THE INFLUENCE OF JAZZ ON THE SOLO TRUMPET
COMPOSITIONS OF EUGÈNE BOZZA
Jason Dovel, B.M., M.M.
Dissertation Prepared for the Degree of
DOCTOR OF MUSICAL ARTS
UNIVERSITY OF NORTH TEXAS
December 2007
APPROVED:
Keith Johnson, Major Professor Lenora McCroskey, Minor Professor John Holt, Committee Member Terri Sundberg, Chair of the Division of Instrumental Studies Graham Phipps, Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies
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Copyright 2007
by
Jason Dovel
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ACKNOWLEDGEMENTS
There are many individuals who have greatly contributed to this project, and it is impossible to adequately recognize all of them. I would first like to thank my doctoral committee, Keith Johnson, John Holt, and Lenora McCroskey, whose guidance makes this project possible. I would like to thank George Novak, whose fine instruction and continuing friendship has been a great encouragement to me. I must also mention three great teachers whose instruction and guidance were so pivotal during my formative years as a young musician, including James Kluesner, Gregory Oaks, and
Kevin Haynes.
I have been surrounded by many outstanding colleagues throughout my studies, including Nicholas Harvey, Nicholas Althouse, Brett Dodson, Shaun Abraham, Jennifer
Dearden, and Frank Sampson. Their friendship, competition, and artistry have been instrumental in my development.
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TABLE OF CONTENTS
Page
ACKNOWLEDGEMENTS ...... iii
Chapters
1. INTRODUCTION ...... 1 Purpose...... 1 State of Research ...... 1 Method ...... 2
2. THE INFLUENCE OF JAZZ ON FRENCH COMPOSERS ...... 3 France Imports American Jazz...... 3 The Influence of Jazz in French Trumpet Works...... 5
3. THE LIFE AND WORKS OF EUGÈNE BOZZA ...... 8
4. CAPRICE (1943) ...... 11
5. CONCERTINO (1949) ...... 22
6. BADINAGE (1949)...... 29
7. RUSTIQUES (1955)...... 31
8. RHAPSODIE (1957) ...... 34
9. CORNETTINA (1965) ...... 38
10. FRIGARIANA (1967)...... 43
11. LIED (1976) ...... 48
12. CAPRICE NO. 2 (1978) ...... 50
13. CONCLUSIONS ...... 53
BIBLIOGRAPHY ...... 56
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