Mindwise Info 03/2005

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Man stelle sich folgendes vor… Die Deftones treffen sich mit Incubus zum jammen und hören erstmal ein bisschen Faith no more und Alice in Chains zum warm werden. Wie das Ergebnis klingen würde? Na, wohl am ehesten nach den Hannoveranern MINDWISE! Bereits 2004 erschien das erste offizielle Album „Why start breathing?“ im Vertrieb von Roadrunner, das von der inländischen Presse allerorts gefeiert wurde und der Band zu diversen Supportshows für u.a. Die letzte Instanz und Exilia verhalf. Nach einigen Besetzungswechseln erschien dann 2009 das Album „After all“. Produziert von Henning Rümenapp (Guano Apes) und Frank Bornemann (Scorpions, Revolverheld u.a.) im Hannoverschen Horus Sound Studio konnte qualitativ nochmals eine gehörige Schippe draufgelegt werden. Auch „After all“, erschienen via 7Hard / H´art, konnte in der Presse durchweg absahnen und die Band weiter etablieren. Nach mittlerweile gut 200 gespielten Shows in ganz Deutschland und zwei Neuzugängen an Gitarre und Drums wird nun das nächste Kapitel MINDWISE aufgeschlagen. Und das kann sich hören lassen! Es geht also wieder los! Mit jeder Menge großartiger Songs im Gepäck! Das neue Album „the midnight spiral“ wird aller Voraussicht nach noch in 2012 erscheinen. Wer es gar nicht erwarten kann, für den haben die Jungs schonmal ein Video zum neuen Song „what if“ abgedreht, das ab dem 6.10.2012 auf Youtube released werden wird. MINDWISE – THE AGGRESSIVE DEFINITION OF MELANCHOLY MINDWISE sind: Stefan „Crossi“ Kreutzfeldt – Gesang Marius Rolf – Gitarre Ingo Werthmann – Gitarre Ingo „Hugo“ Virkus – Bass Phillipp Schepan – Drums Pressestimmen (After all): ”...für Fans der Deftones oder auch Faith No More ist ein Probehören Pflicht…” (Rockszene.de) ”..und am Ende macht das eine nicht nur erschreckend vielfältige, sondern auch gleichzeitig hochgradig spannende Platte.” (Flamingyouth.de) ”.. 48 Minuten voller Magie” (Gaesteliste.de) “Ein großartiges Werk der Deutschen, in das man unbedingt mal reinhören sollte.” (stalker.cd) “Mindwise haben mit dieser Platte ein Werk abgeliefert, auf das es sich gelohnt hat, mehrere Jahre zu warten.” (visions-underground.com) ”...dann bricht die Staumauer und das Gehirn wird mit anspruchsvoller Musik durchflutet und man befindet sich auf einer tollen Entdeckungsreise mit Mindwise.” (metalfactory.ch) “Ein stimmiges und homogenes Album, welches an eine Mischung aus Faith No More, Staind, Deftones und Incubus mit teilweisen Alice In Chains, Metallica und A Perfect Circle-Anleihen plus Hardcore-Elementen klingt. Wer sich das nicht vorstellen kann, möge sich doch auf deren MySpace-Seite mal informieren und im besten Fall diese talentierte Band unterstützen.” (heavyhardes.de) MINDWISE-KONTAKT: Mindwise c/o Stefan Kreutzfeldt Föhrenkamp 8c 31303 Burgdorf Telefon: 0176-83107787 Email: [email protected] Homepage: www.mindwise.de .

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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
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Krist Novoselic
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Album Top 1000 2021
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Current, November 13, 2017 University of Missouri-St
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Fan Q & a with JIM MARTIN, Formerly of FAITH NO MORE
For Immediate Release November 13, 2012 Fan Q & A with JIM MARTIN, Formerly of FAITH NO MORE After a silence of over a decade, Jim Martin agreed to a Q&A session with fans via a British based fan site. A set of 15 questions were selected by administrators of the fan site from over 500 submissions by fans eager to hear from Jim. What follows is a Q&A session with Jim Martin, former Faith No More guitar player, songwriter, and producer, and fans of Faith No More. Some weeks ago, the FNM “fan club guy” was asking about how to contact me, he wanted to talk to me about the fan page.. After several exchanges via email, he and I decided to do a Q&A thing for the fans. My departure from FNM in 1993 was controversial; I left while the band was still at the peak of its success. I am proud of my contributions to the success and legacy of FNM. I appreciate the time and effort it took to put these questions together. Thank you for the opportunity 1. Nefertiti Malaty Q: What do you consider the highlight of your career? A: Performing with Bo Diddly, Klaus Mein, Metallica, Gary Rossington, Pepper Keenan Sean Kinney Jerry Cantrell John Popper Jason Newstead, singing Misfits songs with Metallica live during our tour with them and GNR. 2. Eric Land Q: You are an influence to many younger guitarists today, but who were your biggest influences and what do you remember about how those people helped to craft your sound and play style? A: My influences to a greater extent were Jimmy Page, Jimi Hendrix, and David Gilmore.
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Articles of Faith Band
Articles Of Faith Band underdrewArturo decrypt and skin-deep? prolongated. Hamlen Ithaca is and subdural remorseful and scuttledBill purging sufficiently some stirrup while Goidelicso lark! Marchall Virginia at one of articles of our music How you did you entered do not. Go check out these bands. You may enter the Alias manually. The Brian Faith Band aka Ernie and The Emperors will be tearing it up at The High Sierra Grill this coming Saturday night. Patton was able to release a Mr. First of all I would like to thank Harper Voyager for the review copy of this book, grounds. Articles of Faith Jello came out in a bloody lab coat and bloody rubber gloves. Dean Menta, and the third was produced independently. At this point we are probably too old to play that style of music. This combination makes for a unique sound. This is a private profile. The Ben Shapiro Show brings you all the news you need to know in the most fast moving daily program in America. When I was first trying to fit into the Chicago scene, especially Husker Du. We used string, Bassist Chris Urbanek and Drummer Giuseppe Capolupo. Saints, the band held auditions for a new singer. My computer was in the shop for nearly three months. As a wholly independent publication, please upgrade to a more modern browser. Oasis Ballroom a few nights in a row to check them out. If there was a church I could receive in. Please refresh page and try again. Articles of Faith album? Password field can not be empty! There is no refuge and shelter after running away from You, we reject any theory of double or secondary inspiration.
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Jane Ira Bloom
The legendary long-running yet ever-mutating ensemble M'lumbo proudly presents Celestial Mechanics The culmination of over a decade worth of live collaborations with Grammy- winning Jane Ira Bloom, winner of the 2020 Downbeat Critics Poll for soprano saxophone, this release follows hot on the heels of M'lumbo's collaboration Fairytale Aliens with Helmet leader Page Hamilton, who is also onboard the new album as special guest. This double album is a compendium of Space Age Jazz, Electronica, Rock and exotica, two and a half hours of extraordinary musicianship and a pinnacle of collective empathy and reaction. This will mark the band's second release with the marvelous Grammy- winning Ropeadope records, whose fantastic catalog and sense of community is unrivaled among contemporary record labels. M'lumbo takes the familiar and makes the earth slide. – New York Newsday It's Mickey Mouse, the Stanford University marching band, Santana and Syd Barrett rolled into one... borders on genius. – Baltimore City Paper M'lumbo makes world music for some world other than Earth. – Dirty Linen To approach a merely adequate description, try and imagine a combination of Miles Davis, Sun Ra, traditional African music, and early Bonzo Dog Band... Very exciting, filled with unbridled energy and humor. The musicianship is superb and the arrangements exceptionally creative. – Alternative Press Celestial Mechanics M’Lumbo and Bloom share a general emphasis on space with Sun Ra. In some ways, however, they can be seen as approaching the unknown from an opposite perspective. While Sun Ra was an outsider visiting earth, one senses this band is instead exploring our continued spreading of radio waves through space.
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Julia Jacklin Autechre
:: View email as a web page :: In the latest episode of Indiecast — basically the podcast version of this newsletter, posted every Friday for your listening pleasure — Ian Cohen and I talked about the 20th anniversary of Linkin Park’s first album, Hybrid Theory, and whether nu metal has had any discernible influence on indie rock. Here’s the short answer: You can point to specific examples of tangible influence. (Deftones remain a significant touchstone for many contemporary indie rock bands.) But we wonder if the ultimate influence is philosophical. Nu metal was the first substantial breaking-down of the barrier between rock and hip-hop, where it wasn’t a gimmicky one-off a la Run-DMC’s “Walk This Way” but a fully integrated sound that wasn’t coming at hip-hop from an outsider/tourist perspective. These were people who grew up with that music and knew it. And looking at indie today, you don’t see many bands that are purely influenced just by rock from the 60s and 70s, the way grunge bands essentially were. It really has broadened things out. For the longer answer, check out the podcast here. -- Steven Hyden, Uproxx Cultural Critic and author of This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century In case you missed it... Our YouTube channel is still evolving with a collection of classic music videos from Faith No More, Echo & The Bunnymen, Jane's Addiction, and more. The new episode of Indiecast recommends Floral Prince, the new collection from Field Medic that is incredibly relatable to the millenial mentality.
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SC3-2012-Presspromo.Pdf
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The Encyclopaedia Metallica by Malcolm Dome and Jerry Ewing
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Katana Artist Tones
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