AGREEMENT (“Agreement”)
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PROGRAM November 18-20, 2015 THANKS to the 2015 Children, Youth & Media Conference Sponsors
Toronto PROGRAM November 18-20, 2015 THANKS tO tHe 2015 ChIlDrEn, YoUtH & MeDiA CoNfErEnCe sponsors MAIN SPONSOR PRESTIGE SPONSORS EXCELLENCE SPONSORS 2 SPECIAL THANKS Youth Media Alliance would like to warmly thank its 2015 Children, Youth & Media Conference advisory committee: NATALIE DUMOULIN / 9 Story Media Group MARTHA SEPULVEDA / RACHEL MARCUS / Guru Studio Breakthrough Entertainment MICHELLE MELANSON CUPERUS / CLAUDIA SICONDOLFO Radical Sheep Productions JULIE STALL / Portfolio Entertainment LYNN OLDERSHAW / Kids’ CBC TRAVIS WILLIAMS / Mercury Filmworks MIK PERLUS / marblemedia SUZANNE WILSON / TVO Kids JAMIE PIEKARZ / Corus Entertainment And the volunteers: KELLY LYNNE ASHTON, KAYLA LATHAM, HENRIKA LUONG, TATIANA MARQUES, JAYNA RAN and MARCELA LUCIA ROJAS. TABLE OF CONTENTS Words from Chair .............................................................................p. 4 Words from Executive Director ............................................................p. 5 Schedule and Venue ..........................................................................p. 6 General Conference ..........................................................................p. 8 Workshop with Sheena Macrae ............................................................p. 12 Workshop with Linda Schuyler .............................................................p. 12 Prix Jeunesse Screening ....................................................................p. 13 Speakers’ Biographies .......................................................................p. -
Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
22 Février 2006 1,25$ + T.P.S
PenséePensée Pensée L'hebdo francophone #1 de la région depuis 1976! Du temps que les femmes ne vPotaienetn pas,s oné faisaiet la guerre pour elles. Maintenant qu'elles votent, on la fait pour le pétrole. PEst-ece nun progrséèse ? Boris Vian Pensée Vol. 30 No 48 Hearst On ~ Le mercredi 22 février 2006 1,25$ + T.P.S. Joël Lauzon et Annick Tremblay ont été ÀP L’INTÉRIEURensée couronnés Monsieur Carnaval et Reine du carnaval de Hearst vendredi soir dernier. Plus de 400 personnes avaient assisté la veille à la Soirée des défis ani- mée de main de maître par Fred Côté. Détecteurs de (Voir texte du carnaval en page HA11) fumée.......HA2 Saisie de drogue à Hearst........HA05 Les Élans vont chercher un gain.....HA19 Maison détruite par les flammes Page HA02 6 MERCREDI Embauche d’un ingénieur Nuageux avec éclaircies et averses Min -10; Max -3 On tente le sauvetage de l’usine de panneaux agglomérés PdP 30% JEUDI HEARST (FB) – La Ville de tissements en équipements sou- rents ministres provinciaux, eu des discussions par la suite Hearst et des employés de haitables pour améliorer le rende- incluant le ministre du avec des représentants de la com- Nuageux avec Columbia Forest Products s’im- ment et la rentabilité de l’usine. Développement du Nord, Rick pagnie. Il n’a toutefois pas voulu averse de neige Min -20; Max -8 pliquent pour tenter d’éviter la Il est question notamment de Bartolucci, le ministre des dévoiler le contenu des discus- PdP 60% fermeture de l’usine de panneaux la modernisation de séchoirs et Richesses Naturelles, David sions. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen. -
ANNUAL REPORT 2000/2001 for Period Ending March 31, 2001
ANNUAL REPORT 2000 - 2001 ANNUAL REPORT 2000/2001 For period ending March 31, 2001 Page 1 BRITISH COLUMBIA FILM YEAR IN REVIEW 2000/2001 continued to be a period of growth for the British Columbia film and television industry. For the second year in a row, the province surpassed $1 billion in total production activity. This represents the largest level of production across Canada, and retains British Columbia’s place as the busiest North American production centre outside of Los Angeles and New York. Contributing to the overall growth of the film and television sector has been the establishment of an increasingly strong indigenous independent production community. The sustained rise in B.C. owned and controlled production over the past five years marks a significant shift in the traditional structure of the B.C. industry. In 2000, indigenous production represented 30% of total production whereas in 1995 it represented only 8%. British Columbia can be confident that it has developed a strengthened domestic sector alongside its active service production industry. In October 2000, Minister of Canadian Heritage, Sheila Copps announced the long awaited Canada Feature Film Fund to be administered by Telefilm Canada. The fund will provide $100 million each year for five years through performance and selective envelopes to Canadian feature filmmakers. The Canadian broadcasting landscape was set for dramatic changes as a result of key ownership shifts brought before the CRTC for approval. BCE sought the purchase of CTV, Global vied for the assets of WIC, and a new television station license was slated for Victoria. British Columbia Film put forward written submissions and made presentations at the CRTC hearings related to these broadcast changes, seeking to ensure that benefits flowed to British Columbia’s independent production sector. -
DHX Media Ltd
A YEAR OF MILESTONES July 2007 November 2007 March 2008 Secured the worldwide television Issued 9,815,000 Units from Production began for Kid vs. Kat and home entertainment treasury at $1.80 per unit for total Season I, Animal Mechanicals distribution rights to My Spy Family. proceeds of $17,667,000. A Unit Season II, Canada’s Super Spellers consisted of one common share and Season I and Poppets Town Season August 2007 one-half of one common share I. Signed up a UK licensing agent for purchase warrant. Franny’s Feet. Canada’s Super Spellers launched Completed a strategic investment in online qualifying website. This Hour Has 22 Minutes Season Tribal Nova, an on-line game XIV was nominated for 4 Gemini developer and operator of gaming Acquired Halifax-based Bulldog Awards. and video-on-demand broadband Interactive Fitness Inc., a developer channels for children. of children’s entertainment centers. September 2007 Posted year end results for 2007 December 2007 April 2008 with revenues up 65%. Acquired Vancouver-based Studio B Signed a Canadian-Singaporean Productions Inc. with a library of collaboration with Scrawl Studios for Award-winning hit comedy series 400 half-hours of children’s new animated series RPG High. This Hour Has 22 Minutes returned programming and a current for its 15th season. production slate of seven shows The Guard was renewed for a including Kid vs. Kat for YTV, Ricky second season by Global Television. Production began on The Guard Sprocket – Showbiz Boy for Season I. Teletoon and Nickelodeon Networks May 2008 and Martha Speaks, a co-production Canada’s Super Spellers began local Shake Hands with the Devil with WGBH Boston. -
Content Everywhere (2): Securing Canada’S Place in the Digital Future
Content Everywhere (2): Securing Canada’s Place in the Digital Future White Paper by Duopoly February, 2015 1 1 Table of Contents – Content Everywhere 2 1. Content Everywhere 2: Securing Canada’s Place in the Digital Future Introduction: a. Scope of the White Paper b. 'Videofication' of the Internet Takes Hold c. The Great Unbundling d. Canada Follows Suit e. What’s Different? Note: This paper has been prepared with the input of many entertainment and 2. What are the Major Trends? media industry leaders, listed in Appendix B. The authors thank these a. The US Leads the Way individuals for their contribution to this study. b. OTTs Surging Buying Power c. More Players Jump Into the Digital-First Game Funding for this study was provided by Ontario Media Development d. Smaller Players Pioneer Original Content Corporation, the Canada Media Fund and the Independent Production e. Old Media Races to Catch Up Fund. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the 3. Preliminary Findings From Industry Reviews views of Ontario Media Development Corporation, Canada Media Fund, the Government of Ontario or the Government of Canada, or the Independent 4. Case Studies Production Fund. The funders, the Governments of Ontario and Canada and a. Canada: Annedroids; Out With Dad; Bite on Mondo; CBC ComedyCoup; their agencies are in no way bound by the recommendations contained in b. US: East Los High; Frankenstein MD; Marco Polo this document. c. UK: Ripper Street; Portal; The Crown Version disponible en français dans trends.cmf-fmc.ca/fr 5. -
Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
Electronically Filed Docket: 14-CRB-0010-CD/SD (2010-2013) Filing Date: 12/29/2017 03:37:55 PM EST Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF THE MPAA-REPRESENTED PROGRAM SUPPLIERS 2010-2013 CABLE ROYALTY YEARS VOLUME I OF II WRITTEN TESTIMONY AND EXHIBITS Gregory O. Olaniran D.C. Bar No. 455784 Lucy Holmes Plovnick D.C. Bar No. 488752 Alesha M. Dominique D.C. Bar No. 990311 Mitchell Silberberg & Knupp LLP 1818 N Street NW, 8th Floor Washington, DC 20036 (202) 355-7917 (Telephone) (202) 355-7887 (Facsimile) [email protected] [email protected] [email protected] Attorneys for MPAA-Represented Program Suppliers December 29, 2017 Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. In re DISTRIBUTION OF CABLE ROYALTY FUNDS CONSOLIDATED DOCKET NO. 14-CRB-0010-CD/SD In re (2010-13) DISTRIBUTION OF SATELLITE ROYALTY FUNDS WRITTEN DIRECT STATEMENT REGARDING DISTRIBUTION METHODOLOGIES OF MPAA-REPRESENTED PROGRAM SUPPLIERS FOR 2010-2013 CABLE ROYALTY YEARS The Motion Picture Association of America, Inc. (“MPAA”), its member companies and other producers and/or distributors of syndicated series, movies, specials, and non-team sports broadcast by television stations who have agreed to representation by MPAA (“MPAA-represented Program Suppliers”),1 in accordance with the procedural schedule set forth in Appendix A to the December 22, 2017 Order Consolidating Proceedings And Reinstating Case Schedule issued by the Copyright Royalty Judges (“Judges”), hereby submit their Written Direct Statement Regarding Distribution Methodologies (“WDS-D”) for the 2010-2013 cable royalty years2 in the consolidated 1 Lists of MPAA-represented Program Suppliers for each of the cable royalty years at issue in this consolidated proceeding are included as Appendix A to the Written Direct Testimony of Jane Saunders. -
Johnny Test CYOA (Jumpchain-Compliant!) +1000 CP
Johnny Test CYOA (Jumpchain-Compliant!) You're not sure why your benefactor put you here, really. The animation is cheap and choppy, and you're pretty sure you don't actually like anyone here. That said, a world is a world, and with any luck, you can make an impact on this one. Of course, don't be surprised if some of your plans go a bit haywire. That's just another day in the life of a boy named Johnny Test. If you want to get anything out of this trip, you'll need these. +1000 CP Good luck, and have fun in Porkbelly! Or, at least try to. See, there's two last little provisions here. Should Johnny Test or any of his enemies or family members be slain, by your hand or any other, you will fail. This includes being trapped in permanent stasis or being permanently banished/barred from the “real world” of this dimension. There is, however, a certain limit to this – Bumper is fair game. Bling-Bling Boy, on the other hand, is not. The second? You know that time machine? Traveller! You can't do that! The future will be changed! You'll create a time paradox! Section 1: Background Roll 1d8+11 to determine your age and keep your current gender, or pay 50 CP to choose your age (within the rollable range) and gender for yourself. Drop-In [Free] – You don't have any new memories or new quirks here – but nobody here knows you, and at least some of them can tell there's something off about you.. -
Page 01 Dec 11.Indd
TUESDAY 11 DECEMBER 2012 • [email protected] • www.thepeninsulaqatar.com • 4455 7741 inside Bill Murray brings COMMUNITY • QP organises seminar his charm to the on occupational health nursing role of FDR P | 4 P | 8-9 CAMPUS • QU programmes get international accreditation P | 5 HEALTH • Cells from patients’ own blood spur cancer remission: Study P | 7 RECIPE CONTEST • Participate in our recipe contest and win a dinner voucher for two P | 10 TECHNOLOGY • Best Android apps of this week Music • Apple Maps could be life-threatening: Police with passion P | 12 World-famous cellist and conductor Han-Na LEARN ARABIC Chang assumes the role of music director • Learn commonly used of Qatar Philharmonic Orchestra starting Arabic words and their September 2013, becoming the first woman meaning through the pages music director of the 101-member orchestra of Peninsula Plus. P | 2-3 since it was founded in 2007. P | 13 2 PLUS | TUESDAY 11 DECEMBER 2012 COVER STORY “Han-Na is the kind of person with a drive for continual development. After a long career as a famous cellist, she decided to rise to the conducting challenge. She combines her Asian roots with western musical traditions, and is now keen to delve further into Arabic traditions and society. She will help this orchestra grow and evolve,” Kurt Meister Executive Director Qatar Philharmonic Orchestra “Music is about emotions, heart and soul” By RaynaldRayynaald C RRiveraivere a mumusicsic didirector,rector, anandd I’I’llll ddoo my uutmosttmost to ssupportupport tthem.”hem.” turn to conducting,conducting, andand in 2007 she made her conducting Chang’sChang’g s riserir ses toto prominencepromo inencec startedstaartted asas a childchild prod-prod- debutdebut in Korea.Korea. -
Spin Master Corp. 2019 Annual Information Form
SPIN MASTER CORP. 2019 ANNUAL INFORMATION FORM March 20, 2020 TABLE OF CONTENTS Page MEANING OF CERTAIN REFERENCES .................................................................................................................. 1 TRADEMARKS, TRADE NAMES AND SERVICE MARKS ................................................................................... 1 FORWARD-LOOKING STATEMENTS ..................................................................................................................... 1 NON-IFRS FINANCIAL MEASURES ........................................................................................................................ 2 THE COMPANY ........................................................................................................................................................... 4 Incorporation and Office Address ................................................................................................................... 4 Intercorporate Relationships ............................................................................................................................ 4 BUSINESS OF THE COMPANY ................................................................................................................................. 5 General Development of the Business ............................................................................................................. 5 Overview of Business .....................................................................................................................................