International Publisher & Editor Brett Hayhoe body - InterPride - and play our part on the world +61 (0) 422 632 690 stage. At that very first AGM and World Conference [email protected] that both myself (as Secretary of Pride March Victoria) and the Treasurer attended with me being elected to Editorial the Board prior to my flight back to Australia. This [email protected] commenced a time in my life where I was having to Sales and Marketing attend two meetings a year in some location around [email protected] the world. At last year’s AGM and World Conference I was elected Secretary of the International body with Design Adam Lowe being elected as the Board Director for Uncle Brett Designs & Graphics Region 20 (the region in which Australia is placed). Contributing Writers Pete Dillon, Evan Davis, Alan Mayberry, Despite those who claim it is simply an excuse to fly Tasman Anderson, Marc J Porter, Barrie overseas, the work of InterPride is very real and does Mahoney, Brett Hayhoe, Ashley Hogan, Brian Mier, Chris Gregoriou, Nathan Miller, make a difference in many many ways. I am personally Amanda Nassif very proud of the work the organisation does - both as an organisation and through our many member Cover picture organisations around the globe. The Production Company Photographic Contributions Our involvement with InterPride however would not be Alan Mayberry (gh & q drag), Wally possible without the support of the wonderful Board of Cowin (gay day), Avril Holderness- Pride March Victoria. -
Mary Poppins Musical Dominates Helpmann Awards Show
BBC News - Mary Poppins musical dominates Helpmann Awards show http://www.bbc.co.uk/news/entertainment-arts-14369960?print=true 2 August 2011 Last updated at 05:15 ET The musical production of Mary Poppins dominated this year's Helpmann Awards in Australia, winning eight of the 12 categories it was nominated in. The show's stars, Matt Lee and Verity Hunt-Ballard, both won acting prizes. The Walt Disney production also took the coveted best musical award. Geoffrey Rush and Cate Blanchett each won a prize and Andrew Lloyd Webber's Love Never Dies won three. The awards took place at the Sydney Opera House on Monday night. 'Weird and unexpected' Hunt-Ballard was named best female for playing the famous nanny with magical powers. Lee, who was named best male, for playing Bert in the Disney show said it was "weird and unexpected" to beat theatre legend Anthony Warlow. Speaking to Australian website News.com at the ceremony he said: "I performed at the first Helpmann Awards 10 years ago as the third chorus boy on the left. "To receive one of these awards in a category with someone I've looked up to my entire life is 1 of 2 8/2/2011 10:27 AM BBC News - Mary Poppins musical dominates Helpmann Awards show http://www.bbc.co.uk/news/entertainment-arts-14369960?print=true crazy." The production, based on the 1964 film, also won best choreography, sound design, direction and musical direction. Poppins' Philip Quast also won best male musical supporting actor, while the only award for Hairspray went to Esther Hannaford for best female supporting actor. -
Annual Report 2015 LETTER to MINISTER
Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison. -
WES088 September Lion Mag R12.Indd
OWCA updates Dr Kenneth Vernon Bailey (OW1946) recently coordinated • He learned enough Portuguese to differentiate the creation of an Environment Meditation and Healing Garden “pão”(bread) and “pau” (wood) (Canberra Multicultural Project), by the Canberra Interfaith • He became a supporter of the Bangu Beavers, Forum. The benefits to the community will contribute to cross- a soccer team cultural understanding, harmonious dialogue and friendships and • He gained a deep love of Brazilian culture appreciation among the faith groups and the cultural communities • He is hoping to return for carnival 2012 represented; promote reconciliation between Aboriginal and non- Aboriginal Australians, and between spiritual traditions otherwise Eli Firestone (OW2002) is currently working as a volunteer prone to misunderstanding or conflict; and deepen awareness of engineer at Kampuchea House, an Australian-funded orphanage, environmental conservation and sustainable living issues. located approximately 40km from the town of Siem Reap, Cambodia. Eli has donated his time to oversee the design and Stephanie Batsakis (OW2007) made the Dean’s Honours List supervise the construction of two new houses that will soon be for her Arts degree and has also been given a Law scholarship home to twelve more orphans. He believes that giving back to the worth $5,000, where only two students from Victoria received the community is really important. scholarship. Nikki Hollett (OW2008) currently attends Troy University in South Dean Bryant (OW1993) was the scriptwriter for Mathew Frank’s Alabama, USA. Nikki plays top level softball for the Troy Trojans. fabulous musical direction in the prodigious musical theatre pairing The shortstop earned the honor for the Trojans this season after known as Bryant and Frank. -
San Dimas Yearbook 2014
San Dimas Yearbook 2014 - 2015 By Rob Hopper www.nationalyoutharts.com Special thanks to Sharon Aulis for typing up many of the cast lists! Alliance for Performing Arts Annie February 14-22, 2015 Annie: Caitlyn Marrero / Indie Von Martin Sara Tuazon / Maisie Zurbuch Oliver Warbucks: De’Shawn Johnson Indie Von Martin Miss Hannigan: Lissi Atchley / Olivia Martinez NYC Street Scene: Grace Farrell: Olivia Martinez / Cailey Snyder Kara Hauk / Lissi Atchley Rooster Hannigan: Johnny Van Steenwyk / Collin Evans Joey Kolody / Alexys Islas Lily St. Regis: Lyndi Cooper / Ariana Magana Ashley Padres / Caitlyn Marrero ~ Orphans ~ Amy Perry / Sofia Martinez Molly: Alyssa Cadiente / Kessid Cooper Kayla Renee / Verena Padres Pepper: Verena Padres / Olivia Lopez Justin Ruano / Amy Perry Tessie: Sofia Martinez / Kara Hauk Emma Stoker / Maisie Zurbuch Kate: Alexys Islas / Ashley Padres Duffy: Maisie Zurbuch / Sara Tuazon July: Cailey Snyder / Emma Stoker Additional Orphans: Sarah Green, Cheyenne Holm, Brigitte Ketterer, Ashley Renz President Roosevelt: Logan Burton Star to Be: Olivia Lopez / Alyssa Cadiente Lt. Ward: Kayla Renee Drake: Justin Ruano Bundles McCloskey: Joey Kolody Apple Seller: Ariana Magana / Lyndi Cooper Dog Catcher: Logan Burton Sandy: Collin Evans / Johnny Van Steenwyk Usherette: Kessid Cooper / Cheyenne Holm ~ Servants ~ Cecille: Ashley Padres / Alexys Islas Annette: Sara Tuazon / Verena Padres Mrs. Greer: Emma Stoker / Lyndi Cooper Mrs. Pugh: Kayla Renee / Kayla Renee Additional Servants: Kessid Cooper / Lissi Atchley Kara Hauk / Alyssa -
Keir Nuttall Thesis
I’m With Muriel: Applying a Persona- Centred Songwriting Technique to the Creation of a New Australian Musical Keir Nuttall BMus Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Creative Practice Faculty of Creative Industries, Education and Social Justice QUT 2021 Table of Contents Table of Figures ......................................................................................................................... 5 Abstract ..................................................................................................................................... 6 Statement of Original Authorship .............................................................................................. 8 Acknowledgements ................................................................................................................... 9 Chapter 1: Introduction............................................................................................................ 11 Situating the Researcher ............................................................................................................................. 16 Chapter 2: Literature and Contextual Review ........................................................................... 24 Part One: Authenticity and the Music Business ........................................................................ 24 The Artist vs Culture and Society ................................................................................................................ 25 -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers.