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Chartmaking in England and Its Context, 1500–1660
58 • Chartmaking in England and Its Context, 1500 –1660 Sarah Tyacke Introduction was necessary to challenge the Dutch carrying trade. In this transitional period, charts were an additional tool for The introduction of chartmaking was part of the profes- the navigator, who continued to use his own experience, sionalization of English navigation in this period, but the written notes, rutters, and human pilots when he could making of charts did not emerge inevitably. Mariners dis- acquire them, sometimes by force. Where the navigators trusted them, and their reluctance to use charts at all, of could not obtain up-to-date or even basic chart informa- any sort, continued until at least the 1580s. Before the tion from foreign sources, they had to make charts them- 1530s, chartmaking in any sense does not seem to have selves. Consequently, by the 1590s, a number of ship- been practiced by the English, or indeed the Scots, Irish, masters and other practitioners had begun to make and or Welsh.1 At that time, however, coastal views and plans sell hand-drawn charts in London. in connection with the defense of the country began to be In this chapter the focus is on charts as artifacts and made and, at the same time, measured land surveys were not on navigational methods and instruments.4 We are introduced into England by the Italians and others.2 This lack of domestic production does not mean that charts I acknowledge the assistance of Catherine Delano-Smith, Francis Her- and other navigational aids were unknown, but that they bert, Tony Campbell, Andrew Cook, and Peter Barber, who have kindly commented on the text and provided references and corrections. -
Robert Dudley, 1St Earl of Leicester
Robert Dudley, 1st Earl of Leicester Robert Dudley, 1st Earl of Leicester, KG (24 June mours that he had arranged for his wife’s death continued 1532 or 1533[note 1] – 4 September 1588) was an English throughout his life, despite the coroner’s jury's verdict of nobleman and the favourite and close friend of Elizabeth accident. For 18 years he did not remarry for Queen Eliz- I from her first year on the throne until his death. The abeth’s sake and when he finally did, his new wife, Lettice Queen giving him reason to hope, he was a suitor for her Knollys, was permanently banished from court. This and hand for many years. the death of his only legitimate son and heir were heavy blows.[2] Shortly after the child’s death in 1584, a viru- Dudley’s youth was overshadowed by the downfall of his family in 1553 after his father, the Duke of Northumber- lent libel known as Leicester’s Commonwealth was circu- land, had unsuccessfully tried to establish Lady Jane Grey lating in England. It laid the foundation of a literary and historiographical tradition that often depicted the Earl as on the English throne. Robert Dudley was condemned to [3] death but was released in 1554 and took part in the Battle the Machiavellian “master courtier” and as a deplorable of St. Quentin under Philip II of Spain, which led to his figure around Elizabeth I. More recent research has led full rehabilitation. On Elizabeth I’s accession in Novem- to a reassessment of his place in Elizabethan government ber 1558, Dudley was appointed Master of the Horse. -
Galloping Onto the Throne: Queen Elizabeth I and the Symbolism of the Horse
Heidegger 1 Galloping onto the Throne: Queen Elizabeth I and the Symbolism of the Horse University of California, San Diego, Department of History, Undergraduate Honors Thesis By: Hannah von Heidegger Advisor: Ulrike Strasser, Ph.D. April 2019 Heidegger 2 Introduction As she prepared for the impending attack of the Spanish Armada, Queen Elizabeth I of England purportedly proclaimed proudly while on horseback to her troops, “I know I have the body but of a weak and feeble woman; but I have the heart and stomach of a king, and of a king of England too.”1 This line superbly captures the two identities that Elizabeth had to balance as a queen in the early modern period: the limitations imposed by her sex and her position as the leader of England. Viewed through the lens of stereotypical gender expectations in the early modern period, these two roles appear incompatible. Yet, Elizabeth I successfully managed the unique path of a female monarch with no male counterpart. Elizabeth was Queen of England from the 17th of November 1558, when her half-sister Queen Mary passed away, until her own death from sickness on March 24th, 1603, making her one of England’s longest reigning monarchs. She deliberately avoided several marriages, including high-profile unions with Philip II of Spain, King Eric of Sweden, and the Archduke Charles of Austria. Elizabeth’s position in her early years as ruler was uncertain due to several factors: a strong backlash to the rise of female rulers at the time; her cousin Mary Queen of Scots’ Catholic hereditary claim; and her being labeled a bastard by her father, Henry VIII. -
Kenilworth Castle
Student Booklet Kenilworth Castle 1 Introduction and Overview We hope you have been lucky enough to visit this historic site but even if you have not, we hope this guide will help you to really understand the castle and how it developed over time. Where is Kenilworth Castle? The castle and landscape: Aerial view of the castle, mere and surrounding landscape. 2 What is the layout of Kenilworth Castle? Castle Plan 3 Key Phases 1100s Kenilworth under the De Clintons 1120-1174 Kenilworth as a royal fortress 1174-1244 1200s Kenilworth under Simon de Montfort 1244-65 Kenilworth under the House of Lancaster 1266-136 1300s Kenilworth under John of Gaunt 1361-99 1400s Kenilworth under the Lancastrians and the Tudors 1399-1547 1500s Kenilworth under the Dudley family 1547-88 1600s Kenilworth under the Stuarts 1612-65 1700s Kenilworth under the Hydes 1665-1700s Activity 1. Make your own copy of this timeline on a sheet of A4 paper. Just mark in the seven main phases. As you read through this guide add in details of the development of the castle. This timeline will probably become a bit messy but don’t worry! Keep it safe and at the end of the guide we will give you some ideas on how to summarise what you have learned. 2. There are seven periods of the castle's history listed in the timeline. Some of the English Heritage experts came up with titles for five of the periods of the castle's history: • An extraordinary palace • A stunning place of entertainment • A castle fit for kings • A formidable fortress • A royal stronghold 3. -
The Dudley Genealogies and Family Records
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com BOOK DOES 1WT ^\ t DUDLEY GENEALOGIES. THE DUDLEY GENEALOGIES AND FAMILY RECORDS. Arms borne by the Hon. Thomas Dudley, first Dep. Gov. and second Got. of Mass. Bay. BY DEAN DUDLEY. " Children's children arc the crown of old men ; And the glory of children are their fathers." .l^nftRTy" ^. State Historical So-: OF WISCONSIN,, BOSTON: 1876 „ PUBLISHED BY THE AUTHOR 1848. Entered according to Act of Congress, in the year 1843, by Dean Dudlet, In the Clerk's office of the District Court for the District of Massachusetts. White & Potter, Printers, Corner Spring Lane and Devonshire street, Boston. as PREFACE. The Work, ^ Here presented, is intended as an introduction to a large • biographical account of the Dudley family, which I have long been collecting, and design to publish on my return from Eu rope, whither, I am about to proceed for the purpose of extend ing my researches further, than is practicable in this country. It seemed expedient to publish this collection thus early, in order, that an opportunity might be offered for the cor rection of unavoidable errors and the addition of such re cords, as might be found wanting in the genealogies. And, therefore, it is earnestly desired, that those, possessing addi tional records or corrections of errors, will forward them to me, as soon as possible ; and all appropriate biographical sketches will, also, be received with much gratitude. -
Court: Women at Court, and the Royal Household (100
Court: Women at Court; Royal Household. p.1: Women at Court. Royal Household: p.56: Gentlemen and Grooms of the Privy Chamber; p.59: Gentlemen Ushers. p.60: Cofferer and Controller of the Household. p.61: Privy Purse and Privy Seal: selected payments. p.62: Treasurer of the Chamber: selected payments; p.63: payments, 1582. p.64: Allusions to the Queen’s family: King Henry VIII; Queen Anne Boleyn; King Edward VI; Queen Mary Tudor; Elizabeth prior to her Accession. Royal Household Orders. p.66: 1576 July (I): Remembrance of charges. p.67: 1576 July (II): Reformations to be had for diminishing expenses. p.68: 1577 April: Articles for diminishing expenses. p.69: 1583 Dec 7: Remembrances concerning household causes. p.70: 1598: Orders for the Queen’s Almoners. 1598: Orders for the Queen’s Porters. p.71: 1599: Orders for supplying French wines to the Royal Household. p.72: 1600: Thomas Wilson: ‘The Queen’s Expenses’. p.74: Marriages: indexes; miscellaneous references. p.81: Godchildren: indexes; miscellaneous references. p.92: Deaths: chronological list. p.100: Funerals. Women at Court. Ladies and Gentlewomen of the Bedchamber and the Privy Chamber. Maids of Honour, Mothers of the Maids; also relatives and friends of the Queen not otherwise included, and other women prominent in the reign. Close friends of the Queen: Katherine Astley; Dorothy Broadbelt; Lady Cobham; Anne, Lady Hunsdon; Countess of Huntingdon; Countess of Kildare; Lady Knollys; Lady Leighton; Countess of Lincoln; Lady Norris; Elizabeth and Helena, Marchionesses of Northampton; Countess of Nottingham; Blanche Parry; Katherine, Countess of Pembroke; Mary Radcliffe; Lady Scudamore; Lady Mary Sidney; Lady Stafford; Countess of Sussex; Countess of Warwick. -
The Proposed Marriage Between Mary Queen of Scots and Robert Dudley
Georgia State University ScholarWorks @ Georgia State University History Theses Department of History 1999 Elizabeth the Matchmaker: The Proposed Marriage between Mary Queen of Scots and Robert Dudley Johanna Rickman Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Rickman, Johanna, "Elizabeth the Matchmaker: The Proposed Marriage between Mary Queen of Scots and Robert Dudley." Thesis, Georgia State University, 1999. https://scholarworks.gsu.edu/history_theses/82 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ELIZABETH THE MATCHMAKER: THE PROPOSED MARRIAGE BETWEEN MARY QUEEN OF SCOTS AND ROBERT DUDLEY Johanna Rickman W ILLIAM RUSSELLa PULLEN LIBRARY Georgia State University NOTICE TO BORROWERS In presenting this thesis as partial fulfillment of the requirements for an advanced degree from Georgia State University, I agree that the library of the university will make it available for inspection and circulation in accordance with its regulations governing materials of this type I agree that permission to quote from, to copy from, or to publish from this thesis may be granted by the author, by the professor under whose direction it was written, or by the Dean of the Collage of Arts & Sciences. Such quoting, copying or publishing -
The English Entertainment for the French Ambassadors in 1564
Early Theatre 14.1 (2011) C. Edward Mcgee The English Entertainment for the French Ambassadors in 1564 The Thynne family papers at Longleat House shed important new light on theatrical and musical performers and performances at the English court from late in the reign of Henry VIII until that of Charles I. One letter in the eight volumes of correspondence is particularly enlightening in this regard because of the detail with which it describes the entertainment of the French ambassadors when they came to England in 1564 to conclude the Treaty of Troyes. This account of the reception of the embassy from France is found in a letter, dated 9 June of that year, from William Honing to Sir John Thynne.1 Although we have long known that Elizabeth’s offices of the revels and the works produced masques and martial sports on this occasion, Honing’s let- ter provides new information about the prominent role Sir Robert Dudley played in the shows, the creative contribution of Richard Edwards, master of the Children of the Chapel Royal, and the performance — the earliest that has come to light so far — of Thomas Churchyard, the indefatigable soldier, poet, patron-seeker, and author/performer/producer of Elizabethan court shows. My main aim in this paper is to describe and contextualize the theatrical devices produced for the French embassy in 1564, for they illustrate several important aspects of the art and politics of occasional, elite drama at the court of Elizabeth I. To this end some examination of another early Elizabethan entertainment for ambassadors from France, that celebrat- ing the conclusion of the Treaty of Blois in 1572, is helpful. -
Edward De Vere: This Is Your Life De Vere Society Newsletter
June 2004 Edward de Vere: This is Your Life De Vere Society Newsletter Edward de Vere: This is Your Life By Kevin Gilvary The text of an address given at the headquarters of the Chartered Insurance Institute, London, which hosted the Summer 2004 DVS meeting, the principal objective of which was to commemorate the 400th anniversary of the death of the Earl of Oxford. We meet in this place today to honour a man whose cosmography, penmanship, shooting, exercise and honour has, we believe, been misplaced. For four prayer. This would make you a man of learning and a centuries ago, less than four miles from this very hall, model courtier but hardly prepared you to run the died the man whom we regard as the greatest literary estates which you inherited: 77 estates in total, genius the world has known, a man who ended his life including 45 in Essex and five in Suffolk. You live in almost in poverty, possibly in despair, and certainly Oxford House or Vere House in London. without the recognition his genius deserves. Your education continues at Cambridge, at two Edward de Vere, seventeenth earl of Oxford, was colleges, Queens and St John’s, and you are awarded truly a Renaissance man. Highly cultured, widely your BA at Cambridge in 1564 and an MA from, travelled and very generous, he not only attained the Oxford in 1566. The following year you enroll at heights at Elizabeth’s dazzling court and but also Gray’s Inn; "the students of the Inns of Court learned plumbed the depths of disgrace and destitution and on to sing, dance and play instrumental music; and these 24 June 1604 he died in Hackney. -
The Italian Map Trade, 1480–1650 David Woodward
STATE CONTEXTS OF RENAISSANCE MAPPING 31 • The Italian Map Trade, 1480–1650 David Woodward The story of the Italian map trade mirrors the trends in attended a lecture in Venice, he was listed among the au- general European economic history in the sixteenth cen- dience as “Franciscus Rosellus florentinus Cosmogra- tury, of which one major force was a shift from a Medi- phus.” Marino Sanuto also lauded him as a cosmographer terranean to an Atlantic economy. During the first part of in an epigram in his Diaries. Several important maps are the period covered by this chapter, from 1480 to 1570, known from his hand from at least the 1490s.3 But a re- the engravers, printers, and publishers of maps in Flor- cent study may put his cartographic activity back a decade ence, Rome, and Venice dominated the printed map earlier: Boorsch has surmised, on stylistic grounds, that trade. More maps were printed in Italy during that period than in any other country in Europe.1 After 1570, a pe- riod of stagnation set in, and the Venetian and Roman Abbreviations used in this chapter include: Newberry for the New- berry Library, Chicago. sellers could no longer compete with the trade in Antwerp 1. For a useful map comparing the centers of printed world map pro- and Amsterdam. This second period is characterized by duction in Europe in 1472–1600 with those in 1600 –1700, showing the reuse of copperplates that had been introduced in the the early dominance of the Italian states, see J. B. Harley, review of The sixteenth century. -
The Male Body and Adornment in Early Modern England
Bejewelled: the male body and adornment in early modern England Natasha Awais-Dean Submitted for the degree of PhD Queen Mary, University of London October 2012 1 Queen Mary, University of London The British Museum Bejewelled: the male body and adornment in early modern England This thesis investigates the significance of the jewellery that was worn, owned, and circulated by men within sixteenth- and early seventeenth-century England, to provide a social and historical context for objects that are often viewed in terms of their materiality. Within the period 1509-1625 male consumption of jewellery was just as great as female consumption, yet jewellery has traditionally been considered a feminine preoccupation. This thesis readdresses this imbalance and in doing so aligns itself with the growing studies on masculinity, community, and sociability. Traditionally, studies on jewellery have adopted a more chronological or stylistic approach but there is now evidence of movement towards providing a social context for these objects and this thesis is a part of this development. In the early modern period jewellery was not valued purely for its intrinsic monetary worth; it had the ability to reflect meanings of magnificence and lineage, as well as sustain social bonds and networks of reciprocity. The myriad meanings of a man’s jewelled possessions demonstrate that jewellery was important and therefore constituted a valid part of a society’s material culture. This thesis centres on the collections of early modern European jewellery within the department of Prehistory and Europe at the British Museum. It is interdisciplinary in nature and combines strong object analysis with evidence from documentary, literary, archival, and visual sources, to provide a new context for these holdings. -
Embodying a Sovereign—The Resident Ambassador in the Elizabethan Court, 1558-1560
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 12-2011 “I neither omit aught, nor have I omitted aught”: Embodying a Sovereign—The Resident Ambassador in the Elizabethan Court, 1558-1560 Sarah M. Gawronski Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History Commons Recommended Citation Gawronski, Sarah M., "“I neither omit aught, nor have I omitted aught”: Embodying a Sovereign—The Resident Ambassador in the Elizabethan Court, 1558-1560" (2011). All Graduate Theses and Dissertations. 1062. https://digitalcommons.usu.edu/etd/1062 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. “I NEITHER OMIT AUGHT, NOR HAVE I OMITTED AUGHT”: EMBODYING A SOVEREIGN—THE RESIDENT AMBASSADOR IN THE ELIZABETHAN COURT, 1558-1560 by Sarah M. Gawronski A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: _________________________ __________________________ Norman L. Jones Robert Cole Major Professor Committee Member _________________________ __________________________ Phebe Jensen Robert Mueller Committee Member Committee Member _________________________ Mark R. McLellan Vice President for Research and Dean of the School of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2011 ii Copyright © Sarah M. Gawronski All Rights Reserved iii ABSTRACT “I neither omit aught, nor have I omitted aught”: Embodying a Sovereign—The Resident Ambassador in the Elizabethan Court, 1558-1560 by Sarah M.