Models of Magnetic Field Generation in Partly Stable Planetary Cores
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Space Vector Modulated Hybrid Series Active Filter for Harmonic Compensation
space vector modulated Hybrid Series Active Filter for Harmonic Compensation Sushree Diptimayee Swain∗, Pravat Kumar Ray† and Kanungo Barada Mohanty‡ Department of Electrical Engineering National Institute of Technology, Rourkela, Rourkela-769 008, India ∗[email protected] †[email protected] ‡[email protected] Abstract—This paper deals with the implementation of Hy- nomenon between the PPFs and source impedance. But the brid Series Active Power Filter (HSAPF) for compensation of usage of only APFs is a very costly solution because it needs harmonic voltage and current using Space Vector Pulse Width comparatively very large power converter ratings. Considering Modulation (SVPWM) technique. The Hybrid control approach based Synchronous Reference Frame(SRF) method is used to the merits of PPFs and APFs, Hybrid Active Power Filters are generate the appropriate reference voltages for HSAPF to com- designed HAPFs [9], [10] are very much efficient for reactive pensate reactive power. This HSAPF uses PI control to the outer power and harmonic compensation. The design of HAPFs are DC-link voltage control loop and SVPWM to the inner voltage based on cutting-edge power electronics technology, which control loop. The switching pattern for the switching of the includes power conversion circuits, semiconductor devices, inverter of series active power filter in HSAPF is generated using SVPWM technique. The proposed HSAPF is verified through analog/digital signal processing, voltage/current sensors and MATLAB Simulink version R2010 for SRF control -
Elliptical Instability in Terrestrial Planets and Moons
A&A 539, A78 (2012) Astronomy DOI: 10.1051/0004-6361/201117741 & c ESO 2012 Astrophysics Elliptical instability in terrestrial planets and moons D. Cebron1,M.LeBars1, C. Moutou2,andP.LeGal1 1 Institut de Recherche sur les Phénomènes Hors Equilibre, UMR 6594, CNRS and Aix-Marseille Université, 49 rue F. Joliot-Curie, BP 146, 13384 Marseille Cedex 13, France e-mail: [email protected] 2 Observatoire Astronomique de Marseille-Provence, Laboratoire d’Astrophysique de Marseille, 38 rue F. Joliot-Curie, 13388 Marseille Cedex 13, France Received 21 July 2011 / Accepted 16 January 2012 ABSTRACT Context. The presence of celestial companions means that any planet may be subject to three kinds of harmonic mechanical forcing: tides, precession/nutation, and libration. These forcings can generate flows in internal fluid layers, such as fluid cores and subsurface oceans, whose dynamics then significantly differ from solid body rotation. In particular, tides in non-synchronized bodies and libration in synchronized ones are known to be capable of exciting the so-called elliptical instability, i.e. a generic instability corresponding to the destabilization of two-dimensional flows with elliptical streamlines, leading to three-dimensional turbulence. Aims. We aim here at confirming the relevance of such an elliptical instability in terrestrial bodies by determining its growth rate, as well as its consequences on energy dissipation, on magnetic field induction, and on heat flux fluctuations on planetary scales. Methods. Previous studies and theoretical results for the elliptical instability are re-evaluated and extended to cope with an astro- physical context. In particular, generic analytical expressions of the elliptical instability growth rate are obtained using a local WKB approach, simultaneously considering for the first time (i) a local temperature gradient due to an imposed temperature contrast across the considered layer or to the presence of a volumic heat source and (ii) an imposed magnetic field along the rotation axis, coming from an external source. -
Musical Acoustics - Wikipedia, the Free Encyclopedia 11/07/13 17:28 Musical Acoustics from Wikipedia, the Free Encyclopedia
Musical acoustics - Wikipedia, the free encyclopedia 11/07/13 17:28 Musical acoustics From Wikipedia, the free encyclopedia Musical acoustics or music acoustics is the branch of acoustics concerned with researching and describing the physics of music – how sounds employed as music work. Examples of areas of study are the function of musical instruments, the human voice (the physics of speech and singing), computer analysis of melody, and in the clinical use of music in music therapy. Contents 1 Methods and fields of study 2 Physical aspects 3 Subjective aspects 4 Pitch ranges of musical instruments 5 Harmonics, partials, and overtones 6 Harmonics and non-linearities 7 Harmony 8 Scales 9 See also 10 External links Methods and fields of study Frequency range of music Frequency analysis Computer analysis of musical structure Synthesis of musical sounds Music cognition, based on physics (also known as psychoacoustics) Physical aspects Whenever two different pitches are played at the same time, their sound waves interact with each other – the highs and lows in the air pressure reinforce each other to produce a different sound wave. As a result, any given sound wave which is more complicated than a sine wave can be modelled by many different sine waves of the appropriate frequencies and amplitudes (a frequency spectrum). In humans the hearing apparatus (composed of the ears and brain) can usually isolate these tones and hear them distinctly. When two or more tones are played at once, a variation of air pressure at the ear "contains" the pitches of each, and the ear and/or brain isolate and decode them into distinct tones. -
The Composition of Planetary Atmospheres 1
The Composition of Planetary Atmospheres 1 All of the planets in our solar system, and some of its smaller bodies too, have an outer layer of gas we call the atmosphere. The atmosphere usually sits atop a denser, rocky crust or planetary core. Atmospheres can extend thousands of kilometers into space. The table below gives the name of the kind of gas found in each object’s atmosphere, and the total mass of the atmosphere in kilograms. The table also gives the percentage of the atmosphere composed of the gas. Object Mass Carbon Nitrogen Oxygen Argon Methane Sodium Hydrogen Helium Other (kilograms) Dioxide Sun 3.0x1030 71% 26% 3% Mercury 1000 42% 22% 22% 6% 8% Venus 4.8x1020 96% 4% Earth 1.4x1021 78% 21% 1% <1% Moon 100,000 70% 1% 29% Mars 2.5x1016 95% 2.7% 1.6% 0.7% Jupiter 1.9x1027 89.8% 10.2% Saturn 5.4x1026 96.3% 3.2% 0.5% Titan 9.1x1018 97% 2% 1% Uranus 8.6x1025 2.3% 82.5% 15.2% Neptune 1.0x1026 1.0% 80% 19% Pluto 1.3x1014 8% 90% 2% Problem 1 – Draw a pie graph (circle graph) that shows the atmosphere constituents for Mars and Earth. Problem 2 – Draw a pie graph that shows the percentage of Nitrogen for Venus, Earth, Mars, Titan and Pluto. Problem 3 – Which planet has the atmosphere with the greatest percentage of Oxygen? Problem 4 – Which planet has the atmosphere with the greatest number of kilograms of oxygen? Problem 5 – Compare and contrast the objects with the greatest percentage of hydrogen, and the least percentage of hydrogen. -
Internal Constitution of Mars
Journalof GeophysicalResearch VOLUME 77 FEBRUARY 10., 1972 NUMBER 15 Internal Constitution of Mars Do• L. ANDERSON SeismologicalLaboratory, California Institute o/ Technology Pasadena, California 91109 Models for the internal structure of Mars that are consistentwith its mass, radius, and moment of inertia have been constructed.Mars cannot be homogeneousbut must have a core, the size of which dependson its density and, therefore, on its composition.A meteorite model for Mars implies an Fe-S-Ni core (12% by massof the planet) and an Fe- or FeO-rich mantle with a zero-pressuredensity of approximately 3.54 g/cm•. Mars has an iron content of 25 wt %, which is significantly less than the iron content of the earth, Mercury, or Venus but is close to the total iron content of ordinary and carbonaceouschondrites. A satisfactory model for Mars can be obtained by exposing ordinary chondrites to relatively modest temperatures. Core formation will start when temperaturesexceed the cutecftc temperature in the system Fe-FeS (•990øC) but will not go to completionunless temperatures exceed the liquidus through- out most of the planet. No high-temperature reduction stage is required. The size and density of the core and the density of the mantle indicate that approximately63% of the potential core-forming material (Fe-S-Ni) has entered the core. Therefore, Mars, in contrast to the earth, is an incompletely differentiated planet, and its core is substantially richer in sulfur than the earth's core. The thermal energy associated with core formation in Mars is negligible. The absenceof a magnetic field can be explained by lack of lunar precessional torques and by the small size and high resistivity of the Martian core. -
Mto.95.1.4.Cuciurean
Volume 1, Number 4, July 1995 Copyright © 1995 Society for Music Theory John D. Cuciurean KEYWORDS: scale, interval, equal temperament, mean-tone temperament, Pythagorean tuning, group theory, diatonic scale, music cognition ABSTRACT: In Mathematical Models of Musical Scales, Mark Lindley and Ronald Turner-Smith attempt to model scales by rejecting traditional Pythagorean ideas and applying modern algebraic techniques of group theory. In a recent MTO collaboration, the same authors summarize their work with less emphasis on the mathematical apparatus. This review complements that article, discussing sections of the book the article ignores and examining unique aspects of their models. [1] From the earliest known music-theoretical writings of the ancient Greeks, mathematics has played a crucial role in the development of our understanding of the mechanics of music. Mathematics not only proves useful as a tool for defining the physical characteristics of sound, but abstractly underlies many of the current methods of analysis. Following Pythagorean models, theorists from the middle ages to the present day who are concerned with intonation and tuning use proportions and ratios as the primary language in their music-theoretic discourse. However, few theorists in dealing with scales have incorporated abstract algebraic concepts in as systematic a manner as the recent collaboration between music scholar Mark Lindley and mathematician Ronald Turner-Smith.(1) In their new treatise, Mathematical Models of Musical Scales: A New Approach, the authors “reject the ancient Pythagorean idea that music somehow &lsquois’ number, and . show how to design mathematical models for musical scales and systems according to some more modern principles” (7). -
The Ten Violin Concertos of Charles-Auguste De Beriot: a Pedagogical Study
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1994 The eT n Violin Concertos of Charles-Auguste De Beriot: A Pedagogical Study. Nicole De carteret Hammill Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hammill, Nicole De carteret, "The eT n Violin Concertos of Charles-Auguste De Beriot: A Pedagogical Study." (1994). LSU Historical Dissertations and Theses. 5694. https://digitalcommons.lsu.edu/gradschool_disstheses/5694 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Pplanetary Materials Research At
N. L. CHABOT ET AL . Planetary Materials Research at APL Nancy L. Chabot, Catherine M. Corrigan, Charles A. Hibbitts, and Jeffrey B. Plescia lanetary materials research offers a unique approach to understanding our solar system, one that enables numerous studies and provides insights that are not pos- sible from remote observations alone. APL scientists are actively involved in many aspects of planetary materials research, from the study of Martian meteorites, to field work on hot springs and craters on Earth, to examining compositional analogs for asteroids. Planetary materials research at APL also involves understanding the icy moons of the outer solar system using analog materials, conducting experiments to mimic the conditions of planetary evolution, and testing instruments for future space missions. The diversity of these research projects clearly illustrates the abundant and valuable scientific contributions that the study of planetary materials can make to Pspace science. INTRODUCTION In most space science and astronomy fields, one is When people think of planetary materials, they com- limited to remote observations, either from telescopes monly think of samples returned by space missions. Plan- or spacecraft, to gather data about celestial objects and etary materials available for study do include samples unravel their origins. However, for studying our solar returned by space missions, such as samples of the Moon system, we are less limited. We have samples of plan- returned by the Apollo and Luna missions, comet dust etary materials from multiple bodies in our solar system. collected by the Stardust mission, and implanted solar We can inspect these samples, examine them in detail wind ions collected by the Genesis mission. -
Accretion and Differentiation of the Terrestrial Planets with Implications for the Compositions of Early-Formed Solar
Accretion and differentiation of the terrestrial planets with implications for the compositions of early-formed Solar System bodies and accretion of water D.C. Rubie1*, S.A. Jacobson1,2, A. Morbidelli2, D.P. O’Brien3, E.D. Young4, J. de Vries1, F. Nimmo5, H. Palme6, D.J. Frost1 1Bayerisches Geoinstitut, University of Bayreuth, D-95490 Bayreuth, Germany ([email protected]) 2Observatoire de la Cote d’Azur, Nice, France 3Planetary Science Institute, Tucson, Arizona, USA 4Dept. of Earth and Space Sciences, UCLA, Los Angeles, USA 5 Dept. of Earth & Planetary Sciences, UC Santa Cruz, USA 6 Forschungsinstitut und Naturmuseum Senckenberg, Frankfurt am Main, Germany * Corresponding author Submitted to Icarus 8 April 2014; revised 19 August 2014; accepted 9 October 2014 Abstract. In order to test accretion simulations as well as planetary differentiation scenarios, we have integrated a multistage core-mantle differentiation model with N-body accretion simulations. Impacts between embryos and planetesimals are considered to result in magma ocean formation and episodes of core formation. The core formation model combines rigorous chemical mass balance with metal-silicate element partitioning data and requires that the bulk compositions of all starting embryos and planetesimals are defined as a function of their heliocentric distances of origin. To do this, we assume that non-volatile elements are present in Solar System (CI) relative abundances in all bodies and that oxygen and H2O contents are the main compositional variables. The primary constraint on the combined model is the composition of the Earth’s primitive mantle. In 1 addition, we aim to reproduce the composition of the Martian mantle and the mass fractions of the metallic cores of Earth and Mars. -
Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Is It All Relative? Relative Pitch and L2 Lexical Tone Perception/ Tone Language Comprehension by Adult Tone and Non-Tone Language Speakers Sloane C. von Wertz The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2247 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] IS IT ALL RELATIVE? RELATIVE PITCH AND L2 LEXICAL TONE PERCEPTION/TONE LANGUAGE COMPREHENSION BY ADULT TONE AND NON-TONE LANGUAGE SPEAKERS by SLOANE CELESTE VON WERTZ A dissertation submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2017 © 2017 SLOANE CELESTE VON WERTZ All Rights Reserved ii Is It All Relative? Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone and Non-Tone Language Speakers by Sloane Celeste von Wertz This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Gita Martohardjono Chair of Examining Committee Date Gita Martohardjono Executive Officer Supervisory Committee: Gita Martohardjono Andrew Rosenberg Joseph Straus THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Is It All Relative? Relative Pitch and L2 Lexical Tone Perception/Tone Language Comprehension by Adult Tone and Non-Tone Language Speakers by Sloane Celeste von Wertz Advisor: Professor Gita Martohardjono Languages generally use musical pitch variation of the voice as part of their sound systems (Maddieson, 2011)—pitch variations that can be somewhat reminiscent of music. -
Microtonal Music with ABC (Microabc Tutorial)
Microtonal music with ABC (microabc tutorial) Hudson Lacerda <[email protected]> August 29, 2010 Contents 1 Introduction 3 2 Software requirements 3 3 Understanding the basic concepts 3 3.1 ABC andmicrotones....................................... 4 3.2 Macros and preprocessors . ........... 5 3.3 microabc isageneratorofmacros................................ 6 3.4 microabc asapreprocessor .................................... 7 3.5 MIDI limitations.......................................... 7 4 The steps 8 5 Examples 8 5.1 Quickstart........................................ ...... 8 5.1.1 Bach’schoral .................................. ...... 9 5.1.2 Makechanges,learnmore. ........ 10 5.2 A scale of harmonics – microabc outputmodes......................... 10 5.2.1 The microabc inputfile .................................. 11 5.2.2 The ABC filewithmacros.................................. 11 5.2.3 Microtonal mode ...................................... 12 5.2.4 Chromatic mode, timidity++ and Scala ......................... 13 5.2.5 Diatonic mode........................................ 14 5.2.6 Literal mode......................................... 15 5.3 Anexamplein19-EDO............................... ........ 16 5.3.1 The microabc file...................................... 16 5.3.2 PostScript ......................................... 16 5.3.3 MIDI ............................................. 16 5.3.4 Thecode....................................... 16 5.3.5 Macrodefinitionsfiles . ....... 17 5.3.6 The ABC filewithmacros................................. -
The Ice Cap Zone: a Unique Habitable Zone for Ocean Worlds
Published in The Monthly Notices of the Royal Astronomical Society vol. 477, 4, 4627-4640 The Ice Cap Zone: A Unique Habitable Zone for Ocean Worlds Ramses M. Ramirez1 and Amit Levi2 1Earth-Life Science Institute, Tokyo Institute of Technology, 2-12-1, Tokyo, Japan 152-8550 2 Harvard-Smithsonian Center for Astrophysics, 60 Garden Street, Cambridge, MA 02138, USA email: [email protected] ABSTRACT Traditional definitions of the habitable zone assume that habitable planets contain a carbonate- silicate cycle that regulates CO2 between the atmosphere, surface, and the interior. Such theories have been used to cast doubt on the habitability of ocean worlds. However, Levi et al (2017) have recently proposed a mechanism by which CO2 is mobilized between the atmosphere and the interior of an ocean world. At high enough CO2 pressures, sea ice can become enriched in CO2 clathrates and sink after a threshold density is achieved. The presence of subpolar sea ice is of great importance for habitability in ocean worlds. It may moderate the climate and is fundamental in current theories of life formation in diluted environments. Here, we model the Levi et al. mechanism and use latitudinally-dependent non-grey energy balance and single- column radiative-convective climate models and find that this mechanism may be sustained on ocean worlds that rotate at least 3 times faster than the Earth. We calculate the circumstellar region in which this cycle may operate for G-M-stars (Teff = 2,600 – 5,800 K), extending from ~1.23 - 1.65, 0.69 - 0.954, 0.38 – 0.528 AU, 0.219 – 0.308 AU, 0.146 – 0.206 AU, and 0.0428 – 0.0617 AU for G2, K2, M0, M3, M5, and M8 stars, respectively.