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BODACC-B 20090176 0001 P000.Pdf
o Quarante-troisième année. – N 176 B ISSN 0298-2978 Samedi 12 et dimanche 13 septembre 2009 BODACCBULLETIN OFFICIEL DES ANNONCES CIVILES ET COMMERCIALES ANNEXÉ AU JOURNAL OFFICIEL DE LA RÉPUBLIQUE FRANÇAISE Standard......................................... 01-40-58-75-00 DIRECTION DES JOURNAUX OFFICIELS Annonces....................................... 01-40-58-77-56 Renseignements documentaires 01-40-58-79-79 26, rue Desaix, 75727 PARIS CEDEX 15 Abonnements................................. 01-40-58-79-20 www.journal-officiel.gouv.fr (8h30à 12h30) www.bodacc.fr Télécopie........................................ 01-40-58-77-57 BODACC “B” Modifications diverses - Radiations Avis aux lecteurs Les autres catégories d’insertions sont publiées dans deux autres éditions séparées selon la répartition suivante Ventes et cessions .......................................... Créations d’établissements ............................ @ Procédures collectives .................................... ! BODACC “A” Procédures de rétablissement personnel .... Avis relatifs aux successions ......................... * Avis de dépôt des comptes des sociétés .... BODACC “C” Banque de données BODACC servie par les sociétés : Altares-D&B, EDD, Extelia, Questel, Tessi Informatique, Jurismedia, Pouey International, Scores et Décisions, Les Echos, Creditsafe, Coface services, Cartegie, La Base Marketing, Infolegale, France Telecom Orange et Telino. Conformément à l’article 4 de l’arrêté du 17 mai 1984 relatif à la constitution et à la commercialisation d’une banque de données télématique des informations contenues dans le BODACC, le droit d’accès prévu par la loi no 78-17 du 6 janvier 1978 s’exerce auprès de la Direction des Journaux officiels. Le numéro : 2,50 € Abonnement. − Un an (arrêté du 21 novembre 2008 publié au Journal officiel du 27 novembre 2008) : France : 367,70 €. Pour l’expédition par voie aérienne (outre-mer) ou pour l’étranger : paiement d’un supplément modulé selon la zone de destination ; tarif sur demande Paiement à réception de facture. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Destination Eurovision Que France 2 Programmera En Prime Pendant Plusieurs Semaines
EUROVISION 2018 1 EUROVISION 2018 RENDEZ-VOUS POUR UNE 63ÈME SAISON EXCEPTIONNELLE ! « TOUS A BORD » POUR L’EUROVISION 2018 ! Suite à la victoire écrasante de Salvador Sobral en mai dernier, c’est à Lisbonne, sur la scène de l’Altice Arena, que sera organisée l’édition 2018 du grand concours européen de la chanson. La France sera évidemment de la partie avec un artiste et une chanson qui seront cette année choisis par le public via le talent show inédit Destination Eurovision que France 2 programmera en prime pendant plusieurs semaines. Deux chaines couvriront l’événement en direct : France 4 diffusera les demi-finales tandis que France 2 diffusera la finale. Soutenez la France et découvrez le gagnant de l’Eurovision 2018 ! 2 3 EUROVISION 2018 UN ÉVÉNEMENT FÉDÉRATEUR DEPUIS PLUSIEURS DÉCENNIES L’Eurovision est le divertissement le plus regardé au monde En 2017, l’Eurovision a été retransmis à travers 47 pays, ainsi que sur Youtube en direct 23 millions d’euros : c’est le budget prévus pour l’organisation du Concours 2018 + 1 500 chansons ont été interprétées à l’Eurovision depuis sa création Source : 4 EUROVISION 2018 TOUS A BORD ! 63ème Édition Du 8 au 12 mai 2018 43 pays représentés Altice Arena : le stade de 20 000 places accueillera le Concours européen de la chanson 5 EUROVISION 2018 UN SHOW PUISSANT A TRAVERS LE MONDE +182 millions de téléspectateurs à travers le monde en 2017* + 8,5 millions de vues en replay à travers le monde 25% de part d’audience en France (+4,7M de téléspectateurs) 98% de part d’audience en Islande (150 000 téléspectateurs) 64% de part d’audience aux Pays-Bas (+4M téléspectateurs) 33% de part d’audience au Portugal (+1,4M de téléspectateurs) Source : *Cumulé sur les 3 émissions dans les 42 pays ayant participés à l’émission. -
Tiina Rosenberg
Don ’t be Quiet TIINA ROSENBERG , Don’ ,t be Quiet ESSAYS ON FEMINISM AND PERFORMANCE Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance Tiina Rosenberg Published by Stockholm University Press Stockholm University SE-106 91 Stockholm, Sweden www.stockholmuniversitypress.se Text © Tiina Rosenberg 2016 License CC-BY ORCID: Tiina Rosenberg: 0000-0002-7012-2543 Supporting Agency (funding): The Swedish Research Council First published 2016 Cover Illustration: Le nozze di Figaro (W.A. Mozart). Johanna Rudström (Cherubino) and Susanna Stern (Countess Almaviva), Royal Opera, Stockholm, 2015. Photographer: Mats Bäcker. Cover designed by Karl Edqvist, SUP Stockholm Studies in Culture and Aesthetics (Online) ISSN: 2002-3227 ISBN (Paperback): 978-91-7635-023-2 ISBN (PDF): 978-91-7635-020-1 ISBN (EPUB): 978-91-7635-021-8 ISBN (Kindle): 978-91-7635-022-5 DOI: http://dx.doi.org/10.16993/baf This work is licensed under the Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit creativecommons.org/licenses/ by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying any part of the work for personal and commercial use, providing author attribution is clearly stated. Suggested citation: Rosenberg, Tiina 2016 Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance. Stockholm: Stockholm University Press. DOI: http://dx.doi. org/10.16993/baf. License CC-BY 4.0 To read the free, open access version of this book online, visit http://dx.doi.org/10.16993/baf or scan this QR code with your mobile device. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Global Forum on Competition 2009
Global Forum on Competition – Volume 2 2009 This publication includes the documentation presented at the eighth Global Forum on Competition held in Paris in February 2009. The programme of the Forum included four main sessions on Competition Policy, Industrial Policy and National Champions, Competition Policy and the Informal Economy, the Challenges Faced by Young Competition Authorities, and the Role of Competition Authorities in the Response to Economic Crisis (Food Prices and Supply, Energy Prices, Market Crises). Competition Policy, Industrial Policy and National Champions (2009) Competition Policy and the Informal Economy (2009) The Interface between Competition and Consumer Policies (2008) Competition Policy and Concessions (2007) Concessions (2006) Peer Review of Chinese Taipei (2006) Prosecuting Cartels without Direct Evidence of Agreement (2006) OECD Global Forum on Competition Eighth Meeting 19-20 February 2009 Volume 2 Sessions I-II OECD GLOBAL FORUM ON COMPETITION Eighth Meeting 19 - 20 FEBRUARY 2009 COUNTRY CONTRIBUTIONS SESSIONS 1 AND 2 TABLE OF CONTENTS SESSION I COMPETITION POLICY, INDUSTRIAL POLICY AND NATIONAL CHAMPIONS Call for Contributions DAF/COMP/GF/WD(2008)15 Appel à contributions DAF/COMP/GF/WD(2008)15 Written Contributions Brazil DAF/COMP/GF/WD(2009)15 Canada DAF/COMP/GF/WD(2009)32 China DAF/COMP/GF/WD(2009)11 European Commission DAF/COMP/GF/WD(2009)19 France DAF/COMP/GF/WD(2009)20 Germany DAF/COMP/GF/WD(2009)23 Japan DAF/COMP/GF/WD(2009)25 Korea DAF/COMP/GF/WD(2009)26 Lithuania DAF/COMP/GF/WD(2009)13 Malta DAF/COMP/GF/WD(2009)27 Norway DAF/COMP/GF/WD(2009)29 Papua New Guinea DAF/COMP/GF/WD(2009)30 Russian Federation DAF/COMP/GF/WD(2009)31 Slovenia DAF/COMP/GF/WD(2009)33 South Africa DAF/COMP/GF/WD(2009)12 Switzerland DAF/COMP/GF/WD(2009)34 Chinese Taipei DAF/COMP/GF/WD(2009)35 Ukraine DAF/COMP/GF/WD(2008)51 United States DAF/COMP/GF/WD(2009)37 Uzbekistan DAF/COMP/GF/WD(2009)17 Mr. -
Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS .................................................................................... -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
Fre 121 Course Material
FRE 121: FRENCH GRAMMAR 1 NATIONAL OPEN UNIVERSITY OF NIGERIA SCHOOL OF ARTS AND SOCIAL SCIENCES COURSE CODE: FRE 121 COURSE TITLE: FRENCH GRAMMAR I COURSE GUIDE FRE 107 COURSE GUIDE FRE 121 FRENCH GRAMMAR I COURSE DEVELOPER LUCY JUMMAI JIBRIN SCHOOL OF ARTS AND SOCIAL SCIENCES NATIONAL OPEN UNIVERSITY OF NIGERIA LAGOS . UNIT WRITER LUCY JUMMAI JIBRIN SCHOOL OF ARTS AND SOCIAL SCIENCES NATIONAL OPEN UNIVERSITY OF NIGERIA LAGOS . COURSE EDITOR DR. OLU AKEUSOLA FRENCH DEPARTMENT ADENIRAN OGUNSANYA COLLEGE OF EDUCATION OTTO / IJANIKAN LAGOS . COURSE COORDINATOR LUCY JUMMAI JIBRIN NATIONAL OPEN UNIVERSITY OF NIGERIA LAGOS . ii COURSE GUIDE FRE 107 NATIONAL OPEN UNIVERSITY OF NIGERIA NATIONAL OPEN UNIVERSITY OF NIGERIA HEADQUARTERS 14/16 AHMADU BELLO WAY VICTORIA ISLAND LAGOS ABUJA ANNEX 245 SAMUEL ADESUJO ADEMULEGUN STREET CENTRAL BUSINESS DISTRICT OPPOSITE AREWA SUITES ABUJA E-MAIL : CENTRALINFO @NOU .EDU .NG URL: WWW .NOU .EDU .NG NATIONAL OPEN UNIVERSITY OF NIGERIA 2006 FIRST PRINTED 2006 ISBN: 978-058-519-2 ALL RIGHTS RESERVED PRINTED BY …………….. FOR NATIONAL OPEN UNIVERSITY OF NIGERIA iii COURSE GUIDE FRE 107 TABLE OF CONTENTS PAGE INTRODUCTION ...................................................................... 1 COURSE OBJECTIVES .............................................................. 1 - 2 WORKING THROUGH THIS COURSE ............................................. 2 COURSE MATERIALS ................................................................ 2 STUDY UNITS ....................................................................... -
Does Winning Eurovision Impact a Country's Economy? Kendall Bard University of Tennessee, Knoxville, [email protected]
University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange University of Tennessee Honors Thesis Projects University of Tennessee Honors Program 5-2018 Does Winning Eurovision Impact a Country's Economy? Kendall Bard University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Economics Commons Recommended Citation Bard, Kendall, "Does Winning Eurovision Impact a Country's Economy?" (2018). University of Tennessee Honors Thesis Projects. https://trace.tennessee.edu/utk_chanhonoproj/2160 This Dissertation/Thesis is brought to you for free and open access by the University of Tennessee Honors Program at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in University of Tennessee Honors Thesis Projects by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Does Winning Eurovision Impact a Country’s Economy? Kendall Bard Advisor: Dr. Holladay Global Leadership Scholars, Class of 2018 Bard 2 Table of Contents Introduction ............................................................................................................... 3 Contest History and Participants ............................................................................... 6 Voting and Entries .................................................................................................... 9 Win and Host History ............................................................................................ -
Kuwaittimes 29-1-2019.Qxp Layout 1
JAMADA ALAWWAL 23, 1440 AH TUESDAY, JANUARY 29, 2019 28 Pages Max 27º Min 16º 150 Fils Established 1961 ISSUE NO: 17745 The First Daily in the Arabian Gulf www.kuwaittimes.net Kuwait celebrates thirteenth Kamala Harris launches White ‘Black Panther’ scores big win Clinical Japan stun Iran 39anniversary of Amir’s reign House bid in US ‘under attack’ 20 at Screen Actors Guild Awards 28 to reach Asian Cup final Heavy trucks brazenly flout driving ban on main roads Court orders MoI to pay compensation over vehicle impoundment By Nawara Fattahova and A Saleh from 5:00 pm to 10:00 pm. This means that no heavy trucks should be on the MP sentenced KUWAIT: Although the traffic law bans Third and Fourth Ring Roads and other heavy trucks, trailers and other heavy inner ring roads or any other highways, vehicles from driving on main and side roads or byways during the abovemen- to 7 years for roads till the Seventh Ring Road during tioned times. certain times of the day, motorists have The truck ban is also on these other ‘tricking’ wife noticed many such trucks on the streets main highways: From the intersection of during the ban periods. Their woes have Fahaheel Expressway starting from the KUWAIT: The appeals been compounded since Arab schools Sixth Ring Road (Masayel intersection) all court yesterday sentenced and Kuwait University colleges the way to Sulaibiya Road and Sabah Al- opposition MP Waleed Al- reopened on Sunday, leading to heavy Nasser Bridge (Kabd Road). Also Tabtabaei to seven years in gridlock on most roads and highways.