18 X 24 FB Graphic with 2012 Airinginfo..Indd

Total Page：16

File Type：pdf, Size：1020Kb

18 X 24 FB Graphic with 2012 Airinginfo..Indd

Reliving Our 25th Celebration MERLEFEST 2012 Presented by Window World 2020 Tune in Daily: 4/23 @1:00 p.m. 4/24, 4/25, 4/26 @ 9:30 a.m. Eastern(Eastern Standard Daylight TimeTime) THURSDAY FRIDAY The Deep Dark Woods Frutleland Jackson Jubal’s Kin Jonathan Scales Fourchestra Lost Bayou Ramblers Michael Roach Bluegrass Jam Camp Wylie & the Wild West The Boxcars The Local Boys Peter Rowan & The Free Mexican Airforce The Bill Young Tribute featuring The Banknotes Pete & Joan Wernick Donna the Buffalo with Jim Lauderdale Steep Canyon Rangers The Steel Wheels Patrick Simmons, Darrell Scott, & John Cowan Dailey & Vincent Chris Austin Songwriting Contest Winners Wylie Gustafson, Jim Lauderdale & Claire Lynch Bela’ Fleck & The Flecktones, the original lineup Vince Gill Instrument contest winners with Pete Wernick Sam Bush Stefan Grossman Los Lobos SATURDAY SUNDAY Johnson’s Crossroad The Benedict College Gospel Choir Jeffery Broussard & The Creole Cowboys Red June Fruteland Jackson Scythian Assembly of Dust Sierra Hull & Highway 111 Steve & Ruth Smith Marty Stuart & His Fabulous Superlatives Claire Lynch Band Dougie MacLean The Honeycutters Tony Rice Unit Alison Krauss & Union Station featuring The Kruger Brothers Jerry Douglas Snyder Family Band Tribute to Merle Doc Watson & Friends featuring Jack Lawrence, Bill Mathis, Tribute to Merle featuring Doc Watson, T. Michael T. Michael Coleman Coleman, Jack Lawerence, & Bill Mathis The Gibson Brothers Punch Brothers featuring Chris Thile The Greencards Tedeschi Trucks Band.

Copy Link

Recommended publications

Yucaipa Performing Arts Center Presents Sierra Hull
FOR IMMEDIATE RELEASE Jan. 14, 2020 Yucaipa Performing Arts Center Presents Sierra Hull Friday, Apr 17, 2020, 8PM | YPAC Indoor Theater General Admission: $35 | Student / Child / Military / Senior(55+): $20 | Group of 10 +: $30 12062 California St. Yucaipa, CA 92399 | 909.500.7714 | www.yucaipaperformingarts.org The Yucaipa Performing Arts Center is proud to host award-winning mandolinist, composer, and lyricist, Sierra Hull. Sierra Hull debuted at the Grand Ole Opry at age 10. At age 13, she signed with Rounder Records, issued her debut album, Secrets, and garnered the first of a near decade of nominations for Mandolin Player of the Year. Hull played at the Kennedy Center at age 16 and performed at the White House at age 20. By 2016, she tapped legendary Bluegrass musician Bela Fleck to produce her third album, Weighted Mind, which was nominated for a Grammy. Months later, she became the first woman to win the title of Mandolin Player of the Year -- which she has won two additional times -- from the International Bluegrass Music Association. Hull continues to guest with friends and legends, and has joined such icons as the Indigo Girls, Garth Brooks, and Gillian Welch; she has performed at the Country Music Awards with Brad Paisley, Marty Stuart, and Ricky Skaggs, who helped inspire her first album. This year, she releases her album 25 Trips. Once a child prodigy, Hull still applies her parents’ mantra: “Hard work, more than anything, will get you somewhere.” To purchase tickets, go to www.yucaipaperformingarts.org, call the box office at 909.500.7714 or visit 12062 California Street, Yucaipa, CA.
[Show full text]
Bluegrass Outlet Banjo Tab List Sale
ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On
[Show full text]
Béla Fleck & Abigail Washburn
BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee.
[Show full text]
Ron Block Hogan's House of Music Liner Notes Smartville (Ron Block
Ron Block Hogan’s House of Music Liner Notes Smartville (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Tim Crouch - fiddle Jerry Douglas - Dobro Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Hogan’s House of Boogie (Ron Block, Moonlight Canyon Publishing, BMI) Ron Block – banjo, rhythm and lead guitar Sam Bush - mandolin Jerry Douglas – Dobro Byron House - bass Dan Tyminski – rhythm guitar Lynn Williams – snare Wolves A-Howling (Traditional) Barry Bales - bass Ron Block - banjo Stuart Duncan - fiddle Adam Steffey - mandolin Dan Tyminski - rhythm guitar The Spotted Pony (Traditional, arr. Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Dan Tyminski - rhythm guitar Lynn Williams – snare Clinch Mountain Backstep (Ralph Stanley) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Clay Hess - rhythm guitar Adam Steffey – mandolin Gentle Annie (Stephen Foster) Ron Block – banjo, guitar Tim Crouch – fiddles, cello, bowed bass Mark Fain - bass Sierra Hull – octave mandolins Mooney Flat Road (Ron Block, Moonlight Canyon Publishing, BMI) Barry Bales - bass Ron Block - banjo, rhythm and lead guitar Stuart Duncan – fiddle Sierra Hull – octave mandolin Alison Krauss - fiddle Adam Steffey – mandolin Jeff Taylor - accordion Dan Tyminski - rhythm guitar Lynn Williams – snare Mollie
[Show full text]
Sunday.Sept.06.Overnight 261 Songs, 14.2 Hours, 1.62 GB
Page 1 of 8 ...sunday.Sept.06.Overnight 261 songs, 14.2 hours, 1.62 GB Name Time Album Artist 1 Go Now! 3:15 The Magniﬁcent Moodies The Moody Blues 2 Waiting To Derail 3:55 Strangers Almanac Whiskeytown 3 Copperhead Road 4:34 Shut Up And Die Like An Aviator Steve Earle And The Dukes 4 Crazy To Love You 3:06 Old Ideas Leonard Cohen 5 Willow Bend-Julie 0:23 6 Donations 3 w/id Julie 0:24 KSZN Broadcast Clips Julie 7 Wheels Of Love 2:44 Anthology Emmylou Harris 8 California Sunset 2:57 Old Ways Neil Young 9 Soul of Man 4:30 Ready for Confetti Robert Earl Keen 10 Speaking In Tongues 4:34 Slant 6 Mind Greg Brown 11 Soap Making-Julie 0:23 12 Volunteer 1 w/ID- Tony 1:20 KSZN Broadcast Clips 13 Quittin' Time 3:55 State Of The Heart Mary Chapin Carpenter 14 Thank You 2:51 Bonnie Raitt Bonnie Raitt 15 Bootleg 3:02 Bayou Country (Limited Edition) Creedence Clearwater Revival 16 Man In Need 3:36 Shoot Out the Lights Richard & Linda Thompson 17 Semicolon Project-Frenaudo 0:44 18 Let Him Fly 3:08 Fly Dixie Chicks 19 A River for Him 5:07 Bluebird Emmylou Harris 20 Desperadoes Waiting For A Train 4:19 Other Voices, Too (A Trip Back To… Nanci Grifﬁth 21 uw niles radio long w legal id 0:32 KSZN Broadcast Clips 22 Cold, Cold Heart 5:09 Timeless: Hank Williams Tribute Lucinda Williams 23 Why Do You Have to Torture Me? 2:37 Swingin' West Big Sandy & His Fly-Rite Boys 24 Madmax 3:32 Acoustic Swing David Grisman 25 Grand Canyon Trust-Terry 0:38 26 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 27 Happiness 3:55 So Long So Wrong Alison Krauss & Union Station
[Show full text]
Clawhammer Illuminations What Would THESE Guys Do? Five High-Profile Progressive Clawhammer Artists Answer
Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Clawhammer Illuminations What would THESE guys do? Five high-profile progressive clawhammer artists answer common questions concerning the banjo Online banjo forums are filled with all sorts of questions from players interested in instrument choices, banjo set up, personal playing styles, technique, etc. As valuable as these forums might be, they can also be confusing for players trying to navigate advice posted from banjoists who's playing experience might range from a few weeks to literally decades. It was these forum discussions that started me thinking about how nice it would to have access to a collection of banjo related questions that were answered by some of the most respected "progressive" clawhammer banjoists performing today. I am very excited about this project as I don't believe any comprehensive collection of this nature has been published before… Mike Iverson 1 © 2013 by Mikel D. Iverson Background Information: Can you describe what it is about your personal style of play that sets you apart from other clawhammer banjoists? What recording have you made that best showcases this difference? Michael Miles: As musicians, I believe we are the sum of what he have heard. So the more you listen, the richer you get. My personal musical style on the banjo is in great part rooted in Doc Watson and JS Bach. Through Doc Watson, I learned about the phrasing of traditional music. Through Bach, I learned the majesty and reach of all music.
[Show full text]
Official Sponsor Package
Valid through April 30, 2007 IEG Valuation® Statement 15 MerleFest Official Sponsor - 2007 Contents Description of Property 2 IEG Valuation Service ™ 3 Valuation Methodology 3 Tangible Benefits 4 Notes to Tangible Benefits 5 Intangible Ranking 7 Deal Terms 9 Geographic Reach and Impact 9 Cost/Benefit Ratio 9 Fair Market Value 10 Chart A: Five-Year Attendance History 11 Chart B: Attendees by Gender 11 Chart C: Attendees by Annual Household Income 11 Chart D: Attendees by Age 11 Chart E: 2007 MerleFest Sponsors 12 Chart F: Sponsor Renewal Rate 12 Chart G: Scope of Exclusivity 12 Chart H: Summary of 2007 MerleFest Sponsorship 12 Packages Verification Documents Received 12 Certification 13 © 2006 IEG, Inc. All Rights Reserved. Page 1 of 13 Valid through April 30, 2007 ® IEG Valuation Service IEG Valuation Statement IEG, Inc. 640 North LaSalle, Suite 600 Chicago, Illinois 60610-3777 U.S.A. Tel: 312/944-1727 Fax: 312/944-1897 e-mail: [email protected] Web site: www.sponsorship.com 1 Art Menius MerleFest Sponsorship and National Marketing Coordinator MerleFest Official Sponsor - 2007 P.O. Box 120 Wilkesboro, NC 28697 Tel: 919.542.3997 Fax: 240.250.7229 e-mail: [email protected] Web site: www.merlefest.org Description of Property Established in 1988 to celebrate the music and life of Merle Watson, MerleFest (the 2 "Festival") is a four-day Americana music festival held annually at the Wilkes Community College campus in Wilkesboro, North Carolina. MerleFest offers a generation- and genre- crossing mix of traditional and contemporary roots music, bringing together the best bluegrass, contemporary acoustic, blues, folk, old-time, Cajun, jazz and signer-songwriter artists.
[Show full text]
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
[Show full text]
Jan/Feb/Mar 2017 Winter Express Issue
Vol. 37 No. 1 INSIDE THIS ISSUE! Jan, Feb, Mar A conversation with Ellie Hakanson, Classical Vocal Techniques, Concert 2017 Reviews and more… $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org A Conversation With Ellie Hakanson By Jeff Wold hen it comes to exports, played in a band with Tristan Oregon is all over the map Scroggins (Jeff’s son) when Wwith a wide variety of Tristan was 14. So Sam was in incredible items we produce. Athletic Tristan’s first band and we were shoes, multi-tools, rail cars, timber just hanging out all weekend, the products, world-renowned wine, beer, three of us and in larger groups. whiskey and bluegrass musicians. I jammed with the whole band for several hours and clicked Wait … bluegrass musicians? really well. There’s a video on YouTub e 1 of us playing twin Yep, especially fiddlers. fiddles on Roanoke − me and Sam, with Jeff and Greg and Alex Hargreaves and his sister Tatiana, all of those guys. Later that Yonder Mountain mandolin whiz Jake summer they asked me to play a Jolliff and the newest young performer to few gigs, and then I played more hit the ground running, Ellie Hakanson, with them until eventually I was Ellie Hakanson who has become the regular fiddler with playing full time. the bluegrass band “Jeff Scroggins and coast, right before the Red, White, and Colorado.” Jeff: You left a regular job and career to go Bluegrass festival last summer around the on the road, as I gather. Fourth of July. I had been hearing about It only took a planetary alignment, the Station Inn for years.
[Show full text]
Sewanee Purple, 1998-2000
etoanee purple SEWANEE, TENNESSEE "OaobeT23, 1998 Vol. CLXXVIH No. 4 Sewanee remembers Anita Goodstein this summer The influential civil rights leader and honored Sewanee professor passed away by Kelly Smilh, News Edilor Knoxville and Ib.in ( Klein ol just before her death el delivery how wc rial but the fj Sewanee • j sity, she married Marvin Goodstein. and tour grandchil "I hope stays alway Goodstein is survived by her bus Portland, Oregon, students and bow we gel them in- Bits than just a who was a Cornell Ph.D. in econom- the liberal society, more " bind .ind two children. S.ir.ih HovU dren volved in what they re doing classroom or school, but a liberal arts ics The couple moved to Sewanee in She developed new academic society where so 1955 when Mr including American Intellec- much can be ap- Goodstein was ap- courses and Social History, Indians and preciated," said pointed to teach in the tual Blacks in America, and Women in Anita Goodstein economics depart- Anita History. "I try to help students to see at the beginning ment began that history is exciting," Goodstein of the Campaign Goodstein !•> with the Uni- said. Ii concerned human for Sewanee teaching at versityoftheSouthin experience, and the> need to be con- "It's a humane bacme cerned with human experience as society thai 1963 and later they're trying to grow up." Goodstein draws people to- chail of the history de- was concerned with human experience gether around partment and a faculty not only in the classroom, but also in things that are trustee.
[Show full text]
Ronald Dean Rice- Audiophile, Musician & Engineer
Ronald Dean Rice- Audiophile, Musician & Engineer Anyone who thought there were only three Rice Brothers is encouraged to study bluegrass history. Ron Rice grew up playing acoustic bass and performing with his three brothers, Larry, Tony and Wyatt. He’s the third youngest of the four and is now retired from a long career in power generation. While proud of the family’s musical heritage and impact, Rice is a highly talented, yet modest man who has created his own path. Currently living with his wife Terry in Falls Church, VA, his story is an important piece of bluegrass music history. Rice was born in Lynwood, California on February 22, 1955 to Herbert H. and Dorothy L. Rice, with his namesakes being Reagan and Martin. The Rice family resided in the suburbs of Los Angeles until the summer of ’65 then moved considerably along the east coast, as Dad Herb was in construction. Rice started playing the bass at age six with his brothers Larry playing mandolin, Tony playing guitar and Andy Evans playing banjo. This band was known as the Haphazards. Rice notes, “We played a lot of local bluegrass gigs around the Los Angeles area, amusement parks, auditoriums, coffee houses and pizza parlors. Other shows we played in the early sixties were more folk related, back in the Hootenanny days. I remember being back stage with and playing on the same bill as Peter, Paul and Mary, the Kingston Trio, and the Stoneman Family just to mention a few.” Rounder Records-The Rice Brothers 1 (1989) and The Rice Brothers 2 (1994) Rice recalls that the exact origin of the first Rice Brothers project remains something of a mystery.
[Show full text]
Can Milwaukee Festivals Compete?
Arts and Entertainment Summer 2010 _________________ Donna the Buffalo’s Tara Nevins, left, and Woody Platt of Steep Canyon Rangers, both have played in Milwaukee, but are local festivals too big to showcase quality? Photos by Geoff Davidian Smaller venues offer sober, cleaner, family-friendly chance to see popular acts By GEOFF DAVIDIAN ILKESBORO, North Carolina – It was Sunday morning and Dan Fedoryka looked every bit a Baptist preacher in his white suit as he stepped out of the Church Bus, walked a hundred or so yards over a worn path and mounted the raised platform where he would perform a ritual that has become familiar in this Appalachian community. The sun was shining and it was already in the 80s when the 30-year-old former student at a Ukrainian seminary slipped off his jacket, folded it and placed it neatly on the back of a chair, rolled up his sleeves and turned to the energetic congregation. Then Fedoryka strapped on his guitar and jumped over some speakers to join his brother Alexander, childhood friend Josef Crosby and Mike Ounallah as the band Scythian jumped right into its third performance in two days at MerleFest, the annual gathering in Wilkesboro, NC, to worship and be baptized in quintessential American music. MerleFest began 22 years ago as a celebration of traditional American folk and bluegrass music but after more than two decades, it has opened its arms to a broader slice of regional and national talent. The event, dedicated to the memory of Eddy Merle Watson and to raise money for the Wilkes Community College, was held this year from April 28 to May 1 on the college campus.
[Show full text]