(Roanoke Rapids, NC). 1938-11-17

Total Page:16

File Type:pdf, Size:1020Kb

(Roanoke Rapids, NC). 1938-11-17 NEXT WEEK AT ROANOKE RAPIDS THEATRES Briliiant with her parents, Mr. and Mrs. J. Three-Star Cast Heads B. Edmonds. HERE NEXT WEEK Mrs. Rip Wiggins of Emporia, Va. spent Sunday in town with YOU CAN’T TAKE friends. William Henry Woodruff of Fort Myers, Va., spent the week-end IT WITH YOU wit hhis parents, Mr. and Mrs. H. T. Woodruff. ********* Wayland Pair, who has been a For Run At The patient at the Walter Reed Hos- Three-Day Peoples pital in Washington, D. C., spent Wednesday night with his parents, “You Can’t Take It With You,” The Avalons Is Mr. and Mrs. J. H. Pair, en route with Jean Arthur, James Stewart to Fort Bragg. and Lionel Barrymore in the lead- Feature Of New ing roles will be the feature attrac- tion at the New Peoples Sunday- Revue Tuesday. Imperial It is the heart-warming story of two families whose philosophies of There's an life are poles apart. One family; old adage that show- Maureen O’Sullivan presided over by happy-go-lucky men must be born and not made lives and, of course, sometimes one has Grandpa Vanderhof, merrily * MAUREEN O’SULLIVAN, look- and somewhat madly in a suffi- a natural tendency that is later de- LIONEL BARRYMORE ing more demure, if possible, than cient-unto-the-day atmosphere of veloped and finds himself a per- *ABOVE is Lionel Barrymore, untroubled fun. The other family, former or an executive, or an em- ever, is co-starred with handsome in the the social-conscious, money-grub- ploye of some sort in connection one of the stars appearing Lew Ayres in the feature, “Spring with the show. But not so with new release: “You Can’t Take It bing, power-mad Kirbys, are the Madness,” which will be shown Im- a three- purest of wealth worshippers. THE FIVE AVALONS who will With You,” which opens perial audiences Wednesday-Thurs- The two families clash when the appear here at the Imperial The- days’ engagement at the Peoples atre with on Theatre here day of next week. Kirby son and the Vanderhof “Revue Magnificent”, Sunday. DIAL R-394 granddaughter fall in love. Tony Tuesday, November 22nd, next PROGRAM FOB WEEK NOVEMBER Kirby, not so dollar-bound as his week, when the stage show plays 20, 1938 ters are possessed with the acro- nor so class-conscious as the popular uptown house one-day father, batic feats of their grandparents qa A Admission ta oa his believes his are only. mother, parents and their father and mother, also at heart and The troupe of FIVE AVALONS genuine only synthetic the modern developments of their |0C ^inee |§C stuffed shirts. He that con- are all brothers and sisters and TOWN hopes own. tact with the Vanderhofs will come from a family that has ap- SUN. Many other talented entertainers change their attitude towards his peared with the leading circuses of Humphrey Bogart appear with “Revue Magnificent” to Alice. But the our country as well as many for- TALK Louise Fazenda marriage meeting such as Helen McClure and Chris- of the two families is marked eign lands, dating back to the early by tine Silliman, fast stepping tap SWING YOUR LADY an exhibition of Vanderhof 70’s. The work of this great troupe typical team; Pat Patterson, acrobatic Miss Mattie Lee Taylor spent the humor which winds with is very outstanding and spectacu- good up dancer; The Three Cronies, comedy week-end in Raleigh as the guest MON.-TUES. as well as lar. everybody—the Kirbys acrobatic act; Morris Nelson, ten- of Miss Carnie Rook. June Travis-Gordon Oliver the Vanderhofs—in on The troupe appearing here, each jail suspi- or; Sue Rogers, character dancer; Mesdames Jim Taylor, Sam cion of anarchism! of the three brothers and two sis- The Marines Are Here Florence Le Loux, oriental and toe Young spent Friday in Richmond, The supporting cast includes Ann Mr. and Mrs. sion—to destroy the enemy’s sub- dancer; The Lingerie Girls; Floride Va. with Fletcher WED.-THURS. Miller, Mischa Auer, Spring Bying- Mon- Dickens. marine base. Fuller, trombone soloist; Paul Wallace Beery-Virginia Bruce ton, Dub Taylor, H. B. Warner, Miss Cox of was In the thrilling sequence which ty and Orchestra. Gladys Raleigh Bad Man Mary 'Forbes, Donald Meek and week-end of of Brimstone follows, Greene and Bancroft fight The Revue Magnificent will play the guest Mr. and Mrs. others. the next Tuesday, mati- A. E. Akers. FRI.-SAT. rfc * * * :k side by side, winning each other’s Imperial in addition to the J. R. Bunn of Henderson was a Tim respect through their high cour- nee and night, McCoy Ronald Colman and Frances Dee business visitor in town age as two U-boats are sunk right regular feature picture program, Monday. TWO GUN JUSTICE will be shown Wednesday-Thurs- and Lucille in Mrs. B. D. Johnson, under the guns of the enemy’s own Jack Oakie Ball, Greenville, Added: Red at the New in “If I Barry day Peoples fort. “The Affairs of Annabel.” spent several days here last week Were King.” Eager to find out the names of those who were plotting against him with the Burgundians, traitors who had blocked Pairs, King Louis XI (Basil Rathbone), disguised, goes to a tavern where he knew the plotters would meet. There he finds of NOVEMBER 20th Francois Villon (Colman) and his PROGRAM for WEEK gang of riffians, who were making merry with food and wine they had stolen from the King’s storehouse. The King becomes interested in what Villon had to say about what IMPCQfAL he would do if he were King. Sol- PEOPLES diers, headed by the Grand Con- stable (John Miljan), who had fol- lowed Villon to the tavern, enter and in a battle^ Villon kills the JAY-MONDAY-TUESDAY SUNDAY-MONDAY Grand Constable; the King then re- Howard veals his identity and orders the Mary Carlisle John arrest of every one at the tavern.- • JEAN ARTHUR Having found out that the Grand ARMY" Constable had been the chief plot- • JAMES STEWART "TOUCHDOWN ter, the King is grateful to Villon for killing him, but he feels he # LIONEL BARRYMORE TUESDAY ONLY should be punished. How Villon changes things and is finally freed Jack Oakie Lucille Ball and wins Miss Dee YOU CAN'T TAKE also will prove to be very interesting. of Annabel" * * * * * * "The Affairs “Submarine Patrol” will be shown IT WITH YOU REVUE MAGNIFICENT Friday-Saturday at the Peoples On Stage: Theatre with Richard Greene and Nancy Kelly in the leading roles. WEDNESDAY-THUBSDAY The war is a background, touch- WEDNESDAY-THURSDAY ed off by dynamite, against which Lew Maureen O'Sullivan two ardent young /hearts seek to Ayres share a lifetime of love in the few RONALD COLMAN days, perhaps hours, that the war MADNESS' will allow them together. ■SPRING Greene and Nancy meet and fall FRANCES DEE in in love on the eve of their perilous and FRIDAY-ONLY voyage. They plan to get married when—and if—their ships reach Robert Margaret Franchot the Italian port which is their des- "IF I WERE KING" tination. But Nancy’s father, TAYLOR SULLAVAN TONE George Bancroft, misinterpreting Greene’s attention to his daughter, FRIDAY-SATIJBDAY makes his objections known in the THREE COMRADES most forcible way he knows—-with his fists. When, after a thrilling RICHARD GREENE SATURDAY-ONLY crossing during which they are at- tacked by U-boats, the ships reach port, Bancroft is finally persuaded and NANCY KELLY in JOHNNY MACK BROWN that he has misjudged Greene. He comes aboard the sub-chpser to ’ "BOOTHILL BRIGADE" apologize but Greene, believing his visit means another fight, knocks “Submarine Patrol Added: DICK TRACY RETURNS Bancroft as the ’■ out, just Sub-chas- .v. ; n ;• er gets under way on a secret mis-' .
Recommended publications
  • Who's Who at Metro-Goldwyn-Mayer (1939)
    W H LU * ★ M T R 0 G 0 L D W Y N LU ★ ★ M A Y R MyiWL- * METRO GOLDWYN ■ MAYER INDEX... UJluii STARS ... FEATURED PLAYERS DIRECTORS Astaire. Fred .... 12 Lynn, Leni. 66 Barrymore. Lionel . 13 Massey, Ilona .67 Beery Wallace 14 McPhail, Douglas 68 Cantor, Eddie . 15 Morgan, Frank 69 Crawford, Joan . 16 Morriss, Ann 70 Donat, Robert . 17 Murphy, George 71 Eddy, Nelson ... 18 Neal, Tom. 72 Gable, Clark . 19 O'Keefe, Dennis 73 Garbo, Greta . 20 O'Sullivan, Maureen 74 Garland, Judy. 21 Owen, Reginald 75 Garson, Greer. .... 22 Parker, Cecilia. 76 Lamarr, Hedy .... 23 Pendleton, Nat. 77 Loy, Myrna . 24 Pidgeon, Walter 78 MacDonald, Jeanette 25 Preisser, June 79 Marx Bros. —. 26 Reynolds, Gene. 80 Montgomery, Robert .... 27 Rice, Florence . 81 Powell, Eleanor . 28 Rutherford, Ann ... 82 Powell, William .... 29 Sothern, Ann. 83 Rainer Luise. .... 30 Stone, Lewis. 84 Rooney, Mickey . 31 Turner, Lana 85 Russell, Rosalind .... 32 Weidler, Virginia. 86 Shearer, Norma . 33 Weissmuller, John 87 Stewart, James .... 34 Young, Robert. 88 Sullavan, Margaret .... 35 Yule, Joe.. 89 Taylor, Robert . 36 Berkeley, Busby . 92 Tracy, Spencer . 37 Bucquet, Harold S. 93 Ayres, Lew. 40 Borzage, Frank 94 Bowman, Lee . 41 Brown, Clarence 95 Bruce, Virginia . 42 Buzzell, Eddie 96 Burke, Billie 43 Conway, Jack 97 Carroll, John 44 Cukor, George. 98 Carver, Lynne 45 Fenton, Leslie 99 Castle, Don 46 Fleming, Victor .100 Curtis, Alan 47 LeRoy, Mervyn 101 Day, Laraine 48 Lubitsch, Ernst.102 Douglas, Melvyn 49 McLeod, Norman Z. 103 Frants, Dalies . 50 Marin, Edwin L. .104 George, Florence 51 Potter, H.
    [Show full text]
  • FILMS by LAWRENCE JORDAN Lawrence Jordan in Person
    Bay Area Roots, Risk & Revision FILMS BY LAWRENCE JORDAN Lawrence Jordan In Person Sunday, May 13, 2007 — 7:30 pm — Yerba Buena Center for the Arts I don’t know about alchemy academically, but I am a practicing alchemist in my own way. —Lawrence Jordan Lawrence Jordan has been making films since 1952. He is most widely known for his animated collage films, which Jonas Mekas has described as, “among the most beautiful short films made today. They are surrounded with love and poetry. His content is subtle, his technique is perfect, his personal style unmistakable.” Tonight’s screening sketches out a sampler of Jordan’s films, starting with Trumpit, a 1950s ‘psychodrama’ starring Stan Brakhage, with sound by Christopher Maclaine; Pink Swine, an anti-art dada collage film set to an early Beatles track; Waterlight the first of Jordan’s “personal/poetic documentaries” made in the 1950s aboard a merchant marine freighter during his days as a wandering flâneur; and Winterlight, a visual poem of the Sonoma County winter landscape. Lawrence Jordan’s four most recent films will conclude the night: Enid’s Idyll, Chateau/Poyet, Poet’s Dream, and Blue Skies Beyond the Looking Glass. (Jenn Blaylock) Trumpit (1956) 16mm, b&w, sound, 6 minutes, print from the maker Stan Brakhage stars as the constricted love in this spoof of pseudo-erotic card play. (LUX) Waterlight (1957) 16mm, color, sound, 7 minutes, print from the maker Among the wanderings that began in the 1950s was the filmmaker's 3-year stint in the merchant marine. Waterlight is a night and day impression of the never-constant, ever-changing vast ocean and its companion the sky.
    [Show full text]
  • HOLLYWOOD – the Big Five Production Distribution Exhibition
    HOLLYWOOD – The Big Five Production Distribution Exhibition Paramount MGM 20th Century – Fox Warner Bros RKO Hollywood Oligopoly • Big 5 control first run theaters • Theater chains regional • Theaters required 100+ films/year • Big 5 share films to fill screens • Little 3 supply “B” films Hollywood Major • Producer Distributor Exhibitor • Distribution & Exhibition New York based • New York HQ determines budget, type & quantity of films Hollywood Studio • Hollywood production lots, backlots & ranches • Studio Boss • Head of Production • Story Dept Hollywood Star • Star System • Long Term Option Contract • Publicity Dept Paramount • Adolph Zukor • 1912- Famous Players • 1914- Hodkinson & Paramount • 1916– FP & Paramount merge • Producer Jesse Lasky • Director Cecil B. DeMille • Pickford, Fairbanks, Valentino • 1933- Receivership • 1936-1964 Pres.Barney Balaban • Studio Boss Y. Frank Freeman • 1966- Gulf & Western Paramount Theaters • Chicago, mid West • South • New England • Canada • Paramount Studios: Hollywood Paramount Directors Ernst Lubitsch 1892-1947 • 1926 So This Is Paris (WB) • 1929 The Love Parade • 1932 One Hour With You • 1932 Trouble in Paradise • 1933 Design for Living • 1939 Ninotchka (MGM) • 1940 The Shop Around the Corner (MGM Cecil B. DeMille 1881-1959 • 1914 THE SQUAW MAN • 1915 THE CHEAT • 1920 WHY CHANGE YOUR WIFE • 1923 THE 10 COMMANDMENTS • 1927 KING OF KINGS • 1934 CLEOPATRA • 1949 SAMSON & DELILAH • 1952 THE GREATEST SHOW ON EARTH • 1955 THE 10 COMMANDMENTS Paramount Directors Josef von Sternberg 1894-1969 • 1927
    [Show full text]
  • Lamb Legs 3Ib*
    COLO PLATES FOR Actors Think Too Much To Market We Go For Damisk? No, Jnit i Wuhable TiMedoth 1 REAL HOT DAYS Deviled eggs, sardines In lettuce cups, ellcee of tomato, marinated Of Selves, Tracy Says and covered with chopped water- Our Favorite Meat creee. < BY VAN THOMAS Sliced cold hanv potato ealad, NBA Service Writer ach as do boat and lamb. olive*. Chill aauce in lettuoe cup*. Sliced cold email toraa- Hollywood.—Any man who be- Veal at Preseat Time Is The following are suggestive tongue, filled with come* interested in homes is bound methods for the preparation of toea with celery mixed Low io Price mayonnaive, mustard pickles. ▲ picture to ah claaeea to enjoy living. real: appealing Cold salmon garnished With egg all Such is Spencer Tracy’* philoso- Veal and agss la "No Greater Love." Birds slices in of life—and not a bad MARIE GIFFORD dipped chopped parsley, the Columbia picture current at phy perhaps By Cut real cutlets Into convenient one at that carries it to sliced cucumbers with savory the theater. Spencer and flatten with a potato the limit too. pieces French dressing, celery staffed Proeperoua people will like It masher. Mix seasoned crumbs with Just before work was started on with plmlento cheese.—By Sarah because It shows how the other Tea to market we And M salt or Star Bacon hla latest tentatively titled sol chopped pork Field Splint in McCall’s for July. bait Ileus. The poorer ones will film, and usual wo are looking for something and make a stuffing. Roll up --- like It because ’’After the Rain, the director „.,JS It untolds a heart different for dinner.
    [Show full text]
  • Hooray for Hollywood!
    Hooray for Hollywood! The Silent Screen & Early “Talkies” Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 PartHooray I: The Silent forScreen andHollywood! Early “Talkies” How It All Began — Movie Technology & Innovation Eadweard Muybridge (1830–1904) Pioneers of Communication • Scott 3061; see also Scott 231 • Landing of Columbus from the Columbian Exposition issue A pioneer in motion studies, Muybridge exhibited moving picture sequences of animals and athletes taken with his “Zoopraxiscope” to a paying audience in the Zoopraxographical Hall at the 1893 Columbian Exposition. Although these brief (a few seconds each) moving picture views titled “The Science of Animal Locomotion” did not generate the profit Muybridge expected, the Hall can be considered the first “movie theater.” Thomas Alva Edison William Dickson Motion Pictures, (1847–1947) (1860–1935) 50th Anniversary Thomas A. Edison Pioneers of Communication Scott 926 Birth Centenary • Scott 945 Scott 3064 The first motion picture to be copyrighted Edison wrote in 1888, “I am experimenting Hired as Thomas Edison’s assistant in in the United States was Edison upon an instrument which does for the 1883, Dickson was the primary developer Kinetoscopic Record of a Sneeze (also eye what the phonograph does for the of the Kintograph camera and Kinetoscope known as Fred Ott’s Sneeze). Made January ear.” In April 1894 the first Kinetoscope viewer. The first prototype, using flexible 9, 1894, the 5-second, 48-frame film shows Parlour opened in New York City with film, was demonstrated at the lab to Fred Ott (one of Edison’s assistants) taking short features such as The Execution of visitors from the National Federation of a pinch of snuff and sneezing.
    [Show full text]
  • The Physician at the Movies Peter E
    The physician at the movies Peter E. Dans, MD Kenneth Branagh (center) is Viktor Cherevin in Jack Ryan: Shadow Recruit. © MMXIV Paramount Pictures Corporation. All Rights Reserved. Photo credit: Anatoliy Vorobev. Jack Ryan: Shadow Recruit therapy. She can’t date patients but when she is no longer his Starring Chris Pine, Keira Knightley, Kevin Costner, and caregiver and has embarked on her ophthalmology residency, Kenneth Branagh. they begin a relationship. After he leaves the hospital, Ryan is Directed by Kenneth Branagh. Rated PG-13. Running time recruited by CIA operative Thomas Harper (Kevin Costner) as 105 minutes. an analyst to monitor the Russians who are plotting to destroy the dollar. We are treated to screensful of computer-generated he film opens in London on September 11, 2001, where figures and assorted mumbo-jumbo that essentially show that John Patrick Ryan (Chris Pine) is pursuing an economics the Russians are hiding numerous accounts and could dump degree.T The 9/11 attack leads him to join the Marines. Cut next billions in treasury bonds on the market at a critical time, to to Afghanistan where he and other Marines are being trans- devastating effect. Ryan is sent to Moscow, where he escapes ported in a helicopter while discussing the relative merits of killers, helps advise the tracking down of terrorists, all the the Baltimore Ravens and Cincinnati Bengals. (This dialogue while racing against the clock to prevent a stock market col- was probably an homage to Tom Clancy, a Baltimorean and lapse. He is almost killed by the person who is sent to meet the author of the Jack Ryan novels.) This is the only Ryan story him at the airport to “protect” him.
    [Show full text]
  • In the Valley's Finest Markets
    AT CAPITOL EASY PLEASURE PAY Something nexv in the way of an all-star comedy satirizing the mak- Mrs. if husband canve home this and informed you ing of talking pictures is offered Housewife, your evening In Metro-Goldwyn-Mayer’s farce. he had been given a $25.00 a month raise in salary, you’d be delighted, (so would “Free and Easy,” which will be he) but plan on some new dresses and many things for the children— shown the you’d today at Capitol theatre. know. Not since- “Show People,” King extras, you Vidor's expose of the in- laughing extras side workings of Hollywood studios If you are not trading at Jitney Jungle you are missing those right In which William Haines and Mar- now, as the money you save will buy them. It is so easy to buy here that it be- ion Davies were co-starred some comes an anticipated daily pleasure, and the best of it is that you actually get time ago, has there been a picture 90 per cent of whose locale is laid paid for doing it. within the closely guarded portals of the cinema industry. Amazing Cast SELLS FOR LESS William Haines is again seen in JITNEY JUNGLE GROCERIES the present vehicle but only as one The following specials good in all stores Saturday, August 30th: of an imposing group of stars, play- Jitney Jungle ers and directors, all of whom have a share in what, advance report has it, is the funniest of Hol- burlesque 10 lywood seen to date.
    [Show full text]
  • Ben-Hur Trivia
    IMDb All | IMDb Apps | Help Movies, TV Celebs, Events News & & & Photos Community Watchlist Login Showtimes Edit Ben-Hur: A Tale of the Christ (1925) Ben-Hur: A Tale of the Christ Trivia Did You Know? Trivia Goofs Crazy Credits Showing all 38 items Quotes Alternate Versions Connections Despite the fact that there is nudity in this film, it was passed by censors of that time Soundtracks because it dealt with Christianity, as it was originating. 9 of 10 found this interesting | Share this Explore More Share this page: The troubled Italian set was eventually torn down and a new one built in Culver City, California. The famed chariot race was shot with 42 cameras were and 50,000 feet of film consumed. Second-unit director B. Reeves Eason offered a bonus to the winning driver. Like You and 217 others like this.217 people like The final pile-up was filmed later. No humans were seriously injured during the US Like this. Sign Up to see what your friends like. production, but several horses were killed. 7 of 8 found this interesting | Share this User Lists Create a list » Future stars Gary Cooper, Clark Gable, Joan Crawford, and Myrna Loy were uncredited Related lists from IMDb users extras in the chariot race scenes. Crawford and Loy also played slave girls. (ebop) 2015 Seen Movies: 1925 7 of 8 found this interesting | Share this 5, v. Google a list of 35 titles on June created 31 May 2012 in Garcia According to The Guinness Book of World Records (2002), thearchived movie contains the most edited scene in cinema history.
    [Show full text]
  • Program Notes by Joshua S
    PROGRAM NOTES BY JOSHUA S. RITTER In 1943, two hundred fortunate Hackett and Frances Goodrich to write individuals received an unusual another draft of the screenplay that would Christmas greeting by mail in the more closely follow Stern’s story. Capra form of a short story entitled “The was both pleased with their work and the Greatest Gift” by Philip Van Doren actors who were available to play central Stern. It was a simple yet profound roles, such as James Stewart as George story about a mysterious stranger Bailey, Donna Reed as Mary Bailey and who encounters a suicidal man on Lionel Barrymore as Mr. Potter. When Capra Christmas Eve. The despondent previewed It’s a Wonderful Life to the press, man is offered the “gift” of knowing he felt it was the greatest film he had ever what his town would be like if he made. In fact, he wrote in his autobiography had never existed. Despite being that he thought it was the greatest film an authoritative Civil War historian, anybody had ever made. editor and biographer, Stern had trouble finding a magazine Despite Capra’s confidence in the film, it publisher who would purchase received mixed reviews when debuted his story. As a result, he decided to the press in 1946. The New York to publish it himself and send it to Times criticized it for being both overly two hundred of his closest friends, sentimental and portraying an overly including his agent, Shirley Collier, illusory concept of life. The FBI even who subsequently sold the story issued a memo in 1947 accusing the film to the film production company of containing subversive communist RKO.
    [Show full text]
  • Films from the THIRTIES: PART II 1935-39
    t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships.
    [Show full text]
  • The Barrymore
    The Barrymore We ‘more mature’ collectors will immediately recognize Lionel Barrymore as the great actor of the 1930s and 1940s, especially, although his stage career started in the mid-1890s, and his first film was around 1911. He won an Academy Award for Best Actor for his performance in A Free Soul (1931). He is well known for the role of the villainous Henry Potter in Frank Capra's 1946 film It's a Wonderful Life. As a kid, I remember him from his role as Dr. Gillespie in all the Dr Kildare movies. But, he was also quite an accomplished artist, and that’s how he’s best known in our hobby...because of his etchings. You don’t have to have been in the hobby for very long before you start coming across all these metallic sets featuring his etchings. If you look closely, you’ll see that each is titled and each is signed ‘Lionel Barrymore’. How and why his art work became stock designs on matchcovers is probably an interesting story, but it’s one that I unfortunately haven’t been able to track down. I did find the following, however. Lionel Barrymore studied painting in Paris between 1903 and 1907. He attended Art Students League of New York. Even after settling on acting as a career path, he frequently made etchings, composed music and painted at his home in California. He published a novel, "Mr. Cantomwine", at some point during his life, although I don't know the date. According to Valenda's Obsessive Collective: "There are a lot of Barrymore prints around.
    [Show full text]
  • Screen Guild Players Recordings Collection, 1942-1948
    http://oac.cdlib.org/findaid/ark:/13030/tf5779p13c No online items Guide to the Screen Guild Players Recordings Collection, 1942-1948 Project archivist: Caitlin Hunter; machine-readable finding aid created by David Seubert Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html © 1999 The Regents of the University of California. All rights reserved. Guide to the Screen Guild Players PA Mss 28 1 Recordings Collection, 1942-1948 Guide to the Screen Guild Players Recordings Collection, 1942-1948 Collection number: PA Mss 28 Department of Special Collections Davidson Library University of California, Santa Barbara Contact Information: Department of Special Collections Davidson Library University of California, Santa Barbara Santa Barbara, CA 93106 Phone: (805) 893-3062 Fax: (805) 893-5749 Email: [email protected] URL: http://www.library.ucsb.edu/speccoll/speccoll.html Project Archivist: Caitlin Hunter Date Completed: September 28, 1999 Encoded by: David Seubert © 1999 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Screen Guild Players Recordings Collection, Date (inclusive): 1942-1948 Collection number: PA Mss 28 Creator: Motion Picture Relief Fund Extent: 97 disc recordings Repository: University of California, Santa Barbara. Library. Dept. of Special Collections Santa Barbara, CA 93106 Shelf location: For current information on the location of these materials, please consult the library's online catalog. Abstract: Recordings of Screen Guild Players radio programs used as a fundraising effort for the Motion Picture Relief Fund, sponsored by the Lady Esther Corporation and Camel Cigarettes.
    [Show full text]