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By-Step Drawing Methods for Theatre Costume Designers Pdf FREE CHARACTER COSTUME FIGURE DRAWING: STEP- BY-STEP DRAWING METHODS FOR THEATRE COSTUME DESIGNERS PDF Tan Huaixiang | 350 pages | 30 Apr 2010 | Taylor & Francis Ltd | 9780240811840 | English | Oxford, United Kingdom Drama 50A - Intro to Costume Design - Drama - Research Guides at University of California Irvine Costume design is the creation of clothing for the overall appearance of a character or performer. Costume may refer to the style of dress particular to a nation, a class, or a period. In many cases, it may contribute to the fullness of the artistic, visual world which is unique to a particular theatrical or cinematic production. The most basic designs are produced to denote status, provide protection or modesty, or provide visual interest to a character. Costume design should not be confused with costume coordination which merely involves altering existing clothing, although both create stage clothes. Four types of costumes are used in theatrical design: historical, fantastical, dance, and modern. Village festivals and processions in honor of Dionysus See also: Dionysia amongst the ancient Greeks, are believed to be the origin of theatre, and therefore theatre costume. The sculpture and vase paintings provide the clearest evidence of this costume. Some masks were constructed with a cheerful as well as a serious side on the same face in an attempt to indicate a change in emotion without a change of mask. During the late Middle Ages in Europe, dramatic enactments of Bible stories were prevalent, therefore actual Christian vestments, stylized from traditional Byzantine court dress, were worn as costumes to keep the performances as realistic as possible. In most instances actors had to supply their own costumes when playing a character found in daily life. Later, in Elizabethan performance during the s in England, costume became the most important visual element. Garments were very expensive because only the finest fabrics were used. The majority of characters were clothed in Elizabethan fashion, otherwise the costumes could be divided into five categories; "Ancient", which was out of style clothing used to represent another period; "Antique", older additions to contemporary clothing to distinguish classical characters; Dreamlike, "fanciful" garments for supernatural or allegorical characters; "Traditional" clothing which represented only a few specific people, such as Robin Hood, or "National or Racial" costumes that were intended to set apart a specific group of people but did not tend to be historically accurate. Her practice soon became standard for all tragic heroines" [6] Major actors began to compete with one another as to who would have the most lavish stage dress. This practice continued until around the s when costumes became relevant to the character again. Art began to copy life and realistic characteristics were favored especially during the 19th century. For example, Georg the second, Duke of Saxe-Meiningen took personal interest in the theatre and began managing troupes. He advocated for authenticity and accuracy of the script and time period, therefore he refused to let actors tamper with their own costumes. He also made sure the materials were authentic and specific, using real chain mail, armor, swords, etc. No cheap substitutes would be allowed. Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers observed to Charles Kemblethe manager of Covent Garden, that "while a thousand pounds were frequently lavished upon a Christmas pantomime or an Easter spectacle, the plays of Shakespeare were put upon the stage with makeshift scenery, and, at the best, a new dress or two for the principal characters. His work in King John had brought about a "revolution in nineteenth-century stage practice" [12] which lasted for almost Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers century. In the first of a series of innovative modern dress productions of Shakespeare plays, Cymbelinedirected by H. Costumes in Chinese theatre are very important, especially in Beijing Opera. They are usually heavily patterned and loud in color. The standard items consist of at least pieces and describe the actors character type, age and social status through ornament, design, color and accessories. For example, the tiger stands for power and masculine strength. A majority of the clothing, regardless of rank, is made out of rich and luxurious materials. Makeup is also used symbolically and very important to the overall look. In Japanese Noh drama masks are always used and the prominent aspect of the costume. They are made of wood and usually used for generations. There are five basic types; male, female, aged, deities and monsters, all with many variations. In Kabuki, another form of Japanese theatre, actors do not wear masks but rely heavily on makeup for the overall look. Features are exaggerated or removed and for some of the athletic roles musculature is outlined in a specific pattern. Traditional costumes are used for each role, based upon historical garments that are altered for dramatic effect. The costume design process involves many steps and though they differ from genre to genre a basic method is commonly used. Analysis : The first step is an analysis of the script, musical composition, choreography, etc. Costume Parameters for the show are established and a rough costume plot is created. A costume plot outlines which character is in which scene, when the actors change, and what costumes are mentioned in the script. Design collaboration : An important phase in the process where all of the designers meet with the director. There must be a clear understanding of where the show is headed. The designers get on the same page with the director in terms of themes for the show and what message they want the audience to get from the show. Costume research : Once the director and designers are on the same page, the next step is for the Costume designer to gather research. Costume designers usually begin with world of the play research where they find research to establish the world where the play takes place. This helps the designers establish the rules of the world and then in turn understand the characters better. The designer will then go into broad research about each character to try to establish their personalities though their costume. Preliminary sketching and color layout : Once enough information is obtained, Costume designers begin by creating preliminary sketches. The Costume designer will then go into more detailed sketches and will figure out the specific costumes and colors for the character. Sketches help see the show as a whole without them having to spend too much time on them. Final sketches : Once the Costume Designer and the Director agree on the costumes and the ideas are fully flushed out, the designer will create final sketches. These are called rendering and are usually painted with watercolors or acrylic paints. These final sketches show what the designer wants the character to look like and the colors of the costume. Once the show is designed, it is necessary to plan where the items will be sourced. There are four options. Garments can be:. There are two ways a Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers can begin to be constructed; either pattern drafted or draped, and many times both methods will be used together. Pattern drafting begins by using a set of basic pattern blocks developed from the actor's measurements. They are drawn out on paper first, then transferred to fabric, and sewn together to test fit. Draping involves manipulating a piece of fabric on a dress form or mannequin that have measurements closely related to the actors. It is a process that takes a flat piece of cloth and shapes it to conform the fabric to a three-dimensional body by cutting and pinning. Once constructed, however, the costume has not finished "working. The very best costume designers build their original ideas after assessing the visual and spatial conditions of the costumes. From Wikipedia, the free encyclopedia. See also: Stage clothes. Society Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers culture. Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers design Costume designer Spirit gum. Elements and methods. Plague doctor costume Modern dress. Sesame Street Zoobilee Zoo. Batsuit utility belt Ghostface Girdle of Gaea. Category:Costume designers. Survey of Historic Costume. New York: Fairchild Publications. The Century Co. History of the Theatre. The playbill for King John states that if the play meets with "approbation and patronage" more of Shakespeare's plays will be performed "Dressed in the same splendid, novel, and interesting style". The Shakespeare blog. Retrieved The Costume Designer's Handbook. Portsmouth, NH: Heinemann. The Costume Technician's Handbook. Outline Designer. Automotive design Automotive suspension design CMF design Corrugated box design Electric guitar design Furniture design Sustainable Hardware interface design Motorcycle design Packaging and labeling Photographic lens design Product design Production design Sensory design Service design. Algorithm design Behavioural design Boiler design Character Costume Figure Drawing: Step-by-Step Drawing Methods for Theatre Costume Designers design Drug design Electrical system design Experimental design Filter design Geometric design Job design
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