Year Month/Season Page(S)

Total Page:16

File Type:pdf, Size:1020Kb

Year Month/Season Page(S) Year Month/Season Page(s) Title Author Subjects Illustrations Comments/Other The contributions and 1985 Jan-Feb 1 Gene Waddell Joins Getty David Molke-Hansen accomplishments of Gene Waddell Photo of Gene Waddell as he leaves the SCHS Description of source materials at the 1985 Jan-Feb 2-3 Palmetto Genealogy Isabella G. Leland SCHS for genealogical research Bio of David Moltke-Hansen, new Photo of David Moltke- 1985 Jan-Feb 4 David Moltke-Hansen Is New Director Susan Walker SCHS director Hansen Description and historical significance Photo of the Flag of the 1985 Jan-Feb 5, 11 Moultrie Guard Flag Evokes Past Margaretta Childs of the Moultrie Guard Flag Moultrie Guard, p.5 Description of homes to be toured during the 1985 annual meeting, ten Photo of the Bishop Smith 1985 Jan-Feb 7 1985 Annual Meeting Tour properties owned by the College of House in Charleston Charleston The story of Santee planter, John Bowman and especially his Photo of John Bowman's mill 1985 Jan-Feb 8-10 Mr. Bowman's Windmill William P. Baldwin, Jr. connection to Jonathan Lucas, shaft, p.9 millwright Photo of bust of Julia Description of material donated to the 1985 Jan-Feb 12 Peterkin Papers Peterkin by Dr. P.I.E. SCHS relating to Julia Peterkin Weston 1832 letter of proposal from Turner 1985 Jan-Feb 13-14 T. Bynum's "Affaire du Coeur" Donna Roper Bynum, Jr. to Caroline Virginia Taliaferro Some of the upcoming events in 1985 Jan-Feb 14 College of Charleston Bicentennial celebrating the 200th anniversary of the College of Charleston Post card by Artvue Post Information on post cards produced 1985 May-June 1 Elizabeth Verner Postcards Collectible Joseph T. Holleman Card Co. of Dock Street by Elizabeth O'Neill Verner Theater Comments honoring Isabella Gaud 1985 May-June 1-2 In Memoriam: Isabella Gaud Leland Leland (1918-1985) Scholarship awards made to Hannah R. Joyner, Bayard R. Maybank, Lawrence, E. Moore III, Christopher 1985 May-June 2 Seven Gignilliat Scholarships Awarded N. Olsen, Joel A. Smithwick, Harriet H. Vaughan, Mary Catharine Whiteside, and Carolanne E. Weir (alternate) Photo of Professor George Short description of upcoming SCHS 1985 May-June 2 Fall Tour Features Edgefield C. Rogers, Jr., at annual Fall Tour in Edgefield meeting reception Palmetto Genealogy: Caveat Some of the pitfalls in researching 1985 May-June 3, 10 Isabella G. Leland Researcher family records Two photos of slave tags Short description of the use of slave made by Charleston 1985 May-June 4 Badges of Urban Slavery Theresa A. Singleton tags in South Carolina silversmith, John Joseph Lafar Description of his William Gilmore Simms collection donated to the Drawing of W. Gilmore 1985 May-June 4 W. G. Simms Collection Expands Harlan Greene SCHS by Mr. Robert M. Willingham, Simms Jr., of Washington, GA Scholarship, Bias and Truth: The Description of some of the SCHS's 1985 May-June 6, 14 Cam Alexander Library Grows holdings of printed materials Grandma's Quilt: Preserving Historic Tips on prolonging the lives of 1985 May-June 7, 13, 15 Judy Heberling Textiles historic textiles The Voyage of the Sewee: A The author's ideas about the history Aerial photo of Awendaw 1985 May-June 8-9 William P. Baldwin, Jr. Rumination on History of the Sewee Indians area, p.9 Short bio of Ann Fripp Hampton as 1985 May-June 10 Ann F. Hampton Joins Staff she joins the SCHS staff Details of the opera, Porgy and Bess, coming to Charleston as well as Portrait of DuBose Heyward 1985 May-June 11 Porgy and Heyward Harlan Greene events to be held to mark the 100th by George Gershwin annniversary of the birth of DuBose Heyward Short description of two items to be Photo of a Confederate included in an exhibition at the South printing plate used to print a 1985 May-June 12 A Loving Cup and Lucy Pickens Carolina State Museum highlighting $100 bill with the likeness of South Carolina's role in the Civil War Lucy Pickens Accomplishments of the retiring head Preservationist Frances R. Edmunds Photo of Mrs. Frances 1985 May-June 14 of the Historic Charleston Retires Ravenel Smythe Edmunds Foundation, Frances R. Edmunds Photos of Edgefield A history and description of the stoneware: "Miles Mill", ca. Stephen Ferrell and stoneware made in South Carolina's 1870 (p.1); one gallon jug by 1985 Sept-Oct 1, 7, 14 Edgefield Stoneware Terry Ferrell Edgefield District, primarily in the the Rhodes factory (p.7); period from 1840-1863 pitcher by Landrum Pottery (p.7) Interesting tale of Sheriff John Fox 1985 Sept-Oct 1, 4 John Fox and the Jailbreak Hale C. Sweeny (1805-1885) in the Lexington District of SC Description of a slave-made bench, an Adam Carruth musket, and two oil 1985 Sept-Oct 2 State Museum Collection Grows paintings by William Aiken Walker-- new acquisitions of the South Carolina State Museum Report on the SCHS collection of Confederate blockade-runner 1985 Sept-Oct 3 Scripophily and Philately Joseph T. Holleman company stock certificates and Confederate Postmaster's provisional stamps An essay on book collecting, "A Passion Which Lasts": Collecting 1985 Sept-Oct 8 John R. Poindexter particularly those by South South Caroliniana Carolinians The story of Rev. Archibald Stobo, a Mrs. Harold A. Moore, 1985 Sept-Oct 11-13 Reverend Stobo's Bible Scots Presbyterian minster, in the CGRS early Charles Town area from John A. History of the Fish Sluice Law of 1985 Sept-Oct 13-14 The Right to Catch Shad Chapman's History of 1784 Edgefield County Details of sites to be visited during 1985 Sept-Oct 15 1985 Society Fall Tour the 1985 SCHS Fall Tour in Edgefield County Description of some of the letters of William Henry Trescot, South "Stranger things in history": Trescot 1986 Jan-Feb 1-2 Greg Williams Carolinian and acting Secretary of Letters Come to Light State in the Buchanan administration, to his uncle, Edward McCrady, Sr. The work of Robert Mills on the Board of Public Works and South 1986 Jan-Feb 3-6, 8 Robert Mills's Inland Passage William P. Baldwin, Jr. Photo of Robert Mills, p.3 Carolina's canal program in the early 1800's Genealogical queries on the English, 1986 Jan-Feb 7-8 Palmetto Genealogy Harrison, Heskett, and Newman families Balcony donated to the SCHS by Mr. Photo of wrought-iron 1986 Jan-Feb 8 Balcony Seek Fitting Home and Mrs. Leon Drake awaits balcony purchase Report of meetings held to discuss Calamity, Catastrophe, Cataclysm: Be 1986 Jan-Feb 10 Harlan Greene protection of library and museum Prepared works from fire or natural disaster A complete list of SCHS members as 1986 Jan-Feb 11-18 SCHS Membership List of 31 December 1985 Photo of plat of the southern Dean Hall plantation: from Coatbaw to portion of the Coatbaw tract, from the collections of 1986 May-June 1, 4, 10-11 Ann Fripp Hampton The story of Dean Hall Plantation Cypress Gardens from a copy dated October the SCHS 1817 The story of Samuel Augustus Carroll Ainsworth 1986 May-June 1, 9 Maverick South Carolinian Maverick (1803-1870), Texas cattle McElligott rancher, born in South Carolina Gignilliat scholarships awarded to Anne Waring Cherry, Samuel Lanier Donaldson, Hannah Joyner, 1986 May-June 3 Gignilliat scholarships awarded Lawrence E. Moore III, Paul Trapier Gervais Puckette, and Joel Anderson Smithwick. Henry Herbert Lesesne, alternate Genealogical queries on the Chandler, Perkins, Durant, Piggot, 1986 May-June 5, 8 Palmetto Genealogy Welch, Bell, Moore, Norwood, Dial, Frierson, Fitzpatrick, Dantzler, Getty, and Childers families From the author's Of Parrots, pounds and pintles: Description of items found with a Photo of bronze one-pound 1986 May-June 6, 9 H. K. Baumeister collection. Photo by Recent finds at Willtown Bluff metal detector at Willtown Bluff weight Susan Walker Description of the colonial era collection of books once owned by 1986 May-June 11 Izard colonial library Ralph Izard, now donated to the SCHS library Description of rare book (donated to the SCHS library) published in 1935 1986 May-June 11 Rare item, generous gift Harlan Greene to commemorate the debut of the opera Porgy and Bess The history of the Hamrick Theatre in Gaffney's Hamrick Theatre: A small Gaffney, SC, and efforts made to Photo of the Hamrick 1986 Sept-Oct 1, 4 Lise Ritsch town fights for its past preserve it through the National Main Theatre from 1937, p. 1 Street program The United States Electric Illuminating Company Central Station 1986 Sept-Oct 1, 10 Charleston's power landmark at 94 Queen Street in Charleston is recognized by the Institute of Electrical and Electronics Engineers Photo of Martha Fisher as 1986 Sept-Oct 3 new SCHS staff member John R. Poindexter, Ph.D, appointed 1986 Sept-Oct 4, 5 Poindexter heads Sumter Museum director of Sumter's Williams-Brice Museum/Archives Genealogical queries on the Fuller, 1986 Sept-Oct 5 Palmetto Genealogy Steele, Pressley, Puckett, and Ravenel families The blockade and invasion of Bull's Details of Civil War naval activity 1986 Sept-Oct 6-7, 10 William P. Baldwin, Jr. Bay around Bull's Bay north of Charleston Details of the SCHS 1986 Fall Tour 1986 Sept-Oct 11 1986 Society Fall Tour to be held in the Beaufort area G. W. Johnson period photos of "Annie" and a pair Lowcountry baskets: A place in the Coiled basketry/history & modern of African-American 1987 Jan-Feb 1,8-9 Dale Rosengarten sun evolution basketmakers, p. 1,9; two pages from the Legerton seagrass basket catalogue Contributions of Elise Pinckney as 1987 Jan-Feb 1,3 Elise Pinckney leaves Magazine Malcolm C.
Recommended publications
  • Love & Wedding
    651 LOVE & WEDDING THE O’NEILL PLANNING RODGERS BROTHERS – THE MUSIC & ROMANCE A DAY TO REMEMBER FOR YOUR WEDDING 35 songs, including: All at PIANO MUSIC FOR Book/CD Pack Once You Love Her • Do YOUR WEDDING DAY Cherry Lane Music I Love You Because You’re Book/CD Pack The difference between a Beautiful? • Hello, Young Minnesota brothers Tim & good wedding and a great Lovers • If I Loved You • Ryan O’Neill have made a wedding is the music. With Isn’t It Romantic? • My Funny name for themselves playing this informative book and Valentine • My Romance • together on two pianos. accompanying CD, you can People Will Say We’re in Love They’ve sold nearly a million copies of their 16 CDs, confidently select classical music for your wedding • We Kiss in a Shadow • With a Song in My Heart • performed for President Bush and provided music ceremony regardless of your musical background. Younger Than Springtime • and more. for the NBC, ESPN and HBO networks. This superb The book includes piano solo arrangements of each ______00313089 P/V/G...............................$16.99 songbook/CD pack features their original recordings piece, as well as great tips and tricks for planning the of 16 preludes, processionals, recessionals and music for your entire wedding day. The CD includes ROMANCE: ceremony and reception songs, plus intermediate to complete performances of each piece, so even if BOLEROS advanced piano solo arrangements for each. Includes: you’re not familiar with the titles, you can recognize FAVORITOS Air on the G String • Ave Maria • Canon in D • Jesu, your favorites with just one listen! The book is 48 songs in Spanish, Joy of Man’s Desiring • Ode to Joy • The Way You divided into selections for preludes, processionals, including: Adoro • Always Look Tonight • The Wedding Song • and more, with interludes, recessionals and postludes, and contains in My Heart • Bésame bios and photos of the O’Neill Brothers.
    [Show full text]
  • The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
    Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music.
    [Show full text]
  • Recreating the Ensemble Dynamic of Motown's Funk Brothers
    6 Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers Vincent Perry Introduction By the early 1960s, the genre known as soul had become the most commercially successful of all the crossover styles. Drawing on musical influences from the genres of gospel, jazz and blues, ‘soul’s success was as much due to a number of labels, so-called “house sounds”, and little- known bands, as it was to specific performers or songwriters’ (Borthwick and Moy, 2004, p. 5). Following on from the pioneer releases of Ray Charles and Sam Cooke, a Detroit-based independent label would soon become the ‘most successful and high profile of all the soul labels’ (Borthwick and Moy, 2004, p. 5). Throughout the early 1960s, Berry Gordy’s Tamla Motown dominated the domestic US pop and R&B charts with its assembly-line approach to music production (Moorefield, 2005, p. 21), which resulted in a distinctive sound that was shared by all the label’s artists. However, in 1963, the company ‘achieved its international breakthrough’ shortly after signing a landmark distribution deal with EMI in the UK (Borthwick and Moy, 2004, p. 5). Gordy’s headquarters—a seemingly humble, suburban 95 POPULAR MUSIC, STARS AND STARDOM residence—was ambitiously named Hitsville USA and, throughout the 1960s, it became a hub for pop record success. Emerson (2005, p. 194) acknowledged Motown’s industry presence when he noted: Motown was muscling in on the market for dance music. Streamlined, turbo-charged singles by the Marvelettes, Martha and the Vandellas, and the Supremes rolled off the Detroit assembly line … Berry Gordy’s ‘Sound of Young America’ challenged the Brill Building, 1650 Broadway, and 711 Fifth Avenue as severely as the British Invasion because it proved that black artists did not need white writers to reach a broad pop audience.
    [Show full text]
  • Raising the Volume Episode VI A
    EDUCATION WORKSHOP RAISING THE VOLUME Raising the with Marcus Amaker & Charlton Singleton Volume Episode VI A Conversation on The Charleston Jazz Initiative and the Jenkins Orphanage with Dr. Karen Chandler -- Sixth Grade and Up CORE SUBJECTS AND 21ST CENTURY THEMES Mastery of core subjects and 21st century themes is essential for all students in the 21st century. Core subjects include English, reading or language arts, world languages, arts, mathematics, economics, science, geography, history and government, and civics. In addition to these subjects, schools must move forward to include not only a focus on mastery of core subjects, but also an understanding of academic content at much higher levels by weaving 21st century interdisciplinary themes into core subjects. Global Awareness 1. Use 21st century skills to understand and address global issues. 2. Learn from and work collaboratively with individuals representing diverse cultures, religions, and lifestyles in a spirit of mutual respect and open dialogue in personal, work, and community contexts. Civic Literacy 1. Participate effectively in civic life through knowing how to stay informed and understanding governmental processes. 2. Exercise the rights and obligations of citizenship at local, state, national, and global levels. 3. Understand the local and global implications of civic decisions. Work Creatively with Others 1. Develop, implement, and communicate new ideas to others effectively. Raising the 2. Be open and responsive to new and diverse perspectives; incorporate group input and Volume feedback into the work. Episode VI: A 3. Demonstrate originality and inventiveness in work, and understand the real world limits to Conversation on adopting new ideas. 4.
    [Show full text]
  • The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr.
    [Show full text]
  • James Jamerson 2000.Pdf
    able to conjure up the one lick, fill or effect that perfected albums. Live at Fillmore West exhibits Curtis the bandleader the sound. Some of his best work is found on those records. at his absolute best on a night when his extraordinary players There’s little else to say about Hal Blaine that the music included Bernard Purdie, Jerry Jemmott and Cornell Dupree. itself doesn’t communicate. But I’ll tell you one experience I His 1962 “Soul Twist” single MfclNumber One on the R&B had that showed me just how widespread his influence has charts and the Top Twenty on the pop charts, and made such been. Hal was famous for rubber-stamping his name upon an impression on Sam Cooke that he referred to it in “Having all the charts to which he contributed. In 1981, after one of a Party:” But nothing King Curtis did on his own ever scaled our concerts at Wembley Arena, Bruce asked me into his the Promethean heights of his sax work as a sideman, where dressing room. He pointed to the wall and said, “Look at he mastered the ability to be an individual within a group, that.” I looked at the wall but didn’t see anything except peel­ standing out but never overshadowing the artists he was sup­ ing wallpaper. “Look closer,” he said. Finally, I kneeled down porting and mastering the little nuances that made winners to the spot he was pointing to, and - to my great surprise - of the records on which he played. His was a rare voice j a rare in a crack in the paper, rubber-stamped on the w a ll, there it sensibility, a rare soul; and that sound - whether it be caress­ was: HAL BLAINE STRIKES AGAIN.
    [Show full text]
  • BARRY HARRIS NEA Jazz Master (1989)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BARRY HARRIS NEA Jazz Master (1989) Interviewee: Barry Harris (December 19, 1929 - ) Interviewer: Aaron Graves with recording engineer Ken Kimery Date: August 20th, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 36 pp. Graves: My name is Aaron Graves, today is August the 20th 2010. We’re here at the University of the Streets with Master Barry Harris. And we’re going to ask Mr. Harris, if you would to give us – state your name for us. Harris: Okay. Barry D. Harris. The “D” stands for Doyle. Barry Doyle Harris. Graves: Barry Doyle Harris. Harris: That’s right. Graves: That’s new to the world? Harris: All Irish all the way. Graves: Irish? Harris: Irish and English and Scottish. And born – when – December 15th, 1929. Graves: Mm-hm. Harris: In a little cabin. [laughs] Graves: When – where were you born? Harris: Where was I born? For additional information contact the Archives Center at 202.633.3270 or [email protected] Graves: Where were you born? Harris: I was born in Herman Kiefer Hospital in Detroit. You know, so Detroit was really my home, you know for quite a few years. Graves: So, mother and father. What’s your mother and father’s names? Harris: Mother’s named Bessie, father’s named Melvin. Graves: Melvin. Harris: That’s right, as you know. Graves: Alright. So who named you? Do you know who named you – your name is Barry Doyle… Harris: Don’t ask me.
    [Show full text]
  • Combat Search and Rescue in Desert Storm / Darrel D. Whitcomb
    Combat Search and Rescue in Desert Storm DARREL D. WHITCOMB Colonel, USAFR, Retired Air University Press Maxwell Air Force Base, Alabama September 2006 front.indd 1 11/6/06 3:37:09 PM Air University Library Cataloging Data Whitcomb, Darrel D., 1947- Combat search and rescue in Desert Storm / Darrel D. Whitcomb. p. ; cm. Includes bibliographical references. A rich heritage: the saga of Bengal 505 Alpha—The interim years—Desert Shield— Desert Storm week one—Desert Storm weeks two/three/four—Desert Storm week five—Desert Sabre week six. ISBN 1-58566-153-8 1. Persian Gulf War, 1991—Search and rescue operations. 2. Search and rescue operations—United States—History. 3. United States—Armed Forces—Search and rescue operations. I. Title. 956.704424 –– dc22 Disclaimer Opinions, conclusions, and recommendations expressed or implied within are solely those of the author and do not necessarily represent the views of Air University, the United States Air Force, the Department of Defense, or any other US government agency. Cleared for public release: distribution unlimited. © Copyright 2006 by Darrel D. Whitcomb ([email protected]). Air University Press 131 West Shumacher Avenue Maxwell AFB AL 36112-6615 http://aupress.maxwell.af.mil ii front.indd 2 11/6/06 3:37:10 PM This work is dedicated to the memory of the brave crew of Bengal 15. Without question, without hesitation, eight soldiers went forth to rescue a downed countryman— only three returned. God bless those lost, as they rest in their eternal peace. front.indd 3 11/6/06 3:37:10 PM THIS PAGE INTENTIONALLY LEFT BLANK Contents Chapter Page DISCLAIMER .
    [Show full text]
  • Rubber Souls: Rock and Roll and the Racial Imagination
    Rubber Souls: Rock and Roll and the Racial Imagination The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hamilton, John C. 2013. Rubber Souls: Rock and Roll and the Racial Imagination. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11125122 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Rubber Souls: Rock and Roll and the Racial Imagination A dissertation presented by Jack Hamilton to The Committee on Higher Degrees in American Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of American Studies Harvard University Cambridge, Massachusetts April 2013 © 2013 Jack Hamilton All rights reserved. Professor Werner Sollors Jack Hamilton Professor Carol J. Oja Rubber Souls: Rock and Roll and the Racial Imagination Abstract This dissertation explores the interplay of popular music and racial thought in the 1960s, and asks how, when, and why rock and roll music “became white.” By Jimi Hendrix’s death in 1970 the idea of a black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: employing an interdisciplinary combination of archival research, musical analysis, and critical race theory, this project explains how this happened, and in doing so tells two stories simultaneously.
    [Show full text]
  • Themes and Streams of American Popular Music
    CHAPTER ONE: THEMES AND STREAMS OF AMERICAN POPULAR MUSIC Chapter Outline 1. Introductory Perspectives A. Goals 1. Think creatively and critically about popular music 2. Listen to popular music and learn something about its history and the people and institutions behind it 3. Cover a wide range of music from the nineteenth century to the 1990s and beyond B. Popular music 1. Created with commercial success in mind 2. Popularity measured in numbers (e.g., how many albums sold, how many Number One hits) 3. Can be compared with styles that differ in intent as well as musical result a) Popular—strives to be commercially successful b) Classical—art for art’s sake c) Folk—created anonymously and passed down orally from generation to generation without the thought of commercial gain CHAPTER ONE: THEMES AND STREAMS OF AMERICAN POPULAR MUSIC d) Definition is problematic because many pieces of music cross the boundaries of pop, classical, and folk. (1) “Garage band” tradition of rock music—more similar to folk music than popular music (2) Difficult to separate the “artistic” from the “popular” in music such as a piano rag by Scott Joplin or the Beatles’ album Sgt. Pepper’s Lonely Hearts Club Band C. In broad terms, popular music 1. is mass-produced and disseminated via the mass media, 2. at various times has been listened to by large numbers of Americans, and 3. typically draws on a variety of musical traditions. D. Within the landscape of popular music, various styles, audiences, and institutions interact in complex ways. This landscape is always in motion, always evolving.
    [Show full text]
  • Still on the Road 1987 Early Sessions
    STILL ON THE ROAD 1987 EARLY SESSIONS FEBRUARY 19 Los Angeles, California Palomino, Hollywood, Guest Appearance at a Taj Mahal concert. Los Angeles, California Record One, Warren Zevon recording session MARCH 5 Los Angeles, California Sunset Sound Studios, Down In The Groove recording session. New York City, New York Ted Perlman’s Home 11 New York City, New York Brooklyn Academy Of Music, George Gershwin Celebration Concert 27 Los Angeles, California Sunset Sound Studios, Down In The Groove recording session. APRIL 3, 11 Los Angeles, California Sunset Sound Studios, Down In The Groove recording session. 14 Memphis, Tennessee Three Alarm Studio, Ringo Starr recording session. 20 Los Angeles, California Sports Arena, Guest Appearance at a U2 concert. Los Angeles, California Sunset Sound Studios, Interview by Elliot Mintz. MAY 1 Los Angeles, California Sunset Sound Studios, Down In The Groove recording session. JUNE Memphis, Tennessee Sun Studio, U2 recording session 16 Los Angeles, California Sunset Sound Studios, Down In The Groove recording session. Still On The Road: 1987 Early sessions 8560 Palomino Hollywood Los Angeles, California 19 February 1987 Guest Appearance at a Taj Mahal concert. 1. Matchbox (Carl Perkins) 2. Gone Gone Gone (Carl Perkins) 3. Lucille (Richard Penniman) 4. I'm Your Crosscut Saw (Albert King) 5. Bacon Fat (Andre Williams) 6. Jam 7. Knock On Wood (Steve Cropper/Eddie Floyd) 8. In The Midnight Hour (Steve Cropper/Wilson Pickett) 9. Honey Don't (Carl Perkins) 10. Blue Suede Shoes (Carl Perkins) 11. Watching The River Flow 12. Proud Mary (John Fogerty) 13. Johnny B Goode (Chuck Berry) 14.
    [Show full text]
  • And What Is Soul Music?)
    Soul Music: Tracking the Spiritual Roots of Pop from Plato to Motown Joel Rudinow http://press.umich.edu/titleDetailDesc.do?id=173611 The University of Michigan Press, 2010 I chapter 1 What Is Soul? (And What Is Soul Music?) A person’s soul is a person’s essence, that part of our being which can soar to heaven. Gospel is the music of that essence, and the church is its home. —stax museum of american soul music The basic thing is soul feeling. The same in blues as in spirituals. And also with gospel music. It is soul music. —mahalia jackson This sound was just pulled from the gospel roots and the blues roots . and they tagged it “soul music” because people just stood and sang from their guts, you know, whatever they felt, they just let it come out. —carla thomas What is “Soul”? What a question! —dick hebdige I’ve been a musician longer than I’ve been a philosopher. I started piano lessons at the age of seven. My teachers were all very serious and accom- plished classical musicians, and I’m afraid I was something of a disap- pointment to them. I think the discipline required to perform the classi- cal piano repertoire well was just too demanding and exacting for my youthful attention span and mischievous spirit. I stuck with it for about ten years, though I was clearly not going to make it as a classical pianist. But I had a good ear—good enough to get by without really developing much sight-reading ability—and anyway I was more interested in rock & roll and boogie-woogie, styles of piano playing that were developed and transmitted primarily as oral musical traditions (not essentially reliant on notation).
    [Show full text]