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IMPACT REPORT Image © Alan Russell Welcome Foreword Bristol Museums Development Trust (BMDT) is By Nigel Hardy, an independent registered charity which supports Chair, Bristol Museums Development Trust the work of Bristol’s museums and archives within Bristol City Council. Museums and galleries have the capacity to inspire creativity, foster new ways of thinking about the world There are seven sites across the city which play a huge and bring communities together. role in enhancing the cultural life of the city’s residents and visitors. The BMDT board of Trustees encourages To continue to do all the above and much more, the fundraising and awards grants towards collections and sector needs to become more sustainable in the activities across the venues. way it approaches funding models. Bristol Museums Development Trust is sowing the seeds that, in time, In doing so, the Trust supports the maintenance of will enable us to provide much greater financial the seven sites and over two million objects; supports support for the work of Bristol Museums. conservation, research, documentation, archiving and digitisation; and supports new acquisitions, displays Whilst we are eternally grateful for those donations, and community events. grants and legacies that support specific projects, we are also committed to increasing general donations which enable us to support a greater breadth of work. I hope this brief introduction to the Trust demonstrates the many exciting projects that are giving both the people of Bristol and visitors to this wonderful city greater and more interactive access to our internationally acclaimed museum and archive collections. 2 The sites 3 Bristol Museums & Archives in numbers artefacts, specimens and archive material held across all sites Bristol Museum & Art Gallery alone holds over paintings, and sculptures works on paper There are over visitors a year across our venues making Bristol Museums the most visited free attraction in the South West Over items have been digitised since 2002, making them accessible online Bristol Museums and Archives holds around photos, films, and sound recordings objects which were transferred in 2012 from the British Empire and Commonwealth Museum 4 Bristol Museum & Art Gallery alone attracts visitors a year; with visitors over one weekend for the Chinese New Year celebrations The museums hosted More than community events are organised across the museum sites each year pupil and student visits in the 2018-19 financial year; with of all Bristol schools having visited or participated in museum- led activities at least once in the last three years The natural sciences collections in Bristol The museums are supported by are the largest in the South West, comprising enthusiastic geology and biology volunteers specimens collected since the late giving over 18th century hours of their time, which equates to over Over of visitors come from outside the city each year 5 From mission to impact “It has a relaxed effect, it gives me a wonderful opportunity to do something different and it helps me have a more fulfilling life.” Art Shed participant Art Shed: Museums as medicine The Trust funds a fortnightly arts and health project that provides workshops for people experiencing anxiety and depression. Art Shed, held at M Shed and Blaise Museum, allows participants to enjoy being creative with a variety of art forms and museum collections. Evaluation of participants showed a marked decrease in feelings of negativity and an overall increase in well-being. “It’s given me a safe place to go away from home... A relaxed, friendly environment where I can unwind from stress.” Images © Jon Craig Art Shed participant 6 y, it’s very bus very busy, it’s so many peopleno coming, time to buying, so going, many people coming, buying, going, no time to so manyno people time to coming, buying, going, no time to so many verypeople bus coming, y , it’s buying, going, very busy, it’s– Glen & & – Glen Get through alot of lot of Get through a lot of Get through a & & lot of – Glen – Glen (already on wall) Get through a what my life would be like I can’t begin to what my life would be like I can’t beginwhat to my life would be I can’t like beginwhat to my life would be like I can’t begin to without the – Pat, DJof and project participant – Pat, DJ and project participant withoutof the withoutofof the – Pat, DJ and project participant – Pat, DJ and project participant you make Bristol what it is … without the Celebrating 50 Years of of – Shanade – Shanade of of – Shanade – Shanade their their it now, it now, of St Paul’s Carnival from all over the place come and it now, theirfrom all overit now,the place come their and fromfrom all all over over the the place place come come and and they– Kitty, just Shopkeeper the and project participant– Kitty, Shopkeeper and project participant their Red Stripe beer - the , they just the their Redthey Stripe just beer the - the their , theyRed justStripe beer the - the , their Red Stripe beer - the – , Kitty, Shopkeeper and project participant– Kitty, Shopkeeper and project participant very busy, it’s so many people coming, buying, going, y, it’s and and no time to so many people coming, buying, going,very bus no time to Breaking down barriers, we need to be celebrating One Vibration: Breaking down barriers, we need toBreaking beand celebrating down barriers, we need andto be celebrating & – Glen & Breaking down barriers, we need to be celebrating lot of – Glen photographer and project participant Get through a Get through alot of That’s what – Mark, photographeris all about, and projectfor me participant– Mark, That’sis all what about, for me That’sis allis about, allwhat about, for me for me – Mark, photographer and project participant– Mark, photographer and project participant That’s what what my life would be like Voices of St Pauls Carnival I can’t begin to I can’t begin to what my life would be like are – Dee . Busy, noisy, , exciting, smells, , fruit. of – Pat, DJ and project participant The of . Busy, noisy, , exciting,. Busy, noisy, smells, , exciting, , fruit. smells, the , fruit. are – Dee without the without the of – Pat, DJ and project participant The of . Busy, The noisy, of , exciting, are smells, , are , fruit. the , The of the the blur into each other, The are , the sounds blur into each other, The blur areinto each other, , the thesounds The blur are into each , other, the are sounds the , are , the are the are – Dee Local shopkeeper y, it’s ‘Carnival is a cultural history of St Pauls nono time time to to soso many many people people coming, coming, buying, buying,The going, going, very very busare busy , it’s , the sounds – Dee and the struggle they went through. It’s a link to when they first came.’ Listen to Arfan’s full story from the first stall I get to from the first stall I get to Youth worker – Shanade Get throughLocal resident alot of & a big bit of ‘It’s really important to show all these of Get through‘Every kid in St Pauls alot and Eastonof would I just stroll down, a big bit of& ’ of from– Glen the first stalla big I bitget of to things that are just wonderful – Shanade just turn up and jump on a lorry. This Carnival artist I just stroll down, – Glen a big bitI just of stroll down,from the first stall I get to To celebrate the 50th anniversary of was your chance to be a celebrity and be ‘Carnival is a protest in lots of ways' cheered on by your community’ I just stroll down, St Pauls Carnival in 2018, we asked a Listen to Shanade’s full story Listen to Delroy’s full story and just take in what’s – Alan, Community artist and project –participant Alan, Community artist and project participant group of volunteers to go out and gather Listen to Dee’s full story and just take in what’s and just take in what’s it now, their I can’t begin to whatwhat my my life life would would be be like like – Alan, Community artist and project participant– Alan, Community artist and project participant personal stories about the event. it now, their I can’t begin to and just take in what’s You can listen to what they found here… from all over the placefrom come all and over the place come and they just the – Kitty, Shopkeeper and project participant withoutwithout the the ofof There are three ways of listening their Red Stripe beer their - the Red Stripe beer , - the they , just the – Kitty, Shopkeeper and project participant – Pat,– Pat, DJ DJ and and project project participant participant to the stories Art Shed: The volunteers on this project were: Police officer Sharon Woma, Alex Mormoris, Jake Wittlin, ‘I’ve always felt I have to be there for Antonette Clarke-Akalanne and Trevor White. Carnival as one of the local officers. I don’t think I’ve missed one.’ Volunteer & lifelong punter and Illustrations by Jasmine Thompson ‘It’s a time when I feel really, really proud Listen to Chris’s full story and jsthompson.wix.com/jasminethompson of being mixed race and to have African Breaking down barriers,heritage, it’s a time we to really need celebrate that to be celebrating Breaking down barriers, we need to be celebrating and also be proud that I’m from Bristol’ Original photography by Aiden Harmitt-Williams On your phone At home Here Listen to Jessica’s full story of instagram.com/aidenhw Thanks for funding and support from bristolmuseums.org.uk/carnival at the touchscreen Museums as of is all about, for me – Mark, photographer and project participant – Shanade– Shanade 35mm photographic images © Alan May That’s what That’s what is all about, for me – Mark, photographer and project participant All other photography by Bristol Design, Bristol City Council Over time, it became known as St Pauls Chef Posters: Bristol Archives 43739/IM/PM/2/1, 43739/IM/PM/2/5, 43739/IM/PM/3/3.
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