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Television Entertainment a TWO PART CAT SERIES
Television Entertainment A TWO PART CAT SERIES CAT Web site: sirinc2.org/a16cat/ Television Entertainment Twopart presentation series: • Broadcast vs. Internet Television (Streaming) – Sept. 17 • Smart TV’s and Streaming Devices • Streaming Sites • Finding Programs to Watch Television Viewing Options 3 Basic ways to get video content: • Service provider (Xfinity, AT&T, Wave, etc.) • Streaming apps on your Smart TV • Streaming apps via external streaming device Television Service Provider (Xfinity, AT&T, etc.) “Cut-the-Cord” Streaming App Television Smart TV or Ext. Streaming Streaming App Internet Service Device Streaming App Internet Streaming Smart TV’s • Primary purpose of any TV is to display video content • Smart TV’s are “Smart” because they have apps to access a variety of additional media services • Almost all newer TV’s are Smart TV’s (some “smarter” than others) • Newer TV’s are rapidly getting “Smarter” • Depending on the age of your TV and/or needs, you may want to purchase a external streaming device Article Link to: What is a Smart TV? https://www.digitaltrends.com/hometheater/whatisasmarttv/ Should I get a streaming device if I already have a Smart TV? Advantages of streaming device over Smart TV apps: • Get access to more streaming services (?) (Some Smart TV’s now have app stores) • A more userfriendly interface and search system • Easier to navigate between app • Search all apps at once • Faster response (?) • A way to make old TV’s “Smart” (or Smarter) What can you do with a streaming device? • Access over 500k movies & TV shows via Hulu, Netflix, STARZ, SHOWTIME, HBO Max, Prime Video, etc. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Caroline-Study-Companion.Pdf
The Jefferson Performing Arts Society Presents 1118 Clearview Parkway Metairie, LA 70001 504-885-2000 www.jpas.org 1 | P a g e Table of Contents Teacher’s Notes………………………..……………….………..……..3 Standards and Benchmarks…………………………....……….…..6 Background…………………………………….………….….……..……7 Family Portraits………………………………………..……….……..80 Children Who Changed the World, 1963…….………….…..101 Children Who Changed the World, 2017.……………….…..125 Reflections on Monuments…………….………….…..…………149 Monuments: Context and Creation……………….……………167 Set Design, Area, Perimeter and Circumference….………179 Additional Resources……………………………….…..….……...213 2 | P a g e Teacher’s Notes Book and Lyrics by Tony Kushner Music by Jeanine Tesori Produced in collaboration with the Loyola University Department of Theatre Arts Directed by Dr. Laura Hope Musical Director Donna Clavijo Set in 1963 Louisiana, a provocative story of political change, social change… and pocket change. In 1963, the Gellman family and their African-American maid, Caroline Thibodeaux, live in sleepy Lake Charles, Louisiana. Caroline is drifting through life as a single mother of four working in a service job to a white family. A fragile, yet beautiful friendship develops between the young Gellman son, Noah, and Caroline. Noah’s stepmother, Rose, unable to give Caroline a raise, tells Caroline that she may keep the money that Noah leaves in his pockets. Caroline balks and refuses to take money from a child but her own children desperately need food, clothing and shoes. Outside of the laundry room, some of the greatest social advancements that the country has seen are being set in motion, and change is knocking on the door. “Caroline or Change” offers opportunities for connection. Two Louisiana families, the Gellman family and the Thibodeaux family are the “Everyman,” average, ordinary people moving through the day-to-day moments of their lives. -
Chicken Soup for the Soul Entertainment Inc. (Exact Name of Registrant As Specified in Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 ______________ FORM 8-K CURRENT REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of Report (Date of earliest event reported): August 28, 2019 Chicken Soup for the Soul Entertainment Inc. (Exact Name of Registrant as Specified in Charter) Delaware 001-38125 81- 2560811 (State or Other Jurisdiction (Commission (IRS Employer of Incorporation) File Number) Identification No.) 132 E. Putnam Avenue, Floor 2W, Cos Cob, CT 06807 (Address of Principal Executive Offices) (Zip Code) Registrant’s telephone number, including area code: (203) 861-4000 N/A (Former Name or Former Address, if Changed Since Last Report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of Holdco under any of the following provisions (see General Instruction A.2. below): ☐ Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) ☐ Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) ☐ Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) ☐ Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e 4(c)) Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter). Emerging growth company ☒ If an emerging growth company, indicate by check mark if the registrant has elected not to use the extended transition period for complying with any new or revised financial accounting standards provided pursuant to Section 13(a) of the Exchange Act. -
Privacy of Streaming Apps and Devices
2021 PRIVACY OF STREAMING APPS AND DEVICES: WATCHING TV THAT WATCHES US Common Sense is the nation's leading nonprofit organization dedicated to improving the lives of kids and families by providing the trustworthy information, education, and independent voice they need to thrive in the 21st century. www.commonsense.org Common Sense is grateful for the generous support and underwriting that funded this report from the Michael and Susan Dell Foundation, the Bill and Melinda Gates Foundation, and the Chan Zuckerberg Initative. CREDITS Authors: Girard Kelly, Common Sense Media Jeff Graham, Common Sense Media Jill Bronfman, Common Sense Media Steve Garton, Common Sense Media Data analysis: Girard Kelly, Common Sense Media Jeff Graham, Common Sense Media Copy editor: Jennifer Robb Designer: Jeff Graham, Common Sense Media Suggested citation: Kelly, G., Graham, J., Bronfman, J., & Garton, S. (2021). Privacy of Streaming Apps and Devices: Watching TV that Watches Us. San Francisco, CA: Common Sense Media This work is licensed under a Creative Commons Attribution 4.0 International Public .License TABLE OF CONTENTS Privacy of streaming apps and devices 1 What are streaming services? ......................................... 1 Apps we rated ............................................... 1 How do streaming services make money? ............................... 2 How we rate privacy ........................................... 2 What we found .............................................. 6 Compare privacy ratings ........................................ -
Acting in the Academy
Acting in the Academy There are over 150 BFA and MFA acting programs in the US today, nearly all of which claim to prepare students for theatre careers. Peter Zazzali contends that these curricula represent an ethos that is outdated and limited given today’s shrinking job market for stage actors. Acting in the Academy traces the history of actor training in universities to make the case for a move beyond standard courses in voice and speech, move- ment, or performance, to develop an entrepreneurial model that motivates and encourages students to create their own employment opportunities. This book answers questions such as: • How has the League of Professional Theatre Training Programs shaped actor training in the US? • How have training programs and the acting profession developed in relation to one another? • What impact have these developments had on American acting as an art form? Acting in the Academy calls for a reconceptualization of actor training in the US, and looks to newly empower students of performance with a fresh, original perspective on their professional development. Peter Zazzali is Assistant Professor of Theatre at the University of Kansas. John Houseman and members of Group I at Juilliard in the spring of 1972 reading positive reviews of the Acting Company’s inaugural season. Kevin Kline is seated behind Houseman. Photo by Raimondo Borea; Courtesy of the Juilliard School Archives. Acting in the Academy The history of professional actor training in US higher education Peter Zazzali First published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2016 Peter Zazzali The right of Peter Zazzali to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. -
May 2019 Investor Presentation
INVESTOR PRESENTATION | MAY 2019 FORWARD-LOOKING STATEMENTS This presentation (the “Presentation”) relates to ChiCken Soup For the Soul Entertainment, InC. (“CSS Entertainment” or the “Company”), whiCh Completed its initial publiC ofFering in August 2017 pursuant to a qualiFied oFFering statement (“OFFering Statement”) Filed under Regulation A as promulgated under the SeCurities Act oF 1933, as amended (the “Act”). The Company Completed its aCquisition oF SCreen Media Ventures, LLC in November 2017 as Further desCribed in the Company’s Current report on Form 8-K, initially Filed on November 6, 2017 and amended on January 16, 2018 and January 17, 2018 (the “SCreen Media 8-K”). The Company Completed its aCquisition oF Pivotshare, InC. in August 2018 as further desCribed in the Company’s Current report on Form 8-K, Filed on August 28, 2018 (the “Pivotshare 8-K”). The Company Completed its aCquisition oF A Sharp InC., dba A Plus, on DeCember 28, 2018 as Further desCribed in the Company’s Current report on Form 8-K, Filed on January 2, 2019 (the “A Plus 8-K”). On May 14, 2019, the Company CommenCed a joint venture, CraCkle Plus LLC (“JV Entity” or “Crackle Plus”), with CPE Holdings, InC., (“CPEH”) an aFFiliate oF Sony PiCtures Television InC. (“Sony”), and CraCkle, InC., a wholly owned subsidiary of CPEH (“CraCkle”). The joint venture and related transaCtions are disCussed in the Company’s Current reports on Form 8-K Filed with the SeCurities and ExChange Commission on April 2, 2019 and May 15, 2019. This presentation Contains various inFormation and projeCtions regarding the joint venture thereunder. -
Global SVOD Forecasts
Global SVOD Forecasts Table of Contents Published in October 2017, this 252-page PDF and excel report contains comprehensive coverage of the SVOD sector (TV episodes and movies) for 138 countries [up from 100 in the previous edition]. The report comprises: • Executive Summary. • Major SVOD players, including subscriber and revenues estimates by country (2010 to 2022) for the major platforms. • Country-by-country forecasts from 2010 to 2022 138 countries and 621 platforms covered: Asia Pacific Country SVOD SVOD Platforms ops Australia 4 Netflix; Amazon Prime Video; Stan; Foxtel Now Bangladesh 3 Netflix; Amazon Prime Video; Iflix Cambodia 3 Netflix; Amazon Prime Video; Iflix China 5 Youku Tudou; Iqiyi; Tencent Video; TMall Box Office; LeEco Hong Kong 4 Netflix; Amazon Prime Video; MyTV Super; Viu India 10 Netflix; Amazon Prime Video; Ditto; Hotstar; Sony Liv; Bigflix; Eros Now; HOOQ; Spuul; Viu Indonesia 7 Netflix; Amazon Prime Video; Iflix; HOOQ; Tribe; Catchplay; Viu Japan 7 Netflix; Amazon Prime Video; Hulu; Tsutaya; U-Next; Avex dtv; au Smart Pass Laos 2 Netflix; Amazon Prime Video Malaysia 7 Netflix; Amazon Prime Video; Iflix; Tonton VIP; Viu; HOOQ; Dimsum Mongolia 2 Netflix; Amazon Prime Video Myanmar 3 Netflix; Amazon Prime Video; Iflix Nepal 3 Netflix; Amazon Prime Video; Iflix New Zealand 4 Netflix; Amazon Prime Video; Lightbox; Neon Pakistan 4 Netflix; Amazon Prime Video; Iflix; Icflix Philippines 6 Netflix; Amazon Prime Video; Iflix; HOOQ; Tribe; Viu Singapore 6 Netflix; Amazon Prime Video; HOOQ; Tribe; Catchplay; Viu South Korea -
Eugene O‟Neill: the Constant Presence April 2017
Eugene O‟Neill: The Constant Presence April 2017 SOCIETY BOARD PRESIDENT IN THE U.S., ON STAGE IN IRELAND J. Chris Westgate [email protected] 10th International Conference VICE PRESIDENT July 19-22, pp. 10-13 Robert M. Dowling 1 Central Connecticut State University National University of SECRETARY/TREASURER Ireland, Galway 2 Beth Wynstra [email protected] INTERNATIONAL SECRETARY — ASIA: Haiping Liu [email protected] INTERNATIONAL SECRETARY — EUROPE: Marc Maufort [email protected] 5 GOVERNING BOARD OF DIRECTORS CHAIR: Steven Bloom [email protected] 3 Jackson Bryer [email protected] Eugene O’Neill: Michael Burlingame [email protected] Ireland, the Constant Presence Robert M. Dowling [email protected] Thierry Dubost 4 [email protected] Kurt Eisen Photos: [email protected] 1. Chris Whitaker 2. A. Vincent Scarano Eileen Herrmann 3. Eugene O‘Neill Fdtn. [email protected] 4. Carol Rosegg 5. Stephanie Berger Katie Johnson [email protected] Daniel Larner [email protected] 1. Long Day’s Journey Into Night, Geffen Playhouse, pp. 17-18. Cynthia McCown 2. Long Day’s Journey Into Night, Monte Cristo Cottage, [email protected] pp. 19-20. Anne G. Morgan 3. Shell Shock & The Rescue, Playwrights‘ Theatre, Danville, [email protected] REMEMBERING pp. 28-29. David Palmer THE GELBS 4. The Emperor Jones, Irish Rep, pp. 21-22. [email protected] pp. 3-9 5. The Hairy Ape, The Armory, pp. 14-16. Robert Richter [email protected] EX OFFICIO What‟s Inside IMMEDIATE PAST PRESIDENT Jeff Kennedy Honorary board, special members . .24 President‘s Message . .2 [email protected] Conference Panels . -
THE TUFTS DAILY Est
Where You Scattered Storms Read It First 74/67 THE TUFTS DAILY Est. 1980 VOLUME LXVI, NUMBER 1 WEDNEsday, AUGUST 28, 2013 TUFTSDAILY.COM Matriculation Class of 2017 KYRA STURGILL / THE TUFTS DAILY BY JOSH WEINER rial is needed. After Commencement, we Daily Editorial Board begin the next day.” A complete refurbishing of Halligan The past three months marked a period aims to make more efficient use of the of substantial construction across Tufts’ building that formerly housed much of campuses,Campus during which undergoes the university the school’s athletics. significant summer construction pursued over 60 projects as part of an “When the Steve Tisch Sports and annual renovation process. Fitness Center opened last fall, the The largest projects on the Medford/ Athletics Department moved out of Somerville campus include renovations Halligan Hall next door and into the to Halligan Hall and Cohen Auditorium, new facility, leaving 10,000 square feet of as well as the completion of the Lawrence space for the School of Engineering,” the S. Bacow and Adele Fleet Bacow Sailing construction information sheet reads. Pavilion, according to Director of “That area is being transformed into Project Administration and University classrooms and offices. In addition, the Maintenance Rudi Pizzi. front of Halligan Hall will get new win- Director of Facilities Services Bob dows, and its masonry will be restored.” Burns explained that these projects are In Cohen Auditorium, workers replaced part of a yearly process and are planned the ceiling and floor, reapplied wall paint out well in advance. and furnished the building with a new “We have to do most of the construc- roof, mechanical system, lighting and tion during the summer when the stu- seating. -
To Download The
NEWS Local news and entertainment since 1969 No login. Entertainment No fees. Free archives! Elizabeth Tulloch and February 19 - 25, 2021 Tyler Hoechlin star in Check out the entirety of “Superman & Lois,” Guide premiering Tuesday the Las Cruces Bulletin, Firefighter on The CW. it’s archives and annual publications online at completes Inside prestigious academy page 4 www.lascrucesbulletin.com2 x 5.5” ad FRIDAY, PHARMACY A FEBRUARY 19, 2021 BETTER WAY! I Volume 53, Number 8 Providing local, full-service pharmacy needs for all types of facilities. • Long-term care • Assisted Living I lascrucesbulletin.com • DD Waiver The CW clears the • Skilled Nursing • Hospice and more runway for a new Superman Call us today! 575-288-1412 Ask your provider if they utilize the many NEWS benefits of RX Innovations, such as: Blister or multi-dose packaging, OTC’s & FREE Delivery. Learn more about what we do at and Lois Lane www.rxinnovationslc.net2 x 4” ad Marijuana law moving through Awesome legislature page 11 sunrise A&E ArtForms competition announces winners page 20 BUSINESS Couple opens curio shop in Mesilla Las Cruces photographer and educator Susana Rios submitted this sunrise image, taken near Baylor Canyon on a recent chilly morning. Her submission included page 27 the following: “This view inspired me to think about the immense beauty that existsPHOTO around BY SUSANAus. The RIOS,vivid PH.D.,colors, NATIONALLY the composition BOARD CERTIFIEDof the clouds TEACHER, and the FOR calm THE BULLETIN imagery brought a much-needed moment of reflection. Life is so beautiful, and it’s all around us. -
Going from Broke Exceeds 5 Million Views on Crackle Since Launch of Season 2
Going From Broke Exceeds 5 Million Views on Crackle Since Launch of Season 2 August 12, 2021 COS COB, Conn., Aug. 12, 2021 (GLOBE NEWSWIRE) -- Chicken Soup for the Soul Entertainment Inc. (Nasdaq: CSSE), one of the largest operators of streaming advertising-supported video-on-demand (AVOD) networks, today announced that Going From Broke, the award-winning Crackle original series from executive producers Ashton Kutcher and Chicken Soup for the Soul Entertainment, has driven over 5 million total views since the May 20th launch of season 2. The six-episode season is hosted by Chegg chief executive officer Dan Rosensweig and co-hosted by entrepreneur and financial expert Tonya Rapley. In this season of Going From Broke, six new cast members drowning in massive debt get help from inspirational guests and financial experts to overcome their financial struggles. The inspirational guests include executive producer Ashton Kutcher, Airbnb co-founder and chief executive officer Brian Chesky, co-founder of Resy, Empathy Wines and VaynerX Gary Vaynerchuk, actor David Costabile (Lincoln, Billions, Breaking Bad), award-winning entrepreneur, investor, and bestselling author Kim Perell, Andi Kirkegaard of Kirkie Cookies and the founder of The Scholarship System Jocelyn Paonita Pearson. The series puts a spotlight on an epidemic of huge proportions. As a nation, over 44 million Americans collectively owe a whopping $1.5 trillion in federal student loan debt, a number that grows each year and is second only to mortgage debt in America. Upon graduation, those entering the professional world face mounds of bills, a shrinking pool of employment opportunities, a lack of financial skills and a constant, crippling weight of oppression keeping them from reaching for their dreams, all of which was made even worse by the pandemic.